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Joan Miró
Joan Miro "Sobreteixims Exhibition" Large Lithograph on Paper Limited Edition

1973

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23/100, 1974. Paper, lithograph, 43x65 cm
By Gudmund Olsen
Located in Riga, LV
23/100, 1974. Paper, lithograph, 43x65 cm
Category

Late 20th Century Abstract Abstract Prints

Materials

Paper, Lithograph

23/100, 1974. Paper, lithograph, 43x65 cm
By Gudmund Olsen
Located in Riga, LV
23/100, 1974. Paper, lithograph, 43x65 cm
Category

Late 20th Century Abstract Abstract Prints

Materials

Paper, Lithograph

23/100, 1974. Paper, lithograph, 43x65 cm
By Gudmund Olsen
Located in Riga, LV
23/100, 1974. Paper, lithograph, 43x65 cm
Category

Late 20th Century Abstract Abstract Prints

Materials

Paper, Lithograph

23/100, 1974. Paper, lithograph, 43x65 cm
By Gudmund Olsen
Located in Riga, LV
23/100, 1974. Paper, lithograph, 43x65 cm
Category

Late 20th Century Abstract Abstract Prints

Materials

Paper, Lithograph

Whitechapel Gallery Gallery London Exhibition print, Hand Signed by Sean Scully
By Sean Scully
Located in New York, NY
Sean Scully Hand Signed print Geometric Abstraction Minimalist, 1989 Offset lithograph poster Boldly signed in black marker on the front by Sean Scully 29 3/4 x 20 inches Unframed Th...
Category

1980s Abstract Abstract Prints

Materials

Lithograph, Offset

Pisces
Located in Llanbrynmair, GB
’Untitled’ By Yutaka Takayanagi. Medium - Relief with lithographic print Edition - 4/50 Signed - Yes Size - 790mm x 570mm Date - 1977 Condition - Excellent. 10 out of 10. Born in Tokyo in 1941, Takayanagi's artistic journey began when he enrolled at Tokyo University of the Arts in 1960, studying under the renowned oil painter Kaoru Yamaguchi. His talent was quickly recognized when he received an Honorable Mention at the 8th Shell Arts Award Exhibition in the same year. During his time at university, Takayanagi took an intensive course in copper plate printing under Tetsuro Komai, receiving his degree from the graduate school in 1966. Fascinated by the simultaneous color print method, he started creating copperplate prints and soon gained recognition for his unique metallic reliefs, which he produced using collages of English newspapers. Takayanagi's passion for experimentation led him to create metallic emboss reliefs using his own photographs, and in the latter half of the 1980s, he moved on to silkscreen prints. He continued to push the boundaries of his art, constantly exploring new techniques and mediums. In 1978 and the following year, Takayanagi was appointed as an arts researcher for the Ministry of Culture and traveled to the United States, France, and the UK. These experiences enriched his artistic perspective and further cemented his reputation as a highly regarded artist. Takayanagi was part of the influential printmaking group Sosaku Hanga, which emerged in the early 20th century in Japan. This movement emphasized the artist's involvement in every stage of the printmaking process, from designing the image to carving and printing the blocks. Takayanagi's work often incorporates elements of nature and landscape, with an emphasis on texture and pattern. He also experimented with collage, incorporating found materials like newspaper clippings and photographs into his prints. Takayanagi's work has been exhibited extensively in Japan and internationally, including at the Museum of Modern Art in New York and the National Museum of Modern Art in Tokyo. He has also received numerous awards for his contributions to printmaking, including the Japan Print Association Award and the Purple Ribbon Medal...
Category

1970s Abstract Abstract Prints

Materials

Lithograph

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