Joan Miró

One Plate, from Ubu au Baléares

1971

Lithograph printed in colours, 1969, signed in pencil and numbered from the edition of 60, on handmade Barcham Green paper, printed and published by the Curwen Studio, with their bli...

First edition, from the edition of 250 copies on Vélin d’Arches from a total edition of 270; large 4to (42.2 x 32 cm); artist’s signature stamp to limitation page, 150 lithographs after Giacometti, loose as issued in publisher's printed wrappers, glassine wrappers, cloth chemise and slipcase. Giacometti’s testament to art and modern life in his beloved Paris. For Tériade it would be a milestone, the last great publication he would see through the press. The two men [Tériade and Giacometti] had maintained a close friendship ever since the Surrealist Years. The one hundred and fifty lithographs are a profoundly interpenetrating view of Giacometti's experience of Paris. He selected the plates to be printed and determined the order of their relationship, numbering each one. The frontispiece shows a nude figure of a woman plunging forward, as though diving into space, and is immediately followed by a quantity of views of city streets, then of interiors familiar to the artist. We come upon views of his studio, of the cafes he frequented, of Annette's apartment in the rue Mazarine and Caroline's in the Avenue du Maine, strangers at cafe tables, passers by, parked automobiles, the towers of Saint-Suplice, bridges across the Seine, The Eiffel Tower. To accompany the hundred and fifty plates, a text of twenty pages was planned, but the artist never got further than a few rough drafts. True, he was a devotee of words, Paris sans fin, however, said too much to the eye to be in need of other symbols (James Lord...

Lithograph in colours, 1992, signed, dated and numbered from the edition of 50 in pencil (there were also fifteen artist's proofs), printed by London Underground printers, published ...

Lithograph in colours, 1971, on special Arjomari paper, signed, dated and numbered an AP aside from the edition of 78, published by Gemini G.E.L., Los Angeles, sheet: 96.5 x 96.5 cm....

Artist: Norman Rockwell Title: Top Hat And Tails Year created: 1976 Signed by the artist Medium: 14-Color Lithograph on papier d'Arches Edition:9/200 Height (inches): 34 Width (inches): 28 unframed Born in New York City in 1894, Norman Rockwell always wanted to be an artist. At age 14, Rockwell enrolled in art classes at The New York School of Art (formerly The Chase School of Art). Two years later, in 1910, he left high school to study art at The National Academy of Design. A 14-Color Lithograph on papier d'Arches, hand proof and printed at Atelier Ettinger. Signed in pencil and numbered by Norman Rockwell in February 1976.

Artist: Alexander Calder Title: Papoose Medium: Color Lithograph Year: 1969 Dimensions: 28 x 43 in Signed "Calder" lower right. Numbered 9/75 Published by Maeght, Paris Condition: Ex...

Artist: Alexander Calder Title: Le Bateau Lavoir (The Laundry Boat) Year: 1969 Medium: Lithograph Edition: 73/75 Numbered 73/75 in pencil, lower margin ...

Nocturne is an original limited edition lithograph by the African American artist Hughie Lee-Smith printed using hand lithography techniques on archival Arches paper, 100% acid free. Nocturne is a mysterious, surreal stage-like theatrical scene featuring a dramatic deep midnight blue night sky with two young black women each wearing pink clothing...