Items Similar to #42. Aloe Mucronato
Want more images or videos?
Request additional images or videos from the seller
1 of 5
Johann Wilhelm Weinmann#42. Aloe Mucronato1737-1745
1737-1745
About the Item
JOHANN WILHELM WEINMANN.
Phytanthoza Iconographia….
Published by Raisbonae.
Regensburg, 1735-47.
Engraved by J.J. Haid, J.E. Ridinger, B. Seuter and G.D. Ehret.
Hand-colored mezzotint engravings.
14k Gold Leaf Frame
10.25” to 10.75” x 15.5 to 18.25”
1025 plates.
At $13.00 per volume, the four volumes of Weinmann’s Phytanthoza Iconographia, from the library of Don Antonio, may have seemed a bit expensive in 1824. However, the directors of the Library Company considered the materia medica, the most extensive compendium to that time, worth the money and acquired it for the Loganian Library. We applaud their wisdom.
Compiled under the supervision of Weinmann, a Ratisbon apothecary, this interesting and valuable 18th century florilegium contains 1,025 plates of plants, trees, fruits and vegetables. Various artists were employed in the production, including the distinguished German botanical draughtsman Georg Dionysius Ehret. The text in Latin and German was the work of Johann Georg Dieterichs, his son Ludwig Michael Dieterichs and Ambrose Karl Bieler.
The Phytanthoza Iconographia is remarkable not only for the beauty and accuracy of its illustrations, but also for its successful use of color printing. It is considered the premier work in mezzotint engravings. Most of the plates have solid areas in colored mezzotint; the watercolor details were added later by hand. The frontice piece and two portraits, printed in blue, are the work of the Augsburg mezzotinter Johann Jakob Haid who with his fellow citizens, Ridinger and Seuter did the engravings of the plants.
References: Great Flower Books: 1700 – 1900. Sitwell. Atlantic Monthly Press. NY, 1990.
The Art of the Plant World. Rix. Overlook Press. NY, 1982.
- Creator:Johann Wilhelm Weinmann (1683 - 1741, German)
- Creation Year:1737-1745
- Dimensions:Height: 26 in (66.04 cm)Width: 21.25 in (53.98 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Wonderful example of 18th Century fascination with botany. Of note is the ornate pot chosen for this rare (to Europe) species. Clean paper. Full margins. Sharp, crisp image. Strong original hand-coloring.
- Gallery Location:Florham Park, NJ
- Reference Number:
About the Seller
5.0
Gold Seller
These expertly vetted sellers are highly rated and consistently exceed customer expectations.
1stDibs seller since 2014
161 sales on 1stDibs
Typical response time: 3 hours
- ShippingRetrieving quote...Ships From: Florham Park, NJ
- Return PolicyA return for this item may be initiated within 1 day of delivery.
More From This SellerView All
- Meriana (Bugle Lily)By Georg Dionysius EhretLocated in Florham Park, NJGEORGE DIONSYSIUS EHRET (1708-1770). Plantae Selectae.... Text by Dr. Christoph Trew. Drawn by Georg Dionsysius Ehret. Engraved by Johannes Jacobus and Johannes Elias Haid. Nuremberg, 1750-73. Hand-colored engravings. Titles highlighted with goldleaf. 100 plates. 19.5” x 13.5” Unframed. A supplement of 20 plates issued by B.C. Vogel in 1790. "The dominant influence in botanical art during the middle years of the 18th century." "One of the finest records of cultivated flowers..." "His accuracy and general excellence as a true botanical artist have never been equaled." Ehret’s praises have been sung throughout the centuries. While his training was in gardening, Ehret's true talents were in his art. Drawing the specimens from life in the garden's in which he labored won Ehret his employer's praise and his co-workers jealousy. Not only were his botanical portraits highly accurate in every technical detail, they reflected an awe-inspiring love of subject. A restless man, Ehret wandered from Heidelberg through Germany to Vienna and Basle, working his way to Paris and finally settling in London. He was honored by peers and patrons wherever he traveled. Ehret's list of benefactors include the most brilliant and generous members of society in his day. However, it was Christoph Trew, a wealthy physician, lifelong supporter and friend, who published the work for which Ehret is best known, Plantae Selectae. Ehret went to Leiden to meet Carolus Linnaeus and they became the best of friends. It is the Linnaen classification of plants to which Ehret subscribed. In distinguishing of the sexual systems of plants and the cross-sectioning of specimens, based on the teachings of Linnaeus, Ehret's illustrations have become the standard followed by horticulturists throughout the centuries. Ehret is the only foreigner to be elected a Fellow of the Royal Society in England. The illustrations for Plantae Selectae were printed in black and white and painstaking colored by hand at the time of publication. The color is superb! All of the initial words of the titles were gilded; a glorious tribute to an achievement of excellence. Various scholars at the time of publication praised the book highly, singling out the excellent quality of Ehret's watercolor studies, as well as Haid's fidelity to them. In a letter to Linnaeus in the 1750's, Dr. Trew called the book "one of the miracles of our century in the natural sciences." In the 1960's, Claus Nissen wrote "the Plantae Selectae became the most beautiful German plant...Category
1750s Academic Prints and Multiples
MaterialsGold Leaf
- Guanabanus (Guabana or Soursop Fruit)By Georg Dionysius EhretLocated in Florham Park, NJGEORGE DIONSYSIUS EHRET (1708-1770). Plantae Selectae.... Text by Dr. Christoph Trew. Drawn by Georg Dionsysius Ehret. Engraved by Johannes Jacobus and Johannes Elias Haid. Nuremberg, 1750-73. Hand-colored engravings. Titles highlighted with goldleaf. 100 plates. 19.5” x 13.5” Unframed. A supplement of 20 plates issued by B.C. Vogel in 1790. "The dominant influence in botanical art during the middle years of the 18th century." "One of the finest records of cultivated flowers..." "His accuracy and general excellence as a true botanical artist have never been equaled." Ehret’s praises have been sung throughout the centuries. While his training was in gardening, Ehret's true talents were in his art. Drawing the specimens from life in the garden's in which he labored won Ehret his employer's praise and his co-workers jealousy. Not only were his botanical portraits highly accurate in every technical detail, they reflected an awe-inspiring love of subject. A restless man, Ehret wandered from Heidelberg through Germany to Vienna and Basle, working his way to Paris and finally settling in London. He was honored by peers and patrons wherever he traveled. Ehret's list of benefactors include the most brilliant and generous members of society in his day. However, it was Christoph Trew, a wealthy physician, lifelong supporter and friend, who published the work for which Ehret is best known, Plantae Selectae. Ehret went to Leiden to meet Carolus Linnaeus and they became the best of friends. It is the Linnaen classification of plants to which Ehret subscribed. In distinguishing of the sexual systems of plants and the cross-sectioning of specimens, based on the teachings of Linnaeus, Ehret's illustrations have become the standard followed by horticulturists throughout the centuries. Ehret is the only foreigner to be elected a Fellow of the Royal Society in England. The illustrations for Plantae Selectae were printed in black and white and painstaking colored by hand at the time of publication. The color is superb! All of the initial words of the titles were gilded; a glorious tribute to an achievement of excellence. Various scholars at the time of publication praised the book highly, singling out the excellent quality of Ehret's watercolor studies, as well as Haid's fidelity to them. In a letter to Linnaeus in the 1750's, Dr. Trew called the book "one of the miracles of our century in the natural sciences." In the 1960's, Claus Nissen wrote "the Plantae Selectae became the most beautiful German plant...Category
1750s Academic Prints and Multiples
MaterialsGold Leaf
- Urtica (Nettle)By Georg Dionysius EhretLocated in Florham Park, NJGEORGE DIONSYSIUS EHRET (1708-1770). Plantae Selectae.... Text by Dr. Christoph Trew. Drawn by Georg Dionsysius Ehret. Engraved by Johannes Jacobus and Johannes Elias Haid. Nuremberg...Category
1750s Academic Prints and Multiples
MaterialsGold Leaf
- Heliocarpus (Tree, Malvales)By Georg Dionysius EhretLocated in Florham Park, NJGEORGE DIONSYSIUS EHRET (1708-1770). Plantae Selectae.... Text by Dr. Christoph Trew. Drawn by Georg Dionsysius Ehret. Engraved by Johannes Jacobus and Johannes Elias Haid. Nuremberg, 1750-73. Hand-colored engravings. Titles highlighted with goldleaf. 100 plates. 19.5” x 13.5” Unframed. A supplement of 20 plates issued by B.C. Vogel in 1790. "The dominant influence in botanical art during the middle years of the 18th century." "One of the finest records of cultivated flowers..." "His accuracy and general excellence as a true botanical artist have never been equaled." Ehret’s praises have been sung throughout the centuries. While his training was in gardening, Ehret's true talents were in his art. Drawing the specimens from life in the garden's in which he labored won Ehret his employer's praise and his co-workers jealousy. Not only were his botanical portraits highly accurate in every technical detail, they reflected an awe-inspiring love of subject. A restless man, Ehret wandered from Heidelberg through Germany to Vienna and Basle, working his way to Paris and finally settling in London. He was honored by peers and patrons wherever he traveled. Ehret's list of benefactors include the most brilliant and generous members of society in his day. However, it was Christoph Trew, a wealthy physician, lifelong supporter and friend, who published the work for which Ehret is best known, Plantae Selectae. Ehret went to Leiden to meet Carolus Linnaeus and they became the best of friends. It is the Linnaen classification of plants to which Ehret subscribed. In distinguishing of the sexual systems of plants and the cross-sectioning of specimens, based on the teachings of Linnaeus, Ehret's illustrations have become the standard followed by horticulturists throughout the centuries. Ehret is the only foreigner to be elected a Fellow of the Royal Society in England. The illustrations for Plantae Selectae were printed in black and white and painstaking colored by hand at the time of publication. The color is superb! All of the initial words of the titles were gilded; a glorious tribute to an achievement of excellence. Various scholars at the time of publication praised the book highly, singling out the excellent quality of Ehret's watercolor studies, as well as Haid's fidelity to them. In a letter to Linnaeus in the 1750's, Dr. Trew called the book "one of the miracles of our century in the natural sciences." In the 1960's, Claus Nissen wrote "the Plantae Selectae became the most beautiful German plant...Category
1750s Academic Prints and Multiples
MaterialsGold Leaf
- Monarda (aka Bee Balm, Bergamot)By Georg Dionysius EhretLocated in Florham Park, NJGEORGE DIONSYSIUS EHRET (1708-1770). Plantae Selectae.... Text by Dr. Christoph Trew. Drawn by Georg Dionsysius Ehret. Engraved by Johannes Jacobus and Johannes Elias Haid. Nure...Category
18th Century and Earlier Academic Prints and Multiples
MaterialsGold Leaf
- #65. Aloe FeroxBy Johann Wilhelm WeinmannLocated in Florham Park, NJJOHANN WILHELM WEINMANN. Phytanthoza Iconographia…. Published by Raisbonae. Regensburg, 1735-47. Engraved by J.J. Haid, J.E. Ridinger, B. Seuter and G.D. Ehret. Hand-colored mezzotin...Category
18th Century and Earlier Academic Prints and Multiples
MaterialsGold Leaf
You May Also Like
- “Innocent Captivation Amusement Pastorale”By Anthony CardonLocated in Southampton, NYOriginal stipple engraving on a verge type of hand laid paper. The overall size of the engraving is 15.75 inches by 12.75 inches The image size of the engraving is 14 inches by 12 i...Category
Early 1800s Academic Figurative Prints
MaterialsEngraving, Laid Paper
- "The Temptation of Saint Anthony " Etching, SignedBy Fernand CormonLocated in Milwaukee, WI"The Temptation of Saint Anthony" is an original etching by Fernand Cormon. This piece has the artist's stamp. The piece is signed in pencil by the artis...Category
1890s Academic Figurative Prints
MaterialsEtching, Paper, Ink, Laid Paper
- “Les Revers de la Fortune”Located in Southampton, NYOriginal stipple engraving with colors titled “Les Revers de la Fortune” (Reversal of Fortune) by the well known French engraver, Louis Marin Bonnet...Category
1780s Academic Interior Prints
MaterialsLaid Paper, Engraving
- “Returning Home”By Hermanus Jan Hendrik RijkelijkhuysenLocated in Southampton, NYOriginal etching on Ingres laid paper (watermarked, see last photograph) attributed to the hand of the well known Dutch artist, Hermanus Jan Hendrik Rijkelijkhuysen. No visible signature. Sheet size 9.25 by 12 inches. Sight size 7 by 9 inches. Under glass. Circa 1875. Condition is excellent. Professionally matted and framed in a walnut colored frame with gold leaf edge. Overall framed measurements are 12.75 by 14.5 inches. Gallery label verso. Provenance: A Sarasota, Florida collector. Biography: Hermanus Jan Hendrik Rijkelijkhuysen (1813-1883) was a landscape painter and etcher. Rijkelijkhuysen spent most of his life working in the vicinity of his birthplace Utrecht. Inspired by the polders on the one hand and the Utrechtse Heuvelrug on the other, he mainly painted and etched water...Category
1870s Academic Landscape Prints
MaterialsLaid Paper, Etching
- Horse and Woman Gold Leaf Screen Print by LebadangBy Hoi LebadangLocated in Long Island City, NYArtist: Lebadang, Vietnamese (1922 - 2015) Title: Untitled - Horse and Woman Medium: Silkscreen, signed in pencil Edition: EA Size: 30 x 22 in. (76.2 x...Category
1970s Academic Landscape Prints
MaterialsGold Leaf
- Carrying Fruit Gold Leaf Screenprint by LebadangBy Hoi LebadangLocated in Long Island City, NYArtist: Lebadang, Vietnamese (1922 - 2015) Title: Untitled - Carrying Fruit Medium: Silkscreen, signed in pencil Edition: EA Size: 47 x 20.5 in. (119.38 x 52.07 cm)Category
1970s Academic Figurative Prints
MaterialsGold Leaf
Recently Viewed
View AllMore Ways To Browse
Area 42
Antique Tape
Four Flower Prints
Antique Print Press
Antique Leaf Prints
Vegetable Print
German Botanical Print
Blue Botanical Print
Plant Press
Antique Printing Press
Antique Printing Presses
Printing Press Antique
Antique Paper Money
Antique Plates Ny
Color Mezzotint
Portrait German 18th Century
18th Century Botanical Plate
Botanical Gold Leaf