Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 7

Ken Price
Texas Turtle Cup By Ken Price

1971

About the Item

"Texas Turtle Cup" 12,000.00 Ken Price 16 color screenprint Edition of 75 signed and numbered in pencil 1971 41 x 32.5'' Ken Price (1935 - 2012) received a BFA from the University of Southern California after studying at Chouinard Art Institute, and Otis Art Institute with Peter Voulkos. He was part of the Otis group, which was instrumental in transforming clay from a craft medium into a vehicle for personal aesthetic expression. Any attempt to simply delimit Price's work in relation to art or craft, sculpture or pottery, is problematic, as his work effortlessly traverses these artificial divisions. In 1959, Price received an MFA from the New York State College of Ceramics at Alfred University. Price’s work has appeared in countless exhibitions since his first solo installation at Ferus Gallery in Los Angeles in 1960. He has had over sixty one-person exhibitions at galleries and institutions, including L.A. Louver Gallery, Venice; Walker Art Center, Minneapolis; The Menil Collection, Houston; Leo Castelli Gallery, New York; Contemporary Arts Museum, Houston; Santa Barbara Museum of Art; and the Los Angeles County Museum of Art. His work has been included in many prestigious group exhibitions including Made in California, 1900-2000, Los Angeles County Museum of Art; Contemporary Ceramics, Metropolitan Museum of Art, New York; Sunshine and Noir: Art in L.A. 1960-1997, UCLA Hammer Museum, Los Angeles, and Louisiana Museum, Denmark; and 1981 Biennial Exhibition, Whitney Museum of American Art, New York. Price has recently had three major retrospectives- 2012 Ken Price Retrospective Fall 2012 Los Angeles County Museum of Art, Los Angeles, CA 2013 Ken Price Retrospective Metropolitan Museum of Art, New York, NY 2013 Ken Price Retrospective Winter 2013 Nasher Sculpture Center, Dallas, TX Contemporary of Peter Voulkos, Billy Al Bengston, John Mason, Mike Frimkess, Paul Soldner, Henry Takemoto and Jerry Rothman Provenance- Gemini GEL, Los Angeles The Nevica Project, Chicago
  • Creator:
    Ken Price (1935, American)
  • Creation Year:
    1971
  • Dimensions:
    Height: 41 in (104.14 cm)Width: 32.5 in (82.55 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    Wear consistent with age.
  • Gallery Location:
    Morton Grove, IL
  • Reference Number:
    Seller: student of Peter Voulkos1stDibs: G14040136285

More From This Seller

View All
Bubble Shadows Print 13 by Brad Miller (INV# NP3192)
By Brad Miller
Located in Morton Grove, IL
Brad Miller Bubble Shadows Print 13 screen print on Arches Infinity 100% cotton paper 25 x 20" 2006 signed *edition of 25 Brad Miller was born in Hillsboro, Oregon in 1950. He rece...
Category

Early 2000s Contemporary Abstract Prints

Materials

Screen

Bubble Shadows Print 5 by Brad Miller (INV# NP3190)
By Brad Miller
Located in Morton Grove, IL
Brad Miller Bubble Shadows Print 5 screen print on Arches Infinity 100% cotton paper 25 x 20" 2006 signed Brad Miller was born in Hillsboro, Oregon in 1950. He received his M.F.A. i...
Category

Early 2000s Contemporary Prints and Multiples

Materials

Screen

Bubble Shadows Print 9 by Brad Miller (INV# NP3191)
By Brad Miller
Located in Morton Grove, IL
Brad Miller Bubble Shadows Print 9 screen print on Arches Infinity 100% cotton paper 25 x 20 2006 signed edition of 25
Category

Early 2000s Contemporary Prints and Multiples

Materials

Screen

Bubble Shadows Print 17 by Brad Miller (INV# NP3194)
By Brad Miller
Located in Morton Grove, IL
Brad Miller Bubble Shadows Print 17 screen print on Arches Infinity 100% cotton paper 25 x 20" 2006 signed *edition of 25 Brad Miller was born in Hillsboro, Oregon in 1950. He rece...
Category

Early 2000s Contemporary Prints and Multiples

Materials

Screen

Bubble Shadows Print 16 by Brad Miller (INV# NP3193)
By Brad Miller
Located in Morton Grove, IL
Brad Miller Bubble Shadows Print 16 screen print on Arches Infinity 100% cotton paper 25 x 20" 2006 signed *edition of 25 Brad Miller was born in Hillsboro, Oregon in 1950. He rece...
Category

Early 2000s Contemporary Prints and Multiples

Materials

Screen

Bubble Shadows Print 20 by Brad Miller (INV# NP3125)
By Brad Miller
Located in Morton Grove, IL
Brad Miller Bubble Shadows Print 20 screen print on Arches Infinity 100% cotton paper 25 x 20" 2006 signed *edition of 25 Brad Miller was born in Hillsboro, Oregon in 1950. He rece...
Category

Early 2000s Contemporary Prints and Multiples

Materials

Screen

You May Also Like

Japanese Living Room - Modern Geometric Screen Print
By Yuichiro Kato
Located in Soquel, CA
A minimal geometric silkscreen of a traditional Japanese living room with cushions and a portable hand warmer by Yuiichiro Kato (Japanese, b- 1926). Displayed in a metal frame. Image...
Category

1970s Post-Modern Interior Prints

Materials

Printer's Ink, Laid Paper, Screen

Michael Knigin 1971 Original Screenprint "Special Bird"
By Michael Knigin
Located in New York, NY
Michael Knigin (American, b. 1942) Special Bird, 1971 Screenprint Sight: 27 1/4 x 17 1/2 in. Framed: 31 x 20 1/4 x 1 in. Signed, titled, numbered bottom Edition 28/100, Printed by Ch...
Category

1970s Post-Modern Figurative Prints

Materials

Screen

EYEYEYE
By General Idea
Located in Toronto, Ontario
In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant contribution to postmodern and conceptual art in Canada and beyond. The group was both prolific and multi-disciplinary long before it became de rigueur. They with photography, sculpture, painting, mail art, video, installation, multiples, and performance. While the medium frequently changed, General Idea early introduced talismans or logos that they would revisit and re-envision, including skulls, ziggurats, and poodles. (The EyeEye crest, for example, reappears in 1993 as a benefit print for the International Festival of Authors) This print comes from "Fear Management": a set of 8 prints...
Category

1980s Post-Modern Figurative Prints

Materials

Screen

Nine Lives
By General Idea
Located in Toronto, Ontario
In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant cont...
Category

1980s Post-Modern Figurative Prints

Materials

Screen

Cornucopia
By General Idea
Located in Toronto, Ontario
In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant contribution to postmodern and conceptual art in Canada and beyond. The group was both prolific and multi-disciplinary long before it became de rigueur. They use photography, sculpture, painting, mail art, video, installation, multiples, and performance. With their subversive approach and interest in parody and appropriation, General Idea addressed a broad range of social (and art-world) issues such as the cult of the artist, mass media, queer identity, and consumerism. Thematic continuity was a key element in General Idea's work. Early on they introduced talismans or logos that they would revisit and re-envision, including skulls, ziggurats, and poodles. This print comes from "Fear Management": a set of 8 prints...
Category

1980s Post-Modern Figurative Prints

Materials

Screen

The Honeymoon is Over
By General Idea
Located in Toronto, Ontario
In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant contribution to postmodern and conceptual art in Canada and beyond. The group was both prolific and multi-disciplinary long before it became de rigueur. They with photography, sculpture, painting, mail art, video, installation, multiples, and performance. With their subversive approach and interest in parody and appropriation, General Idea addressed a broad range of social (and art-world) issues such as the cult of the artist, mass media, queer identity, and consumerism. Thematic continuity was a key element in General Idea's work. Early on they introduced talismans or logos that they would revisit and re-envision, including skulls, ziggurats, and poodles. This print comes from "Fear Management": a set of 8 prints that celebrates some of General Idea's defining and most beloved motifs by situating them on a crest. This showcases their clever blend of historical fantasy and invented patrimony. Many of these self-mythologizing crests debuted in 1986 during their exhibition at the Albright-Knox Art Gallery in Buffalo entitled: The Armoury of the 1984 Miss General Idea Pavillion. This series is a defining example of one of General Idea's most iconic motifs, the crest, which showcases their clever blend of historical fantasy and invented patrimony. Centered on a handpainted background, "The Honeymoon...
Category

1980s Post-Modern Figurative Prints

Materials

Screen

Recently Viewed

View All