Landscape Prints

A POINT OF HONOR is an original hand drawn limited edition lithograph(not a photo reproduction or digital print) by the British artist, Michael Hasted printed using hand lithography on archival Somerset paper, 100% acid free. A POINT OF HONOR is a surrealist composition portraying a curious interior scene featuring a full green leafy tree positioned behind a floating concrete sphere...

A cascading waterfall fills Chiyo’s Pond, named after an ancient samurai’s wife. Cherry trees in full bloom line the banks of the pond. The reflections of the trees in the pond are a notable feature, as Hiroshige did not use reflections in very many of his prints, as it was something of an exotic import. From the series One Hundred Famous Views of Edo...

"Double Landscape" is an original two-plate landscape etching by Joseph Rozman. This artwork features two surreal landscape scenes in black and white. 2 1/2" x 3 1/4" art 11 5/8" x...

Great American Landscape I Charles Magistro, (1942) Date: 1980 Screenprint, signed and numbered in pencil Edition of 300, AP 45 Image Size: 25.5 x 21 inches Size: 29 in. x 24 in. (73...

American Trotting Horses No.1 is from the series “The World Of Currier And Ives as interpreted by Salvador Dali” published by Phyllis...

An original lithograph by Salvador Dali, 1973. Created for the suite, "Colibri", which consists of two original lithographs. This piece is hand signed and marked P.A. from an unre...

Salvador Dali - Oil Refining - from "Hommage a Léonardo de Vinci" Original Etching Dimensions: 76 x 56 cm 1975 Edition: EA /60 Handsigned and numbered Refe...

Fred Deux - Grey III - Signed Original Etching Signed and Numbered Edition of 100 Dimensions: 24 x 14 cm Fred Deux Fred Deux, illustrator, oral poet, writer, and, under the pseudonym Jean Douassot, author of a cult book, La Gana, was a singular artist who cannot be categorised in terms of art fashions and trends. This autodidact, born in the basement of a large house in Boulogne-Billancourt to a working-class family, constantly had to overcome, as he would say. “He had to overcome”: overcome the basement walls to access the life which called him and burnt inside him. Overcome the barriers between the arts, moving from drawing to the written word, and from the page to the tape recorder, in the face of which he recounted stories to himself in a sort of endless reverie, constantly exploring the unknown in him. Overcoming and being overcome: gradually immersing himself in drawing, so that it was life itself which overcame him and surrendered to him. Timeline 1924 Born in Boulogne-Billancourt, Paris. The Deux family lived in the basement of a building close to the Seine that was often flooded. These living conditions formed the biographical core around in which the artist would develop his work as a future writer and artist. 1942 Deux worked in a factory as an electrician and night guard. 1943 Deux becomes part of the FTP group to resist against the factory. And then joined the Maquis du Doubs. 1945 At the liberation, Deux joined the Moroccan Goumier, and took part of the campaigns of Vosges, Alsace and Germany. 1947 Returned to France. Installation in Marseille. Worked in an important library that belonged to the family of his wife. 1948 Discovered Breton, Bataille, Cendrars, Peret, Sade... and founded the sub-group of Surrealists in Marseille and formed a link with the literary magazine of Marseille, Cahiers du Sud Encounters the works of Paul Klee. He begins creating his first stains with paint for bicycle and impressions (fabric and ink). At the same time, he begins to take notes for what would become "Les Rats", first version of "La Gana". 1951 Meets Cecile Reims...

Velasquez Le Reddition De Breda is one of six graphics from the series Changes in Great Masterpieces published by Sidney Lucas, ...

Marc CHAGALL Couple over the Town MEDIUM : Stone lithograph (engraved by Sorlier) PRINTER : Mourlot workshop YEAR : 1972 SIGNATURE : Unsigned SIZE : 72 x 52 cm (c. 29 x 21") I...

The Angel Drove Out The Fiery Flame is based on passages from the Book of Daniel and depicts the fiery furnace in tones of grey. When three men refuse to bow down to a statue of the ...

Great American Canyon Charles Magistro, (1942) Date: 1980 Screenprint, signed and numbered in pencil Edition of 300, AP 45 Image Size: 24 x 28 inches Size: 30 in. x 34 in. (76.2 cm x...

Dramatic imagery from FILM NOIR series of black and white monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett crea...

Fire, Fire, Fire an original signed limited edition lithograph from the series “The World Of Currier And Ives as interpreted by Salvador Dali” pub...

Artist: Charles Magistro Title: Valley Hose Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: 300 Paper Size: 30 x 35 inches

Fred Deux - Cosmic Root - Signed Original Serigraphy Signed and Numbered on Z (Edition of 26) Dimensions: 76 x 56 cm Fred Deux Fred Deux, illustrator, oral poet, writer, and, under...

Standing Man Color lithograph, edition 10/50 pencil signed Size: image 55x47framed 59x51x1.5 Saul Steinberg was a Romanian cartoonist and illustrator best known for his iconic con...

Artist: Howard Kanovitz, American (1929 - 2009) Title: The Ground Above Us Year: 1980 Medium: Lithograph, Signed and Numbered in Pencil Edition: 125 Paper Size: 32.5 x 24 inches (82...

Katie Edwards Little Jungle Limited Edition 3 Colour Silkscreen Print Edition of 100 Mounted Size: H 40.5cm x W 30.5cm x D 0.5cm Sold Unframed (Please note that in situ images are pu...

Artist: Peter Milton, American (1930 - ) Title: Light Sweet Crude Year: 1996 Medium: Intaglio Etching, signed and numbered in pencil Edition: 175 Image Size: 18 x 15 inches Size: 26 ...

"Venise en Fleurs" is an original color lithograph by Andre Masson. This piece is from the "Je Reve" (I Dream) portfolio of 1975. The edition number, written lower left, is H.C. XXV/...

Artist: Roberto Matta, Chilean (1911 - 2002) Portfolio: Centre Neouds Year: 1974 Medium: Suite of 10 Aquatint Etchings on Japon paper, each signed and numbered in pencil Edition: 12...

Fred Deux - Grey I - Signed Original Etching Signed and Numbered Edition of 100 Dimensions: 24 x 14 cm Fred Deux Fred Deux, illustrator, oral poet, writer, and, under the pseudonym Jean Douassot, author of a cult book, La Gana, was a singular artist who cannot be categorised in terms of art fashions and trends. This autodidact, born in the basement of a large house in Boulogne-Billancourt to a working-class family, constantly had to overcome, as he would say. “He had to overcome”: overcome the basement walls to access the life which called him and burnt inside him. Overcome the barriers between the arts, moving from drawing to the written word, and from the page to the tape recorder, in the face of which he recounted stories to himself in a sort of endless reverie, constantly exploring the unknown in him. Overcoming and being overcome: gradually immersing himself in drawing, so that it was life itself which overcame him and surrendered to him. Timeline 1924 Born in Boulogne-Billancourt, Paris. The Deux family lived in the basement of a building close to the Seine that was often flooded. These living conditions formed the biographical core around in which the artist would develop his work as a future writer and artist. 1942 Deux worked in a factory as an electrician and night guard. 1943 Deux becomes part of the FTP group to resist against the factory. And then joined the Maquis du Doubs. 1945 At the liberation, Deux joined the Moroccan Goumier, and took part of the campaigns of Vosges, Alsace and Germany. 1947 Returned to France. Installation in Marseille. Worked in an important library that belonged to the family of his wife. 1948 Discovered Breton, Bataille, Cendrars, Peret, Sade... and founded the sub-group of Surrealists in Marseille and formed a link with the literary magazine of Marseille, Cahiers du Sud Encounters the works of Paul Klee. He begins creating his first stains with paint for bicycle and impressions (fabric and ink). At the same time, he begins to take notes for what would become "Les Rats", first version of "La Gana". 1951 Meets Cecile Reims...

Maurice Pasternak has created a surreal landscape that includes several spirit-like creatures seeming to wander in an unknown terrain. He moves images around on the paper to create a...

Artist: David Becker, American (1937 - ) Title: Monuments Year: 1980 Medium: Etching, Signed and numbered in pencil Edition: AP IX/XX Image: 20 x 29.5 inches Paper Size: 21 x 31 in....

Fred Deux - Grey V - Signed Original Etching Signed and Numbered Edition of 100 Dimensions: 24 x 14 cm Fred Deux Fred Deux, illustrator, oral poet, writer, and, under the pseudonym Jean Douassot, author of a cult book, La Gana, was a singular artist who cannot be categorised in terms of art fashions and trends. This autodidact, born in the basement of a large house in Boulogne-Billancourt to a working-class family, constantly had to overcome, as he would say. “He had to overcome”: overcome the basement walls to access the life which called him and burnt inside him. Overcome the barriers between the arts, moving from drawing to the written word, and from the page to the tape recorder, in the face of which he recounted stories to himself in a sort of endless reverie, constantly exploring the unknown in him. Overcoming and being overcome: gradually immersing himself in drawing, so that it was life itself which overcame him and surrendered to him. Timeline 1924 Born in Boulogne-Billancourt, Paris. The Deux family lived in the basement of a building close to the Seine that was often flooded. These living conditions formed the biographical core around in which the artist would develop his work as a future writer and artist. 1942 Deux worked in a factory as an electrician and night guard. 1943 Deux becomes part of the FTP group to resist against the factory. And then joined the Maquis du Doubs. 1945 At the liberation, Deux joined the Moroccan Goumier, and took part of the campaigns of Vosges, Alsace and Germany. 1947 Returned to France. Installation in Marseille. Worked in an important library that belonged to the family of his wife. 1948 Discovered Breton, Bataille, Cendrars, Peret, Sade... and founded the sub-group of Surrealists in Marseille and formed a link with the literary magazine of Marseille, Cahiers du Sud Encounters the works of Paul Klee. He begins creating his first stains with paint for bicycle and impressions (fabric and ink). At the same time, he begins to take notes for what would become "Les Rats", first version of "La Gana". 1951 Meets Cecile Reims...

Artist: Howard Kanovitz, American (1929 - 2009) Title: Windmill Antilles Year: 1980 Medium: Lithograph, Signed and Numbered in Pencil Edition: 175 Paper Size: 32.5 x 24 inches (82.55...

Artist: Rene Magritte (after), Belgian (1898 - 1967) Title: Les Claires-Voies d'un Jeune Regard Embaument La Fête d'un Vieil Arbre Year of Original: 1952 Year of Printing: 1968 Medi...

Fred Deux - Grey I - Signed Original Etching Signed and Numbered Edition of 100 Dimensions: 24 x 14 cm Fred Deux Fred Deux, illustrator, oral poet, writer, and, under the pseudony...

Fred Deux - Grey IV - Signed Original Etching Signed and Numbered Edition of 100 Dimensions: 24 x 14 cm Fred Deux Fred Deux, illustrator, oral poet, writer, and, under the pseudonym Jean Douassot, author of a cult book, La Gana, was a singular artist who cannot be categorised in terms of art fashions and trends. This autodidact, born in the basement of a large house in Boulogne-Billancourt to a working-class family, constantly had to overcome, as he would say. “He had to overcome”: overcome the basement walls to access the life which called him and burnt inside him. Overcome the barriers between the arts, moving from drawing to the written word, and from the page to the tape recorder, in the face of which he recounted stories to himself in a sort of endless reverie, constantly exploring the unknown in him. Overcoming and being overcome: gradually immersing himself in drawing, so that it was life itself which overcame him and surrendered to him. Timeline 1924 Born in Boulogne-Billancourt, Paris. The Deux family lived in the basement of a building close to the Seine that was often flooded. These living conditions formed the biographical core around in which the artist would develop his work as a future writer and artist. 1942 Deux worked in a factory as an electrician and night guard. 1943 Deux becomes part of the FTP group to resist against the factory. And then joined the Maquis du Doubs. 1945 At the liberation, Deux joined the Moroccan Goumier, and took part of the campaigns of Vosges, Alsace and Germany. 1947 Returned to France. Installation in Marseille. Worked in an important library that belonged to the family of his wife. 1948 Discovered Breton, Bataille, Cendrars, Peret, Sade... and founded the sub-group of Surrealists in Marseille and formed a link with the literary magazine of Marseille, Cahiers du Sud Encounters the works of Paul Klee. He begins creating his first stains with paint for bicycle and impressions (fabric and ink). At the same time, he begins to take notes for what would become "Les Rats", first version of "La Gana". 1951 Meets Cecile Reims...

Fred Deux - Grey VI - Signed Original Etching Signed and Numbered Edition of 100 Dimensions: 24 x 14 cm Fred Deux Fred Deux, illustrator, oral poet, writer, and, under the pseudon...

Fred Deux - Grey VII - Signed Original Etching Signed and Numbered Edition of 100 Dimensions: 24 x 14 cm Fred Deux Fred Deux, illustrator, oral poet, writer, and, under the pseudonym Jean Douassot, author of a cult book, La Gana, was a singular artist who cannot be categorised in terms of art fashions and trends. This autodidact, born in the basement of a large house in Boulogne-Billancourt to a working-class family, constantly had to overcome, as he would say. “He had to overcome”: overcome the basement walls to access the life which called him and burnt inside him. Overcome the barriers between the arts, moving from drawing to the written word, and from the page to the tape recorder, in the face of which he recounted stories to himself in a sort of endless reverie, constantly exploring the unknown in him. Overcoming and being overcome: gradually immersing himself in drawing, so that it was life itself which overcame him and surrendered to him. Timeline 1924 Born in Boulogne-Billancourt, Paris. The Deux family lived in the basement of a building close to the Seine that was often flooded. These living conditions formed the biographical core around in which the artist would develop his work as a future writer and artist. 1942 Deux worked in a factory as an electrician and night guard. 1943 Deux becomes part of the FTP group to resist against the factory. And then joined the Maquis du Doubs. 1945 At the liberation, Deux joined the Moroccan Goumier, and took part of the campaigns of Vosges, Alsace and Germany. 1947 Returned to France. Installation in Marseille. Worked in an important library that belonged to the family of his wife. 1948 Discovered Breton, Bataille, Cendrars, Peret, Sade... and founded the sub-group of Surrealists in Marseille and formed a link with the literary magazine of Marseille, Cahiers du Sud Encounters the works of Paul Klee. He begins creating his first stains with paint for bicycle and impressions (fabric and ink). At the same time, he begins to take notes for what would become "Les Rats", first version of "La Gana". 1951 Meets Cecile Reims...

Fantastical and erotic sepia etching titled "The Visitation" by Herbert L. Fink (American, 1921-2006). Titled, signed and dated 1982 lower edge. Unframe...

color etching and aquatint. Edition 1/100 Fantastical Surreal Fantasy

Artist: Rene Magritte (after) Title: La Traversée Difficile Year of Original: 1968 Year of Printing: 1968 Medium: Lithograph, signed 'F.M' by Fernand Mourlot in pencil Edition: 350 ...

Salvador Dali - Mission Dolores - San Francisco - Original Hand-Signed Etching Title: Mission Dolores - San Francisco Drypoint Handsigned Dimensions: 65 x 50 cm Edition EA Catalogue ...

Salvador Dali - City Hall - San Francisco - Original Hand-Signed Etching Title: City Hall - San Francisco Drypoint Handsigned Dimensions: 65 x 50 cm Edition EA Catalogue raisonné: Fi...

Maurice Pasternak has created a surreal landscape that includes traditional images of a sun-filled sky, dark shadows cast on water and through leafy trees all under the guise of thre...

Artist: Unknown Title: Night Flower IV Medium: Screenprint, signed, titled, and numbered in pencil mounted on board Image Size: 24.5 x 20 inches Size: 2...

Artist: Clarence Holbrook Carter, American (1904 - 2000) Title: Pilgrimage #4 Year: 1977 Medium: Serigraph, signed and numbered in pencil Edition: 200, 30 AP Size: 26 in. x 34 in. (6...

OSCAR DOMINGUEZ 1906-1957 Tenerife 1906-1957 Paris (Spanish) Title: Homage to Manolete / Hommage a Manolete, 1955 Technique: Original Hand Signed an...

Salvador DALI L'arrivée d'Iseult ("The arrival of Iseult") Original etching Handsigned in pencil Limited to 115 copies On vellum Rives 45 x 32.5 cm This etching is part ...

Salvador DALI Le combat avec le Morhoult ("The fight avec Morhoult") Original etching Handsigned in pencil Limited to 115 copies On vellum Rives 45 x 32.5 cm This etching...

PAUL DELVAUX 1897-1995 Antheit, Huy 1897-1995 Veurne (Belgian) Title: The Sea is Near La Mer est Proche, 1966 Technique: Original Hand Signed and Inscribed Lithograph on Arc...

Salvador DALI (1904-1969) Butterfly suite : Les Alpes, 1969 Heliogravure / Photogravure after original design by Dali Blind stamp signature bottom right Numbered / 1700 copies Print...

The repetition of patterns and rhythm is present in almost every piece of Pedro´s work. The hybrid topographies that Pedro Friedeberg´s unclassifiable practice recreates we must rec...

Jean CARZOU Italy : Venice, 1973 Original lithograph (Mourlot workshop) Handsigned in pencil Numbered /120 copies On Arches vellum 76 x 54 cm (c. 29,9 x 21,2 inch) Excellent condition

Yves Tanguy Untitled, 1937 Original etching Unsigned and unnumbered Paper size : 28 x 45 cm (c. 11 x 17,7 in) Plate size : 11,8 x 22 cm (c. 4,64 x 8,66 in) Good condition (only few ...

Salvador DALI Memorabilia (the soft watch) Original etching, 1972 Hand signed in pencil by the artist Numbered /175 copies On Arches vellum size 56 x 76 cm...

New Year’s festivities are indicated by the flying kites as well as the two battledores tossing the shuttlecock that floats in the middle sky. Note that the women holding the battled...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (The Living Arts, June 13, 2000, p. B2) Valton Tyler was born in 1944 in Texas, where "the industrial world of oil refineries made a long-lasting impression on Valton as a very young child living in Texas City." (Reynolds, p. 25) After leaving Texas City, Valton made his way to Dallas, where he briefly enrolled at the Dallas Art Institute, but found it to be too social and commercial for his taste. After Valton's work was introduced to Donald Vogel (founder of Valley House Gallery), "Vogel arranged for Tyler to use the printmaking facilities in the art department of the Southern Methodist University in Dallas, where the young artist essentially taught himself several demanding printmaking techniques. 'It was remarkable,' Vogel says. 'Not only did he learn complicated etching methods, but he was able to express himself powerfully in whatever medium he explored.' Vogel became the publisher of Tyler's prints. Among them, the artist made editions of some 50 different images whose sometimes stringy abstract forms and more solid, architecturally arresting elements became the precursors of his later, mature style." (Gomez, Raw Vision #35, p. 36) "Front Elevation of Section 17" is plate number 34, and is reproduced in "The First Fifty Prints: Valton Tyler" with text by Rebecca Reynolds, published for Valley House Gallery by Southern Methodist University Press, Dallas, Texas, 1972. In "The First Fifty Prints," Reynolds writes, “this plate can be seen as a culmination of the artist’s earlier uses of aquatint and as a new direction the artist will take in his compositions. In early plates such as ‘Joy,’ Plate No. 12, and ‘Do Not Touch,’ Plate No. 20, the artist has presented his designs to our unaccustomed eyes, either formally, by placing them on sculpture pedestals, or more abstractly, using smaller soft ground silhouettes. In later examples such as ‘One Little Stage,’ Plate No. 24, or ‘Heritage,’ Plate No. 25, we were brought closer to a direct interaction with the forms as they began to fill the plates with increasing sculptural and monumental qualities. It was still possible to maintain a more passive point of view because of the stage format of the compositions. In ‘Avenue 11,’ Plate No. 26, as we have seen, the artist unveils the true authority of his designs by placing them in our environment to compete with our reality of a familiar cityscape and to make us question our ideas of aesthetics and logic. In ‘Front Elevation’ we enter into and are confronted with these structures in their own massive landscape...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...