Horizontal Landscape Prints

This is an original John James Audubon hand-colored royal first octavo edition lithograph entitled "King Duck, 1. Male, 2. Female", No. 81, Plate 404, from A...

This artwork titled "Carmel Mission" c.1980 is an original monoprint by noted American artist Betty Guy 1920-2016. It is hand signed and titled in pencil by ...

This exquisite lithograph by Keith Haring (1958–1990), titled Untitled, from the album Against All Odds, 20 drawings - Oct. 3, 1989 (Against All Odds, 20 drawings - Oct. 3, 1989), or...

This reproduction of Eugène Bléry's etching Le Charlemagne depicts the Forêt de Fontainebleau, a renowned forest located south of Paris. The print is produced by La Calcographie du L...

This exquisite lithograph by Joan Miro (1893–1983), titled L'Astre Patagon (The Patagonian Star), originates from the 1960 folio Derriere le Miroir, No. 119, Poetes, peintres, sculpteurs (Poets, Painters, Sculptors), published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Mourlot Freres, Paris. L'Astre Patagon embodies Miro's signature dreamlike abstraction—an interplay of cosmic forms, floating symbols, and lyrical color. This composition radiates the artist’s boundless imagination and his poetic dialogue between the material and the celestial. Executed on velin paper, this lithograph measures 15 x 22 inches (38.1 x 55.9 cm), with centerfold, as issued. Unsigned and unnumbered, as issued. The edition reflects the exceptional quality and craftsmanship of the Maeght and Mourlot collaborations, capturing Miro’s visual rhythm and surreal energy in a strikingly balanced composition. Artwork Details: Artist: Joan Miro (1893–1983) Title: L'Astre Patagon (The Patagonian Star), from Derriere le Miroir, No. 119, Poetes, peintres, sculpteurs (Poets, Painters, Sculptors), 1960 Medium: Lithograph on velin paper Dimensions: 15 x 22 inches (38.1 x 55.9 cm), with centerfold, as issued Inscription: Unsigned and unnumbered, as issued Date: 1960 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Cramer, Patrick, and Joan Miro. Joan Miro, Catalogue Raisonne des Livres Illustres. P. Cramer, 1989, illustration 62. Miro, Joan. Joan Miro, Lithographe / II, 1953–1963. Preface by Raymond Queneau. Maeght, 1975, illustration 265 Condition: Well preserved, consistent with age and medium Provenance: From the 1960 folio Derriere le Miroir, No. 119, Poetes, peintres, sculpteurs (Poets, Painters, Sculptors), published by Maeght Editeur, Paris About the Publication: Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the 20th century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and a work of art in itself—featuring original lithographs printed directly from the artists' stones or plates, alongside essays, poems, and critical commentary. Over the course of 36 years, Derriere le Miroir produced more than 250 issues and showcased an extraordinary roster of artists including Henri Matisse, Marc Chagall, Joan Miro, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Paul Rebeyrolle, Claude Garache, Antoni Tapies, Bram van Velde, Pierre Alechinsky, Pol Bury, Shusaku Arakawa, and Gerard Titus-Carmel. Printed in the ateliers of Mourlot, Arte, and Imprimerie Moderne du Lion, the periodical set new standards for quality in color lithography, combining fine art printing with elegant typography and poetic text. Beyond its visual brilliance, Derriere le Miroir also became a cultural chronicle of postwar European modernism. Each issue coincided with exhibitions held at Galerie Maeght, providing a collectible and widely accessible record of groundbreaking shows. Its integration of image, text, and philosophy created a dialogue between art and literature that elevated the modern art book to new aesthetic heights. Today, Derriere le Miroir remains one of the most sought-after and historically significant art publications, prized by collectors and scholars alike for its craftsmanship, influence, and its role in defining the visual language of 20th-century modernism. The Maeght Foundation in Saint-Paul-de-Vence continues to honor this legacy through exhibitions and archival preservation of the series, affirming Derriere le Miroir's enduring place in the history of modern art and fine art publishing. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, and ceramicist whose imaginative, dreamlike vision helped spearhead the Surrealist movement and left an indelible mark on modern art. Born in Barcelona and deeply rooted in Catalan culture, Miro moved to Paris in the early 1920s where his playful shapes, cosmic motifs, and childlike yet sophisticated abstractions broke new ground alongside the great innovators of his time. His artistic dialogue aligned with contemporaries such as Pablo Picasso, Henri Matisse, Alexander Calder, Marc Chagall, Salvador Dali, Jackson Pollock, Georges Braque, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom challenged the conventions of form, color, and symbolism. Miro distilled these ideas into a uniquely poetic visual vocabulary—birds, stars, and bold spectral forms emerging from flat planes of color—that has inspired scores of artists and continues to influence modern and contemporary masters including Banksy, Damien Hirst, Jeff Koons, Andy Warhol, and Jasper Johns. His works are represented in leading museums worldwide, including MoMA, the Guggenheim, the Tate, and the Centre Pompidou, and remain highly sought after by collectors. The highest price ever paid for a Joan Miro artwork is approximately $37.06 million USD, achieved in June 2012 at Sotheby’s London for Peinture (Etoile Bleue) (1927). Joan Miro L'Astre Patagon, Miro Derriere le Miroir, Miro Maeght Editeur Paris, Miro Mourlot Freres, Miro 1960...

This is an original John James Audubon hand-colored lithograph entitled "American Black or Silver Fox, No. 24, Plate CXVI" from John James Audubon's Quadrupeds of North America, publ...

'The Sea of Tiberias', tinted lithograph by Louis Haghe (1806-1885) after David Roberts RA. David Roberts (1796-1864) traveled throughout Egypt and the Holy Land in the late 1830s p...

Ella Fort Flower Field (Champ Fleuri) Color Lithograph Signed, numbered or inscribed Edition: 390 + 250 Size: 7.8 × 11.7 on 11.7 × 15.6 inches COA provided *Framing Options Available - Please Inquire **edition number might vary from shown in listing image Tags: Provence landscapes, French countryside art...

This is an original John James Audubon hand-colored lithograph entitled "The Camas Rat" (Gopher), No. 29, Plate CXLII from John James Audubon's Quadrupeds of North America, published...

This is an original 18th century hand-colored map entitled "An Accurate Chart of The Mediterranean and Adriatic Sea's; with the Archipelago & Part of the Black Sea. Exhibiting all th...

An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing travelers at a teahouse in Otsu, circa 1850. Signed in Kanji upper left, "Hiroshige Ga" for Utagawa (Ando) Hiroshige...

Signed lower right, 'Zarou' for Victor Zarou (French, b. 1930), inscribed 'Epreuve d'Artiste' with number and limitation 1/40, lower left, and titled, lower center 'Chemin des Bastid...

By J. Torrents Llado 35" x 24" Serigraph, Edition 53/75 Signed, bottom right. Unframed This brilliant and expressive serigraph captures a dynamic view of a creek within a densely f...

This exquisite lithograph after Richard Lindner (1901–1978), titled Rear Window, from the album XXe siecle, Nouvelle serie, XLIe Annee, No. 53, Hommage a Richard Lindner, originates ...

Lorna Patrick, American - Portal with a View, Year: 1981, Medium: Screenprint [Signed and Numbered in pencil], Edition: 295, Size: 31 x 42 in. (78.74 x 106.68 cm), Description: ...

Urbain HUCHET Paris : Alexandre III Bridge, c. 1980 Original lithograph Handsigned in pencil by the artist Numbered / 350 copies On Arches velllum 15 x 18 cm (c. 6 x 7 in) Excellen...

Firmada a lápiz por el artista en la parte inferior y con tiraje 12/250 En buen estado de conservación, solo con algunos leves puntos de óxido por el paso de los años Sin enmarcar ...

We have an owl box in the garden and have had owlets in some years. The Barn Owl will often hunt the field in the afternoon. Barn owls are silent hunters and provide drama and grace ...

John Beerman, American (1958 - ) - Night at Sandia Mountain, Year: 2004, Medium: Lithograph, signed, dated, titled and numbered in pencil, Edition: CTP 3, Image Size: 6 x 9 inche...

A striking etching by Francis Sydney Unwin depicting Monte Disgrazia in the Italian Alps. Titled within the plate to the upper left, and signed within the plate to the lower right. W...

This exquisite lithograph after Marc Chagall (1887–1985), titled Der wiedergefundene Frieden (The Peace Restored), from Homer, Die Odyssee (The Odyssey), originates from the 1989 Ger...

This exquisite lithograph after Marc Chagall (1887–1985), titled Odysseus bei Alkinoos (Odysseus at the Court of Alcinous), from Homer, Die Odyssee (The Odyssey), originates from the...

This exquisite lithograph after Marc Chagall (1887–1985), titled Die Sirenen (The Sirens), from Homer, Die Odyssee (The Odyssey), originates from the 1989 German-language folio publi...

This exquisite lithograph after Marc Chagall (1887–1985), titled Kirke (Circe), from Homer, Die Odyssee (The Odyssey), originates from the 1989 German-language folio published by Dac...

This exquisite lithograph after Marc Chagall (1887–1985), titled Polyphemos (Polyphemus), from Homer, Die Odyssee (The Odyssey), originates from the 1989 German-language folio publis...

An 18th century view of the first permanent water fountain in London. London: J.Boydell, 1753. Engraving with hand coloring in watercolor on white laid paper, laid down to a modern...

"Mexican Orchestra" is one of the George Overbury Hart's largest pieces. It is #14 from a limited edition of 50. The image captures a festive event with hanging lanterns, an orches...

Louisa Chase’s paintings are romantic in tone, alluding to the power of nature while serving as pictorial metaphors for her own state of mind. Drawing on her distinctive brand of Neo...

Medium: Lithograph on vélin de Lana paper Year: 1950 Paper Size: 9.75 x 12.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the album, Signac Dessins, 1950. Publi...

Original Authorized Map of the Second BYRD Antarctic Expedition vintage poster map. Printed in 1934 by G.F. Corp. Artist: George Annand. Authentic 1934 Print: This is the genuin...

A flock of blackbirds perch in a tree full of bright red persimmons, in front of the gable of a Victorian house. Medium: Screenprint Year: 2020 Image Size: 13 x 18 inches Edition of...

Tree Study II by Frank Schott from a series of black and white photographs capturing the Golden State's vast mountain landscapes 26 x 40 inches / 66cm x 102cm signed edition of ...

Work on paper Ed: 63/75

Medium: Lithograph on vélin d'Arches paper Year: 1972 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Fauves, VII, Collec...

This exquisite lithograph by Joan Miro (1893–1983), titled Grandes terres de feu (Great Lands of Fire), from the folio Derriere le miroir, No. 87–89, originates from the 1956 edition...

An original hand-signed print by the Greatest Of All Time, Muhammad Ali. Guiding Light Muhammad Ali, American (1942–2016) Date: 1979 Screenprint, signed and numbered in pencil Edi...

Signed lower right, 'Jacques Petit' (French, born 1925) with number and limitation, '34/275', lower left; additionally, certificate of authenticity from the Societe Verification de l...

This exquisite lithograph by Keith Haring (1958–1990), titled Untitled, from the album Against All Odds, 20 drawings - Oct. 3, 1989 (Against All Odds, 20 drawings - Oct. 3, 1989), or...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 247, 1981. Published by Aim...

This exquisite lithograph after Jean-Edouard Vuillard (1868–1940), titled Le studio de couture (The Dressmaking Studio), originates from the 1966 folio Derriere le Miroir, No. 158–15...

"French Air Show with Remarque of Head of Pilot" is an original lithograph and stencil print by Marguerite Montaut (GAMY). It depicts an early airplane flying above a crowd of specta...

'New Staines Bridge' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of aquat...

This exquisite collotype after Max Ernst (1891–1976), titled Le Repas du mort (The Repast of Death), from the album Max Ernst, Histoire Naturelle (Natural History), originates from t...

One of eight prints completed for this set based on Henry James Aspern Papers. Signed and numbered digital print from the editon of 75. Peter Milton is one of the most honored and respected printmakers in the world today. His work is in most major museums, and he continues to produce stunning and masterful prints in his 6th decade of printmaking. Since 2008 he has been a major proponent for digital printmaking. THE ASPERN PAPERS is a classic tale by Henry James of duplicity foiled and love denied. Taking place in Venice, this is one print from a portfolio set of eight prints...

John McNulty, Irish/American (1949 - ) - Sailing 4, Year: circa 1981, Medium: Lithograph, signed and numbered in pencil, Edition: 650, Image Size: 8 x...

Josep Moscardó (1953) - Girona Cathedral Lithograph - Hand signed Lithograph measures 54x76 cm. Frameless. Numbered 12/150 Barcelona, 1953 Painter, sculptor and draftsman of deep-r...

Artist: James Rosenquist (1933-2017) Title: Diver’s Line, State II (Glenn 169) Year: 1979 Medium: Etching, aquatint, stencil on Pescia Italia paper Edition: 28/78 Size: 22.75 x 40 in...

'Remains of a Triumphal Arch, Petra', tinted lithograph by Louis Haghe (1806-1885) after David Roberts RA. David Roberts (1796-1864) traveled throughout Egypt and the Holy Land in t...

'Entrance to the Temple of Amun, Thebes', tinted lithograph by Louis Haghe (1806-1885) after David Roberts RA. David Roberts (1796-1864) traveled throughout Egypt and the Holy Land ...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled La Maladrerie sous la neige (The Maladrerie in the Snow), from the album Vlaminck, originates from the 1958 ed...

Lithograph on grand vélin d'Arches spécial paper. Unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the folio, Les Côtes Normandes 1961. Publ...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph VII, from the album Joan Miro Lithographs, Volume I, originates from the 1972 edition published by Tudor Publish...

This impression is #22 Carol Wax originally trained to be a classical musician at the Manhattan School of Music but fell in love with printmaking. Soon after she began engraving mezzotints she was asked by the renowned print dealer Sylvan Cole to exhibit at Associated American Artists Gallery, launching her career as a professional artist/printmaker. With the publication of her book, The Mezzotint: History and Technique, published by Abrams, 1990 and 1996, Carol added author and teacher to her credits. In the ensuing years she has expanded her repertoire of mediums beyond printmaking into other works on paper and painting. In compositions reflecting an appreciation for antiquated machinery and vintage textiles, Wax creates imagery that, in her own words, “… speaks to an inner life perceived in inanimate objects.” She uses stylization and imagination to reinvent subjects, transforming an ordinary typewriter into a monumental icon...

This contemporary coastal landscape is a Limited Edition print by Daniel Pollera. It depicts a sandy beach with waves rolling in from the right-hand side of the composition. Two Adir...

This abstract limited edition print by artist Ned Martin features his signature rectangular pattern in a cool palette. A warm under-layer is just visible, which lightly contrasts the...

DAVID ROBERTS RA Facade of the Pronaos of the Temple of Edfou 1796 - 1864 First Edition lithograph in stock Full plate: 208 Presented in a acid free mount David Roberts' journal, N...

Signed in pencil below the image by the artist. Blind stamps of etching societies lower left just under the image. Frederick Farrell was a Scottish etcher specializing in architectu...

This artwork titled "When the Land was His" 1985, is a color offset lithograph by renown western artist Arnold Friberg, 1913-2010. It is hand signed and...

Landscape is an original artwork realized by George Henri Tribout. Original etching on paper glued on cardboard. Monogrammed on the lower left corner. George Henri Tribout (Paris,...

This artwork titled "Dusk" 1984 in an original color serigraph by American artist Virgil Trasher b.1943. It is hand signed, dated and titled in pencil by the artist. The image size is 14 x 25 inches, sheet size is 19 x 28 inches. It is in excellent condition. About the artist: Virgil Thrasher...