Horizontal Landscape Prints

Past and Present Remo Farruggio, Italian/American (1904–1981) Date: Circa 1979 Lithograph, signed and numbered in pencil Edition of 300, AP 35 Image Size: 20.5 x 28 inches Size: 27 i...

McPherson's night view of the Clairton steelworks is printed on light green laid paper referenced as Hartley M1. It is signed, titled and dated in pencil. Marked ed 75 and "imp" in...

This beautiful 19th century framed engraving "Dover" by Thomas Lupton is based on an original painting by the renowned British artist J.M.W. Turner, which depicts a panoramic view of the harbor of Dover, a town in southeastern England, that has been an important port for centuries. The engraving captures the dramatic sky and sea that Turner was known for, with billowing clouds and waves crashing against the shore. The town and its famous white cliffs are visible in the background, while ships and boats dot the harbor in the foreground. Several wooden rowboats...

Borgo Angelico, Rome - Vintage Postcard is a colored vintage postcard realized in the 1980s. Copyright and information on the rear. Good conditions, aged with foxing.

TECHNICAL INFORMATION: Ed Ruscha Hollywood Fruit-Metrecal 1971 Silkscreen with grape and apricot jam and Metrecal 15 x 42 in. Artist’s Proof (one of 18 artist’s proofs, apart from t...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Les Signes du zodiaque, 1959. Published by Édit...

William Tillyer The Ruswarp Suite 1 2023 Etching, aquatint on paper, Edition of 35, Set of 6 Plate size: 39.4 x 39.4 cms (15 1/2 x 15 1/2 ins) Paper size: 57.2 x 57.8 cms (22 1/2 x 2...

Signed, titled, and numbered, in pencil. The proposed edition was 100 although it is very unlikely that these were printed. This large and intensely urban lithograph, Family Flats, by Millard Sheets, portrays the Bunker Hill neighborhood of Los Angeles. Now drastically changed, it's still home to the Angels Flight funicular railway built in 1901. Sheets (1907-1989) was a painter, watercolorist, printmaker, mosaic artist, and teacher, who worked in Southern California. He attended the Chouinard Art institute and studied with F. Tolles Chamberlin and Clarence Hinkle...

Vie de Trianon Hyacinthe Rigaud (After), Catalan/French (1659–1743) Date: of original: 1750 Hand-Colored Engraving, signed in the plate Edition of ~1000 Image Size: 8.75 x 18.5 inche...

'Hermes Oak, Windsor Park' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who p...

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958). One of the two most important and, so far, the most valuable of the New Hope Sc...

This is the mini studio proof of the larger hand-printed photograph of the same name. These iconic Monterey pines can be found all up and down the coast of northern California from S...

Artist: Peter Max (1937) Title: [Jimi] Hendrix Year: 1972 Medium: Silkscreen on Arches paper Edition: 41/45, plus proofs Size: 22.25 x 28.5 inches Condition: Good Inscription: Signed...

Etching with aquatint on buff wove paper, 11 3/8 x 15 1/2 inches (287 x 392 mm), full margins. Signed, titled, and numbered 99/100 in pencil, lower margin. In good condition with som...

Grottaferrata, Rome is an etching on paper, realized by the Italian engraver L. Cavalieri in the 19th century. Signed on the plate. Titled in the lower. Good conditions with foxing.

Gran Sasso view is a postcard realized in may 25th, 1904. The photo depicts the Gran Sasso mountain pass, for the railway studies Teramo- l'Aquila. It s adressed to the deputy, Mr. ...

Classic American Depression-Era subject meets the French landscape? Clearly the Guyer was looking at both Jean-Francois Millet and Vincent Van Gogh, who together informed this image....

Fine Art Aquatint Etching of Gordes, in Provence, France - "Legendary Provence" by Ronald Stephen Riddick Beautiful aquatint etching of a sunset over iconic Provence French town, Go...

ABOUT THIS ARTIST: Ana Popescu is a French visual artist born in Romania. Her work has a modern charm, celebrating interior and exterior spaces with color ...

Joe Goode Grey Folded Clouds - IV Grey 1971 Lithograph, Edition of 50 50.8 x 75 cms (20 x 29 1/2 ins)

Maurice de Vlaminck (French 1876 - 1958), "Le Bassin" ( A Lithograph from Notre Pain Quotidien)" Abstract/ Post-Impressionist Lithograph, 17 x 20, Late 20th Century, 1963 Colors: Black and White Maurice was three years old when his family moved from Paris to Vésinet. He first pursued the same musical career as his parents, who were both musicians, leaving his home as a trained double-bass player in 1892 to move to Chatou near Versailles. After absolving his military service in Vitré Maurice Vlaminck worked as a musician until he accidentally met André Derain in 1900. It was Derain who kindled Vlaminck's artistic ambitions. He decided to become a painter and rented an old hut in which he and Derain shared a studio. A crucial turning point in Vlaminck's artistic development was a visit to a van Gogh...

The etching (Crucifixion) is signed and titled in pencil. Signed 'Fred' and possibly dated '27' in the image at lower left. It's in an usually spare drawing style but one that Nagl...

Image dimensions: 40.7 x 53.7 cm. Souvenir of Portugal an original artwork realized by Paul Collomb in the 1970s. Mixed lithograph on paper. Hand-signed by the artist at the lower...

Johan Wilhelm Palmstruch (1770-1811) Sweden Title: A Wolf hand-coloured print early 1800s print dimensions approx 4.33 x 7.08 inches (11 x 18 cm) frame 11.81 x 15.74 inches (30 ...

22"X30" silkscreen on Arches 88 paper; signed limited edition of 20. This hand-pulled, silkscreen print depicts craters on the surface of the moon, with deep shadows and surface hi...

'Manhattan Bridge', etching, c. 1920, proofs only. Signed in ink in the image, lower right. A fine, rich impression, in warm black ink, on cream wove ...

Marc Chagall, After, Russian (1887 - 1985) - La Procession de Noel, Medium: Giclee, facsimile signed, Edition: 375, Image Size: 11 x 18 inches, Frame Size: 26 x 31 inches, Publ...

Medium: original etching. This impression on laid paper was printed in London in 1868 for the rare first volume of P. G. Hamerton's "Etching and Etchers". Plate size: 3 1/4 x 4 1/4 i...

Andrew Dasburg, 'Trees in Ranchitos III', two-color lithograph, 1975, edition 20. Signed 'A. D.' in pencil. Annotated 'Trial Proof' in pencil, verso. A superb impression, in grey-bl...

This is a hand-colored aquatint and engraving entitled "Part of the New City of Alexandria, with the Light House", published in London by R. Bowyer from 1802-1805. The print was crea...

Venetian View of Santa Maria della Salute Etching and aquatint 14 x 18 cm Signed in bottom left and right hand corners. View of Santa Maria della Salute from Riva degli Schiavani ...

Hino creates a still life of a lotus from an edition of 65. A prominent figure in Buddhist and Egyptian culture, and native flower for both India and Vietnam, the lotus holds enormous symbolic weight. It spans various thousand-year-old Eastern cultures and yet, is still considered one of the most sacred flowers today. So what is it about this mysterious blossom that people find so enrapturing? Its colorful bloom is an obvious suspect, but the lotus also has a life cycle unlike any other. With its roots based in mud, it submerges every night into murky river water, and—undeterred by its dirty environment—it miraculously re-blooms the next morning without residue on its petals. Although cultures have their own interpretations of this daily process, there is a general consensus among ancient texts...

This abstract landscape limited edition print by Ken Elliott depicts a cool, deep violet forest and light yellow-green forest floor, which is contrasted by warm orange accents. Thi...

From a series of large format photographs capturing the soothing tones of nature's calming blue hour color palette 30 x 40 inches / 76cm x 102cm signed edition of 25 48 x 64 inches...

large format photograph of summer beach scene along Cinque Terre coast by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure Manarola (2020) 61.25” x 81.68” / 155.60 cm x 207.46 cm limited edition of 6 + 2AP (signed, titled and dated on certificate of authenticity) original archival photography print with diasec (acrylic glass) face mount in contemporary white lacquered gallery frame Each limited edition original Massimo Vitali photograph is printed in Italy under artist supervision in strictly limited edition (6 + 2AP) , signed/titled/dated upon final inspection and expertly framed at renowned European art framing facility About the artist: Massimo Vitali was born in Como, Italy, in 1944. He studied photography at the London College of Printing, in the 1970s initially working as a photojournalist, but at the beginning of the 80s a growing mistrust in the belief that photography had an absolute capacity to reproduce the subtleties of reality led to a change in his career path. Vitali worked in cinematography for film and television before beginning a fine art practice in 1995. Over the next two decades, he would gain recognition for his highly detailed, epic-scale panoramas — sociopolitical observations of the natural habitat of humankind at leisure. Vitali’s iconic series of beach panoramas, captured from a distance with an elevated large-format camera platform, began in the light of drastic political changes in Italy. Drawing inspiration from Renaissance and Old Flemish masters, in which the central space is fully exploited and the urban or natural landscape becomes the background, Vitali’s photographs grasp the viewer by capturing highly detailed observances of the recreational habitats of modern civilization. Vitali’s work has been collected in six monographs: Beach and Disco, Natural Habitats, Landscapes With Figures, Swimming Pools, Short Stories and Entering A New World. Additionally, his work is represented in the world’s major museums, including the Centro de Arte Reina Sofia in Madrid, the Guggenheim Museum in New York, the Museum of Contemporary Art in Denver, the Fond National Art Contemporaine in Paris, the Centre Pompidou in Paris, the Musée National d’Art Moderne in Paris, the Fondation Cartier in Paris and the Museo Luigi Pecci in Prato. Massimo Vitali lives and works in Lucca (Italy) and in Berlin (Germany). __________________________ SOLO EXHIBITIONS 2021 'PienoVuoto' Forte di Belvedere, Florence 2020 'Human Constellations' Museo Ettore Fico, Turin 2019 Massimo Vitali: Short Stories' Mazzoleni, London 2018 'Coastal Colonies' Spiral, Tokyo 2017 ‘Disturbed Coastal Systems’ Benrubi Gallery (New York, USA) 2016 ‘Landscapes with Figures’ Guido & Schoen Arte Contemponania (Genoa, Italy) 2016 ‘Massimo Vitali’ Crown Gallery (Knokke-Zoute, Belgium) 2016 ‘Massimo Vitali’ Ronchini Gallery (London, UK) 2015 ‘New Prints’ Hilger Next (Vienna, Austria) 2014 ‘Massimo Vitali’ Studio La Citta (Verona, Italy) 2014 ‘Into The White’ Erich Lindenberg Art Foundation (Porza, Switzerland) 2014 ‘Sempre più pallide. Towards Achrome’ Palazzo Tadea (Spilimbergo, Italy) 2013 ‘Between Normalities’ Bonni Benrubi...

Etching with aquatint on heavy laid paper, 7 x 9 1/4 inches (172 x 233 mm), full margins. Signed in the plate, lower right image area. Minor corner loss, top right, and a 1/4 inch ed...

Au Fil de l'Eau is an artwork realized by Aufray in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative of the publisher Alf...

Map of Poland is an etching map realized in the early 20th century. Good conditions.

This realistic limited edition print by John Harris features an earth-toned palette and captures a close-up view of water rushing over small rocks in a river bed. Toward the top of t...

View of Piazza Navona is an original contemporary artwork realized in 1970 by the Italian artist Giuseppe Malandrino (Modica, 1910 - Rome, 1979). Etching on cardboard. Hand-si...

William Tillyer William Tillyer The Mulgrave Suite 2023 Etching, aquatint and embossing with hand colouring in watercolour on paper, Edition of 35, Set of 7 Image size: 40 x 40 cms ...

This coastal seascape limited edition print captures a scene from the porch of a beachfront property along the coast. A setting sun casts sharp light and cool blue-grey shadows across the porch, where two sets of shoes and two boat paddles...

An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a view of travelers on the Tenryū River, circa 1850. Signed in Kanji center right, "Hiroshige Ga" for Utagawa (Ando)...

Lithograph on vélin de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, tête edition, Consacré au Blaue Reiter, Derrière le miroir...

Anton Schutz, 'White House', etching, edition not stated, c. 1928. Signed in pencil. A fine, richly-inked impression, with skillfully-controlled plate tone, on cream wove Japan paper; the full sheet with margins (1 to 2 1/8 inches), in excellent condition. Matted to museum standards, unframed. Image size 8 7/8 x 11 7/8 inches; sheet size 11 1/4 x 15 3/8 inches. ABOUT THE ARTIST Etcher, painter, and architect Anton Schutz was born in Germany in 1894. He studied at the University of Munich, earning a double degree in mechanical engineering...

from the series of eight views of Provincial Holland and Ultrecht

Etching on chine collé mounted to white wove paper, 3 11/16 x 5 (92 x 125 mm), full margins. In good condition with minor mat tone. Printed by Delâtre, Paris. [Guiffrey 34]

Drypoint etching in brownish black ink on J. Whatman watermarked cream laid paper. 7x12 1/4 inches (177 x 312 mm), full margins. Signed and numbered 36/75 in pencil, lower margin. In...

Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...

Charles CAMOIN Fall in Paris : Near Seine River, 1946 Original lithograph Signed in pencil bottom right Numbered / XX On Lana vellum 26 x 36 cm (c. 10.2 x 14 inch) Excellent condi...

Etching on medium stock, cream wove paper, 5 15/16 x 10 3/16 inches (151 x 259 mm), full margins. Signed and titled in pencil, lower margin. A fine and detailed impression in dark bl...

The Vallery of the Three Moons is an original contemporary artwork realized by Luigi Spacal (Trieste, 1907 - Trieste, 2000) in the 1940s. Original Black and White woodcut print on c...

A charming engraving by William Woollett (British 1735-1785) after Annibale Carracci (Italian 1560-1609) depicting a picturesque rural landscape on the outskirts of an Italian town. ...

Lithograph on vélin paper. Paper size: 19.5 x 25.5 inches. Inscription: Hand signed and numbered 77/250, as issued. Notes: Published by London Arts Inc., Detroit; printed by Arts Lit...

Lithograph on vélin paper. Paper size: 19.5 x 22.5 inches. Inscription: Hand signed and numbered P.P., as issued. Notes: Published by London Arts Inc., Detroit; printed by Arts Litho...

Harfleur is an artwork realized by A. Brunet Debaines in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative of the publishe...

Ella Fort The Lonesome Road (La course seule) Color Lithograph Signed, numbered or inscribed Edition: 390 + 250 Size: 7.8 × 11.7 on 11.7 × 15.6 inches F...

Percival Gaskell, 'Sunset - Ardgour", aquatint, edition not stated, c. 1920. A superb, atmospheric impression, in brown/black ink, on cream wove paper; the full sheet with margins (2 to 3 inches), in excellent condition. Signed, titled, and numbered '2' in pencil. Matted to museum standards, unframed. Ardgour is a district of Lochaber on Ardnamurchan peninsula on the western shore of Loch Linnhe...