Horizontal Landscape Prints

Takanawa no kihan is a modern artwork realized between 1843 and 1847 after Utagawa Hiroshige. Ukiyo-e color woodblock print from the Touto hakkei (The Eight Famous Views of the Capital of the East) series. Mounted under passepartout. The artwork depicts the port of Takanawa, a suburb of Minato in southern Tokyo, and is one of the very rare sheets by Utagawa Ando Hiroshige...

John Baldessari's Paradise is a thought-provoking piece that plays with the concept of utopia and the viewer’s expectations of imagery. Known for his witty and conceptual approach, B...

THOMAS HART BENTON (1889-1975) PLOUGHING IT UNDER (aka Ploughing) 1934 (Fath 8) Original lithograph, signed in pencil. Edition of 250 as published by Associated American Artists (AA...

This is one of eighteen color mezzotints (printed on chine collé) depicting the landscape of coastal Maine. Intimations of the Arts and Crafts Movement of the early twentieth centur...

This is an exclusive handprinted limited edition cyanotype. "Blustery Clouds" is an cyanotype of the semi-abstract patterns of clouds in the sky after a storm. Details: + Title: Blu...

An indigenous teacher, surrounded by her multi-generational students, sits at the edge of a field, open book in hand. In the distance, we see campesinos working the fields with their horses. A lone, armed horseman watches over the class, locating the lithograph in its historical setting, the aftermath of the Mexican Revolution...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Stanley Kennedy North (1887 - 1942) British Empire Exhibition Map (1924) Lithog...

Landscape is a mixed colored screen print realized by the Sicilian artist Renato Guttuso. Sheet dimension: 50 x 69 cm. Good conditions. Renato Guttuso (Bagheria, Palermo 1912 - Ro...

Medium: Lithograph on vélin d'Arches paper Year: 1966 Paper Size: 20 x 26 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Soutine, I, Collection Pierre ...

THE CONVERSATION is an original limited edition lithograph printed using traditional hand lithography methods on archival Somerset printmaking paper, 100% acid free. THE CONVERSATION...

This piece is from a collection of originally designed etchings with drypoints by Rembrandt. It is printed on Ingres D'arches off-white laid paper. The prints are the sixth and final state Posthumous Impression. Printing plates were made in 1650, this collection was printed in 1998. Rembrandt van Rijn was one of the masters of the landscape genre in his prints and drawings. In his etching, "Landscape with a Cow...

Artist: Peter Max (1937) Title: Heart on Blends Year: 2005 Edition: 500/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 12.75 x 10 inches Condition: Excellent Inscri...

“Spring Blossoms” by well-known woodblock artist Gustave Baumann (1881-1971). The medium is color woodblock with aluminum leaf on cream paper. Baumann's personal Hand and Heart stamp...

A black and white, large-scale surreal mythical landscape of an ocean voyage, with a snake wrapped around a clock, female figure, greek urns, and an...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 147. Published by Aimé Maeght, Éditeur...

Samuel Chamberlain was a superb draftsman and his architectural images are often very complex. This image is, by contrast, quiet and understated: serene to the point of lonely. It's ...

Jean-Michel Folon was born in Brussels. He began to study architecture but abandoned it in favor of drawing, which allowed more expressive studies. His drawings have appeared in numerous magazines including Time, Fortune, The New Yorker, and L'Express. In 1969 he had his first one-man show in the United States, followed closely by exhibitions in Tokyo, Venice, Milan, London, Sao Paulo, Geneva, Brussels, and Paris. Folon has illustrated works by Kafka, Lewis Carroll, and Ray Bradbury. In 1973 he created a series of watercolors titled La Mort d'un Arbre (The Death of a Tree), for which Max Ernst created a lithograph as a preface. Folon has completed a 176-square-foot painting for a subway station in Brussels and a 160-square-foot painting for Waterloo Station in London. He is most comfortable using the engraving and drypoint techniques of printmaking. He designed theatre sets, magazine covers, advertisements, posters, wine labels, etc. Often involved in noble undertakings, such as working for world peace, for the disabled, and for safeguarding our environment, he worked on the graphic creation of the "Universal Declaration of the Rights of Man" and produced posters for Unicef, Greenpeace and Amnesty International."  1968 It conceives mural for the house of France to Triennial of Milan, animated of 500 luminous points. It exposes 60 works to the Gallery from France in Paris, and creates a book of end of the year for The Museum of Modern Art of New York. moma. 1969 First exposures to New York, Lefebre Gallery. 1970 Visit Japan and shows in Tokyo and Osaka. It takes part in XXXVè Biennale of Venice in the house of Belgium. First exposure in Italy, in Galleria del Milione in Milan, October. 1971 Carry out a significant exposure to the Museum of Decorative Arts in Paris with 90 works which will be presented later on at the Palate of the Art schools of Charleroi, the Museum of Modern art of Brussels and at Castello Sforzesco of Milan. 1972 Expose to Arts Club of Chicago. 1973 Illustrate the Metamorphosis of Kafka. Alice Editions publishes a collection of watercolours, the Death of a tree, of which he writes also the text. Max Ernst prefaces the book of an original lithography. It belongs to the selection of Belgian artists of XIIè Biennale of Sao Paulo, whose Great Price is decreed to him. 1974 Carry out ten etchings and aquatintes for the Circular Ruins of Jorge Luis Borges. Expose to Milan, the Marconi Studio. For a room of the new subway of Brussels it carries out Magic City, painting of 165 m2. 1975 Undertakes the one second mural decoration, Paysage, for Olivetti, in Waterloo Station in London. Its correspondence in images with Giorgio Soavi is the subject of a book, Lettres with Giorgio, published by Alice Editions. 1976 Expose to the Boymans-van-Beuningen Museum in Rotterdam, then in Deutsches Plakatmuseum, Essen. Carry out covers colors for various magazines, of which Time, which will publish four during years of them. 1977 Expose to Institute of Contemporary Art in London and Spoleto within the framework of XXè Festival, of which it draws the poster. 1978 Expose to the Museum of Modern art of Liege with Milton Glaser. Illustrate Alcools and Calligrammes , of Guillaume Apollinaire. 1979 Illustrate Martian Chroniques , of Ray Bradbury and the complete work of Jacques Prévert in 7 volumes. Exposure of watercolours to the Berggruen Gallery, Paris. 1980 By a series of twelve watercolours and joinings, it illustrates the Autumn in Peking, of Boris Vian, and by a continuation of etchings and aquatintes, the Useless beauty, of Guy of Maupassant. 1981 At the request of Michel Soutter, it designs the decorations of the theatre for works of Frank Martin and Giacomo Pucccini represented with the Large Theatre of Geneva. It carries out images projected for Histoire of the soldier , Igor Stravinsky, with the theatre of the Life in Brussels. 1982 The Museum from the Post office in Paris exposes its work engraved and the Museum Ingres de Montauban organizes an exposure. 1983 It carries out films in drawings in its workshop and turns of the short films to New York, Los Angeles and the Orleans News. Improvise a continuation in images, Conversation, with Milton Glaser, published by Alice Editions. 1984 Retrospective of its posters to Defense in Paris. It carries out the illustrations of the poetic of Guillaume Apollinaire and serious work a succession of etchings and aquatintes for Pluies of New York d' Albert Camus. Exposure to the museum Picasso d' Antibes. 1985 It goes to Japan for a retrospective which will be presented at Tokyo, Osaka and Kamakura. Close to the Door from Italy...

This is an exclusive handprinted limited edition cyanotype. "Abstract Ripples Under Moonlight" is a handmade cyanotype print portraying the subtle movements and abstract ripples of t...

Original stone lithograph created 1939 by well-known Regionalist Thomas Hart Benton. The print is in fine condition with full margins and pencil signed lower right. Also signed in the stone lower left. Fath #27. Image size: 9 1/2"h x 12"w. Title: “Cradling Wheat...

14-colour lithograph printed on white paper BFK Rives - 270 grammes Edition of 250 Signed, stamped and numbered in pencil on the front Mint, as issued

Medium: Lithograph on vélin de Lana paper Year: 1950 Paper Size: 9.75 x 12.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the album, Signac Dessins, 1950. Publi...

This artwork titled "Cul de Sac" is an original color lithograph by French artist Alexandre Minguet, 1937-1996. The image size is 7 x 11 inches, framed size is 17.35 x 21.5 inches. I...

Artist: Ralph Fasanella, American (1914 - 1997) Title: Bridges Year: 1974 Medium: Screenprint on Arches Paper, signed and numbered in pencil Edition: 250, AP 25 Image: 25 x 34 inches...

Lithograph and stencil on papier a la cuve du moulin Richard de Bas paper, spécialement filigrané pour cette édition. Unsigned and unnumbered, as issued. Good condition. Notes: From ...

#38256, 28 August, Ariel color photograph, limited edition, signed ATACAMA: Renewable Energy and Mining in the High Desert of Chile CHANGING PERSPECTIVES: Renewable Energy and the Shifting Human Landscape is a long-term aerial and ground-based photography project documenting global renewable energy development. Chile is the world's leading copper exporter and the second-largest lithium producer. We use Chilean copper...

Artist: Sam Francis (1923-1994) Title: Demeter (L. L.146) Year: 1972 Medium: Lithograph in colors on Rives BFK paper Edition: A.P. III; 34, plus proofs Size: 18 x 24 inches Condition...

Artist: Lowell Nesbitt (1933-1993) Title: Flamingos Year: 1981 Edition: 178/200, plus proofs. Medium: Silkscreen on Arches paper Size: 33.5 x 41 inches Condition: Good Inscription: S...

Ella Fort Flower Field (Champ Fleuri) Color Lithograph Signed, numbered or inscribed Edition: 390 + 250 Size: 7.8 × 11.7 on 11.7 × 15.6 inches Framed: 16.25x20 inches COA provided *Framing Options Available - Please Inquire **edition number might vary from shown in listing image Tags: Provence landscapes, French countryside art...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: Based in New York, Caitlin McGauley is an artist and illustrator with...

Medium: Collotype and lithograph on vélin gloss finish paper (to resemble the finish of ceramic), archivally hinged on vélin paper Year: 1948 Paper Size: 11.25 x 15 inches Catalogue ...

Flight Path By Rob Barnes The inspiration for this came from looking across a poppy field and seeing pheasants taking flight. Where I live we are surrounded by fields full of wildlife and have pheasants visiting the back garden. I love the time of year when there are swathes of poppies to be seen. They make such a bright red statement...

Kornfeld 56. 50 published with the book Expressionismus Die Kunstwende, 1918, in addition to 54 earlier impressions. Signed and titled in pencil in bottom margin under image.

This is a framed hand-colored woodcut engraving entitled "Sicilian and Italian Fisherman's Dock - San Francisco", created by Henry François Farny ...

This is an exclusive handprinted limited edition cyanotype. "Mediterranean Blue Sea Waves" is a handmade cyanotype print of the subtle tidal flow moving in on the Mediterranean Sea. ...

A Break in the Clouds by Chase Chen Chenoff, Chinese/American (1964) Date: circa 1980 Screenprint, signed and numbered in pencil Edition of HC 9/25 Size: 25 in. x 33 in. (63.5 cm x 8...

This early 19th century etching entitled "Veduta degl' Avanzi delle Torri di Belisario Dalla parte che guarda l' Interno della Città, vicino a Porta S. Giovanni, A. Mura Aureliane" (...

Silkscreen on Mohawk Superfine Bristol paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, X + X, Ten Works by Ten Painters, 1964. Publishe...

Lithograph on English cartridge paper. Inscription: Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: Published by School Prints Ltd., London; Printe...

Giclée print in colours 58 × 76 cm - Paper size 62 x 80 cm - Framed size Edition of 295 hand-signed and numbered by the artist. framed by the publishers on release.

One of America's most popular and successful artists with a take on the world's favorite city with "Cafe de la Paix." A prized serigraph of his, since not everyone loves sports art (...

Andy Warhol Bodley Gallery 1957: A rare, 1950s gallery announcement offset illustrated by Andy Warhol on the occasion of: Andy Warhol Golden Pictures: December 2 - December 24, 1957: The Bodley Gallery 223 East 60th St., New York, NY. A scarce, historical Andy Warhol Pre-Pop illustration; highly collectible. Medium: Double-sided offset lithograph in colors, on wove paper, with full margins, before folding. Dimensions: 12 3/4 x 19 1/2 in. (32.4 x 49.5 cm) Good overall vintage condition. Minor signs of aging & handling. Well-preserved. Unsigned from an edition of unknown. Warhol Foundation annotations in pencil on one side. Provenance: The Andy Warhol Foundation for the Visual Arts, New York. Susan Sheehan Gallery, New York. Private Collection, New York. Literature: Kornbluth: Pre-Pop Warhol, no. 66, pp. 164-165. Further background: Warhol’s career began as a commercial illustrator on New York’s Madison Avenue in 1949, during the massive post-war economic boom. His arrival additionally coincided with an extensive change in the motivations and strategies behind advertising, utilizing applied psychology to influence American consumers to purchase products. This stint as an ad man would further his Pop interest in cultural commercialization and start his artistic career; thus began the first chapter of Warhol’s oeuvre. Several of Andy Warhol's earliest exhibitions in New York were at the Bodley during the 1950s, starting with two in 1956. _ Obsessed with celebrity, consumer culture, and mechanical reproduction, Pop Art king, Andy Warhol created some of the 20th century’s most iconic images. Warhol was widely influenced by popular & consumer culture, with this being evident in some of his most famous works: 32 Campbell's soup cans, Brillo pad box sculptures, and portraits of Marilyn Monroe & Mick Jagger, for example. Rejecting the standard painting and sculpting modes of his era, Warhol embraced silk-screen printmaking to achieve his characteristic hard edges and flat areas of color. The artist mentored Keith Haring and Jean-Michel Basquiat and continues to influence contemporary art around the world: His most bold successors include Richard Prince, Takashi Murakami, and Jeff Koons. Warhol has been the subject of exhibitions at the Whitney Museum of American Art, Museum of Modern Art, Tate Modern, and Centre Pompidou, among other institutions. Related Categories 1950s Andy Warhol. Vintage Andy Warhol. Mid century modern. Pop Art. Andy Warhol advertising...

Jesse F. Reed, 'Church at Chichicastenango', color etching and aquatint, 1963. Signed and titled in pencil. Signed and dated in the plate, lower right. A fine, richly-inked impression, with fresh colors, on cream wove paper; the full sheet with margins (1 3/8 to 2 1/2 inches), in excellent condition. Chichicastenango, also known as Santo Tomás Chichicastenango, is a town in the El Quiché department of Guatemala, located in a mountainous region about 140 km northwest of Guatemala City. Chichicastenango is a K'iche' Maya cultural center, with the great majority of the municipality's population indigenous Mayan K'iche. The church depicted is the 400-year-old church Iglesia de Santo Tomás. Built atop a Pre-Columbian temple platform, the steps which remain venerated today, originally led to a temple of the pre-Hispanic Maya civilization. K'iche' Maya priests still use the church for their rituals, burning incense and candles. Each of the 18 stairs that lead up to the church stands for one month of the Maya calendar year. ABOUT THE ARTIST Jesse Floyd Reed (1920-2011) studied art in New York City at the Grand Central School of Art and the Art Students’ League. He held degrees in History and English and completed special advance studies in Asian, African, and Latin American art, history and culture. At the time of his retirement, he was a Professor of the Arts Emeritus at Davis & Elkins College, a position he held for over forty-nine years. A nationally recognized artist since 1947, Professor Reed’s art has been shown in hundreds of museums, libraries, colleges, and universities, including the Boston Museum, National Museum, The Library of Congress, Brooklyn Museum, and Seattle Museum. In his native West Virginia, he is represented in the permanent collections of the Huntington Museum and the Charleston Museum at Sunrise. The recipient of many national and regional awards, Reed was a member of the Salmagundi Club in NY, the Boston Printmakers, the Print Club of Albany, and was a founding member of the West Virginia Water...

TAGGED TREE is a rarely seen, hand drawn limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on ...

Field by Millard Owen Sheets, American (1907–1989) Date: circa 1977 Lithograph, signed and numbered in pencil Edition of 250 Size: 24 in. x 35 in. ...

London: Society of Antiqauries London, 1744. Engraving on buff wove paper with a large heraldic watermark with Strasbourg lily with a crown and shied and the letters LVG, 9 1/2 x 14 ...

A lithograph from the "Vincent Van Gogh" portfolio with text by Oskar Hagen published by Marees-Gesellschaft in Munich 1919. The portfolio consisted of 15 lithographic reproductions...

Artist: Peter Max (1937) Title: Two Hearts Year: 2001 Edition: 63/300, plus proofs Medium: Silkscreen on Fabriano Rosapina paper Size: 19 x 26.5 inches Condition: Good Inscription: S...

This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta del Mausoleo d'Elio Adriana ora chiamato Castello S. Angelo nella parte opposta alla Facciata de...

CAREL ALLARD (1648 – 1709) PLANISPHAERIUM TERRESTRE SIVE TERRARUM ORBIS… 1696 (Shirley 578) Engraving, 20 ½ x 23 ½”, sheet 21 x 24 1/8". A stunning double hemisphere World Map...

Dehn. Adolf (American, 1895-1968). MINNESOTA, Color lithograph, 1961. Edition of 20. Signed, titled and numbered 20/20 in pencil. Printed on BFK Rives paper. 14 x 19 1/8 inches (imag...

Landscape, 1990 Original aquatint and aquatint signed by hand by the artist.. (mm. 450x540). Perfect specimen, imprinted on Hahnemühle paper in a total of 100 copies Perfect preserv...

Floating against a brown background, the three hands in this Pablo Picasso print are disembodied and dimensional. Illuminated with light from above, the hands are shown realistically...

Lithograph on vélin Chiffon de Mandeure paper. Signed in the plate and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the album, Lithographies et Eaux...

Landscape is an original modern artwork realized by the Italian artist Mino Maccari (Siena, 1898 - Rome, 1989). Original woodcut on Ivory paper. Excellent conditions. Cat. Electa....

Hudson - Animar Valley Bill Sullivan, American (1942) Lithograph, signed and numbered in pencil Edition of 200 Size: 38 x 50 in. (96.52 x 127 cm)

DAVIES, Peter (b.1953) Tregenna Roofs (St. Ives) 2011 Linocut 4/6 26.0 x 34.0 cm Artists Statement Since starting to paint in 1981 my mainly plein aire landscapes have used ...

This coastal seascape limited edition print captures a scene from the porch of a beachfront property along the coast. A setting sun casts sharp light and cool blue-grey shadows across the porch, where two sets of shoes and two boat paddles...

This is a remarkable hand-colored folio sized lithograph entitled "Euplocomus Vielloti" (Viellot's Crested Fireback) by John Gould from his monograph "The Birds of Great Asia", publi...