Skip to main content

Horizontal Landscape Prints

to
1,726
3,483
1,921
1,680
780
784
Overall Width
to
Overall Height
to
2,159
1,728
379
330
321
251
233
217
110
57
25
15
9
3
117
102
97
93
89
759
1,472
4,341
2,074
78
48
192
188
203
351
536
766
735
309
443
7,544
873
3,336
1,554
1,541
1,221
1,084
943
752
633
571
546
529
504
462
378
368
345
339
336
302
288
3,117
2,050
1,433
767
709
1,212
3,224
5,044
2,818
Orientation: Horizontal
(創作版画 Mid-Century Japanese Coloured Woodblock Print. Ploughing the Fields.
Located in Cotignac, FR
Mid-Century coloured woodblock print of 'ploughing the fields' by 20th century Japanese artist Ini Kumo. The print is hand-signed in pencil, dated 1966 and numbered 130/700 to the bottom right and presented under glass in a black wooden frame. A beautiful woodblock printed image of a Japanese farmer in traditional attire ploughing the land with his ox. It is early evening and as the sun goes down it casts long shadows in front of the two figures. Perhaps the farmer is on his way back to the houses grouped in the distance already in shadow. The artist has carefully picked out areas of vibrant green and blue to give energy and colour to the image which contrast against the black of the ox. A thoroughly enchanting image. Ini Kumo is a recognised Sõsaku-hanga artist. His work is included in the Metropolitan Museum of Art in New York. Sōsaku-hanga (創作版画, "creative prints") was an art movement of woodblock printing which was conceived in early 20th-century Japan. It stressed the artist as the sole creator motivated by a desire for self-expression, and advocated principles of art that is "self-drawn" (自画 jiga), "self-carved" (自刻 jikoku) and "self-printed" (自摺 jizuri). As opposed to the parallel shin-hanga ("new prints") movement that maintained the traditional ukiyo-e collaborative system where the artist, carver, printer, and publisher engaged in division of labor. The birth of the sōsaku-hanga movement was signaled by Kanae Yamamoto...
Category

Mid-20th Century Edo Landscape Prints

Materials

Ink, Paper

'Lourmarin', French Post-Impressionist, Provence, Academie Julian, Paris Salon
Located in Santa Cruz, CA
Signed lower right, 'Zarou' for Victor Zarou (French, b. 1930), inscribed 'Epreuve d'Artiste' with number and limitation 'XIII/XXV' (13/25), lower left and titled lower center 'Lourm...
Category

1960s Landscape Prints

Materials

Paper, Lithograph

Ellsworth Kelly, Three Panels (Black), from Derriere le Miroir, 1964
Located in Southampton, NY
This exquisite lithograph by Ellsworth Kelly (1923–2015), titled Trois panneaux (noir) (Three Panels [Black]), originates from the historic 1964 folio Derriere le Miroir, No. 149. Pu...
Category

1960s Hard-Edge Abstract Prints

Materials

Lithograph

Seascape I (framed) - large format photograph of blue tone horizon and sea
Located in San Francisco, CA
large scale photograph capturing the color palette of nature's blue hour with soothing tones of ocean and cloudscape at dusk Seascape I by Frank Schott 48 x 64 inches / 122cm x 162...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée

La rentrée du Berger by Camille Pissarro - Etching
Located in London, GB
La rentrée du Berger by Camille Pissarro (1830-1903) Etching 7.6 x 10.9 cm (3 x 4 ¹/₄ inches) Stamped with initials C.P. lower left, and numbered 13/18 lower right This work was crea...
Category

1880s Impressionist Landscape Prints

Materials

Etching

Surrender of Tahiti to Captain Wallis: An Original 18th C. Engraving
Located in Alamo, CA
"A Representation of the Surrender of the Island of Otaheite to Capt.n Wallis, by the Supposed Queen of Oberea" is an original 18th century engraving created by Sparrow, from a drawi...
Category

1780s Landscape Prints

Materials

Engraving

Summer Gold, American Modern Lithograph by Millard Sheets
Located in Long Island City, NY
Artist: Millard Owen Sheets, American (1907 - 1989) Title: Summer Gold Medium: Lithograph, signed and numbered in pencil Edition: 250, 5 HC Image S...
Category

1970s American Modern Animal Prints

Materials

Lithograph

The Mote, One of the Seats of Ye Right Honorable the Lord Romney Etching c.1719
Located in San Francisco, CA
18th C. Etching "The Mote, One of the Seats of Ye Right Honorable the Lord Romney" C.1717 Plate dimensions 19.75" wide x 13.25" high Paper dimensions 24" wide x 20.75" high Frame dimensions 29.25" wide x 25.5" high A fine detailed bird's eye view of 'The Mote', showing the house, gardens and the avenues of trees stretching out into the surrounding park. Title along top edge, coat of arms at center. Published in Dr. Harris's History of Kent. Engraved by Kip. This is 1 of 6. We have 5 others not currently listed. If interested, send us a message. Johannes Kip (1652–1722) was a Dutch draftsman, engraver and print dealer. Together with Leonard Knyff, he specialized in engraved views of English country houses. They created some of the most important English topographical prints...
Category

Early 18th Century Landscape Prints

Materials

Etching

Dufy, Composition, Les Côtes Normandes (after)
Located in Southampton, NY
Lithograph on grand vélin d'Arches spécial paper. Unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the folio, Les Côtes Normandes 1961. Publ...
Category

1960s Modern Landscape Prints

Materials

Lithograph

Cityscape
Located in San Francisco, CA
This artwork "Cityscape" c.1990 is an original color serigraph by Ukrainian/American artist Anatole Krasnyansky. It is hand signed and numbered 24/350 in black ink by the artist. The artwork size is 9.35 x 11.15 inches, framed size is 19.75 x 21.75 inches. Custom framed in a gold and silver frame, with off white matting. It is in excellent condition. About the artist: Anatole Krasnyansky (born in 1930; Kiev, Ukraine) is a Ukrainian-American artist who has gained prominence by pioneering a new watercolor technique. Krasnyansky added paper texture as a component of his watercolors. With this new process, Krasnyansky added texture and depth to the watercolor medium and expanded its expressive possibilities to a level usually associated with oil painting. Biography He was born in Kiev, growing up and living during the times when Ukraine was a part of the U.S.S.R. Krasnyansky received master's degrees in fine art and architecture. He found that the freedom of expression that he needed in his artwork could not be found within the strictures of the Soviet Union and moved to the United States in 1975. In the U.S., Krasnyansky found valuable use for his knowledge of architecture, design and his imagination. and found success in multiple artistic pursuits. Almost surreal, Krasnyansky’s figures are recognizable form while incorporating elements of his Eastern heritage, the cubist ideas of Picasso and Braque, and as well as American culture. Accomplishments Krasnyansky began working as a scenic artist for ABC and CBS, including the production of two Academy Awards shows. He became a set designer for Universal Studios (credits including The Blues Brothers and Battlestar Galactica...
Category

Late 20th Century Surrealist Landscape Prints

Materials

Screen

Ross Bleckner, Floating Red
Located in New York, NY
Ross Bleckner FLOATING RED Year: 2019 Medium: Archival pigment print on Innova Etching Cotton Rag 315 gsm fine art paper Size: 42 x 70 inches (107 x 178 cm) Edition: 30 Price: $7,000 Also sold as a set with Floating Red Glowing and contemplative, Ross Bleckner’s work blends abstraction with recognizable symbols to create meditations on perception, transcendence and loss. Ross Bleckner was born in 1949 in New York and grew up in the prosperous town of Hewlett Harbor on Long Island. The first art exhibition he saw—The Responsive Eye, a show of Op art on view at the Museum of Modern Art in New York in 1965—had a strong impact on him. He decided to become an artist when he was in college, studying with Sol LeWitt and Chuck Close at New York University, where he earned a BA in 1971. Two years later, he completed an MFA at the California Institute of the Arts in Valencia, where he met David Salle. After moving back to New York, Bleckner purchased and moved into a Tribeca loft building in 1974. Painter Julian Schnabel rented three floors of the building, and the Mudd Club, a nightclub frequented by musicians and artists, occupied space there from 1977 to 1983. Bleckner sold the building in 2004. His first solo exhibition was held in 1975 at Cunningham Ward Gallery in New York. In 1979 he began his long association with Mary Boone Gallery in New York, which championed several of the so-called art stars of the 1980s. In 1981 Bleckner met Thomas Ammann, an important Swiss art dealer who went on to collect his work. Bleckner’s early 1980s Stripe...
Category

2010s Contemporary Abstract Prints

Materials

Archival Pigment

Belgian Contemporary Art by Hugo Pondz - Le Réconfort d'un Ami
Located in Paris, IDF
C-Print on Argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additio...
Category

2010s Contemporary Landscape Prints

Materials

Paper, C Print

Aspen Study I - large scale photograph of Indian summer autumnal color palette
Located in San Francisco, CA
Aspen Study I by Frank Schott a series of images capturing the yellow golden Indian summer foliage palette of aspen trees in California's Sierra Nevada ...
Category

21st Century and Contemporary Abstract Color Photography

Materials

Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée

TEAHOUSE AND WILLOW TREE
Located in Portland, ME
Junichiro Sekino (Japanese, 1914-1988). TEAHOUSE AND WILLOW TREE. Color woodblock print, not dated. Edition size not known. Signed in pencil and with the a...
Category

Mid-20th Century Landscape Prints

Materials

Woodcut

'Navajo Trading Post' — Southwest Regionalism, American Indian
Located in Myrtle Beach, SC
Ira Moskowitz, 'Navajo Trading Post', lithograph, 1946, edition 30, Czestochowski 161. Signed and dated in the stone, lower left. A fine, richly-inked impression, on cream wove paper, with full margins (1 1/2 to 3 1/8 inches). Pale mat line, otherwise in excellent condition. Matted to museum standards, unframed. Image size 11 11/16 x 15 1/2 inches (297 x 395 mm); sheet size 16 5/16 x 191/8 inches (414 x 486 mm). ABOUT THE ARTIST Ira Moskowitz was born in Galicia, Poland, in 1912, emigrating with his family to New York in 1927. He enrolled at the Art Student's League and studied there from 1928-31. In 1935, Moskowitz traveled to Paris and then lived until 1937 in what is now Israel. He returned to the United States in 1938 to marry artist Anna Barry in New York. The couple soon visited Taos and Santa Fe in New Mexico, returning for extended periods until 1944, when they moved there permanently, staying until 1949. During this especially productive New Mexico period, Moskowitz received a Guggenheim fellowship. His work was inspired by the New Mexico landscape and the state’s three cultures (American Southwest, Native American, and Mexican). He focused on Pueblo and Navajo life, producing an extensive oeuvre of authentic American Indian imagery. He and Anna also visited and sketched across the border in Old Mexico. While in the Southwest, Moskowitz flourished as a printmaker while continuing to produce oils and watercolors. Over 100 of Moskowitz’s works depicting Native American ceremonies were used to illustrate the book American Indian Ceremonial Dances by John Collier, Crown Publishers, New York, 1972. After leaving the Southwest, printmaking remained an essential medium for the artist while his focus changed to subject matter celebrating Judaic religious life and customs. These works were well received early on, and Moskowitz was content to stay with them the rest of his life. From 1963 until 1966, Moskowitz lived in Paris, returning to New York City in 1967, where he made his permanent home until he died in 2001. Shortly before his death, Zaplin-Lampert Gallery of Santa Fe staged an exhibition of the artist's works, December 2000 - January 2001. Other one-person shows included the 8th Street Playhouse, New York, 1934; Houston Museum, 1941; and the San Antonio Museum, 1941. The artist’s work was included in exhibitions at the Art Students League, Art Institute of Chicago, Philadelphia Print Club, College Art Association (promotes excellence in scholarship and teaching), and the International Exhibition of Graphic Arts (shown at MOMA, 1955). Moskowitz’s lithographs of American Indian...
Category

1940s American Modern Landscape Prints

Materials

Lithograph

Louisiana Serenade (Gelburd/Rosenberg 70-77), Jazz Series, Romare Bearden
Located in Fairfield, CT
Artist: Romare Bearden (1911-1988) Title: Louisiana Serenade (Gelburd/Rosenberg 70-77) Year: 1979 Medium: Lithograph on vélin d’Arches paper Edition: 39/175, plus proofs Size: Paper ...
Category

1970s Expressionist Figurative Prints

Materials

Lithograph

Fishing
Located in Milwaukee, WI
7.25 x 12.25 inches (sheet), 5 x 11.88 inches (block) Framed 12.63 x 19.50 in Linoleum block print on laid paper Unsigned
Category

1930s Landscape Prints

Materials

Linocut

Degas, Sketch of Dancers, Ten Ballet Sketches (after)
Located in Fairfield, CT
Medium: Lithograph and stencil on vélin paper Year: 1945 Paper Size: 13 x 17 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Degas, Ten Ballet Sketches,...
Category

1940s Impressionist Figurative Prints

Materials

Lithograph

Valerio Adami, Composition, L'édition de tête (after)
Located in Southampton, NY
Lithograph on vélin de Lana paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, tête edition, Consacré à Valeri...
Category

1970s Pop Art Landscape Prints

Materials

Lithograph

Adolf Dehn, Curtain (aka Flora Dora Girls), 1932, burlesque lithograph
Located in New York, NY
Adolf Dehn's, lithograph on chine collé, Curtain or The Flora Dora Girls, is an ode to burlesque with dancing girls and fabulous costumes. It comes on the heals of a 1930 pre-code mo...
Category

1940s American Modern Landscape Prints

Materials

Lithograph

"Casa Marquez" Original Woodblock Print, Signed and Numbered 93/100
Located in Soquel, CA
"Casa Marquez" Original Woodblock Print, Signed and Numbered 93/100 Boldly colored woodblock print by Carol Summers (American, 1925-2016). This piece is a closeup on a large stone building, with a landscape reflected in the windows. The building has carved ornamentation in a classical style. There is a bright red sunset in the background behind the building. The title refers to the author Gabriel García Márquez. Signed "Carol Summers" in the lower right corner. Numbered and titled "93/100 Casa Marquez" in the upper right corner. Presented in a silver colored aluminum frame. Frame size: 19.25"H x 23.25"W Paper size: 16"H x 20"W Carol Summers (1925-2016) has worked as an artist throughout the second half of the 20th century and into the first years of the next, outliving most of his mid-century modernist peers. Initially trained as a painter, Summers was drawn to color woodcuts around 1950 and it became his specialty thereafter. Over the years he has developed a process and style that is both innovative and readily recognizable. His art is known for it’s large scale, saturated fields of bold color, semi-abstract treatment of landscapes from around the world and a luminescent quality achieved through a printmaking process he invented. In a career that has extended over half a century, Summers has hand-pulled approximately 245 woodcuts in editions that have typically run from 25 to 100 in number. His talent was both inherited and learned. Born in 1925 in Kingston, a small town in upstate New York, Summers was raised in nearby Woodstock with his older sister, Mary. His parents were both artists who had met in art school in St. Louis. During the Great Depression, when Carol was growing up, his father supported the family as a medical illustrator until he could return to painting. His mother was a watercolorist and also quite knowledgeable about the different kinds of papers used for various kinds of painting. Many years later, Summers would paint or print on thinly textured paper originally collected by his mother. From 1948 to 1951, Carol Summers trained in the classical fine and studio arts at Bard College and at the Art Students League of New York. He studied painting with Steven Hirsh and printmaking with Louis Schanker. He admired the shapes and colors favored by early modernists Paul Klee (Sw: 1879-1940) and Matt Phillips (Am: b.1927- ). After graduating, Summers quit working as a part-time carpenter and cabinetmaker (which had supported his schooling and living expenses) to focus fulltime on art. That same year, an early abstract, Bridge No. 1 was selected for a Purchase Prize in a competition sponsored by the Brooklyn Museum. In 1952, his work (Cathedral, Construction and Icarus) was shown the first time at the Museum of Modern Art in New York City in an exhibition of American woodcuts...
Category

1980s Contemporary Landscape Prints

Materials

Ink, Handmade Paper, Woodcut

Bowling on the Green (from the Bicentennial Pageant of George Washington)
Located in Soquel, CA
Bowling on the Green (from the Bicentennial Pageant of George Washington) 'Bowling on the Green', by printmaker Frederick Childe Hassam, depicts George Washington and friends lawn b...
Category

1930s American Impressionist Figurative Prints

Materials

Ink, Etching, Laid Paper

Impressionism : Girls Dancing - Original lithograph, 1898
Located in Paris, IDF
Henri LE SIDANER (1862-1939) Impressionism : Girls Dancing, 1898 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFO...
Category

1890s Impressionist Landscape Prints

Materials

Lithograph

Africa: A Large 17th Century Hand-colored Map By Sanson and Jaillot
Located in Alamo, CA
This large original hand-colored copperplate engraved map of Africa entitled "L'Afrique divisee suivant l'estendue de ses principales parties ou sont distingues les uns des autres, L...
Category

1690s Landscape Prints

Materials

Engraving

Mexican Elegy (Belknap 354-380; Engberg/Banach 415-441), Three Poems
Located in Southampton, NY
Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...
Category

1980s Abstract Expressionist Abstract Prints

Materials

Lithograph

Sans titre, Derrière le miroir
Located in Southampton, NY
Lithograph on vélin paper. Paper Size: 15 x 22 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 221,...
Category

1970s Modern Abstract Prints

Materials

Lithograph

Niagara Series I
Located in Washington, DC
Artist: Larry Zox Medium: Serigraph Title: Niagara Series I Year: 1980 Edition: 75/175 Sheet Size: 26" x 35" Signed: Hand signed in pencil
Category

1980s Abstract Prints

Materials

Screen

Venice Seascape Triptych, Blue Lido Island Reflections, Contemporary Cyanotype
Located in Barcelona, ES
This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...
Category

2010s Contemporary Abstract Prints

Materials

Lithograph, Monotype, Paper

"Nativity" Modernist Landscape Screen Print in Ink on Paper -
Located in Soquel, CA
"Nativity" Modernist Landscape Screenprint in Ink on Paper Whimsical modern landscape silkscreen print of the nativity scene by San Francisco, C...
Category

1970s Modern Figurative Prints

Materials

Paper, Printer's Ink, Screen

John Speede, Map of the County of Surrey, described and divided into hundreds
Located in London, GB
To see our other views and maps of England - including London, Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Speed/Speede (1551/2-1629) The County of Surrey Described and Divided into Hundreds Engraving with later hand colouring and text to the reverse.  Dated to c.1650 36 x 49 cm Probably the most famous early English mapmaker, John Speed's early life is somewhat of an enigma. He is believed to have trained as a rolling-press printer, but he was at heart an historian granted a sinecure in the Customs House by Queen Elizabeth to indulge his passion, later becoming a Fellow of the Society of Antiquaries. His first maps were historical, of the Holy Land 'Canaan as it was Possessed both in Abraham and Israels Dayes' and of England and Ireland recording 'all their Civill Warres since the Conquest'. In 1611 he published his 'Hostory of Great Britaine' which he regarded as his magnum opus, but it was the companion atlas 'Theatre of the Empire of Great Britaine' that - as the first printed atlas of Great Britain - sealed his reputation. William Rogers engraved the first map, 'the County Palatine of Chester' in about 1600, but following his untimely death the task of engraving was passed to Jodocus Hondius of Amsterdam. By 1612 the atlas was complete, the maps famed for their decorative elements. Many have town plans - Britain's first series of such plans - and descriptive text was printed to the reverse until the 1676 edition. Later printings (up until 1770) were issued without this text. By 1627 it has become a part of a world atlas 'Prospect of the Most Famous Parts of the World'. During the 17th century the plates passed through the hands of a series of publishers, the 1676 edition of Thomas Bassett and Richard Chiswell being regarded as its high point with the inclusion for the first time of a series of important maps. For the first half of the eighteenth century they were firmly established in the hands of the Overton family. This particular edition originally featured in The Theatre Of The Empire Of Great Britaine. It features attractive inset views of the long-since destroyed Richmond...
Category

17th Century Realist Landscape Prints

Materials

Engraving

Dufy, Composition, Les Côtes Normandes (after)
Located in Southampton, NY
Lithograph on grand vélin d'Arches spécial paper. Unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the folio, Les Côtes Normandes 1961. Publ...
Category

1960s Modern Landscape Prints

Materials

Lithograph

La Mare au Drac (Champagne) - Etching by Félix-Hilaire Buhot - 1875
Located in Roma, IT
Etching on laid paper Signed in plate lower left: F. Buhot Published by Cadart & Luquet, Éditeurs, 79 Rue Richelieu, Paris With the blindstamp of the Société des Aquafortistes, lower...
Category

1870s Modern Figurative Prints

Materials

Etching

Notre Dame, Modern Lithograph by Lloyd Lozes Goff
Located in Long Island City, NY
Lloyd Lozes Goff, American (1918 - 1982) - Notre Dame, Year: 1979, Medium: Lithograph, Signed and Numbered in Pencil, Edition: 300, AP 30, Image Size: 19 x 25 inches, Size: 23 i...
Category

1970s Modern Landscape Prints

Materials

Lithograph

Kandinsky, Komposition IV, Derrière le miroir (after)
Located in Southampton, NY
Lithograph on vélin paper. Paper Size: 15 x 22 inches, with centerfold, as issued. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Derrière le miro...
Category

1950s Modern Abstract Prints

Materials

Lithograph

Near Amalfi
Located in Chesterfield, MI
This giclee on canvas called "Near Amalfi" by Howard Behrens is embellished and signed by the artist. It is numbered 11/25. Framing options are available.
Category

Mid-20th Century American Impressionist Landscape Prints

Materials

Giclée

Near Amalfi
Near Amalfi
$320 Sale Price
20% Off
New York Harbor, Modern Lithograph by Lloyd Lozes Goff
Located in Long Island City, NY
Lloyd Lozes Goff, American (1918 - 1982) - New York Harbor, Year: 1979, Medium: Lithograph, Signed and Numbered in Pencil, Edition: 250, AP 15, Image Size: 18.5 x 24 inches, Size...
Category

1970s Modern Landscape Prints

Materials

Lithograph

Brass Section (Gelburd/Rosenberg 70-77), Jazz Series, Romare Bearden
Located in Fairfield, CT
Artist: Romare Bearden (1911-1988) Title: Brass Section (Gelburd/Rosenberg 70-77) Year: 1979 Medium: Lithograph on vélin d’Arches paper Edition: 110/175, plus proofs Size: Paper Size...
Category

1970s Expressionist Figurative Prints

Materials

Lithograph

Berkshire Diner - 1980 Signed Limited Edition Screenprint
Located in Rochester Hills, MI
John Baeder Berkshire Diner - 1980 Print - Serigraph on Somerset paper Paper Size - 30'' x 22'' in. Edition: Signed in pencil and marked from the edition of 250 John Baeder's calcula...
Category

1980s Photorealist Landscape Prints

Materials

Screen

Sans titre (Cramer 83; Mourlot 340-347), Derrière le miroir
Located in Southampton, NY
Lithograph on vélin paper. Paper Size: 15 x 33 inches, with bifold, as issued. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cramer, Patrick, and Jo...
Category

1960s Surrealist Abstract Prints

Materials

Lithograph

The South West Prospect of London – English School 18th century
Located in Middletown, NY
A stunning 18th century optical view of London from the Thames. London: 1760. Copper plate engraving with hand coloring in watercolor on cream laid paper with a large circular wate...
Category

Mid-18th Century English School Landscape Prints

Materials

Watercolor, Handmade Paper, Engraving

Cul de Sac
By Alexandre Minguet
Located in San Francisco, CA
This artwork titled "Cul de Sac" is an original color lithograph by French artist Alexandre Minguet, 1937-1996. The image size is 7 x 11 inches, framed size is 17.35 x 21.5 inches. I...
Category

Late 20th Century Expressionist Figurative Prints

Materials

Lithograph

Untitled - Harbor, Impressionist Lithograph by Marcel Salinas
Located in Long Island City, NY
Laurent Marcel Salinas, Egyptian/French (1913 - 2010) - Untitled - Harbor, Year: circa 1962, Medium: Lithograph, Image Size: 17.25 x 21 inches, Size: 21 x 29.5 in. (53.34 x 74....
Category

1960s Impressionist Landscape Prints

Materials

Lithograph

Place de la Concorde, Paris
Located in Middletown, NY
Paris: Gebbie & Co., 1895. Photogravure and engraving on cream wove paper, 6 11/16 x 9 5/8 inches (169 x 244 mm), full margins. In good condition with minor toning and three scatter...
Category

Late 19th Century French School Landscape Prints

Materials

Handmade Paper, Engraving, Photogravure

Temple of Neptune Pesto - Lithograph - 1862
Located in Roma, IT
Uses and Customs - Temple of Neptune Pesto is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History...
Category

1860s Modern Figurative Prints

Materials

Lithograph

“On the Seine, Paris”
Located in Southampton, NY
Original aquatint etching of working river barges on the Seine in Paris, France. A horse drawn cart is seen loading or unloading product. Circa 1900. Si...
Category

Early 1900s Academic Landscape Prints

Materials

Archival Paper, Aquatint

Untitled - 55, Surrealist Aquatint Etching by Hans-Georg Rauch
Located in Long Island City, NY
Hans-Georg Rauch, German (1939 - 1993) - Untitled - 55, Year: circa 1978, Medium: Aquatint Etching, signed and numbered in pencil, Edition: HC I/XX, Size: 21 x 27 in. (53.34 x ...
Category

1970s Surrealist Landscape Prints

Materials

Etching, Aquatint

Countryside - Etching by Giovanni Gromo - 1980s
Located in Roma, IT
Etching on paper realized by Giovanni Gromo in 1980s. Hand signed in pencil lower right. Not numbered,
Category

1980s Contemporary Landscape Prints

Materials

Etching

Venus Lamenting over the Death of Adonis
Located in Middletown, NY
c. 1654. Etching with engraving on thin laid paper with an early and large unidentified watermark with a sundial and a many-pointed star, and an unidentified collector's stamp in the...
Category

Mid-17th Century Old Masters Landscape Prints

Materials

Handmade Paper, Engraving, Etching

Dufy, Réception d'un amiral anglais, Raoul Dufy, Collection Pierre Lévy (after)
Located in Fairfield, CT
Medium: Lithograph on vélin d'Arches paper Year: 1969 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Raoul Dufy, IV, Col...
Category

1960s Modern Landscape Prints

Materials

Lithograph

Lincoln Center Fantasy, Modern Lithograph by Lloyd Lozes Goff
Located in Long Island City, NY
Lloyd Lozes Goff, American (1918 - 1982) - Lincoln Center Fantasy, Year: 1979, Medium: Lithograph, Signed and Numbered in Pencil, Edition: 300, AP 30, Image Size: 16.5 x 23, Size...
Category

1970s Modern Landscape Prints

Materials

Lithograph

"Oliviers" pochoir
Located in Henderson, NV
Medium: pochoir (after the watercolor). Published in Paris in 1924 by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscription is printed...
Category

1920s Landscape Prints

Materials

Lithograph, Stencil

Map of Cambridge, c.1572 engraving by Braun & Hogenberg
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category

16th Century Realist Landscape Prints

Materials

Engraving

Braque (tariff free*), Étude (oiseaux), Le Solitaire, XXe siècle (after)
Located in Southampton, NY
Lithograph, stencil on vélin d'Arches paper. Paper Size: 7.25 x 9.375 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Georges Braque, Le Solitaire, 19...
Category

1950s Cubist Abstract Prints

Materials

Lithograph

The Helmsman
Located in Storrs, CT
The Helmsman. 1925. Etching. Hurst 130. 7 x 10 7/8 (sheet 11 x 5). Trial proof, apart from the edition of 75 An extremely rich impression printed cream wove paper. An exceptionally r...
Category

1920s Modern Landscape Prints

Materials

Drypoint, Etching

Mexican Marmot Squirrel: Original 19th Cent. Hand-colored Lithograph by Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Mexican Marmot Squirrel, No. 22, Plate CIX", from John James Audubon's Quadrupeds of North America, published...
Category

Mid-19th Century Naturalistic Animal Prints

Materials

Lithograph

Art Nouveau : Golden Age, Peaceful Life in the Forrest - Original lithograph
Located in Paris, IDF
Henri RIVIERE (1884-1951) Art Nouveau : Golden Age, Peaceful Life in the Forrest, 1898 Original lithograph (Champenois workshop) Printed signature in the plate On paper 90 x 120 cm ...
Category

1890s Landscape Prints

Materials

Lithograph

"The Covered Wagon" On the Oregon Trail Prairie Schooner Horseman and Cattle
Located in Soquel, CA
"The Covered Wagon" On the Oregon Trail Prairie Schooner and Cattle Facsimile in oil or silk screen Oil print by Gilbert Ross Tonge (American, 1883 - 1970...
Category

1940s American Impressionist Landscape Prints

Materials

Oil, Illustration Board, Screen

The Umbrellas, Japan - USA Offset lithograph poster (Hand Signed by Christo)
Located in New York, NY
Christo and Jeanne-Claude The Umbrellas, Japan - USA (Hand Signed), 1991 Offset lithograph poster Boldly signed by Christo upper right 25 × 38 inches Unframed This rare vintage poster was published by Christo and Jeanne-Claude to promote and raise funds for Christo's famous Umbrellas Japan-USA project in the early 1990s. It is hand signed boldly in black marker "Christo" on the recto - upper right corner. This work was acquired from the Estate of Jacob and Aviva Baal-Teshuva, collectors, curators, authors, early supporters and good friends of Christo. Authenticity unconditionally guaranteed. ABOUT THE UMBRELLAS JAPAN-USA PROJECT: At sunrise, on October 9, 1991, Christo and Jeanne-Claude's 1,880 workers began to open the 3,100 umbrellas in Ibaraki and California, in the presence of the artists at both sites. This Japan-USA temporary work of art reflected the similarities and differences in the ways of life and the use of the land in two inland valleys, one 12 miles (19 kilometers) long in Japan, and the other 18 miles (29 kilometers) long in the USA. In Japan, the valley is located north of Hitachiota and south of Satomi, 75 miles (120 kilometers) north of Tokyo, around Route 349 and the Sato River, in the Prefecture of Ibaraki, on the properties of 459 private landowners and governmental agencies. In the USA, the valley is located 60 miles (96.5 kilometers) north of Los Angeles, along Interstate 5...
Category

1990s Pop Art Landscape Prints

Materials

Lithograph, Offset

'Sundown, Stonington, Maine' — Artist-printed Exhibition Proof
Located in Myrtle Beach, SC
Lawrence Nelson Wilbur (1897-1988), 'Sundown, Stonington, Maine', wood engraving, artist's proof, edition not stated but small, 1969. Signed and titled in pencil. Signed in the block...
Category

1940s American Modern Landscape Prints

Materials

Woodcut

Cowboy TV - large format photograph of iconic western in American landscape
Located in San Francisco, CA
large scale original photograph of vintage TV set with iconic western movie in American wild west landscape Cowboy TV by Frank Schott is available in three edition sizes: 48 x 64 inches (122 x 162cm) signed edition of 7 30 x 40 inches (76 x 102cm) signed edition of 25 58 x 77.25 inches (148 x 148cm) signed edition of 7 archival fine art pigment print signed & numbered by artist on certificate label _____________________________________ Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence. Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels. Influenced by a number of photographic peers and precursors such as Candida Höfer, Andreas Gursky, Thomas Struth, Jeff Wall, Ed Rusha...
Category

21st Century and Contemporary Contemporary Color Photography

Materials

Archival Paper, Photographic Paper, Archival Pigment, Giclée

Recently Viewed

View All