Charles Camoin

Fall in Paris : Near Seine River - Original Lithograph - Signed

1946

Robert SAVARY Paris : Wallace Fountain, 1969 Original lithograph (Mourlot workshop) Handsigned in pencil On Arches vellum 37 x 29 cm (c. 16 x 12 in) Very good condition, may have v...

Maurice UTRILLO (1883 - 1955) Cottin Alley in Paris Lithograph Printed signature in the plate On vellum Arches This edition is autentified by the blind stamp S.P.A.D.E.M 56 cm x 38 ...

Robert SAVARY Paris & Montmartre : Le Moulin Rouge Cabaret, 1969 Original lithograph (Mourlot workshop) Handsigned in pencil On Arches vellum 37 x 29 cm (c. 16 x 12 in) Excellent c...

Robert SAVARY Paris : Bandstand Near Nation Square, 1969 Original lithograph (Mourlot workshop) Handsigned in pencil On Arches vellum 37 x 29 cm (c. 16 x 12 in) Excellent condition

To see our other original vintage travel posters, many of which have skiing subjects, scroll down to "More from this Seller" and below it click on "See all from this seller" - or sen...

"Old Uppsala Church" was done in small edition of 15. This impression is #3. Gamla Uppsala (Swedish: Old Uppsala) is a parish and a village outside Uppsala in Sweden. As early as the 3rd century AD and the 4th century AD and onwards, it was an important religious, economic and political centre. Early written sources claim that already during pre-history, Gamla Uppsala was well known in Northern Europe as the residence of Swedish kings of the legendary Yngling dynasty In fact, the oldest Scandinavian sources, such as Ynglingatal, the Westrogothic law and the Gutasaga talk of the King of the Swedes (Suiones) as the "King at Uppsala". During the Middle Ages, it was the largest village of Uppland, the eastern part of which probably originally formed the core of the complex of properties belonging to the Swedish Crown, the so-called Uppsala öd, of which the western part consisted of the royal estate...

Andrew Wyeth "Dogwood" 1983 Collotype Ed. 115/300 Signed and Numbered Lower Right Image Size: 21 x 28 3/4 inches Framed Size: approx. 29 x 36.5 inches A painter of landscape and figure subjects in Pennsylvania and Maine, Andrew Wyeth became one of the best-known American painters of the 20th century. His style is both realistic and abstract, and he works primarily in tempera and watercolor, often using the drybrush technique. He is the son of Newell Convers and Carolyn Bockius Wyeth of Chadds Ford, Pennsylvania, and was home-schooled because of delicate health. His art instruction came from his famous-illustrator father, who preached the tying of painting to life--to mood and to essences and to capturing the subtleties of changing light and shadows. The Wyeth household was a lively place with much intellectual and social stimulation. Because of the prominence of N.C. Wyeth, persons including many dignitaries came from all over the country to visit the family. Andrew's sisters Carolyn and Henriette became noted artists as did his brother-in-law, Peter Hurd. The non-art oriented brother, Nathaniel Wyeth...

"Mexican Orchestra" is one of the George Overbury Hart's largest pieces. It is #14 from a limited edition of 50. The image captures a festive event with hanging lanterns, an orches...