Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 11

David Roberts
Medinet Abou, Thebes lithograph from Views of the Holy Land by David Roberts

1841-1849

About the Item

Medinet Abou, Thebes is a hand colored lithograph from the standard edition of ” Views in the Holy Land, Syria, Idumea, Arabia, Egypt and Nubia” a six volume set of 250 tinted lithographs by Louis Haghe from the original drawings done on the spot by David Roberts R. A. ( 1796-1864 ) and published by H. G. Moon, London during the years 1841-1849. Highly regarded for their accuracy these lithographs of Middle Eastern 19th century architecture and culture are unique and highly collectable. This lithograph is in good condition with minor foxing as can be seen in the photo. sheet size 17 x 24 image size 13 x 19.25
  • Creator:
    David Roberts (1796-1864, British)
  • Creation Year:
    1841-1849
  • Dimensions:
    Height: 17 in (43.18 cm)Width: 24 in (60.96 cm)
  • Medium:
  • Period:
  • Framing:
    Framing Options Available
  • Condition:
  • Gallery Location:
    Paonia, CO
  • Reference Number:
    1stDibs: LU78037624232

More From This Seller

View All
Birds Eye View of Cheshire Connecticut 1882 lithograph pub. by O. H. Bailey
Located in Paonia, CO
View of Cheshire, Connecticut, 1882. Original lithograph was drawn and published by O. H. Bailey & Co. , a prominent 19th century map maker. The map shows a bird’s eye view of the town as it used to be, including street names and old landmarks.  Beautifully colored historic map...
Category

1880s Other Art Style Landscape Prints

Materials

Lithograph

Turquoise Roof William Hook serigraph
By William Hook
Located in Paonia, CO
Turquoise Roof is a limited edition hand-pulled serigraph no. 111 / 260 signed by the artist in excellent condition. Published by Aspen Mountain Graphics. sheet size 28 x 36 image 25 x 32.75 For American artist William Hook ( b. 1948- ) art was a central focus in his family home and he began his career in art at an early age.. He studied at several prestigious art schools in the US and abroad. His work has been featured in magazines such as Southwest Art, Art of the West, U. S. Art, American Artist and Focus Santa Fe. The book... Leading the West... by Donald Hagerty features William Hook as one of the most notable influences on the western art scene. Publishers Harper-Collins and North Light have included his work in numerous books written about the contemporary art process in Europe and America. Hook’s paintings can be found in the permanent collections of the Denver Art Museum, the Tucson Art Museum, the University of New Mexico, the FORBES Museum, NYC, and the Genesee Museum, NY as well as in many corporate and private collections. His work has also been featured in prints for the New Mexico Symphony, Music from Angel Fire...
Category

20th Century Landscape Prints

Materials

Screen

Carte Particuliere Des Coste De Bretagne qui Comprend Morlaix
By Pierre Mortier
Located in Paonia, CO
Carte Particuliere Des Costes De Bretagne qui Comprend Morlaix, Saint Paul de Leon, les Sept Isles, et L’Isle. Faite par ordre Exprez Du Roy de France is from the collection of ch...
Category

1690s Landscape Prints

Materials

Engraving

Bird's Eye View of Glascow 1888 original wood engraving from The Graphic
Located in Paonia, CO
Bird’s Eye View of Glascow original 1888 wood engraving is from The Graphic by H.W. Brewer who was well known for his aerial views of topographical panoramas. He was also the fa...
Category

1880s Realist Landscape Prints

Materials

Woodcut

Spring Thaw original serigraph by Ray Vinella
By Ray Vinella
Located in Paonia, CO
Spring Thaw is a Hand-pulled serigraph. Spring Thaw has vibrant fall colors with melting snow creating a strong contrast as the season is changing and a small section of a stream in the foreground.. Ray Vinella ( 1933 -2019 ) immigrated to the US from Italy at a young age, he served in the Korean War and later attended the Art Center College of Design in Los Angeles. His career began with illustrations (working on Disney’s Mary Poppins film) and he later pursued his passion for art in Taos, NM. He is one of the grand old masters of Taos, having revitalized the Taos art scene along with the Taos Six. This is a limited edition print 4/215 in excellent condition. Published by Aspen Mountain...
Category

Late 20th Century Impressionist Landscape Prints

Materials

Screen

Sangre de Christos hand-pulled serigraph by Robert Daughters
By Robert Daughters
Located in Paonia, CO
Sangre de Christos is a hand-pulled, limited edition serigraph, no. 39 / 260 and is signed in pencil by the artist. Published by Aspen Mountain Graphic...
Category

20th Century Expressionist Landscape Prints

Materials

Screen

You May Also Like

THE VISITOR Signed Lithograph, Mini Surreal Landscape Seashell, Mountains, Water
By Fanny Brennan
Located in Union City, NJ
THE VISITOR is a hand drawn, limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archival Ar...
Category

1990s Surrealist Landscape Prints

Materials

Lithograph

The Citadel of Cairo: 19th C. Hand-colored Roberts Lithograph
By David Roberts
Located in Alamo, CA
This is an original 19th century hand-colored lithograph entitled "Petra, Shewing the Upper or Eastern End of the Valley" by David Roberts, from his Egypt, The Holy Land and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1849. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century. This is one of Roberts' most famous and collectible works. The scene captures a view of the magnificent ruins of Petra in what is Jordan today, as it appeared on March 8, 1839, on the day of Roberts' visit. Multiple Arab men are approaching Petra; some on foot and others riding camels. They are dressed in their colorful local costumes. Roberts' signature and hand written date are reproduced in the plate on the left. This hand-colored lithograph is printed on wove paper with wide margins. There is some loss of color in the text in the title and a faint dark curvilinear area in the upper right. The print is otherwise in very good condition. It is presented in a gold-colored wood frame with a tan mat. It is glazed with UV protected conservation glass. All framing materials used are archival museum quality. The frame measures 23.63" high and 29" wide. There are two additional iconic David Roberts hand-colored lithographs for sale on 1stdibs that are matted and framed in identical styles, although slightly different sizes. They are scenes of Approach of Simoon, Desert of Gizeh and the Petra. They can be viewed by typing their reference #'s, LU1173211955452 and LU1173211969422, into the 1stdibs search field or typing Timeless Intaglio in the search field and tapping on the drop down name to be taken to our storefront. Two or all three of these pieces would make for a striking display grouping. A discount is available for the purchase of multiple pieces. David Roberts (1796-1864) was a Scottish painter who specialized in landscapes, architectural subjects, and scenes from the Middle East and Europe. Born in Edinburgh, Roberts began his career at age ten as an apprentice to a house painter and eventually became a scene painter for theater companies in Edinburgh and London. In the 1820s, J. M. W. Turner recognized his artistic talent and encouraged him to become a full-time artist. He began to focus on painting landscapes and architecture. In 1838 he traveled to Egypt and soon after to the Holy Land, concluding in Jerusalem. Roberts' travels in the Middle East had a profound impact on his art, and he produced a series of highly detailed and realistic paintings and sketches of the region's famous ruins and other landmarks, including the Pyramids of Giza, the Sphinx, the Temple of Abu Simbel...
Category

Mid-19th Century Realist Landscape Prints

Materials

Lithograph

BEYOND EARTHS BEAUTY Signed Lithograph Island Landscape Tropical Plants, Beach
By Eileen Seitz
Located in Union City, NJ
BEYOND EARTHS BEAUTY is an original hand drawn lithograph(not a photo reproduction or digital print) by the American woman artist Eileen Seitz, printed using hand lithography techniques on archival Arches paper 100% acid free. BEYOND EARTHS BEAUTY depicts a lush, brightly colored island landscape bursting with colorful tropical plants...
Category

1980s Contemporary Landscape Prints

Materials

Lithograph

PHAEDRA'S VIGIL Signed Lithograph Fantasy Landscape, Reflecting Pool Purple Blue
By Jim Buckels
Located in Union City, NJ
PHAEDRA'S VIGIL is an imaginary architectural landscape that combines the real and the surreal. Created in 1989 by the Iowa born artist Jim Buckels(b.1948) known for his dream-like i...
Category

1980s Contemporary Landscape Prints

Materials

Lithograph

Thebes, Egypt: A Framed 19th Century Hand-colored Lithograph by David Roberts
By David Roberts
Located in Alamo, CA
"Medinet Abou, Thebes" is a 19th century folio sized hand-colored lithograph from the Egypt and Nubia volume of David Roberts’ large folio edition, published in London by F. G. Moon ...
Category

1840s Realist Landscape Prints

Materials

Lithograph

Frank Lloyd Wright's Ennis House, Los Angeles - Lithograph on Paper
Located in Soquel, CA
Frank Lloyd Wright's Ennis House, Los Angeles - Lithograph on Paper Clean, modern lithograph of the Ennis House in Los Angeles by Frances Myers (American, 1936-2014). The Ennis House sits at the top of a small hill, cutting a strong line against a soft peach-colored sky. Wright's strong sense of balance is highlighted in this composition, with patterns and lines guiding the viewers eye in various directions around the piece. Numbered, titled, signed and dated along the bottom edge: 7/50 Ennis House - Los Angeles Frances Myers 1980 Paper size: 29.5"H x 38"W Print size: 24"H x 32"W Shipped rolled in a tube. Myers was born on April 16, 1936, in Racine, Wisconsin. She began her studies at the San Francisco Art Institute, but soon transferred to the University of Wisconsin–Madison where she earned a BS in 1962, and an MFA in 1965. Myers employed a variety of printmaking techniques in her career including "relief, photo-etching, and mixed media processes." Myers is best known for her prints depicting various buildings. She once said, “I don’t want to invent a building, I want to bring new life to a building.” Growing up in Racine, Myers was exposed to many of Frank Lloyd Wright's architectural works, and she paid tribute to this in her 1980 work The Frank Lloyd Wright Print...
Category

1980s Modern Landscape Prints

Materials

Paper, Ink, Lithograph

Recently Viewed

View All