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David Roberts
Minarets of Metwaleys, Cairo, Egypt: Original 19th C. Lithograph by D. Roberts

1848

$2,375
£1,823.90
€2,090.16
CA$3,343.41
A$3,745.36
CHF 1,951.68
MX$45,685.69
NOK 24,801.31
SEK 23,385.87
DKK 15,600.42

About the Item

This is an original 19th century duotone lithograph entitled "Minarets and Grand Entrance of the Metwaleys, at Cairo" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1848. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century. This duotone lithograph depicts one of the gates within the walls of Cairo, Egypt as it appeared when David Roberts visited in the late 1830's. The gate served to communicate between one part of the city and another. The gate towers are surmounted by the two minarets of the mosque of el Mua’yyad. A large number of Egyptian men and some women are seen passing through the gate and in the foreground, some riding donkeys. Several men are seen conversing in cafes on both sides of the street. The print is signed in plate in the lower left and the title reportedly in Roberts' hand in the lower right, as it appeared in his original drawing. This duotone lithograph is printed on wove paper with wide margins. The sheet measures 23.88" high and 16.75" wide. There is very faint toning adjacent to the upper, lower and right edges of the sheet. There is an oblique tear in the lower portion of the left margin which has been professionally repaired on the verso. There is a small spot in the upper portion of the left margin, a small very faint spot in the lower margin on the right and a barely perceptible vertical crease in the left margin. All of these issues would be obscured by a mat at the time of framing, except the small faint spot in the lower margin. The image portion of the print is in excellent condition. The drawings and watercolours from Roberts' tour of the Holy Land and Egypt were collated together into folios and released over a seven year period by the publisher F.G. Moon from 20 Threadneedle Street London. This lithograph is from the Royal Subscription Edition (1842-1849) with only 500 copies produced per depiction. Louis Haghe (the Belgian engraver and friend of Roberts) worked on all of the lithographs for this series. Artist: David Roberts (1796-1864) was born outside of Edinburgh, Scotland. At age 10 he became a house painter’s apprentice. He continued painting houses and eventually theater scenes in Edinburgh and then in London. His friend, J. M. W. Turner, recognized his artistic talent and encouraged him to become a full-time artist. In 1838 and 1839 he traveled to Egypt and then in 1840, through the Holy Land, concluding in Jerusalem. Upon his return to England, F. G. Moon agreed to publish lithographs created by Louis Haghe from Robert’s sketches and watercolors. This publication was highly acclaimed and very popular for its esthetic quality, its historical and topographical accuracy, and Robert’s dramatic depiction of his scenes. Queen Victoria and Charles Dickens were among the subscribers who collected his works. Robert’s and Haghe’s duotone lithographs, often colored, remain extremely sought-after today and have been rising steadily in value.
  • Creator:
    David Roberts (1796-1864, British)
  • Creation Year:
    1848
  • Dimensions:
    Height: 23.88 in (60.66 cm)Width: 16.75 in (42.55 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Framing:
    Framing Options Available
  • Condition:
  • Gallery Location:
    Alamo, CA
  • Reference Number:
    Seller: # 54191stDibs: LU1173216210072

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This is an original 19th century hand-colored lithograph entitled "Petra, Shewing the Upper or Eastern End of the Valley" by David Roberts, from his Egypt, The Holy Land and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1849. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century. This is one of Roberts' most famous and collectible works. The scene captures a view of the magnificent ruins of Petra in what is Jordan today, as it appeared on March 8, 1839, on the day of Roberts' visit. Multiple Arab men are approaching Petra; some on foot and others riding camels. They are dressed in their colorful local costumes. Roberts' signature and hand written date are reproduced in the plate on the left. This hand-colored lithograph is printed on wove paper with wide margins. There is some loss of color in the text in the title and a faint dark curvilinear area in the upper right. The print is otherwise in very good condition. It is presented in a gold-colored wood frame with a tan mat. It is glazed with UV protected conservation glass. All framing materials used are archival museum quality. The frame measures 23.63" high and 29" wide. There are two additional iconic David Roberts hand-colored lithographs for sale on 1stdibs that are matted and framed in identical styles, although slightly different sizes. They are scenes of Approach of Simoon, Desert of Gizeh and the Petra. They can be viewed by typing their reference #'s, LU1173211955452 and LU1173211969422, into the 1stdibs search field or typing Timeless Intaglio in the search field and tapping on the drop down name to be taken to our storefront. Two or all three of these pieces would make for a striking display grouping. A discount is available for the purchase of multiple pieces. David Roberts (1796-1864) was a Scottish painter who specialized in landscapes, architectural subjects, and scenes from the Middle East and Europe. Born in Edinburgh, Roberts began his career at age ten as an apprentice to a house painter and eventually became a scene painter for theater companies in Edinburgh and London. In the 1820s, J. M. W. Turner recognized his artistic talent and encouraged him to become a full-time artist. He began to focus on painting landscapes and architecture. In 1838 he traveled to Egypt and soon after to the Holy Land, concluding in Jerusalem. Roberts' travels in the Middle East had a profound impact on his art, and he produced a series of highly detailed and realistic paintings and sketches of the region's famous ruins and other landmarks, including the Pyramids of Giza, the Sphinx, the Temple of Abu Simbel...
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