Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 10

Federica Galli
Venice view print, with the sharp contemporary gaze of an Italian artist

1985

$1,544.72
£1,148.32
€1,300
CA$2,124.84
A$2,367.39
CHF 1,248.57
MX$28,700.81
NOK 15,883.62
SEK 14,796.60
DKK 9,904

About the Item

Rio dei Furlani (ref. cat. 534). The etching was exhibited last year in the significant retrospective that the city of Milan promoted and set up to mark the tenth anniversary of her death. Milan's municipality has named a new street to her for the occasion. Gianni Testori (art critic) and Renzo Zorzi (leading cultural dept in Olivetti at the time) convinced Federica Galli to etch a portfolio on Venice's views between 1982 and 1986. In four years (two years of visits plus two years of work en plein air) she carved 39 plates introducing a new eye to Venezia. NMWA (National Museum of Women in Arts) in Washington conserved the complete Venezia portfolio. Also, her oeuvres are in significant Italian museum collections such as the Pinacoteca Ambrosiana, (the same museum where Leonardo's Codex is conserved)and Museo of Castello Sforzesco, both in Milan; di Milano, Ala Ponzone in Cremona. Federica Galli's Biography A prominent figure in the art of engraving in Italy, Federica Galli was born in 1932 in Soresina – a village just outside Cremona. Straight after the war, in 1946, she convinced her parents to enrol her at the Artistic Lyceum in Milan. In 1950, she attended the Academy of Fine Arts of Brera, from where she graduated four years later with a diploma in painting. She began engraving in 1954 - "Il paese dell'Alberta"- experimenting with etching, a technique she never abandoned for the rest of her life. In 1966 she married the journalist Giovanni Raimondi – editor-in-chief of the Corriere della Sera. During that time she began to embark on a densely packed programme of cultural trips that took her to the most important European cities and to countries where the art of engraving is less deeply rooted. These were also the year in which she matured the conviction that engraving was the technique in which she expressed herself most effectively and started to apply herself exclusively to this art form, producing over eight hundred different subjects. Starting from her early personal exhibitions – the first one took place in 1960 in Milan – she met with the favour of the public and critics alike. In the space of a few years, she could count on the support of some of the most authoritative critics of her time: Franco Russoli, Mario de Micheli, Giovanni Testori – who was to follow her closely until he died - Mina Gregori, Gian Alberto dell'Acqua, Roberto Tassi, Renzo Zorzi, Carlo Bo, Daniel Berger (Metropolitan Museum of New York), Gina Lagorio, Giuseppe and Francesco Frangi, Marco Fragonara, Giorgio Soavi and David Landau (Oxford University). She obtained the most prestigious institutional acknowledgements given to any contemporary artist: she was the first living artist to be invited to exhibit at the Fondazione Cini in Venice - 1987 with a collection dedicated to the lagoon city - ; at the Civic Museum of Palazzo Te in Mantua - 1987 -; at the Castello Sforzesco in Milan - 1988 - ; in the Imperial Archive of the Forbid-den City, Wag Fung gallery, - 1995 -. Collectors of her works include people of culture from Italy and elsewhere, individuals are known for their cultivated passion for the graphic arts, comprising – just to mention some of the most famous: Dino Buzzati, Leonardo Sciascia, and Francois Mitterand. An extensive and exhaustive testimony of her works may be viewed at the Ala Ponzone Civic Museum of Cremona, in the Bertarelli Collection of the Castello Sforzesco in Milan, at the Villa Reale of Monza close to Milan. Between 1954 and 2008, Federica Galli engraved over eight hundred plates focusing on three principal themes: landscapes, trees and cityscapes. Her landscapes are mainly those of the Lombardy plain, with poetic descriptions of its characteristic farmsteads: adding up to about fifty artworks. The urban views are those of Milan and Venice, cities that held a special meaning in the life of Federica Galli, who expressed her gratitude in the form of a vision that is perceptive and honest but never ordinary. Her passion for nature, combined with a capacity to bring forth its most fascinating aspects, are revealed in over one hundred plates. Her notorious technical skills enabled her to surmount obstacles that are formidable for engravers, such as the representation of snow and nocturnal scenes, without ever succumbing to affected mannerisms. The artist has dedicated a collection of works to Italian most important Monumental Trees, with over sixty plants selected for their historical, naturalistic or aesthetic interest. A stunning collection. Federica Galli, who passed away on 6 February 2009, has entrusted her artistic legacy to a Foundation bearing her name, set up on 17 July 2009 in Milan. She designated leading and goals. The foundation pursues the objective of safeguarding her heritage, artworks, and archives. The Board is chaired by Lorenza Salamon, who operates alongside Flavio Arensi (critic and art director of Palazzo Leone da Perego in Legnano), Ivana Iotta (cura-tor of the Civic Museum of Cremona), Franco Grechi and Alberto Galli.
  • Creator:
    Federica Galli (1932 - 2009, Italian)
  • Creation Year:
    1985
  • Dimensions:
    Height: 27.25 in (69.2 cm)Width: 11.38 in (28.9 cm)Depth: 1.19 in (3 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Milan, IT
  • Reference Number:
    1stDibs: LU431310182912

More From This Seller

View All
Poetic Venice corner, limited edition print by Federica Galli. Prominent italian
By Federica Galli
Located in Milan, IT
Venezia, Calle dei Preti, 1984, rif. 540 Platemark mm 64.2x24.4 Original etching, signed and numbered. Limited edition of 90. The etching was exhibited last year in the critical ret...
Category

1980s Realist Landscape Prints

Materials

Etching

Typical venice architecture landscape by master italian etcher
By Federica Galli
Located in Milan, IT
ref. 516 A prominent figure of the art of engraving in Italy, Federica Galli was born in 1932 in Soresina – a village just outside Cremona. Straight after the war, in 1946, she conv...
Category

1980s Realist Landscape Prints

Materials

Etching

Contemporary water landscape of Venice, Rimedio bridge, print by Federica Galli
By Federica Galli
Located in Milan, IT
Ponte del Rimedio, Venezia, 1986 platemark mm 79.3 x 34.4 Original etching, signed and numbered. Limited edition of 90. The etching was exhibited last year in the critical retrospe...
Category

1980s Realist Landscape Prints

Materials

Etching

Venice contemporary print, Rio Ognissanti of Venezia
By Federica Galli
Located in Milan, IT
Rio Ognissanti, Venezia, rif. 529 Etching inches 19.29 x 33 - mm 490 x 840 The etching was exhibited last year in the critical retrospective that the city of Milan promoted and set ...
Category

2010s Realist Prints and Multiples

Materials

Etching

Venice canal view with classical renaissance architecture by italian etcher
By Federica Galli
Located in Milan, IT
ref. 549 A prominent figure of the art of engraving in Italy, Federica Galli was born in 1932 in Soresina – a village just outside Cremona. Straight after the war, in 1946, she conv...
Category

1980s Realist Landscape Prints

Materials

Etching

Pair of contemporary Venice views. Prints by F. Galli, Italian etcher.
By Federica Galli
Located in Milan, IT
Here we propose a pair of etchings by Federica Galli, whose size, subjects and composition form a pendant. But the two prints can also be sold separately. Lago dei Pageri and Squero...
Category

20th Century Contemporary Landscape Prints

Materials

Etching

You May Also Like

Venice, by Stephen McMillan
By Stephen McMillan
Located in Palm Springs, CA
Traveling away from his normal area of the Pacific Northwest, McMillan shows his ability to capture the essence of landscapes far afield. This print of the gondolas of Venice and the...
Category

Early 2000s Landscape Prints

Materials

Etching, Aquatint

View of Venice II - Bacino
By Antonio Frasconi
Located in New York, NY
Antonio Frasconi created the color woodcut entitled "View of Venice II – Bacino" in 1968. It is signed, titled, dated, and inscribed “13/18” in pencil. The paper size is 24 x 36 inch...
Category

1960s American Modern Landscape Prints

Materials

Woodcut

Venice, Italy A Venetian Canal screenprint by Graham Bannister
Located in London, GB
To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Graham Bannister (born 1954) A Venetian Canal Screenprint 76 x 50 cm A screen...
Category

Late 20th Century Landscape Prints

Materials

Screen

Venice II L'Ombre du Coleone
By Jean Michel Mathieux-Marie
Located in New Orleans, LA
"Venice II L'Ombre du Coleone" is a Jean Michel Mathieux-Marie aquatint and etching of a Venetian scene. It is from an edition of 120. Mathieux-Marie was born in Paris in 1947. He...
Category

Late 20th Century Contemporary Landscape Prints

Materials

Drypoint, Etching, Aquatint

Rio del Santi Apostoli, Venice.
By John Taylor Arms
Located in Storrs, CT
Rio del Santi Apostoli, Venice. 1930. Etching. Fletcher catalog 22 state .ii. 8 x 6 (sheet 11 x 7 3/16). Italian series #4. Illustrated: Dorothy Noyes Arms, Hill Towns and Cities of...
Category

1920s American Modern Landscape Prints

Materials

Etching

View of Venice I - San Giorgio
By Antonio Frasconi
Located in New York, NY
Antonio Frasconi created the color woodcut entitled "View of Venice I – San Giorgio" in 1968. It is signed, titled, dated, and inscribed “17/20” in pencil. The paper size is 24 x 36 ...
Category

1960s American Modern Landscape Prints

Materials

Woodcut