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Frame Included
Southwest View of Sherborne Abbey Church /// History of Dorset English Engraving
Located in Saint Augustine, FL
Artist: John Hutchins (English, 1698-1773) Title: "Southwest View of Sherborne Abbey Church" (Plate 15) Portfolio: The History and Antiquities of the County of Dorset Year: 1861-1870...
Category

1860s Victorian Landscape Prints

Materials

Engraving

Westhampton /// Contemporary Thomas McKnight Screenprint Hamptons NY Modern Art
Located in Saint Augustine, FL
Artist: Thomas McKnight (American, 1941-) Title: "Westhampton" Portfolio: The Hamptons *Signed by McKnight in pencil lower right Year: 1987 Medium: Original Screenprint on soft-white Somerset paper Limited edition: 143/175, (there were also 40 artist's proofs) Printer: Willco Fine Art, New York, NY Publisher: Chalk & Vermilion, New York, NY Sheet size: 21" x 23" Image size: 16" x 18.13" Condition: Never framed, has been professionally stored away in its original green silk boxed portfolio for decades. In mint condition Notes: Numbered by McKnight in pencil lower left. Comes from McKnight's 1987 "The Hamptons" portfolio of twelve screenprints. Artist's copyright stamp lower right on verso. Biography: Thomas McKnight (born 1941) is a U.S. artist. He was born in 1941 in Lawrence, Kansas. He attended Wesleyan University, a small liberal arts college in Middletown, Connecticut, where he was one of only five art majors. He spent his junior year in Paris. After a year of graduate work in art history at Columbia University, in 1964 McKnight found a job at Time Magazine where he would work for eight years, interrupted by a two-year stint in the U. S. Army in South Korea. In 1972 McKnight left Time, summered on the Greek island of Mykonos, and commenced painting in earnest. In 1979 in Mykonos, McKnight met Renate, a vacationing Austrian student, and married the following year. Throughout the 1980s McKnight’s art, mainly limited edition serigraph prints, became increasingly popular. In 1994 he was commissioned by the White House to paint the first of three images for President Clinton...
Category

1980s Contemporary Landscape Prints

Materials

Screen

Hand Painted Edition No1-Sunset Song with Blue and Green-British Awarded Artist
Located in London, GB
Sunset Song Series stands as one of the most iconic body of works featured in the upcoming Solo Exhibition-Modern Ancient, GSY Studio Gallery, UK, 2025—a luminous new collection we’r...
Category

2010s Abstract Impressionist Abstract Prints

Materials

Gesso, Oil, Acrylic, Archival Paper

David Hockney 'Looking Towards Huggate' Pop Art Vintage
Located in Brooklyn, NY
This authorized David Hockney poster was produced by Salts Mill, celebrating the artist’s deep connection to his Yorkshire roots. Printed in his birthplace of Bradford, the work capt...
Category

Early 2000s Pop Art Landscape Prints

Materials

Offset

David Hockney-Garrowby Hill Pop Art Vintage
Located in Brooklyn, NY
Hockney returned to his native Yorkshire in the 1990s and was inspired by the countryside he found there. Interpreting it through the lens of early 20th century artists such as Matis...
Category

Late 20th Century Pop Art Landscape Prints

Materials

Offset

The Waterfall - Signed Facsimile, Ltd /450
Located in Paris, IDF
M.C. ESCHER (1898-1972) The Waterfall, 2008 Facsimile after the original woodcut from 1935 Signed in the plate Numbered / 450 copies (the number you can see can be different) On vel...
Category

20th Century Modern Landscape Prints

Materials

Color

Birds and Fishes - Facsimile, Ltd /450
Located in Paris, IDF
M.C. ESCHER (1898-1972) Birds and Fishes, 2008 Facsimile after the original woodcut from 1943 Unsigned Numbered / 450 copies (the number you can see can be different) On vellum 45 x...
Category

20th Century Modern Landscape Prints

Materials

Color

Andrew Wyeth, Early October, from The Four Seasons (after)
Located in Southampton, NY
This exquisite lithograph after Andrew Wyeth (1917–2009), titled Early October, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wyeth....
Category

1960s American Realist Landscape Prints

Materials

Lithograph

Andrew Wyeth, New Leaves, from The Four Seasons (after)
Located in Southampton, NY
This exquisite lithograph after Andrew Wyeth (1917–2009), titled New Leaves, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wyeth. Pu...
Category

1960s American Realist Landscape Prints

Materials

Lithograph

Andrew Wyeth, Burning Off, from The Four Seasons (after)
Located in Southampton, NY
This exquisite lithograph after Andrew Wyeth (1917–2009), titled Burning Off, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wyeth. P...
Category

1960s American Realist Landscape Prints

Materials

Lithograph

Sunday on the Narragansett
Located in New York, NY
ABOUT THIS PIECE: Julio Larraz is an expert draftsman, adroitly sketching his subjects and enlivening them with vibrant color. Larraz is recognized for his precise and detailed techn...
Category

Early 2000s Prints and Multiples

Materials

Photographic Paper

Hand painted Edition#1-The Night-British Awarded Artist-Plein Air in the night
Located in London, GB
Sunset Song – The Night stands as one of the most iconic works featured in Modern Ancient – Summer Exhibition at GSY Studio Gallery, UK, 2025.—this Limited Edition ( only 5 available...
Category

2010s Abstract Impressionist Abstract Prints

Materials

Gesso, Oil, Acrylic, Archival Paper, Giclée

Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art
Located in Saint Augustine, FL
Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Stourbridge", "A View of Upton upon Severn, from Ryal Hill", "Bewdley", and "Tenbury" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Four Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Reference: Upcott III, page 1330 Sheet size (each): approx. 10" x 16.5" Image size (each): approx. 6.88" x 11.75" Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All four works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in 1799. And, both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". Both "A View of Stourbridge" and "A View of Upton upon Severn, from Ryal Hill" have unidentified fleur-de-lis watermarks in the center of their sheets. "Bewdley" has an unidentified watermark in the center of its sheet resembling "XV" and "Tenbury" has no watermark. Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...
Category

1780s Old Masters Landscape Prints

Materials

Laid Paper, Engraving

Original Plagues de France vintage French travel poster, on linen backing, 1960
Located in Spokane, WA
Plage de France, Côte d’Argent, le Bassin d’Arcachon by A. Marguet (1960) — Original French Travel Poster. Archival linen-backed in very fine condition, ready to frame. Grade A- co...
Category

1960s Fauvist Landscape Prints

Materials

Offset

The Great Garden, and... - Etching by Giambattista Albrizzi - 1745 ca
Located in Roma, IT
Etching realized by Giambattista Albrizzi (1698-1777) for Thomas Salmon's Lo Stato presente di tutti i Paesi e Popoli do Mondo. Regno di Spagna. Includes a contemporary wooden frame...
Category

1740s Modern Figurative Prints

Materials

Etching

Alexander Calder, Rings on Black, from Derriere le Miroir, 1973
Located in Southampton, NY
This exquisite lithograph by Alexander Calder (1898–1976), titled Anneaux sur noir (Rings on Black), originates from the historic 1973 folio Derriere le Miroir, No. 201. Published by...
Category

1970s Modern Abstract Prints

Materials

Lithograph

Incomparable Chant D'été De L'azur, Surrealist Etching with Aquatint by Jean Sol
Located in Long Island City, NY
Jean Solombre, French (1948 - ) - Incomparable Chant D'été De L'azur, Year: 1981, Medium: Etching with Aquatint on Arches, signed, titled, numbered and dated in pencil, Edition: 1...
Category

1980s Surrealist Landscape Prints

Materials

Etching, Aquatint

Gene Autry. by Frank Romero
Located in Palm Springs, CA
Portrait of Gene Autry, by Frank Romero This print was featured in “Dreamland”, the first solo exhibition of a Chicano artist at MOLAA (Museum of Latin American Art). This is the f...
Category

1990s Contemporary Figurative Prints

Materials

Screen

Her is the Sea, by Jos Sances
Located in Palm Springs, CA
One print from Jos Sances cycle concerning Moby Dick. A vast sperm whale drifts below the surface, scarred by harpoons, while above floats a lone survivor on a coffin raft—a haunting...
Category

2010s Contemporary Animal Prints

Materials

Screen

Inside the Rainbow’s Heart
Located in Bristol, GB
Offset print with coater varnish Edition of 294 of 300 71 cm (D) (28 in) Signed, numbered and titled on front Mint. Minor imperfections may appear due to the production process. Sold...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Offset

Pablo Picasso, 9.10.64. III, from The Taste of Happiness, 1970 (after)
Located in Southampton, NY
This exquisite lithograph and silkscreen with hand-rendered techniques after Pablo Picasso (1881–1973), from the rare 1970 folio Pablo Picasso, Le Gout du Bonheur (The Taste of Happi...
Category

1970s Cubist Figurative Prints

Materials

Lithograph

Horses : Riders in Summer - Original Lithograph, HANDSIGNED & Ltd /250
Located in Paris, IDF
Serge LASSUS (1933-) Horses : Riders in Summer, 1983 Original Lithograph Handsigned in pencil Numbered / 250 (the number you can see can be different) On Vellum 56 x 76 cm (c. 22 x ...
Category

1980s Modern Landscape Prints

Materials

Lithograph

Marc Chagall, Paradise I, from Drawings for the Bible, 1956
Located in Southampton, NY
This exquisite lithograph by Marc Chagall (1887–1985), titled Paradis I (Paradise I), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Li...
Category

1950s Expressionist Figurative Prints

Materials

Lithograph

Coastal Blue Cyanotype of Day Time Seascape, Cold Waves, Nautical Painting Shore
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype. "Day Time Seascape in Blue" is a handmade cyanotype print portraying the vibrant reflections of the Sun as seen from the c...
Category

2010s Modern Landscape Drawings and Watercolors

Materials

Paper, Watercolor, Lithograph

Hand painted Diptych-A Very British Summer-Brit Awarded Artist-Limited Proof #1
Located in London, GB
The rare first proofs are hand painted on Giclee which was made on fine aluminium, each panel was hand painted and finished with original paints by artist Shizico Yi. Signed and numb...
Category

2010s Post-Impressionist Abstract Prints

Materials

Metal

Costa Rica Beach Foam, Shoreline Seascape, Minimal Blue, Limited Edition Print
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype of a Sandy Shore with Foam. Details: + Title: Sandy Shore with Foam + Edition Size: 100 + Stamped and Certificate of Aut...
Category

2010s Realist Landscape Prints

Materials

Emulsion, Monotype, Paper

Dali, Femme à tete de Roses (after)
Located in Fairfield, CT
Artist: Salvador Dali (1904-1989) Title: Femme à tete de Roses Year: 2004 Medium: Lithograph on wove paper Size: 30.25 x 22 inches Condition: Excellent Inscription: Unsigned and unnu...
Category

Early 2000s Surrealist Landscape Prints

Materials

Lithograph

After Turner-One Off, Proof No 1-British Awarded Artist-Seascape-river Thames
Located in London, GB
This is a large Artist's Proof with original oil and gesso paint highlighting; it is the No 1 of the only 3 Proofs; the colours of the painting and Shizico's expressive brushstrokes ...
Category

2010s Abstract Expressionist Landscape Prints

Materials

Archival Ink, Acrylic, Oil, Gesso, Archival Paper, Giclée

60x40 "Webb Deep Field" Telescope Space Photography NASA Archival Print
Located in Los Angeles, CA
Original museum grade exhibition prints on acid-free archival luster paper. These are the highest quality NASA prints ever produced. Edition of 150. *This print can be hung vertic...
Category

21st Century and Contemporary American Modern Color Photography

Materials

Archival Ink, Archival Pigment

London Sakura-Hand painted Limited Edition-British Awarded Artist-Edition #5/10
Located in London, GB
This painting captures the early spring in Shizico Yi’s garden, where the Cherry Prunus stands as the season’s first joyful announcement. Painted en plein air, it reflects the raw fr...
Category

2010s Abstract Impressionist Abstract Prints

Materials

Metal

Hand painted Artist Proof-Lemon Rose Cottage-British Awarded Artist-Large OneOff
Located in London, GB
This stunning large Artist's Proof is an one-off, hand-painted with highlights by the artist , signed at front and on the back label too; this proof is 80% hand painted with original...
Category

2010s Abstract Impressionist Landscape Prints

Materials

Gesso, Acrylic, Archival Paper, Giclée

Hand painted Artist Proof-Magnolias-Weaver Series-British Awarded Artist #2 of 3
Located in London, GB
This stunning Artist's Proof is an one-off, oil hand-painted and gilded by the artist , signed at front and on the back label too; each proof is 80% hand painted and gold gilded by S...
Category

2010s Abstract Expressionist Landscape Prints

Materials

Gold Leaf

Seascape XVIII - large format photograph of monochrome water surface
Located in San Francisco, CA
Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the fleeting surfaces and monochromatic nature of oceanic water and dramatic cloudscapes ...
Category

21st Century and Contemporary Contemporary Landscape Photography

Materials

Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment

The Grand Canal, Venice
By Elias S. Mandel Grossman
Located in Middletown, NY
1926. Etching in sepia ink on Japon paper, 9 5/8 x 11 1/2 inches (245 x 292 mm), full margins with the lower margin slightly notched. Signed, titled and dated in pencil in the lower ...
Category

Early 20th Century American Modern Landscape Prints

Materials

Handmade Paper, Etching

LARGE Hand-Painted Artist Proof-Summer Night-British Awarded Artist-One Off
Located in London, GB
This stunning Artist's Proof is an one-off, hand-painted by the artist Shizico , signed at front and on the back label too; the proof is 90% hand painted with original oil paint by S...
Category

2010s Abstract Impressionist Abstract Prints

Materials

Gesso, Archival Ink, Acrylic, Archival Paper, Giclée

Ellsworth Kelly, Yellow Shape, from Derriere le Miroir, 1958
Located in Southampton, NY
This exquisite lithograph by Ellsworth Kelly (1923–2015), titled Forme Jaune (Yellow Shape), originates from the historic 1958 folio Derriere le Miroir, No. 110. Published by Maeght ...
Category

1950s Hard-Edge Abstract Prints

Materials

Lithograph

Marc Chagall, Tribe of Reuben, from The Jerusalem Windows, 1962 (after)
Located in Southampton, NY
This exquisite lithograph after Marc Chagall (1887–1985), titled Tribe of Reuben, from the album Marc Chagall, The Jerusalem Windows, originates from the 1962 edition published by An...
Category

1960s Expressionist Figurative Prints

Materials

Lithograph

Tourelle, Rue de la Tixéranderie démolie en 1851
Located in Middletown, NY
Etching and drypoint on watermarked Hudelist laid paper, 9 5/8 x 5 inches (245 x 129mm) full margins. Second state (of five) after lettering. A superb condition with a pencil inscrip...
Category

Mid-19th Century French School Landscape Prints

Materials

Laid Paper, Etching, Drypoint

(tariff free*) Eden Roc, Lettre à mon peintre Raoul Dufy
Located in Southampton, NY
Lithograph on vélin Arjomari paper. Paper Size: 11.75 x 9.375 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Lettre à mon peintre Raoul Du...
Category

1960s Modern Figurative Prints

Materials

Lithograph

Lucio Fontana, Concetto Spaziale, from XXe siecle, 1959
Located in Southampton, NY
This exquisite lithograph and pochoir by Lucio Fontana (1899–1968), titled Concetto Spaziale (Spatial Concept), from the album XXe siecle, Nouvelle serie, XXIe Annee, No. 12, Mai-Jui...
Category

1950s Modern Abstract Prints

Materials

Lithograph

Wassily Kandinsky, Komposition, from XXe siecle, 1939
Located in Southampton, NY
This exquisite woodcut by Wassily Kandinsky (1866–1944), titled Komposition (Composition), from the album XXe siecle, Chroniques du jour, 13 rue Valette (5e), Directeur G. di San Laz...
Category

1930s Modern Abstract Prints

Materials

Woodcut

Surrealist Lovers - Signed Facsimile, Ltd /450
Located in Paris, IDF
M.C. ESCHER (1898-1972) Surrealist Lovers, 2008 Facsimile after the original woodcut from 1935 Signed in the plate Numbered / 450 copies (the number you can see can be different) On...
Category

20th Century Modern Landscape Prints

Materials

Color

Cloudy Night, Blue & White, Desert Modernism Home, Modern Shapes Cyanotype Paper
Located in Barcelona, ES
This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes and the desert modernism movement. It's made by layering paper cutouts...
Category

2010s Dada Landscape Prints

Materials

Paper, Monotype

Original Los Angeles (California) 1964 vintage travel poster Mid Century Modern
Located in Spokane, WA
Original 1964 Los Angeles, California vintage travel poster. Professionally archivally linen-backed in mint condition. This is one of four ...
Category

1960s American Modern Landscape Prints

Materials

Offset

Malibu Pine Sea View, Blue Tones California Landscape, Handmade Cyanotype, Paper
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype. Stunning image of a breezy "Malibu Pine Sea View". Details: + Title: Malibu Pine Sea View + Year: 2025 + Edition Size: 50...
Category

2010s Realist Landscape Drawings and Watercolors

Materials

Watercolor, Lithograph, Monotype

Topiary I - x large format photograph of ornamental shaped tree
Located in San Francisco, CA
from a series of photographic observances capturing the antics of urban gardening and striking art of topiaries' green minimalism Topiary I by Frank Schott 59.5 x 59.5 inches (1...
Category

21st Century and Contemporary Contemporary Color Photography

Materials

Archival Paper, Photographic Paper, Giclée, Archival Pigment

Lucio Fontana, Concetto Spaziale, from San Lazzaro et ses Amis, 1975 (after)
Located in Southampton, NY
This exquisite lithograph after Lucio Fontana (1899–1968), titled Concetto Spaziale (Spatial Concept), from the album San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe si...
Category

1970s Modern Abstract Prints

Materials

Lithograph

Max, 4 Liberty Heads, Hand Signed, Official Edition, Peter Max (after)
Located in Fairfield, CT
Title: 4 Liberty Heads Year: 2005 Medium: Offset lithograph in colors on gloss archival paper Size: 15 x 19 inches Inscription: Hand signed by Peter Max in ink and unnumbered, as iss...
Category

Early 2000s Pop Art Figurative Prints

Materials

Offset

Marc Chagall, Blue Horse with Couple, from Derriere le Miroir, 1982
Located in Southampton, NY
This exquisite lithograph by Marc Chagall (1887–1985), titled Cheval bleu au couple (Blue Horse with Couple), originates from the historic 1982 folio Derriere le Miroir, No. 250, Hom...
Category

1980s Expressionist Figurative Prints

Materials

Lithograph

Zentsuji Temple in the Rain — from the series Collected Views of Japan II
Located in Myrtle Beach, SC
Kawase Hasui, 'Zentsuji Temple in the Rain' from the seres 'Collected Views of Japan II', color woodblock print, 1937. Signed Hasui in black ink, with the artist’s red seal Kawase, ...
Category

1930s Showa Landscape Prints

Materials

Woodcut

Soulages (tariff free*), Sans titre, Peintres d'aujourd'hui (after)
Located in Southampton, NY
Héliogravure on vélin paper. Paper Size: 13.78 x 10.83 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Pierre Soulages, Peintres d'aujourd'...
Category

1960s Modern Abstract Prints

Materials

Lithograph

'Taos Placita' — American Southwest Regionalist Masterwork
Located in Myrtle Beach, SC
Gustave Baumann, 'Taos Placita', color woodcut, 1947, edition 125. Baumann 132. Signed, titled, and numbered '20-125' in pencil; with the artist’s Hand-in-Heart chop. A superb, richly-inked impression, with fresh colors, on fibrous oatmeal wove paper; the full sheet with margins (2 to 3 1/8 inches); slight rippling at the left sheet edge, in excellent condition. Matted to museum standards, unframed. Image size 9 5/8 x 11 1/4 inches (244 x 286 mm); sheet size 13 1/4 x 17 inches (337 x 432 mm). Collections: Harwood Museum of Art, New Mexico Museum of Art, Phoenix Art Museum, Scottsdale Art Museum, Wichita Art Museum. ABOUT THE ARTIST Gustave Baumann (1881-1971) was a renowned printmaker and a leading figure of the American color woodcut revival whose exquisite craftsmanship and vibrant imagery captured the essence of the Southwest. "A brilliant printmaker, Baumann brought to the medium a full mastery of the craft of woodworking that he acquired from his father, a German cabinetmaker. This craftsmanship was coupled with a strong artistic training that resulted in the handsome objects we see in the exhibition today. After discovering New Mexico in 1918, Baumann began to explore in his woodblock prints of this period the light. color, and architectural forms of that landscape. His prints of this period are among the most beautiful and poetic images of the American West." —Lewis I. Sharp, Director, Denver Art Museum Baumann, the son of a craftsman, immigrated to the United States from Germany with his family when he was ten, settling in Chicago. From 1897 to 1904, he studied in the evenings at the Art Institute of Chicago, working in a commercial printmaking shop during the day. In 1905, he returned to Germany to attend the Kunstwerbe Schule in Munich, where he decided on a career in printmaking. He returned to Chicago in 1906 and worked for a few years as a graphic designer of labels. Baumann made his first prints in 1909 and exhibited them at the Art Institute of Chicago the following year. In 1910, he moved to the artists’ colony in Nashville, Indiana, where he explored the creative and commercial possibilities of a career as a printmaker. In 1915, he exhibited his color woodcuts at the Panama-Pacific International Exposition in San Francisco, winning the gold medal. Among Baumann’s ongoing commercial activities was his work for the Packard Motor Car Company from 1914 to 1920 where he produced designs, illustrations, and color woodcuts until 1923. In 1919, Baumann’s printmaking work dominated the important exhibition of American color woodcuts at the Detroit Institute of Arts. Twenty-six of his prints were included, far more than the works of any other artist. A set of his blocks, a preparatory drawing, and seven progressive proofs complemented the exhibition. That same year, Baumann worked in New York and, over the summer, in Provincetown, Massachusetts. His airy images of Cape Cod employed soft, pastel colors and occasionally showed the influence of the white-line woodcut technique. Many of his Chicago artist friends had traveled to the southwest, and Baumann became intrigued by their paintings, souvenirs, and stories of an exotic place named Taos, New Mexico. In the summer of 1918, he spent the summer in Taos sketching and painting before visiting Santa Fe. Paul Walter, the director of the Museum of New Mexico, offered him a studio in the museum's basement. Inspired by the rugged beauty of the Southwest—the vibrant colors and dramatic landscapes of the region became a central theme in his work, influencing his artistic style and subject matter for the remainder of his career. Later in the decade, he traveled to the West Coast and made prints of California landscape. Baumann's prints became synonymous with the Southwest, capturing the spirit of its place in America's identity with a unique sense of authenticity and reverence. His iconic images of desert vistas, pueblo villages, and indigenous cultures served as visual tributes to the region's rich cultural heritage, earning him a dedicated following among collectors and curators alike. A true craftsman and artist, Baumann completed every step of the printmaking process himself, cutting each block, mixing the inks, and printing every impression on the handmade paper he selected. His dedication to true craftsmanship and his commitment to preserving the integrity of his artistic vision earned him widespread acclaim and recognition within the art world. About the vibrant colors he produced, Baumann stated, “A knowledge of color needs to be acquired since they don’t all behave the same way when ground or mixed...careful chemistry goes into the making of colors, with meticulous testing for permanence. While complicated formulae evolve new colors, those derived from Earth and metal bases are still the most reliable.” In the 1930s, Baumann became interested in puppet theater. He designed and carved his own marionettes and established a little traveling company. From 1943 to 1945, the artist carved an altarpiece for the Episcopal Church of the Holy Faith in Santa Fe. In 1952, a retrospective exhibition of his prints was mounted at the New Mexico Museum of Fine Arts. Throughout his prolific career, Baumann executed nearly four hundred color woodcuts. Baumann’s woodcuts...
Category

1940s American Modern Landscape Prints

Materials

Woodcut

Yosemite Dreams
Located in Palm Springs, CA
“A steady rain pelted our tent through the night. That morning a mist hung over the steep cliffs of Yosemite Valley. Gradually the skies cleared allowing the forested slopes above to...
Category

Early 2000s Contemporary Landscape Prints

Materials

Etching, Aquatint

Hand Painted Large-Gladiolus Glorious-British Awarded Artist-Limited Edition#7
Located in London, GB
This rare X-large Limited Edition is 80% hand painted and highlighted with original paint and brushstrokes painted by artist Shizico Yi. Only 10 Limited Edition has been made, last ...
Category

2010s Abstract Impressionist Abstract Prints

Materials

Gesso, Archival Ink, Acrylic, Archival Paper, Giclée, Oil

Téléphone-homard cybernétique (Michler/Löpsinger 822-831; Field 75-13)
Located in Fairfield, CT
Artist: Salvador Dali (1904-1989) Title: Téléphone-homard cybernétique (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Cybernetic lobster phone, Imaginatio...
Category

1970s Surrealist Landscape Prints

Materials

Mixed Media, Drypoint, Lithograph, Screen

A Bigger Splash - David Hockney Pool Print
Located in Manchester, GB
David Hockney, A Bigger Splash, 2017 Giclée printed on 330 gsm Somerset Enhanced Radiant White 100% cotton rag paper with torn edges 17 7/10 × 13 4/5 in (45 × 35 cm) A Bigger Splas...
Category

2010s Contemporary Prints and Multiples

Materials

Giclée

Ellsworth Kelly, Orange Shape, from Derriere le Miroir, 1958
Located in Southampton, NY
This exquisite lithograph by Ellsworth Kelly (1923–2015), titled Forme Orange (Orange Shape), originates from the historic 1958 folio Derriere le Miroir, No. 110. Published by Maeght...
Category

1950s Hard-Edge Abstract Prints

Materials

Lithograph

Brooklyn Bridge
Located in New York, NY
An exquisitely printed image created by Richard Bosman in 1996, the artist’s iconic Brooklyn Bridge is a woodcut on Japan paper. Measuring 18 x 24 1/2 in. (45.7 x 62.2 cm), unframed,...
Category

20th Century Neo-Expressionist Landscape Prints

Materials

Woodcut

de Staël (tariff free*), Ciel à Honfleur, Peintres d'aujourd'hui (after)
By Nicolas de Staël
Located in Southampton, NY
Héliogravure on vélin paper. Paper Size: 13.78 x 10.83 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Nicolas de Staël, Peintres d'aujourd'hui, 1960. Published by Fernand Hazan, Éditeur, Paris; rendered by Bussière et Nouël, Paris; printed by l'Imprimerie Lecot, Paris, May 1960. Excerpted from the folio (translated from French), CCCLXXV examples of this album, numbered from I to CCCLXXV, are accompanied by an unpublished board illustrating a glued paper of the artist and shot on the presses of Daniel Jacomet, in Paris. The illustrations of this album, completed in May 1960, were shot by Bussière and Nouël and printed by the l'Imprimerie Lecot. The text was drawn by l'Imprimerie Damien and the binding made by F.l.A.P. according to the models of Marcel Jacno. Fernand Hazan Éditeur, 35-37, rue de Seine, Paris. 1960. Droits de reproduction réservés A.D.A.G.P. - Paris. NICOLAS DE STAEL (1914-1955) was a French painter of Russian origin known for his use of a thick impasto and his highly abstract landscape painting. He also worked with collage, illustration and textiles. Known for his abstract landscapes and still lifes that uniquely blend colour, form and texture, Nicolas de Staël was fascinated by the world’s many spectacles and documented them through his art. De Staël was born in 1914 into an aristocratic family in Saint Petersburg, Russia. His father served as a cavalry general under Tsar Nicholas II and the family was forced to flee after the Russian Revolution. Both Nicolas’s parents died in the early 1920s, meaning he and his siblings were raised by a foster family in Brussels where he would begin his formal art education at the Académie Royale des Beaux-Arts. De Staël’s early work was influenced by the European avant-garde movements of the early 20th century, including Cubism and Fauvism. However, he soon developed his own distinctive style with thick impasto and a bold use of colour. His early paintings, often sombre in tone, gradually evolved into more vibrant and dynamic compositions, reflecting his growing interest in the emotional and expressive potential of colour and form. In 1938 de Staël had moved to France, where he became an integral part of the post-war Parisian art scene. Having worked initially in the atelier of Fernand Léger, de Staël’s circle of friends came to include Sonia Delaunay, Le Corbusier and Jean Arp, who encouraged his tendencies towards abstract work. His work during this period marked a significant departure from traditional representation, moving towards abstraction while maintaining a strong sense of structure and form. De Staël's paintings from this era showcase his ability to balance abstraction with figuration, using broad, gestural strokes and a vibrant palette to convey movement and energy. What truly set de Staël apart, though, was the step he took beyond abstraction. This came with his football paintings...
Category

1960s Modern Abstract Prints

Materials

Lithograph

(tariff free*) Constellations, Société internationale d'art XXe siècle
Located in Southampton, NY
Woodcut on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série, XXIe Année, N° 13, Noël 19...
Category

1950s Modern Abstract Prints

Materials

Woodcut

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