Friedrich Bernhard Werner

WERNER. A Panoramic View of London

1730

FEOLI, Vincenzo. Vedute del Museo Pio-Clementino. Rome, 1790. A double-page engraved plate after Miccinelli and Costa. Sheet size: 70.5cm by 99cm. Presented in a mount, size: 81cm by 101cm. Magnificent series of extra-large plates illustrating the Vatican Museum...

Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831) after Miccinelli and Costa. The Pio-Clementino museum, n...

Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831) after Miccinelli and Costa. The Pio-Clementino museum, n...

Great Britain SENEX, John. A New Map of Great Britain Corrected from the Observations communicated to the Royal Society at London. By John Senex F.R.S. To the Right Hono[ra]ble William Connelly ESQ. One of the Commissioners of His Maj[es]ties Revenue, Speakerof the Hono[a]ble House of Commons, and one of His Maj[es]ties most Hono[ra]ble Privy Council for Ye Kingdom of Ireland. This Map is dedicated by John Senex. John Senex F.R.S. 1710 [-1728]. John Senex (1678-1740) was one of the foremost mapmakers in England in the early eighteenth century. He was also a surveyor, globemaker, and geographer. As a young man, he was apprenticed to Robert Clavell, a bookseller. He worked with several mapmakers over the course of his career, including Jeremiah Seller and Charles Price...

Antique Woodcut View of London – Thames River Panorama with London Bridge, c.1650s This striking antique woodcut presents a panoramic view of London along the River Thames, dating f...

After Giovanni Antonio Canal, called Canaletto Copper plate engraving with hand coloring on cream laid paper with the Arms of France watermark (a crown in shield topped by a fleur-de-lys and the letters GR), 22 3/4 x 15 3/4 inches (576 x 400 mm), wide to full margins. Multiple vertical and horizontal creases from folding and rolling; none appear to be particularly hard, there is however some associated cockeling. While there is some minor mat tone visible around the perimeter of the sheet, the extensive handcoloring remains extremely fresh and saturated in the intended areas. There are edge tears at each the right and left sheet edge (outside of the image area) due to an improper effort to mount the sheet to a mat. Otherwise in very good condition with all issues being consistent with age. The print is wrongly titled "The South East Prospect of Westminster Bridge...

A stunning 18th century optical view of London from the Thames. London: 1760. Copper plate engraving with hand coloring in watercolor on cream laid paper with a large circular wate...

Title: The Cities of London & Westminster, accurately copied from the table of the Camera Obscura in the Royal Observatory at Greenwich This is a rare plate from a serie of 22 landmarks taken from Modern London, published in 1804 by Richard Phillips...