Items Similar to The Arch of Constantine and the Colosseum
Want more images or videos?
Request additional images or videos from the seller
1 of 12
Giovanni Battista PiranesiThe Arch of Constantine and the Colosseum1760
1760
About the Item
The Arch of Constantine and the Colosseum
Vedute dell' Arco di Costantino, e dell' Anfiteatro Flavio il Colosseo
From: "Vedute di Roma" (Roman Views), part II
An early Paris edition, on thin laid paper, no visible watermark
Inscription: At lower left: "1. Meta sudante / 2. Radice del Palatino / Presso l'Autore a Strada Felice vicnio alla Trinità de'Monti. A paoli due e mezzo."; bottom center: "Veduta dell'Arco di Costantino, e dell'Anfiteatro Flavio detto il Coloseo."; lower right: "3. Vestigie della Terme di Tito /4. Radice dell'Esquilino / Piranesi del. Scolp."
Signed in the plate lower right: Piranesi del. sculp.
Etching, 1760
Image/Plate size: 16 1/8 x 21 5/8 inches
Reference: Hind 56 iv/VI, the price eraced, but beofre the numbers in the plate
Wilton-Ely 1.195.152
Foclillon 805
Condition: Very good
Regarding Vedute di Roma
"By 1747, Piranesi had begun work on the Vedute di Roma, and he continued to create plates for this series until he died in 1778. Piranesi’s Vedute, which overshadowed competitor’s views of Roman landmarks through compelling compositions, strong lighting contrasts, and dramatic presentation, shaped European conceptions of present day Rome. This influenced European thought to such an extent that Grand Tourists, who had come to know Rome through Piranesi’s prints, were recorded as being disappointed on their first encounter with the real thing.39 The views were intended as tourist souvenirs and, from their instant popularity, Piranesi had obviously judged the market well. His early sites include obvious popular sights, such as Piazza della Rotonda and the Sepolcro di Cecilia Metella. The first thirty-four views were published in a single volume and entitled Le Magnificenze di Roma. In his first views, the monument or subject was drawn from a distance so that it was clearly set in its context. The little figures present at the ground level are the everyday people and visitors in contemporary Rome. As represented in the “Veduta della Piazza della Rotonda,” Piranesi, clearly contorting perspective, etched an exaggerated and extended view of the Rotonda, unfocused on a specific aspect of the scene. His later views featured heavier line, a sublime eye, and more dramatic perspectives. They also specifically concentrate on a monument, like the “Veduta del Ponte Salario,” or ruin instead of portraying a sweeping view of Roman landscape. These changes could possibly be a response to market demand and what Grand Tourists wanted to see in their vedute, or it could be a personal style change as Piranesi became intrigued by the idea of the sublime. Nevertheless, these views of Rome firmly established Piranesi’s reputation and gave him the initial financial stability that enabled him to tackle grander themes. Moreover, Piranesi’s interest in ruins was genuine antiquarian desire to preserve and record.40 Piranesi was able to focus in on his awareness of what was noble and magnificent and gain a sense for the sublime in the architectural tradition of Rome. Piranesi’s lifelong obsession with architecture, past and present, was fundamental to his genius. His etched plates contained remarkable imagination and a practical understanding of ancient technology. They created a perception of antiquity lasting to our own time."
Courtesy Wellesley University
- Creator:Giovanni Battista Piranesi (1720-1778, Italian)
- Creation Year:1760
- Dimensions:Height: 16.13 in (40.98 cm)Width: 21.63 in (54.95 cm)
- Medium:
- Movement & Style:
- Period:1760-1769
- Condition:
- Gallery Location:Fairlawn, OH
- Reference Number:Seller: FA125051stDibs: LU14015317722
Giovanni Battista Piranesi
Piranesi was born in Venice in 1720 and died in Rome in 1778. He was the son of a stone mason and was trained as an architect. After a slow start he eventually achieved great success as an architect, archaeologist, artist, designer, collector, and antiquities dealer. His mission was to glorify the architecture of ancient Rome through his engravings and etchings. His highly dramatized prints often depict imaginary interiors and frequently include figures in mysterious activities, who are dwarfed by the magnitude of their monumental surroundings. Piranesi's style greatly influenced the neoclassical art movement of the late 18th century. His dramatic scenes inspired generations of set designers, as well as artists, architects and writers. His prints have continued to increase in value to institutions and collectors.
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 1978
1stDibs seller since 2013
784 sales on 1stDibs
Typical response time: <1 hour
Associations
International Fine Print Dealers Association
- ShippingRetrieving quote...Shipping from: Akron, OH
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllScene II, Le Nozze Degli Dei
By Stefano Della Bella
Located in Fairlawn, OH
Scene II, Le Nozze Degli Dei
Etching, 1637
Signed in the plate lower left
The scene depicts the initial moment when Diana is revealed, surrounded by her nymphs, celebrating a success...
Category
1630s Old Masters Landscape Prints
Materials
Etching
View of the Ancient Structure built by Tarquinius Superbus called the Bel Lido
By Giovanni Battista Piranesi
Located in Fairlawn, OH
View of the Ancient Structure built by Tarquinius Superbus called the Bel Lido, and like others built by Marcus Agrippa in the time of Augustus when he cleaned all the sewers leading...
Category
1750s Old Masters Landscape Prints
Materials
Etching
The Ponte and Castel S. Angelo (Veduta del Ponte e Castello Sant' Angelo)
By Giovanni Battista Piranesi
Located in Fairlawn, OH
The Ponte and Castel S. Angelo
Veduta del Ponte e Castello Sant' Angelo
Etching, 1754
Signed in the plate lower right above the caption
From: Vedute di Roma
A proper Roman printing w...
Category
1750s Old Masters Landscape Prints
Materials
Etching
Piazza del Popolo con Obelisco Egizio
By Giuseppe Vasi
Located in Fairlawn, OH
Piazza del Popolo con Obelisco Egizio
Etching, 1752
Signed in the plate lower left (see photo)
From: Della Magnificenze di Roma Antica e Moderna ( The Magnificense of Ancient and Mod...
Category
1750s Old Masters Landscape Prints
Materials
Etching
Piazza Navona allagata solito farsi nelle Feste di Agosto
By Giuseppe Vasi
Located in Fairlawn, OH
Piazza Navona allagata solito farsi nelle Feste di Agosto
Etching, 1752
Signed in the plate lower right (see photo)
From: Della Magnificenze di Roma Antica e Moderna ( The Magnificen...
Category
1750s Old Masters Landscape Prints
Materials
Etching
Piazza Colona
By Giuseppe Vasi
Located in Fairlawn, OH
Piazza Colona
Etching, 1752
From: Della Magnificenze di Roma Antica e Moderna ( The Magnificense of Ancient and Modern Rome) , (1747-1761)
Volume II, The Main Squares and Obelisks, ...
Category
1750s Old Masters Landscape Prints
Materials
Etching
You May Also Like
VEDUTA del SEPOLCRO della Famiglia PLAUZIA per la strada che Conduce da Roma....
By Giovanni Battista Piranesi
Located in Santa Monica, CA
GIOVANNI BATTISTA PIRANESI (Italian 1720-1778)
VEDUTA del SEPOLCRO della Famiglia PLAUZIA per la strada che Conduce da Roma a Tivoli vicino a Ponte Lugan...
Category
1750s Old Masters Landscape Prints
Materials
Etching
VEDUTA DEGLI AVANZI De’MAUSOLEI E DELLE FABBRICHE…...
By Giovanni Battista Piranesi
Located in Santa Monica, CA
GIOVANNI BATTISTA PIRANESI (Italian 1720-1778)
VEDUTA DEGLI AVANZI De’MAUSOLEI E DELLE FABBRICHE…c 1756 (Hind 83; Focillon 20.A.293; Giesecke 116; Wilton-E...
Category
1750s Old Masters Landscape Prints
Materials
Etching
$2,000 Sale Price
20% Off
Hadrian's Mausoleum, Castel S. Angelo: A Framed 18th Century Etching by Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta del Mausoleo d'Elio Adriana ora chiamato Castello S. Angelo nella parte opposta alla Facciata de...
Category
1750s Old Masters Landscape Prints
Materials
Etching
With King's Privilege - Original Etching by Pierre Charles Trémolières - 18th
Located in Roma, IT
With King's Privilege is an Original Etching (chez Huquier) realized by Pierre Charles Trémolières (1703-1739 Paris).
The artwork is in good condition on a yellowed paper, included ...
Category
18th Century Old Masters Landscape Prints
Materials
Etching
Le Repos Pendant la Fuitre en Egypte - Original Lithograph - 17th Century
Located in Roma, IT
Le Repos Pendant la Fuitre en Egypte is an original Etching realized by an unknown French artist in 17th century.
Late 18th century edition.
Good condition except for a missing co...
Category
17th Century Old Masters Figurative Prints
Materials
Etching
Le Repos Pendant la Fuitre en Egypte - Original Lithograph - 17th Century
Located in Roma, IT
Le Repos Pendant la Fuitre en Egypte is an original Lithograph realized by an unknown artist of Italian School in 17th Century.
Good condition on a yellowed paper.
No signature.
Category
17th Century Old Masters Figurative Prints
Materials
Etching
