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Giovanni Benedetto Castiglione17th century etching black and white landscape forest trees satyr goatsc. 1650
c. 1650
$2,400
£1,792.42
€2,079.84
CA$3,324.02
A$3,726.20
CHF 1,943.13
MX$45,674.07
NOK 24,622.68
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DKK 15,518.30
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About the Item
"Mythological Scene--Satyr & Goat Herder" is an etching by Italian artist Giovanni Benedetto Castiglione. It depicts a satyr lounging on the left and an approaching goat herder on the right. Signed in plate
4 3/8" x 8 3/8" art
15 7/8" x 19 3/4" frame
Giovanni Benedetto Castiglione (baptized 23 March 1609[1] – 5 May 1664) was an Italian Baroque artist, painter, printmaker and draftsman, of the Genoese school. He is best known now for his elaborate engravings, and as the inventor of the printmaking technique of monotyping. He was known as Il Grechetto in Italy and in France as Le Benédette.
Castiglione was born in Genoa. His early training is unclear. He may have studied with Sinibaldo Scorza. Wittkower describes him as a "passionate student" of Anthony van Dyck, who arrived in 1621, and Peter Paul Rubens, who stayed in the city in the first decade of the 17th century and whose paintings were readily accessible there. He may have trained under the Genoese Bernardo Strozzi. He lived in Rome from 1634 to about 1645, then returned to Genoa. He also traveled to Florence and Naples He was back in Rome in 1647, before moving in 1651 to be court artist in Mantua for Duke Carlo II and his wife Isabella Chiara de Austria. He died in Mantua.
He had various brushes with the law in his lifetime. and according to The Queen's Gallery in London, "the turbulence that characterised his life overshadowed his artistic brilliance, and Castiglione struggled to achieve recognition in his lifetime. Much of what is known about the artist is derived not from fulfilled commissions, but from court documents."
He painted portraits, historical pieces and landscapes, but chiefly excelled in fairs, markets and rural scenes with animals. Noah's ark and the animals entering the Ark was a favorite subject of his. Castiglione was also fond of etchings and gained notoriety for executing a series of exotic heads of vaguely oriental people.
Castiglione was a brilliant draftsman and pioneered the development of the oil sketch (often using a mixture of mediums) as a finished work - previously they had been used only for working studies for another finished piece, for example by Rubens. He returned to the same subjects over and over again, but with significantly different compositions each time.
- Creator:Giovanni Benedetto Castiglione (1609 - 1609, Italian)
- Creation Year:c. 1650
- Dimensions:Height: 15.875 in (40.33 cm)Width: 19.75 in (50.17 cm)
- Medium:
- Movement & Style:
- Period:Mid-17th Century
- Condition:
- Gallery Location:Milwaukee, WI
- Reference Number:Seller: 9283g1stDibs: LU60532043283
Giovanni Benedetto Castiglione
Giovanni Benedetto Castiglione was profoundly influenced by foreigners. He first studied with local artists in his native Genoa, absorbing not only Tuscan Mannerism and Caravaggism but also the style of Peter Paul Rubens, who had worked in Genoa. From 1621, Castiglione also worked in Anthony van Dyck's Genoa studio. Early on, he was attracted to Flemish animal painting. Though he painted portraits, historical pieces and landscapes, Castiglione excelled in rural scenes with animals and influenced Italy's animal painting specialists. By 1634, Castiglione was in Rome, where he remained for about ten years. After returning to Genoa for a time, he worked for the Mantuan court in 1648, which had also employed Rubens. There Castiglione picked up the freedom of touch he saw in Domenico Fetti's paintings. One of the first Italians to appreciate Rembrandt van Rijn's etchings, Castiglione probably invented the monotype. Also admired for his fluent brush drawings in oil on paper, Castiglione influenced artists throughout Europe and virtually every Italian printmaker who followed. Despite his easy-going nature, his last works were intense, ecstatic compositions, reminiscent of Gian Lorenzo Bernini's contemporary style.
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