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Giovanni Omiccioli
Landscape - Original Lithograph by Giovanni Omiccioli - 1971

1971

$450.18
$600.2425% Off
£330.33
£440.4425% Off
€375
€50025% Off
CA$613.41
CA$817.8825% Off
A$690.90
A$921.2125% Off
CHF 357.79
CHF 477.0625% Off
MX$8,390.76
MX$11,187.6825% Off
NOK 4,544.82
NOK 6,059.7625% Off
SEK 4,311.14
SEK 5,748.1925% Off
DKK 2,853.98
DKK 3,805.3025% Off
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About the Item

Landscape is a beautiful original lithograph on cardboard, realized by the Italian artist Giovanni Omiccioli (Rome, 1901-1975) in 1971. Signed and dated in pencil, on the lower margin. In very good conditions, except for some minor holes on edges, the colors are incredibly bright. Numbered on the lower left margin, 88/90 prints. Giovanni Omiccioli was an Italian painter belonging to the modern movement of the Scuola romana with a dynamic paintwork representing soccer games and sports scenes. Having joined the Scuola Romana movement, in 1928, Omiccioli collaborated especially with Mario Mafai and Antonietta Raphael, as well as with Scipione and Raffaele Frumenti. His pictorial activity started in 1934 and a few years afterwards, he exhibited work at the IV Mostra del Sindacato Fascista (1937) within the Fine Art circle. In the same period he held his personal expo at Apollo Gallery in Rome. Omiccioli was also active in politics and, with Mario Mafai, Guttuso and Afro, he created the first header of the Italian communist newspaper L’Unità in 1945, immediately after the Italian Liberazione. During the same year he exhibited at the I Mostra dell’Arte against barbarism, promoted by this newspaper at the Gallery of Rome with catalogue by Antonello Trombadori, presenting a dramatic political painting by the title “La fucilazione di Bruno Buozzi”. After winning an award at the Marzotto Prize Convention, with “Il Pastore con la capretta”, Omiccioli exhibited at many important arts centres: especially noticeable are his anthologic displays at the Hermitage of Leningrad, his personal at the La Medusa Modern Gallery of Naples, and in the 1950s his participation in exhibitions at Pittsburgh, Boston, and Tokyo. He also took part in a travelling exhibition around the Scandinavian countries organised by the Italian Art Club, as well as displaying some paintings at the various Rome Quadriennale of 1955, 1959 e poi del 1966, and at the Venetian Biennale of 1952, 1954, 1956. In 1959 he also presented a religious painting on hardboard, Cristo crocifisso (Crucified Christ), at the VIII Biennale d’Arte Sacra in Bologna. During the 1960s, Omiccioli exhibits at three Figurative Arts Reviews in Rome and Lazio (1961, 1963, 1965) and at the VI Biennale of Rome in 1968.[3] Vaporous and tender, and yet always springing from an unchangeably intense love for nature and man, his palette of colours give a soft breath of light and a suggestive atmosphere to his whole artistic production.
  • Creator:
    Giovanni Omiccioli (1901 - 1975, Italian)
  • Creation Year:
    1971
  • Dimensions:
    Height: 25.79 in (65.5 cm)Width: 33.47 in (85 cm)Depth: 0.08 in (2 mm)
  • Medium:
  • Movement & Style:
  • Period:
  • Framing:
    Framing Options Available
  • Condition:
    Insurance may be requested by customers as additional service, contact us for more information.
  • Gallery Location:
    Roma, IT
  • Reference Number:
    Seller: M-1170591stDibs: LU65037838892

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Landscape - Etching by Fiorella Diamantini - 1962
By Fiorella Diamantini
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Landscape is a beautiful black and white etching and aquatint on paper, realized in 1962 by the Italian artist Fiorella Diamantini (Cingoli, 1931-2019). Signed and dated in pencil on the lower right margin and with the autograph note "Prova di stampa" in pencil on the lower left margin. Our original etching, an artist proof, confirms the artist's love for classic style in the wake of another great artist from the region Marche: Luigi Bartolini. In this original rpint everything is defined by a fabric of lines that thickens for the contours, and it is made rarer for the shadows. She seems to draw her landscapes from absolute white, where the edges of the real irrepressible by a single line are defined by grey backgrounds. A real skilled hand demonstrates a full mastery of the artistic technique and a real suggestive landscape that has something of the geometrical rigor and of the unmaterial of memory. In very good conditions, this is a very touching landscape, a landscape with the typical emotions of the memory places. Fiorella Diamantini was born in Cingoli in 1931 and graduated from the Book School of Urbino and the Academy of Fine Arts in Rome. She studied engraving with Leonardo Castellani in Urbino and Mino Maccari in Rome. Since 1958, she has taught in Rome Techniques of Engraving, first assistant of Mino Maccari, then of Arnoldo Ciarrocchi. From 1951, she lived in Rome. In 1980, she moved to Umbria, in Spello. She has been invited to the most important engraving reviews: the Venice Biennale (1956), the Venice Black and White Biennial, the Rome Quadrennial and the national and international exhibitions organized at the National Chalcography of Rome. His works have been presented at the Michel Gallery in Paris, at the Stockholm National Museum, at the National Chalcography of Rome, at the International Rossetti Library in Rome, at the Prandi Library in Reggio Emilia. Her works are present at the InClub Publishing House in Florence and the Galaverni Saletta in Reggio Emilia. The following wrote about Fiorella Diamantini: Mino Maccari, Italo Cremona, Valeria Vecchia, Arnoldo Ciarrocchi, Lorenza Trucchi, Alberto...
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