Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 6

Jean Michel Mathieux-Marie
La Coupole (the dome), by JMM Mathieux-Marie

1979

About the Item

Medium: drypoint on chine collé Edition of 180 Image Size: 4.5 X 9 inches Signed, titled and numbered, from the edition of 180. A view of a bridge over the Seine River in Paris with a view of The Palais de l’Institut de France in the background. Mathieux-Marie was born in Paris in 1947 and has been honored throughout his career with awards and exhibitions. His unique style of using a diamond point to scratch an image into a steel plate is complemented by his own methods of printing on one paper in the style of chine colle. The image is then cut out and mounted to another stronger paper. He has done many engravings to illustrate livres d’artistes for the works of great writers like Michel Déon, Federico Garcia Lorca, Julien Gracq or Francis Ponge. While many of his subjects are recognizable as famous destinations in Paris, Rome and Venice, they go much further than mere illustration. He has also worked on fantastical subjects where the full range of his creativity can be seen. He was initially trained as a architect, receiving his degree in 1972, but was soon introduced to dry-point engraving in 1974.
  • Creator:
  • Creation Year:
    1979
  • Dimensions:
    Height: 4.5 in (11.43 cm)Width: 9 in (22.86 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Palm Springs, CA
  • Reference Number:
    1stDibs: LU308214165142

More From This Seller

View All
Jardin d'Evasion, François Houtin
By François Houtin
Located in Palm Springs, CA
Signed and titled in pencil by the artist from the edition of 80. This is a great example of the texture and tone that can be achieved with drypoint. In keeping with the best Italia...
Category

1980s Contemporary Landscape Prints

Materials

Drypoint

Les Piler, by JMM Mathieux-Marie
By Jean Michel Mathieux-Marie
Located in Palm Springs, CA
Signed, titled and numbered, from the edition of 180. The base and parapets of a bridge. Mathieux-Marie was born in Paris in 1947 and has been honored throughout his career with awa...
Category

1970s Contemporary Landscape Prints

Materials

Drypoint

La Pont de la Tournelle, by JMM Mathieux-Marie
By Jean Michel Mathieux-Marie
Located in Palm Springs, CA
Medium: drypoint on chine collé Edition of 180 Image Size: 4.5 X 9 inches The Pont de la Tournelle links the Ile St-Louis to the Left Bank and is adorned with a giant statue of Sain...
Category

1990s Contemporary Landscape Prints

Materials

Drypoint

Les Ronds de Loring, by JM Mathieux Marie
By Jean Michel Mathieux-Marie
Located in Palm Springs, CA
Signed, titled and numbered, from the edition of 90. ripples on a body of water reflect the trees in this French countryside landscape. Mathieux-Marie was born in Paris in 1947 and ...
Category

1970s Contemporary Landscape Prints

Materials

Drypoint

Hiboux et Chouettes #6, portrait of an owl by Marjan Seyedin
Located in Palm Springs, CA
Medium: aquatint and drypoint Year: 2016 Edition of 21 Image Size: 16 × 12 inches Portrait of a plump and possibly perplexed owl in a nocturnal setting, by Franco-Iranian artist M...
Category

2010s Contemporary Still-life Prints

Materials

Drypoint, Aquatint

Hiboux et Chouettes #7, portrait of an owl by Marjan Seyedin
Located in Palm Springs, CA
Medium: aquatint and drypoint Year: 2016 Edition of 21 Image Size: 16 × 12 inches portrait of a seemingly disgruntled owl in a nocturnal setting, by Franco-Iranian artist Marjan S...
Category

2010s Contemporary Still-life Prints

Materials

Drypoint, Aquatint

You May Also Like

Donald Baechler Blue Spruce 2005 (Donald Baechler prints)
By Donald Baechler
Located in NEW YORK, NY
Donald Baechler, Blue Spruce, 2005 A fun, whimsical, and highly decorative signed limited edition Baechler piece that works well in any setting. Medium: Aquatint and drypoint, on ...
Category

Early 2000s Contemporary Landscape Prints

Materials

Drypoint, Aquatint

Branches Gold, Limited edition print, Landscape, Tree, Nature art
By Fiona Hamilton
Located in Deddington, GB
Scots Pine drypoint etching printed onto Japanese gampi tissue and backed onto German Hahnemule printmaking paper. This print depicts a mature pine tree, standing proud from the rest...
Category

2010s Contemporary Landscape Prints

Materials

Drypoint, Etching

Branches Blue, Limited edition print, Landscape, Tree, Nature art
By Fiona Hamilton
Located in Deddington, GB
This print is part of a small series of works to investigate the use of layering, colour blends and texture in screen print to elicit an ethereal, eerie and potentially dizzying sens...
Category

2010s Contemporary Landscape Prints

Materials

Drypoint, Etching

Lux Aeterna I (Eternal Light -The Requiem/ copters hover over fearful refugees)
By Ana Maria Pacheco
Located in New Orleans, LA
Ana Maria Pacheco portrays the fear and feelings of the displacement of refugees cowering beneath helicopters overhead. The title of the work refers ...
Category

1990s Contemporary Figurative Prints

Materials

Drypoint

Winter Chestnut, Limited edition print, Landscape, Tree, Nature art
By Fiona Hamilton
Located in Deddington, GB
Scots Pine drypoint etching printed onto Japanese gampi tissue and backed onto German Hahnemule printmaking paper. This print depicts a mature pine tree, standing proud from the rest...
Category

2010s Contemporary Landscape Prints

Materials

Drypoint, Etching

Autumn Pine, Limited edition print, Landscape, Tree, Nature art
By Fiona Hamilton
Located in Deddington, GB
This print of a pine tree uses kitakata Japanese tissue chine collé to depict the warmth and colour of early autumnal light. It is then backed onto Hahnemule printmaking paper. The subject matter is from Ashton Court Estate in Bristol. This body of work is based on the book by Suzanne Simard, 'Finding the Mother Tree'. Trees communicate via mycorrhizal fungi to trade water and other nutrients. Ancient and mature trees nurture their offspring via these networks, as well as trading nutrients between other species. Botanist Simard has spent years working on this theory as part of a wider body of work, discovering what it means for forests, the climate and the wider Anthropocene. My work explores the ecological sublime and an appreciation of the majesty of nature. I use detailed intaglio etching, drypoint, lithography and chine collé to draw the viewer into an ethereal landscape that has an impact on our sense of place in relation to the natural world. I use primarily black and white with natural tones of chine collé and sometimes layers of lithographic texture to introduce warmth to the stark palette and to invoke a sublime emotional connection. I work from sketches, photographs, notes and memory to create my prints. ADDITIONAL INFORMATION: Black & White, Chine Collé, Drypoint, Drypoint print, Etching, Etching print on Paper Edition of 20 44 H x 32 W x 1 D cm (17.32 x 12.60 x 0.39 in) Sold unframed Image size: Height: 30cm (11.81 in) Width: 20cm (7.87 in) Complete size of sheet Height: 44cm (17.32 in) Width: 32cm (12.60 in) Depth: 1cm (0.39 in) ARTIST BIOGRAPHY: Fiona Hamilton is a printmaker based in Bristol. Interested in process she uses a combination of mediums, both traditional and contemporary, to produce unique imagery, often as one off pieces or in small limited editions. She currently works in silkscreen, cyanotype and foil. Fiona’s artwork draws on a lot of natural themes such as plants, leaves, trees and creatures including lots of birds. She mostly works directly from nature or from photographs she has taken. She regularly lugs a heavy telephoto lens about to get photos of birds...
Category

2010s Contemporary Landscape Prints

Materials

Drypoint, Etching

Recently Viewed

View All