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Ulysses Deriding Polyphemus: A Framed 19th C. Engraving After J. M. W. Turner1859
1859
$675
£521.55
€602.97
CA$953.82
A$1,069.78
CHF 560.23
MX$12,998.83
NOK 7,113.93
SEK 6,744.50
DKK 4,500.83
About the Item
This beautiful 19th century framed hand-colored engraving/etching entitled "Ullyses Deriding Polyphemus" by Edward Goodall is based on an original 1829 painting by the renowned British artist J.M.W. Turner. It was published by James S. Virtue & Co. in London between 1859-1875. It depicts a dramatic scene from Greek mythology, specifically from Homer's epic poem "The Odyssey." In the story, the hero Ulysses (or Odysseus) and his men find themselves trapped inside the cave of the Cyclops Polyphemus, who is known for having only one eye. Ulysses, in an attempt to save his crew, devises a plan to blind the Cyclops and escape. He does so by offering the Cyclops wine and, when he is inebriated, driving a burning stake into his single eye. Turner's engraving captures the climactic moment of the story, as Ulysses and his companions are shown sailing away from the cave in a small boat. Ulysses, depicted as a tiny figure on the boat, can be seen raising a cup in a mocking gesture towards the enraged Polyphemus, who stands on the shore, raising his arms in frustration and pain. The scene is set against a tumultuous seascape, with dark and swirling waves and a stormy sky, adding to the dramatic intensity of the composition.
"Ulysses Deriding Polyphemus" exemplifies Turner's ability to capture the power of nature and the human drama within his artworks. It showcases his skillful use of light, shadow, and atmospheric effects to create a sense of awe-inspiring beauty and emotional intensity. The engraving remains an important example of Turner's artistic legacy and his contribution to the Romantic movement in art.The Goodall engraving of "Ulysses Deriding Polyphemus" after Turner captures the dramatic tension and mythological significance of this encounter. It showcases Ulysses' bravery and quick thinking, while also highlighting the monstrous nature of Polyphemus. The artwork serves as a testament to the enduring appeal of classical mythology and Turner's skill as a painter, as well as the talent of Goodall as an engraver in faithfully translating the original work into a different medium.
This colorful 19th century engraving is presented in a gold-colored wood frame and double cream-colored mats. The frame measures 13.88" high, 27.25" wide and 1.5" deep. The engraving, frame and mat are in excellent condition.
This engraving is held by several museums and institutions, including: The British Museum, The Metropolitan Museum. The Tate Museum, The Victoria and Albert Museum, The Yale Center for British Art, The Fine Arts Museums of San Francisco, and The Museum of Fine Arts Boston.
Joseph Mallord William (J.M.W.) Turner (1775-1851) was an English painter who is widely considered one of the greatest landscape painters in Western art history. Born in London, he showed a remarkable talent for art from a young age, and studied at the Royal Academy of Arts from the age of 14. He quickly gained recognition for his watercolor landscapes, which were highly innovative and expressive. Turner's style evolved over time, and he became increasingly interested in the effects of light and color. He traveled extensively throughout Europe, and his experiences of the natural world, particularly the sea and the sky, had a profound influence on his art. His paintings are known for their luminosity, atmospheric effects, and dramatic use of color. Despite facing criticism and ridicule from some of his contemporaries, Turner continued to push the boundaries of art, experimenting with new techniques and styles throughout his career. He was a prolific artist, creating thousands of paintings, sketches, and watercolors, and his legacy continues to inspire artists today.
Edward Goodall (1795-1870) was a renowned English landscape and portrait painter, widely recognized for his exceptional talent and meticulous attention to detail. Goodall's interest in landscapes eventually extended to portraiture, and he gained recognition for his ability to depict the unique character and expressions of his subjects. His portraits possessed a remarkable depth and realism, capturing not just physical appearances but also the inner emotions and personalities of the individuals he painted. In addition to his prowess as a painter, Goodall was also an accomplished etcher, engraver, and illustrator. His works were often featured in prominent publications of the time, including illustrated books and periodicals. His intricate engravings showcased his exceptional technical skill and contributed to the dissemination of his artistic vision to a wider audience.
Edward Goodall's talent and dedication earned him considerable acclaim during his lifetime. He exhibited his works at the Royal Academy and other prestigious art institutions, garnering praise for his exceptional technique and artistic sensibility. His contributions to the art world were also recognized through his appointment as a member of the Royal Society of Painters and Etchers. Today, Goodall's paintings and engravings continue to be cherished for their beauty and historical significance. They provide a window into the landscapes and society of the 19th century, capturing a fleeting moment in time with remarkable skill and artistry.
- Creation Year:1859
- Dimensions:Height: 13.88 in (35.26 cm)Width: 17.25 in (43.82 cm)Depth: 1.5 in (3.81 cm)
- Medium:
- Movement & Style:
- After:J.M.W. Turner (1775 - 1851, British)
- Period:
- Condition:
- Gallery Location:Alamo, CA
- Reference Number:Seller: # 52161stDibs: LU1173212598102
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View AllFishing Off Hastings, England: A Framed 19th C. Engraving After J. M. W. Turner
By J.M.W. Turner
Located in Alamo, CA
This beautiful 19th century framed engraving "Line Fishing Off Hastings" by William Miller is based on an original painting by the renowned British artist J.M.W. Turner, which depicts a scene of fishermen at work off the coast of the town of Hastings in East Sussex, England. The Miller engraving faithfully reproduces Turner's painting, capturing the same atmospheric quality and sense of motion. In the foreground of the image, a group of fishermen are shown in a small boat, with one man using a fishing line to catch fish. In the background, there is a larger ship, along with a view of the town of Hastings and the cliffs beyond. Overall, the Miller engraving "Line Fishing Off Hastings" is a beautiful and detailed representation of Turner's original painting, and provides a glimpse into life in a 19th century fishing community.
This colorful 19th century engraving is presented in a gold-colored wood frame and a cream-colored French mat highlighted with a light blue band and thinner mustard and gold-colored bands. There is a gold-colored fillet which further embellishes the engraving. The frame measures 18" high, 20.5" wide and 1" deep. The engraving, frame and mat are in excellent condition.
Joseph Mallord William (J.M.W.) Turner (1775-1851) was an English painter who is widely considered one of the greatest landscape painters in Western art history. Born in London, he showed a remarkable talent for art from a young age, and studied at the Royal Academy of Arts from the age of 14. He quickly gained recognition for his watercolor landscapes, which were highly innovative and expressive. Turner's style evolved over time, and he became increasingly interested in the effects of light and color. He traveled extensively throughout Europe, and his experiences of the natural world, particularly the sea and the sky, had a profound influence on his art. His paintings are known for their luminosity, atmospheric effects, and dramatic use of color. Despite facing criticism and ridicule from some of his contemporaries, Turner continued to push the boundaries of art, experimenting with new techniques and styles throughout his career. He was a prolific artist, creating thousands of paintings, sketches, and watercolors, and his legacy continues to inspire artists today.
William Miller (1796-1882) was an English engraver and publisher, best known for his work in reproducing the paintings of J.M.W. Turner. Miller was born in Bristol and began his career as an engraver at a young age, working for a variety of publications and artists. In the early 1820s, Miller began working with Turner, engraving many of the artist's most famous works, including "The Fighting Temeraire...
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This beautiful 19th century framed engraving "The Fighting Temeraire" by James Tibbetts Willmore is based on an original painting by the renowned British artist J.M.W. Turner. It was published by James S. Virtue & Co. in London between 1859-1875. It depicts the once mighty British warship the HMS Temeraire being towed away down the river Thames by a much smaller steamboat to a ship-breaking yard to be broken up for scrap. The Temeraire was first launched in 1798 and represented the pinnacle of British ship-building. 180-feet long, constructed of English oak and armed with 98 guns, she was one of the largest warships of the period. The Temeraire became a symbol of British pride and military power that endured throughout the 19th century. The man-of-war served during the French Revolutionary and Napoleonic Wars and was among the last serving ships to have been at the Battle of Trafalgar in 1805. It became one of the many older ships put out of service in the 1830s and 1840s. The once mighty and feared ship symbolizes a once magnificent, but now obsolete, technology. Turner seems to lament her inglorious final journey, being towed by a less magnificent, but modern steam powered tugboat.
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