Items Similar to Chien aboyant à la lune (Mourlot 189), Verve: Revue Artistique et Littéraire
Want more images or videos?
Request additional images or videos from the seller
1 of 10
Joan MiróChien aboyant à la lune (Mourlot 189), Verve: Revue Artistique et Littéraire1953
1953
About the Item
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 20.50 inches, with centerfold, as issued. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonné references: Miró, Joan, et al. Joan Miró : Lithographs. Léon Amiel, 1972, illustration 189. Notes: From the album, Verve: Revue Artistique et Littéraire, Vol. VII, N° 27-28, 1953. Published by Éditions de la revue Verve, Paris, under the direction of Tériade, éditeur, Paris; printed by Mourlot Frères, Paris, January 15, 1953, in an edition of MM. Excerpted from the album (translated from French), This double issue of Verve was completed to print on January 15, 1953 by Draeger for typography and gravure and by Mourlot for lithography. Additional notes: Excerpted from Poppy Sfakianaki, ‘La revue Verve (1937–60): Un tremplin pour la carrière de Tériade dans les éditions d’art’, Journal of European Periodical Studies, 4.2 (Winter 2019), 70–89, In 1937, Tériade (1897-1983) met David Smart (1892-1952), the American publisher of Esquire magazine, who offered him to the opportunity to collaborate on the creation of 'the most beautiful magazine in the world'. Smart recognized in Tériade not only his ability as a publisher and knowledge of art history, but also his professional network and the name he made for himself in the Parisian art world—all crucial advantages for an editorial business. Having had the commercial conviction that beauty "sells", Smart intended to address the American public, attracted to French art, including Modern art, and the myth of artistic life in Paris. For his part, Tériade saw the proposed collaboration as an opportunity for a foray into the American market—a powerful ally of modern art in France. Éditions de la Revue Verve was founded in November 1937, largely funded by Smart, and directed by Tériade. Verve: Revue Artistique et Littéraire was a luxurious and ambitious art publication, published not only in French, but also in English in its early years, and distributed in Europe and the United States. Its configuration was reminiscent of that of the French art journals Cahiers d'art, Minotaure, and Arts et métiers graphiques, as well as that of the American art magazine, Coronet. However, Verve was superior to the competition because of its copious iconography and high printing quality. Its price varied between 60 and 150 francs (for double numbers) before the war, and between 120 and 350 francs during the war. Given its high price, the magazine mainly targeted art dealers, collectors, bibliophiles and wealthy art lovers. The exquisite aesthetics of the magazine was due to its editor-in-chief, Tériade, who sought to develop a platform for dialogue between image and text, visual arts and literature. The dominant factor of each issue remains its iconography, composed of reproductions of works by modern artists that Tériade admired, and 'masters', mainly of the French tradition, alongside photos and miniatures of medieval manuscripts. Tériade undoubtedly realized with his magazine an idea expressed in 1934 according to which books served as an 'ideal museum' or an exhibition where all the artistic masterpieces are gathered, which Malraux developed later in Le Musée imaginaire (Geneva: Skira, 1947), parts of which will appeared in Verve. During Second World War the periodicity of the journal changed, then irregular, and the less varied nature of the subjects treated. Thus, the issues published during the War (as well as in 1945 and 1946) were devoted exclusively to the reproduction of medieval illuminations. Finally, the special issues of the post-war period each present the recent production of a modern art painter. Only numbers 8 (1940) and 27-28 (1952) were an exception with a more varied summary. Verve's reception was positive as evidenced by several laudatory press articles throughout its run. The success of the magazine, Tériade's passion for modern art and medieval manuscripts, his admiration for the publications of Ambroise Vollard and Albert Skira, and his knowledge of the world of bibliophiles, soon led him to amplify his editorial activity. In 1943, despite the practical difficulties imposed by the war, his first artist's book was published, written and illustrated by Georges Rouault. Until 1975, Tériade published Éditions de la Revue Verve, nine books by modern artists, such as Henri Matisse, Pablo Picasso, Marc Chagall, Joan Miró, entirely composed (text and images) by the artists; seventeen books illustrated by recognized modern artists; an album of lithographs by Fernand Léger on Paris; two photographic albums by Henri Cartier-Bresson; two monographs on the artists André Beaudin and Francisco Borès; a luxurious series of reproductions of medieval illuminations; and, a series of portfolios on great French architecture. Ultimately, the comparative study of the journal and the editions of Verve: Revue Artistique et Littéraire illustrates the importance of the tacit relational dynamic that results from the relations of collaboration and exchange of symbolic capital based on common perceptions and interests, as well as on feelings of mutual friendship and appreciation of actors in the art world who share a visual and bibliophilic culture and thus contribute to the success of the journal and the publishing house.
JOAN MIRO (1893-1983) was a Surrealist Spanish painter who created artwork of imaginative fantasy. Much like his contemporaries, Picasso, and Dali, Miro was very much against the established painting methods of the time, and is often credited with being the founder of automatic drawing. Automatic drawing is the process of allowing the hand to move randomly on the canvas, leaving the artwork to chance. His dreamlike works contain impressions of playfully distorted animal forms, twisted organic shapes, and odd geometric constructions. A contemporary of Picasso, Miro towers as one of the great masters of modern art, and is amongst the most famous artists of the 20th century.
- Creator:Joan Miró (1893 - 1983, Catalan)
- Creation Year:1953
- Dimensions:Height: 14 in (35.56 cm)Width: 20.5 in (52.07 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Auburn Hills, MI
- Reference Number:1stDibs: LU1465216383562
Joan Miró
With his wide-ranging oeuvre, comprising strikingly original paintings, prints, ceramics, sculptures, metal engravings and murals, Catalan modernist Joan Miró was a critical force in moving 20th-century art toward complete abstraction. Although often considered an early Surrealist because of his nonobjective imagery and evocation of the subconscious, he defies neat categorization.
Miró’s identity is largely rooted in the city of his birth: Barcelona. To this day, a number of his public artworks can be found there, including the 72-foot-tall statue Dona i Ocell (Woman and Bird), 1983. Female and avian forms, along with bright colors and the theme of Catalan pride, are recurring elements in his work.
The radical visual world Miró created with his expressive lines, signature symbols and biomorphic shapes influenced such American Abstract Expressionists as Jackson Pollock and Color Field painters like Mark Rothko and Barnett Newman.
Mirò continued to work and experiment until his death at the age of 90 in 1983. Five years before that, he was quoted saying, “I painted these paintings in a frenzy, with real violence so that people will know that I am alive, that I’m breathing, that I still have a few more places to go. I’m heading in new directions.”
Find a collection of original Joan Miró art on 1stDibs.
About the Seller
4.9
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 1978
1stDibs seller since 2021
1,104 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Shipping from: Auburn Hills, MI
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllErnst, Composition (Monod 2619; Spies/Leppien A19/C), Dent Prompte (after)
By Max Ernst
Located in Auburn Hills, MI
Lithograph on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Dent Prompte, Dix poèmes inédits illustrés par Max Ernst, ...
Category
1960s Surrealist Landscape Prints
Materials
Lithograph
$716 Sale Price
52% Off
Free Shipping
Ernst, Composition (Monod 2619; Spies/Leppien A19/C), Dent Prompte (after)
By Max Ernst
Located in Auburn Hills, MI
Lithograph on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Dent Prompte, Dix poèmes inédits illustrés par Max Ernst, ...
Category
1960s Surrealist Landscape Prints
Materials
Lithograph
$716 Sale Price
52% Off
Free Shipping
Ernst, Composition (Monod 2619; Spies/Leppien A19/C), Dent Prompte (after)
By Max Ernst
Located in Auburn Hills, MI
Lithograph on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Dent Prompte, Dix poèmes inédits illustrés par Max Ernst, ...
Category
1960s Surrealist Landscape Prints
Materials
Lithograph
$716 Sale Price
52% Off
Free Shipping
Ernst, Composition (Monod 2619; Spies/Leppien A19/C), Dent Prompte (after)
By Max Ernst
Located in Auburn Hills, MI
Lithograph on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Dent Prompte, Dix poèmes inédits illustrés par Max Ernst, ...
Category
1960s Surrealist Landscape Prints
Materials
Lithograph
$716 Sale Price
52% Off
Free Shipping
Ernst, Composition (Monod 2619; Spies/Leppien A19/C), Dent Prompte (after)
By Max Ernst
Located in Auburn Hills, MI
Lithograph on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Dent Prompte, Dix poèmes inédits illustrés par Max Ernst, ...
Category
1960s Surrealist Landscape Prints
Materials
Lithograph
$3,996 Sale Price
20% Off
Free Shipping
Ernst, Composition (Monod 2619; Spies/Leppien A19/C), Dent Prompte (after)
By Max Ernst
Located in Auburn Hills, MI
Lithograph on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Dent Prompte, Dix poèmes inédits illustrés par Max Ernst, ...
Category
1960s Surrealist Landscape Prints
Materials
Lithograph
$716 Sale Price
52% Off
Free Shipping
You May Also Like
Salvador Dali (after) - New-York: Plaza (poster edition) - Lithograph
By (after) Salvador Dali
Located in Collonge Bellerive, Geneve, CH
Lithograph after an original watercolor by Salvador Dali
Title: New-York City : Plaza (pre-text/"avant la lettre" poster edition)
Printed Signature, da...
Category
1960s Surrealist Figurative Prints
Materials
Lithograph
$1,389 Sale Price
20% Off
Surrealist Dream Lithograph Belgian Master Magritte Pencil Signed by Mourlot
By René Magritte
Located in Surfside, FL
Artist: Rene Magritte (after), Belgian (1898 - 1967)
Title: (from les Enfants Trouvés) Les Claires-Voies d'un Jeune Regard Embaument La Fête d'un Vieil Arbre
Year of original paintin...
Category
1960s Surrealist Landscape Prints
Materials
Lithograph
Composition - Original Color Lithograph by Antoni Clavé - 1943
By Antoni Clavé
Located in Roma, IT
Hand signed and dated. Signed on plate. Very good conditions
Passepartout included : 49 x 34 cm
Image Dimensions : 25 x16 cm
This artwork is shipped from Italy. Under existing legis...
Category
1940s Surrealist Landscape Prints
Materials
Lithograph
FOG, GOG, AND MAGOG
By Roberto Matta
Located in Santa Monica, CA
ROBERTO MATTA (1911-2002)
FOG, GOG, AND MAGOG 1971
Color lithograph. Plate 1 from “Fog Gog, and Magog” 1971. Signed in pencil and numbered. This work is number 92 from the edition o...
Category
1970s Surrealist Landscape Prints
Materials
Lithograph
$880 Sale Price
20% Off
CENTER OF ATTENTION Signed Lithograph, Sci-Fi Landscape, Stone Men Circle
By De Es Schwertberger
Located in Union City, NJ
CENTER OF ATTENTION is a hand drawn original lithograph printed in blue gray ink using hand lithography techniques on archival Arches printmaking paper 100% acid free. CENTER OF ATT...
Category
1990s Surrealist Figurative Prints
Materials
Lithograph
Salvador Dali (after) - Alsace - Lithograph
By Salvador Dalí
Located in Collonge Bellerive, Geneve, CH
Lithograph after Salvador Dali
Title: S.N.C.F
Stamp Signed Dali
Dimensions: 46.5 x 34 cm
Edition: /1700
1969
References : Catalogue raisonne Michler & Lopsinger Ref. 1222-1228
Category
1960s Surrealist Figurative Prints
Materials
Lithograph
