Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 3

John Taylor Arms
Chartres; Cathedral of Notre Dame from the River

1927

$1,100
£827.43
€953.75
CA$1,549.47
A$1,700.14
CHF 889.77
MX$20,922.96
NOK 11,209.82
SEK 10,499.66
DKK 7,121.57

About the Item

A superb impression on Japon paper, one of only three proofs. Etching on handmade Japon paper with a deckle edge, 13 1/8 x 9 7/8 inches (333 x 252 mm); sheet 18 1/4 x 13 3/4 inches (463 x 349 mm), full margins. Signed, dated and inscribed "Second State Trial Proof III" in pencil in the lower margin. This trial proof is the third impression (of only 3), aside from regular second state edition of 100. Two trial proofs of the first state exist, however, the regular first state was never published. Bottom margin very slightly trimmed, still leaving full margins, and an unobtrusive printing anomaly occurring as a fine line across the upper-right quadrant of the sheet, otherwise in superb condition. Printed by Frederick Reynolds. [Fletcher 193]. Born in 1887 in Washington DC, John Taylor Arms studied at Princeton University, and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I, Arms served as an officer in the United States Navy, and it was during this time that he turned his focus to printmaking, having published his first etching in 1919. His first subjects were the Brooklyn Bridge, near the Navy Yard, and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy (the plate for Guardians of the Spire was created in 1921). He used what was available to him, namely sewing needles and a magnifying glass, to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war, Arms enjoyed a successful career as a graphic artist, created a series of etchings of American cities, and published Handbook of Print Making and Print Makers (Macmillan, 1934). He served as President of the Society of American Graphic Artists, and in 1933, was made a full member of the National Academy of Design. Arms died in Fairfield, Connecticut in 1953.

More From This Seller

View All
A Hong Kong Canal Boat
By John Taylor Arms
Located in Middletown, NY
Aquatint with hand coloring in watercolor on watermarked, laid Arches paper, 8 1/16 x 5 9/16 inches (206 x 142 mm), full margins. Signed, titled, dated, and numbered 22/40 in pencil,...
Category

Mid-20th Century American Modern Landscape Prints

Materials

Handmade Paper, Laid Paper, Watercolor, Aquatint

Saint Benigne, Dijon
By John Taylor Arms
Located in Middletown, NY
A fine impression on antique watermarked paper. Etching on antique blueish-gray antique laid paper with an unknown crown watermark, 10 1/2 x 6 7/8 inches ( 268 x 175 mm); sheet 13 3...
Category

Early 20th Century American Modern Landscape Prints

Materials

Handmade Paper, Etching

Cavendish Church
By John Taylor Arms
Located in Middletown, NY
A magnificent impression from the collection of the artist's sister, with a dedication in Arms's hand. Etching on antique grayish-blue laid paper, 9 1/2 x 5 1/2 inches (242 x 140 mm...
Category

1940s American Modern Landscape Prints

Materials

Handmade Paper, Etching

Chicago Skyline
By Paul Schumann
Located in Middletown, NY
A beautiful turn-of-the-century lake view of Chicago by an American artist known for his Texas landscapes. Etching with drypoint on watermarked Umbria laid paper with deckle edges, 7 1/4 x 10 7/8 inches (182 x 275 mm), full margins. Signed and numbered 4/25 in pencil, lower margin. In good condition with adhesive residue at the sheet edges on the verso, does not show through to the recto. A lovely Lake Michigan landscape...
Category

Early 20th Century American Modern Landscape Prints

Materials

Handmade Paper, Etching, Drypoint

Ruff's Farm
By Sidney Mackenzie Litten
Located in Middletown, NY
A nostalgic image of a bucolic farmyard and thatched cottage, hearkening to a bygone era. c 1920. Etching with drypoint on laid watercolor paper with deckle edges, and an indiscerni...
Category

Early 20th Century American Modern Landscape Prints

Materials

Handmade Paper, Laid Paper, Drypoint, Etching

New York Skyline
By Louis H. Ruyl
Located in Middletown, NY
Etching with drypoint on cream wove paper with deckle edges, 4 3/8 x 12 3/4 inches (233 x 323 mm); sheet 9 1/2 x 15 3/4 inches (240 x 338 mm), full margins. Signed and numbered 4/75 ...
Category

Early 20th Century American Modern Landscape Prints

Materials

Handmade Paper, Etching, Drypoint

You May Also Like

Donald Shaw MacLaughlan, A Tuscan Farm
By Donald Shaw MacLaughlan
Located in New York, NY
Donald Shaw MacLaughlan's small, even 'miniaturist' etching, 'A Tuscan Farm,' features an idyllic view of a scene he would have encountered on his European...
Category

Early 1900s American Modern Landscape Prints

Materials

Etching

S. L Margolies, Silent Symphony
Located in New York, NY
S. L Margolies (Samuel L.) made dynamic urban views and calm country scenes. This peaceful subject, with snow-covered hills and tidy cabin, Silent Symphony, 1946, marks an end to the...
Category

Mid-20th Century American Modern Landscape Prints

Materials

Etching

Irving Guyer, Christmas Trees on Second Street (NYC)
By Irving Guyer
Located in New York, NY
Philadelphia-born Irving Guyer attended the Art Students League and worked in New York City before moving to California. This print is signed and titled i...
Category

1930s American Modern Figurative Prints

Materials

Drypoint, Etching

Kent Hagerman, (US Air Force Fairchild C-119, the 'Flying Boxcar')
By Kent Hagerman
Located in New York, NY
While this is probably a military airport, Kent Hagerman still shows it at its futuristic best. Hagerman was an amazing draftsman who managed to get fantastic detail into his work. This is really a portrait of a plane -- the Fairchild C-119. The words 'United States Air Force' on the side of the plane date it to 1947 or later, after the Air Force split from the Army. The design featured the 'twin boom' clearly showing in this etching. Thanks to this feature it was called the Flying Boxcar. About 1100 were built and used until 1955. It was also used by the Chinese Air...
Category

Mid-20th Century American Modern Figurative Prints

Materials

Etching

Fugi Nakamizo, New York Harbor from the Battery
Located in New York, NY
Japanese born, Fugi Nakamizo came to New York City in 1910. He studied at the Art Students League and Cooper Union, NYC, and also printmaking with Joseph Pennell. He worked on the Federal Public Works of Art Project in the 1930s and in the 40s, during WWII, was interned at the Japanese-American internment camp in Topaz, Utah. His work is in the permanent collections of the Metropolitan Museum of Art and the Brooklyn Museum of Art, NYC, and the Library of Congress and Smithsonian Institution, Washington, DC. This etching of New York...
Category

1920s American Modern Figurative Prints

Materials

Etching

Ernest David Roth, Toledo, The Approach
By Ernest David Roth
Located in New York, NY
Working in the tradition of the Etching Revival, Ernest David Roth made this amazingly conceived and detailed study of the entrance to the Spanish ci...
Category

Early 20th Century American Modern Landscape Prints

Materials

Etching