Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

John Taylor Arms
John Taylor Arms, Study in Stone, Cathedral of Ourense

1933

About the Item

John Taylor Arms was known for making such finely drawn etchings that commercial tools were not good enough: He regularly used sewing needles with corks for handles. Fletcher 257. Edition of 184 printed by David Strang. Number 8 from the Spanish Church Series. Signed, dated, and numbered, in pencil.
  • Creator:
    John Taylor Arms (1887 - 1953, American)
  • Creation Year:
    1933
  • Dimensions:
    Height: 7.38 in (18.75 cm)Width: 5.5 in (13.97 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    Generally very good condition. Traces of old hinges on the reverse.
  • Gallery Location:
    New York, NY
  • Reference Number:
    1stDibs: LU141027025512

More From This Seller

View All
Ann Nooney, (Demolition with Windows, NYC)
By Ann Nooney
Located in New York, NY
The dimensions are for the image; there are large margins. This lithograph is signed in pencil. A native New Yorker, Ann Nooney (1900-1970) recorded the urban scene while on the Wo...
Category

1930s American Realist Figurative Prints

Materials

Lithograph

S. L Margolies, Silent Symphony
Located in New York, NY
S. L Margolies (Samuel L.) made dynamic urban views and calm country scenes. This peaceful subject, with snow-covered hills and tidy cabin, Silent Symphony, 1946, marks an end to the...
Category

Mid-20th Century American Modern Landscape Prints

Materials

Etching

John Winkler, View from Colby Meadows
Located in New York, NY
Winker is pulling out all the stops to make as stunning a Western Landscape as possible. The sky in this impression is open. There are also impressions with clouds in the sky. Sign...
Category

1960s American Modern Figurative Prints

Materials

Etching

Fred Nagler, (Sheep under a Tree)
By Fred Nagler
Located in New York, NY
The etching (Sheep under a Tree) is signed in pencil and annotated (in lower margin) '3rd State, 4 proofs, JN imp.' in pencil. It's in an usually spare drawing style but one that Na...
Category

1920s Ashcan School Figurative Prints

Materials

Etching

Aubervilliers (France)
Located in New York, NY
Trying my best to decipher the name I get Leo Tanenbaum. Well, (Sergeant) Sgt. Leo Tanenbaum. Sorry that I haven't been able to find a mid-century artist with this name. It's such an...
Category

1940s Abstract Expressionist Figurative Prints

Materials

Drypoint, Etching

Saul Raskin, The Cry of Union Square, about 1935
By Saul Raskin
Located in New York, NY
Saul Raskin's Cry of Union Square, has all my favorite things: a view of Union Square with S. Klein's department store on the right and a Chop Suey restaurant on the left. There's a ...
Category

1930s Ashcan School Figurative Prints

Materials

Etching

You May Also Like

November
By Stephen Parrish
Located in Middletown, NY
A beautiful and delicate 19th century image of late autumn in New England. Boston: Estes & Lauriat Editons, 1888. Etching on cream laid paper, 6 x 11 inches (150 x 278 mm), full ma...
Category

Early 20th Century American Realist Landscape Prints

Materials

Laid Paper, Etching

Gloucester Ferry, No. 2
By Stephen Parrish
Located in Middletown, NY
A beautiful and delicate 19th century image of one of New England's most storied ports. Boston: Estes & Lauriat Editions, 1882 Etching on cream laid paper, 2 3/4 x 5 1/4 inches (68 ...
Category

Early 20th Century American Realist Landscape Prints

Materials

Laid Paper, Etching

The British Evacuate Boston - 1932 Etching on Paper
Located in Soquel, CA
The British Evacuate Boston - 1932 Etching on Paper by Allen Lewis. From the portfolio "The Bicentennial Pageant of George Washington." In this piece George Washington is front and ...
Category

1930s American Realist Figurative Prints

Materials

Laid Paper, Etching

Villefranche-sur-mer
By Louis Conrad Rosenberg
Located in Middletown, NY
Etching with drypoint in brownish black ink on cream wove paper, 6 1/8 x 10 inches (155 x 255 mm), full margins with a deckle edge. Signed in pencil, lower right margin, and titled (...
Category

Early 20th Century American Realist Landscape Prints

Materials

Drypoint, Etching

TEN O'CLOCK in TAXCO - Large etching with Incredible Detail. One of a Pair
By Reynold Weidenaar
Located in Santa Monica, CA
REYNOLD WEIDENAAR (1915 - 1985) TEN O'CLOCK IN TAXCO 1946 Etching and aquatint on paper Edition: An artist proof (#2) apart from an edition of unknown size Signed and titled in pencil. Image: 17" x 13"; Sheet: 19.75" x 15.75”. One of a pair of large format Mexican etchings...
Category

1940s American Realist Figurative Prints

Materials

Etching

THE BURRO STATION - Large Etching with Incredible Detail. One of a Pair
By Reynold Weidenaar
Located in Santa Monica, CA
REYNOLD WEIDENAAR (1915 - 1985) THE BURRO STATION, 1946, Etching and drypoint on paper, Signed and titled in pencil from an edition of unknown size. Plate: 17" x 13": Sheet: 20.75" x 15.75". One of a pair of large format Mexican etchings...
Category

1940s American Realist Figurative Prints

Materials

Etching

Recently Viewed

View All