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Kees van DongenPlace Vendôme, A La gloire à Paris, Kees van Dongen1937
1937
$1,996
$2,49520% Off
£1,500.83
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€1,742.83
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CA$2,787.37
CA$3,484.2120% Off
A$3,091.40
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CHF 1,623.45
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MX$37,964.61
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NOK 20,551.37
NOK 25,689.2120% Off
SEK 19,380.22
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DKK 13,003.42
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About the Item
Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, July 14, 1937. Notes: From the folio, A La gloire à Paris, 1937. Excerpted from the folio (translated from French), The Glory of Paris. This dedicated album by the Paris municipality was written, illustrated, engraved and printed in the year MCMXXXVII. This album was decorated and printed by J.-G. Daragnes for the City of Paris. This album has been completed to print on Vélins des Manufactures de Canson et Montgolfier et des Papeteries on July 14, 1937, D examples, the first CC of which were reserved for the subscribers of the album.
KEES VAN DONGEN (1877–1968), born Cornelis Theodorus Maria 'Kees' van Dongen (1877 –1968) was a Dutch-French painter who was one of the leading Fauves. Fauves was coined by art critic Louis Vauxcelles for the group of artist that used bright colors. By 1905 he had left the influence of his training and symbolism style to become more controversial by exhibiting at the Salon d’Automne exhibit with a more radical form and color. His most important period is considered to be 1905-1920 where he focused on dancers, singers, masquerades, theater and all types of after-hours life. When he started to exhibit in Paris with Matisse, Derain, Marquet, Vlaminck, Camoin and Puy, he moved into a more avante-garde styling. Other artist that were moving to this form included, i Vlaminck, Friesz, Rousseau, Delaunay, Marquet, and Vuillard. These painters all felt the need to renew their methods of painting. Van Dongen (married to Augusta Preitinger by now) moved to Montmartre in 1906 where he was part of Pablo Picasso’s circle. He sold paintings, did sketches for a newspaper and held costume balls which he charge admission for all to make money. It was after the World War I that he started to create the lush colors of his Fauvist style. This helped cement a reputation in the upper class of France where he had a demand for his portraits. By 1959, Kees van Dongen was not living Monaco. Nine years later he would die. A large part of his work is held by the New National Museum of Monaco.
- Creator:Kees van Dongen (1877-1968, Dutch)
- Creation Year:1937
- Dimensions:Height: 13.5 in (34.29 cm)Width: 10.5 in (26.67 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Auburn Hills, MI
- Reference Number:1stDibs: LU1465214884452
Kees van Dongen
The Dutch painter Kees van Dongen began his career as a poor young artist with no formal training who happened to encounter art by chance. Van Dongen’s distinctive style later earned him a place amongst the most fashionable artists of his generation. He was particularly famous in Paris during the 20s and 30s and was best known for depicting the modern woman. At the beginning of his career, van Dongen painted dancers and cabaret girls. Eventually, he moved to a studio, where he would host parties and balls and began to paint society women.
Van Dongen’s work can be found in the world’s most prestigious collections, such as the Musée d’Art Moderne de la Ville de Paris, the Hermitage in Saint Petersburg, the Museo Thyssen-Bornemisza of Madrid, the Museum of Modern Art in New York or the Stedelijk Museum in Amsterdam.
(Biography provided by Stern Pissarro Gallery)
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