Items Similar to Sepolcro Regio o Consolare (...) - Etching by Luigi Rossini - 1825
Want more images or videos?
Request additional images or videos from the seller
1 of 5
Luigi RossiniSepolcro Regio o Consolare (...) - Etching by Luigi Rossini - 18251825
1825
About the Item
Sepolcro Regio o Consolare inciso nella rupe del Monte Albano, or nel Convento di Fr. Frances. ni di Palazzuolo is an original etching realized by Luigi Rossini.
From the series “Le antichità de’ contorni di Roma (...)”, it is a wonderful proof with sharp details and a very fine line, showing an antique sepulchre engraved in Albano Mountain Cliff. Signed on plate “Rossini dis. e inc.” lower-left corner, with date and place “Roma, 1825”.
In very good conditions.
Image Dim: cm 44 x 50, Dim: cm 50 x 60.5
- Creator:Luigi Rossini (1790-1857, Italian)
- Creation Year:1825
- Dimensions:Height: 19.69 in (50 cm)Width: 23.82 in (60.5 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:
About the Seller
4.9
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
1stDibs seller since 2017
6,739 sales on 1stDibs
Typical response time: 2 hours
- ShippingRetrieving quote...Ships From: Grasse, France
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- Landscape with Trees - Original Etching by George-Henri Tribout - 1930sBy Georges-Henri TriboutLocated in Roma, ITLandscape with Trees is an original etching on paper artwork realized by Georges Henri Tribout. Good Conditions. Georges Henri Tribout (1884-19...Category
1930s Modern Landscape Prints
MaterialsEtching
- Landscape - Original Etching - Late 20th CenturyLocated in Roma, ITLandscape is an original etching print realized by an unknown artist and signed "M. Bonechi" in the 20th Century. Hand-signed on the lower right in pencil and numbered on the lower ...Category
Late 20th Century Modern Figurative Prints
MaterialsEtching
- Landscape - Etching by Marco Bonechi - Late 20th CenturyLocated in Roma, ITLandscape is an original etching realized by Marco Bonechi in the 1990s Hand-signed. Numbered. Edition 1/99. Good conditions. The artwork is depicted through confident strokes ...Category
Late 20th Century Modern Figurative Prints
MaterialsEtching
- Nocturnal View - Etching by Franco Gentilini - 1970sBy Franco GentiliniLocated in Roma, ITNocturnal View is an original modern artwork realized in 1970s by Franco Gentilini. Mixed colored etching. Hand signed and numbered on the lower margin. Edition of LXIV/LXXV. Incl...Category
1970s Modern Figurative Prints
MaterialsEtching
- Battle Scene - Original Etching by Christian Johann Rugendas- 18th CenturyBy François BonvinLocated in Roma, ITBattle scene is an original print, realized in mid-18th. Century by the German artist Christian Johann Rugendas (1708-1781) . Tching and Aquatint on paper. Passpartout included 35x5...Category
18th Century Modern Figurative Prints
MaterialsEtching
- View of Piazza Navona - Original Etching by Giuseppe Malandrino - 1970sBy Giuseppe MalandrinoLocated in Roma, ITView of Piazza Navona is an original contemporary artwork realized in 1970 by the Italian artist Giuseppe Malandrino (Modica, 1910 - Rome, 1979). Etching on cardboard. Hand-si...Category
1970s Modern Landscape Prints
MaterialsEtching
You May Also Like
- The Haunted Castle (Six Fairy Tales from the Brothers Grimm) David HockneyBy David HockneyLocated in New York, NYThe Haunted Castle (from Six Fairy Tales from the Brothers Grimm) Etching and aquatint on W S Hodgkinson paper watermarked "DH" and "PP" Paper 17.5 x 12.25 in. / 45 x 31 cm Plate 14 ...Category
1960s Modern Figurative Prints
MaterialsEtching
- Catherina Dorothea Viehman (Six Fairy Tales from the Brothers Grimm) HockneyBy David HockneyLocated in New York, NYCatherina Dorothea Viehman (from Six Fairy Tales from the Brothers Grimm) Etching and aquatint on W S Hodgkinson paper watermarked "DH" and "PP" Paper 1...Category
1960s Modern Figurative Prints
MaterialsAquatint, Etching
- Rapunzel, Rapunzel let down your Hair (Six Fairy Tales from the Brothers Grimm)By David HockneyLocated in New York, NYSheet from “Rapunzel” story (from Six Fairy Tales from the Brothers Grimm) Text printed letterpress and “Rapunzel, Rapunzel let down your Hair” etching and aquatint on W S Hodgkinson paper watermarked "DH" and "PP" Etching 10.5 × 9.85 in. / 26.7 × 25 cm Paper 17.5 x 12.25 in. / 45 x 31 cm Unsigned: apart from the published edition of 400 books and 100 portfolios. This is one of eleven images recently found in our archive which we have decided to make available. There is one only of each image. Perhaps the most famous story from the Grimm Brothers, Rapunzel spins the tale of a beautiful young princess locked away by an evil sorceress. Captured in this scene is the moment a King's son came across the tower and fell in love with her sweet singing, beseeching her: 'Rapunzel, Rapunzel, Let down your hair to me.' Though the sorcerer banishes Rapunzel and maims the prince, they are of course ultimately reunited to live happily together. Hockney illustrates this scene with incredible texture detail: layers of aquatint defining the soft forest floor, delicate hatching on the horse's haunch, the tower's tight crosshatching, and of course the lyrical gesture of Rapunzel's hair which cascades from the upper right corner. This print from our publisher's archives is one of thirty-nine etchings from David Hockney’s 1969 "Six Fairy Tales from the Brothers Grimm". Hockney worked on this series with Paul Cornwall-Jones at Petersburg Press over the course of a year. 400 books and 100 portfolios plus artist’s proofs were printed. The artist illustrated six stories: 'The Little Sea Hare', 'Fundevogel', 'Rapunzel', 'The Boy who left Home to learn Fear', 'Old Rinkrank' and 'Rumpelstilzchen'. According to Hockney, "They're fascinating, the little stories, told in a very, very simple, direct, straightforward language and style, it was this simplicity that attracted me. They cover quite a strange range of experience, from the magical to the moral." He was inspired by earlier illustrators of the tales, including Arthur Rackham and Edmund Dulac, but Hockney reimagined the stories for a modern audience. The frontispiece for the project pictures Catherina Dorothea Viehmann, the elderly German woman who recounted fairy tales to the Grimm brothers when they were in their late twenties. In Hockney's words: “The stories weren’t written by the Brothers Grimm…they came across this woman called Catherina Dorothea Viehmann, who told 20 stories to them in this simple language, and they were so moved by them that they wrote them down word for word as she spoke.” Hockney drew the German woman in the style of Dürer, formally posed yet naturalistic against an impeccably crosshatched swath of grey. Hockney wrote about the surreal plots contained in the Brothers Grimm tales: “…the stories really are quite mad, when you think of it, and quite strange. In modern times, it’s like the story of a couple moving into a house, and in the next door’s garden they see this lettuce growing: and the wife develops this craving for the lettuce that she just must have and climbs over to pinch it, and the old woman who lives in the house next door says well, you can have the lettuce if you give me your child, and they agree to it. And if you put it into terms like this and imagine them in their semi-detached house agreeing to it all, it seems incredible.” Hockney enhanced this unbelievable quality with his illustrations which traverse inky, dense areas of intense crosshatching and minimalist line work. Rather than serving as direct interpretations of the plot, the images capture moments and feelings. Some portray the magic yet mundane -- Rapunzel's tiny face gazing placidly at a well-tended garden, or project danger and unease as in The Haunted Castle, with its citadel perched atop craggy rocks, dramatically lit against a dark sky. Hockney's sense of humor comes through in Cold Water About to Hit the Prince, in which a man tucked into bed stares straight at a rush of water drawn with a splash (this technique is likely Spit Bite, and the resultant bold spattered brushstroke contrasts beautifully with the rest of the carefully crosshatched image). A Wooded Landscape, with its lush textures, conveys the bucolic setting of a fairy tale and the potential danger hidden within the woods -- the viewer is left to wonder who lives on the hilltop in that diminutive cabin. These etchings defy the conventions of beautiful fairy tale illustrations...Category
1960s Modern Landscape Prints
MaterialsEtching, Aquatint
- Jacques Villon - Cubist Cavern - Original EtchingBy Jacques VillonLocated in Collonge Bellerive, Geneve, CHJacques Villon - Cubist Cavern - Original Etching 1949 Signed in pencil Dimensions : 12.5 x 16 cmCategory
1940s Modern Landscape Prints
MaterialsEtching
- Jacques Villon - Landscape - Original EtchingBy Jacques VillonLocated in Collonge Bellerive, Geneve, CHJacques Villon - Landscape - Original Etching 1949 Signed in pencil and numbered Dimensions : 28 x 38 cmCategory
1940s Modern Landscape Prints
MaterialsEtching
- Jacques Villon - Cubist Landscape - Original EtchingBy Jacques VillonLocated in Collonge Bellerive, Geneve, CHJacques Villon - Cubist Landscape - Original Etching Circa 1950 Signed in pencil Jacques Villon (1875 - 1963) Jacques Villon was born Gaston Duchamp on July 31, 1875, in Damville,...Category
1950s Modern Landscape Prints
MaterialsEtching
Recently Viewed
View AllMore Ways To Browse
Antique Fr
Antique Prints Mountains
Cliff Line
Antique Corner Inc
Rossini Etching
Fr Etching
Dakota Sica
Ski Taos
Paravents Buffet
Richard Haas On Sale
Salvador Dali Sun Goddess
William Seltzer Rice On Sale
Whistler Limehouse
Yves Ganne On Sale
Vintage Mammoth Mountain
François Houtin On Sale
Remo Michael Farruggio On Sale
Otto Bacher Etchings