Aquatint Landscape Prints

Hillside landscape with fence and wildflowers. A scene from the hills west of San Joaquin Valley, California.. Signed, titled and numbered from the edition of 120.. Born in Berkeley...

'Elizabeth's Cone', Aquatint Etching with the plate (image itself) 15 x 22 inches. On a larger sheet of archival paper. An iconic still life image featuring the “tragedy” of a drop...

Artist: Tom Marioni – American (1937- ) Title: Process Landscape 1998 Year: 1998 Medium: Color spit bite aquatint Image size: 15.75 x 10 inches. Paper size: 20 x 16 inches Framed size: 21.75 x 17.75 inches Signature: Signed, dated lower right Edition: 50. This one: 24/50. Published by: Crown Point Press Printed by: Paul Mullowney Condition: Excellent Frame: Framed in maple frame and plexiglas. Frame in fair to good condition with some small scratches. Tom Marioni was born in 1937 in Cincinnati, Ohio, attended the Cincinnati Art Academy, and in 1959 moved to San Francisco, where he still lives. His first sound work, One Second Sculpture, 1969, was celebrated in the 2005 Lyon Biennial as presaging the work of many artists today who use sound and duration as subjects. His first museum show was in 1970 at the Oakland Museum of California. Titled “The Act of Drinking Beer with Friends is the Highest Form of Art,” it was an early example of social art as a sculpture action. Over the years, Marioni was invited to repeat the work in various contexts around the world. In 1970 Marioni founded the Museum of Conceptual Art (MOCA), which he described at the time as “a large-scale social work of art.” Until the museum closed in 1984, he organized many groundbreaking shows, including “Sound Sculpture As” in 1970. MOCA has entered history as one of the first alternative art spaces. Marioni had one-person shows in several significant venues for early conceptual art, among them the Richard Demarco Gallery in Edinburgh in 1972 and Gallery Foksal in Warsaw in 1975. In 1977 he had a solo show, “The Sound of Flight,” at the de Young Museum in San Francisco. He has done installation/performance works at the Whitechapel Gallery in London (1972), the Institute of Contemporary Art in London (1973), the Centre Georges Pompidou in Paris (1980), and the Folkwang Museum in Essen, Germany (1982), among other museums. He has produced sound works for radio stations KPFA in Berkeley and WDR in Cologne, Germany. In 1996 he organized The Art Orchestra and the group performed at the Legion of Honor Museum in San Francisco. Marioni was included in “For Eyes and Ears” (1980) at the Academy of Fine Arts in Berlin, “Live to Air” (1982) at the Tate Gallery in London, and “From Sound to Image” (1985) at the Stuttgart Staatsgalerie in Germany. His work was shown in “Out of Actions: Between Performance and the Object” (1998) at the Museum of Contemporary Art in Los Angeles, and “The Third Mind: American Artists Contemplate Asia,” (2009) at the Guggenheim Museum in New York City. Drawing is central to Marioni’s art, and in 1999 he had a drawing retrospective, with a catalog, at the Mills College Art Museum in Oakland. In 2006 the Contemporary Art Center in Cincinnati presented a survey of his work and published a catalog. Marioni is the author of Beer, Art and Philosophy, 2003, a memoir, also Writings on Art 1969-1999, and Fabliaux Tom Marioni Fairy Tales. He was editor/designer of VISION magazine published by Crown Point Press, 1975-1981. Issues were titled “California,” “Eastern Europe,” “New York City,” “Word Of Mouth,” (phonograph records) and “Artist’s Photographs,” and published prints, since 1974. Tom Marioni received a Guggenheim Fellowship in 1981 and three grants from the National Endowment for the Arts during the 1970s. His work is in the collections of the San Francisco Museum of Modern Art, the Museum of Modern Art in New York, the Stadtische Kunsthalle in Mannheim, Germany, the Pompidou Center in Paris, and other museums. He is represented by the Anglim Gilbert Gallery...

Medium: aquatint and drypoint Year: 2016 Edition of 21 Image Size: 16 × 12 inches Portrait of a plump and possibly perplexed owl in a nocturnal setting, by Franco-Iranian artist M...

An original aquatint in colours by the listed British artist Joseph Kirkpatrick (1872-1936). Elegantly housed in a gilt-effect frame with original a...

Linda Plotkin, American (1938 - ) - Stone Valley, Year: circa 1965, Medium: Aquatint on BFK Rives, signed, titled and numbered in pencil, Edition: TP, Image Size: 8 x 7.75 inches...

Reflections of clouds, masts and rigging dance in the local marina in Squalicum Harbor, Bellingham, WA. Signed, titled and numbered from edition of 120. Born in Berkeley, Californi...

Salt Marsh by Harvey Kidder, American (1918–2001) Date: circa 1985 Etching with Aquatint, signed and numbered in pencil Edition of 150 Size: 25 in. x 32 in. (63.5 cm x 81.28 cm)

Reeds by Phil Greenwood [2021] limited_edition Aquatint Etching Edition number 150 Image size: H:48 cm x W:59.5 cm Complete Size of Unframed Work: H...

Signed, titled and numbered by the artist Image Size: 12 x 18 inches Year: 2007 Fall colors in Bellingham, WA. Scene of sunlight on fall foliage. Signed a...

Ischia Gardens is an artwork realized in 1977 by the artist Eduard Bargheer.  Hand-signed, dated on the lower right margin. Numbered by the artist in pencil on the lower left margi...

This artwork titled "Lagune" 1986 is an original color etching with aquatint on Arches paper by French artist Jean Solombre, 1948-2005. It is hand signed...

Artist: Roger Hebbelinck (Belgian, born 1912) Title: Landscape with Pond Year: Circa 1960 Medium: Color etching with aquatint Edition: Numbered 43/3...

Red Rock by Harvey Kidder, American (1918–2001) Date: circa 1985 Etching with Aquatint, signed and numbered in pencil Edition of 150 Image Size: 20 x 29.5 inches Size: 24.5 x 36 in. ...

Palm Trees is an artwork realized in 1977 by the artist Eduard Bargheer.  Hand-signed, dated on the lower right margin. Numbered by the artist in pencil on the lower left margin. ...

Signed lower right, 'Peter Baczek' (American, born 1945) and dated 1983; additionally titled, lower left, 'Industrial Complex' with number and limitation, lower center, '14/80'. Pape...

This artwork titled "A Tire d'Aile" 1986 is an original color etching with aquatint on Arches paper by French artist Jean Solombre, 1948-2005. It is hand...

Hans-Georg Rauch, German (1939 - 1993) - Untitled - Men Caught in a Web, Year: 1978, Medium: Aquatint Etching, signed and numbered in pencil, Edition: AP, Size: 22 in. x 15 in. (...

Hans-Georg Rauch, German (1939 - 1993) - The Parchment Suite - Happy Apocalypse #5, Year: circa 1978, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: XXV, S...

Hans-Georg Rauch, German (1939 - 1993) - Untitled, Year: circa 1978, Medium: Aquatint Etching, signed and numbered in pencil, Edition: 100, Size: 27 x 20 in. (68.58 x 50.8 cm)

Hans-Georg Rauch, German (1939 - 1993) - Girl Under Storm, Year: circa 1978, Medium: Aquatint Etching, signed and numbered in pencil, Edition: 20/100, Size: 20 in. x 27 in. (50.8...

Hans-Georg Rauch, German (1939 - 1993) - Untitled (1-A), Year: 1973, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: AP, Size: 15 x 18 in. (38.1 x 45.72 cm)

Hans-Georg Rauch, German (1939 - 1993) - The Crazy Party Suite: Rock and Roll Forever, Year: 1978, Medium: Aquatint Etching, signed and numbered in pencil, Edition: 100, Size: 21...

Hans-Georg Rauch, German (1939 - 1993) - Untitled 66, Year: 1978, Medium: Aquatint Etching, signed and numbered in pencil, Edition: HC 10/20, Size: 14 x 18 in. (35.56 x 45.72 cm)

Hans-Georg Rauch, German (1939 - 1993) - Untitled 69, Year: 1978, Medium: Aquatint Etching, signed and numbered in pencil, Edition: 100, Size: 13.5 in. x 18 in. (34.29 cm x 45.72...

Hans-Georg Rauch, German (1939 - 1993) - The Parchment Suite - Happy Apocalypse #4, Year: circa 1978, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: XXV, S...

Hans-Georg Rauch, German (1939 - 1993) - Untitled - (Beetle), Year: circa 1978, Medium: Aquatint Etching, signed and numbered in pencil, Edition: 75, Size: 14 x 20 in. (35.56 x...

Hans-Georg Rauch, German (1939 - 1993) - Untitled, Year: 1978, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: 100, Size: 21 x 29 in. (53.34 x 73.66 cm)

Hans-Georg Rauch, German (1939 - 1993) - Untitled (29), Year: 1978, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: 100, Size: 20 x 28 in. (50.8 x 71.12 cm)

Hans-Georg Rauch, German (1939 - 1993) - Untitled - Ants, Year: 1978, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: 100, Size: 15 x 21 in. (38.1 x 53.3...

Hans-Georg Rauch, German (1939 - 1993) - The Galleons Suite - Le Petit Vague, Year: 1977, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: 100, Image Size: ...

Hans-Georg Rauch, German (1939 - 1993) - Untitled (25), Year: 1978, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: 100, Size: 20 x 28 in. (50.8 x 71.12 cm)

Hans-Georg Rauch, German (1939 - 1993) - The Galleons Suite - Untitled #1, Year: 1977, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: 100, HC XX, Size: 27...

Hans-Georg Rauch, German (1939 - 1993) - The Galleons Suite - Le Batialle, Year: 1977, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: 100, Size: 21 in. x ...

Hans-Georg Rauch, German (1939 - 1993) - The Galleons Suite - Bateau et Ossements, Year: 1977, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: 100, Size: 2...

Hans-Georg Rauch, German (1939 - 1993) - Untitled (57), Year: 1978, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: 100, Size: 21 x 28 in. (53.34 x 71.12...

Hans-Georg Rauch, German (1939 - 1993) - The Parchment Suite - Happy Apocalypse #2, Year: circa 1978, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: XXV, S...

This print recalls a scene in Bloedel Donovan Park, Lake Whatcom, Bellingham, Washington. A fresh dusting of snow is falling against the backdrop of a lake and forest. Signed, titled...

Artist: David Rosenthal (American 1876-1949) Title: Village in France Year: c.1927 Medium: Color Etching with aquatint Image (Plate mark) size: 13.5 x 10 inches Sheet size: 14.75 x 11.25 inches Signature: Hand signed and numbered 9/50 in black ink by the artist Condition: Very good, margin slightly toned by age About the artist. David Rosenthal (1876-1949) was a Cincinnati artist...

Landscapes and seascapes are a specialty for McMillan, but capturing the night-time lights of the Grand Canal in Venice is an unusual subject for this artist who usually specializes ...

Julian Trevelyan (1910-1988) Holland Etching and aquatint, signed, numbered 30/52 35 x 48 cm Nephew of the historian G M Trevelyan, he was educated at Bedales and Trinity College,...

Edition: 21/50 Image Size: 26.5 x 18.5 inches Frame Size: 34 x 26 inches Signed, numbered, dated, and titled in pencil Hans Behrens created this etchin...

Aquatint, Engraving on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compag...

Desert Stockings Susan Hall, American (1943) Date: 1978 Etching with Aquatint, signed and numbered in pencil Edition of 78 Image Size: 21.5 x 28 inches Size: 28 x 35 in. (71.12 x 88....

This artwork titled "Lake at Carcaron II" c.1990 in an original color etching with aquatint by British artist Frances St. Clair Miller, b.1947. It is hand signed, titled and numbered...

Artist: Treadway Russell Nash (English, 1724-1811) Title: "Henbury Hall, late the Seat of Thomas Vernon, now of Henry Cecil Esq." and "Ombersley Court, the Seat of Lord Sandys" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Two Original Engravings and Etching with Aquatint on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Reference: Upcott III, page 1330 Sheet size (each): approx. 10.13" x 16.88" Image size (each): approx. 8.13" x 12.63" Condition: "Henbury Hall, late the Seat of Thomas Vernon, now of Henry Cecil Esq." has scattered light foxmarks in margins. The top edge is unevenly trimmed and a small taped tear to lower right corner. "Ombersley Court, the Seat of Lord Sandys" has light toning to sheet and some faint discoloration in right margin. A small light water stain to lower left corner. Have been professionally stored away for decades. They are both otherwise strong impressions in good condition Notes: Provenance: private collection - Aspen, CO. "Henbury Hall, late the Seat of Thomas Vernon, now of Henry Cecil Esq." was likely engraved by English artist James Ross (1745-1821) after a drawing by himself. "Ombersley Court, the Seat of Lord Sandys" was engraved by English artist Valentine Green (1739-1813) and English artist Francis Jukes (1745-1812) after a drawing by an unknown, likely English artist. The first work is an engraving; the second work is an etching with aquatint. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from copper plates in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". "Ombersley Court, the Seat of Lord Sandys" has an unidentified watermark in the center of its sheet. "Henbury Hall" is actually incorrectly misnamed; its correct name is "Hanbury Hall". "PLATES, Drawn and engraved by J. Ross, unless otherwise expressed." - "A Bibliographical Account of the Principal Works Relating to English Topography", (1818) - William Upcott. Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Canyon Stream by Harvey Kidder, American (1918–2001) Date: circa 1985 Aquatint Etching, Signed and Numbered in Pencil Edition of 150 Size: 25 in. x 35.5 in. (63.5 cm x 90.17 cm)

"Nymphee" is a colorful Roberto Matta etching from his Requiem pour la Fin des Temps suite. The print is signed and numbered (44/100) in pencil w...

Typical of Thornton's oeuvre, this beautiful aquatint details the magnificent medieval town of Fermignano, its famous Roman bridge, and flowing falls. Signed, dated, and titled in pe...

Artist: Kaiko Moti – Indian/French (1921-1989-) Title: Champs de Lavande (Fields of Lavender) Year: 1979 Medium: Color Aquatint on Arches paper Sight size: 17.25 x 22.5 inches. She...

Prehistoria II by Max Papart, French (1911–1994) Date: circa 1982 Aquatint Etching with Carborundum, Collage, signed and numbered in pencil Edition of 16/25 Size: 21 x 40 in. (53.34 ...

RAOUL DUFY 1877-1953 Le Havre 1877-1953 Forcalquier (French) and JACQUES VILLON 1875-1963 (Gaston Duchamp) Damville 1875 - 1963 Paris (French) Tit...

A mountain cabin obscured by mist on a snowy mountain top surrounded by trees. Based on a view of Heather Meadows, Mt Baker Ski Area, WA. Signed titled and numbered in pencil from th...

Buhot, Felix (French, 1847-1898). UNE JETEE EN ANGLETERRE. B & G 132, State two of eight. Etching with drypoint, aquatint and roulette, 1879. Signed in pencil, and with the red owl...

Signed, titled and numbered by the artist. Image size: 4 x 16 inches Glacier Divide from Humphreys Basin, John Muir Wilderness, California. Scene of sunlight on snow-capped mountain...

Medium: etching and aquatint Edition of 250 Year: 2014 Image Size: 9 x 12 inches Signed, titled and numbered by the artist. Inspired by a scene of seven Canadian Geese in Lake Padde...

Medium: hard ground etching and aquatint, with hand-coloring Image size: 7.5" x 5.5" Paper size: 13" x 11" Printing element: 1 copperplate Edition Size: 135 Beautiful etching and aq...

The Domes is a modern artwork realized by Felice Ludovisi in 1968. China and penmarker drawing on paper. Hand signed and dated on the lower margin. ...

Jacquette, Yvonne. (American, 1934-2023). SKOWHEGAN II Aquatint, 1987. Editon of 35. Signed, dated and numbered 12/35, all in pencil. 20 1/2 x 15 7/8 inches (plate), 29 x 22 1/2 inch...

Donald Baechler, Creamsicle, 1999: A fun, whimsical, and highly decorative signed limited edition Baechler piece that works well in any setting. Medium: Soft-ground etching and aq...