Aquatint Landscape Prints

Brittany Landscape with Figure Etching & color aquatint, c. 1920 Signed lower right (see photo) Numbered lower left: "No. 21" (see photo) An early color etching by the artist, based ...

Breathe [2019] limited_edition Etching and aquatint Edition number /40 Image size: H:15 cm x W:15 cm Complete Size of Unframed Work: H:26 cm x W:26 cm x D:0.1cm Sold Unframed Please...

Reeds by Phil Greenwood [2021] limited_edition Aquatint Etching Edition number 150 Image size: H:48 cm x W:59.5 cm Complete Size of Unframed Work: H...

Signed, titled and numbered in pencil, edition of 10. Rosalyn Richards has been a member of the Bucknell University art faculty since 1982. Images from particle physics, satellite p...

Floating by Elaine Marshall [2014] limited_edition etching and aquatint Edition number 28 Image size: H:21 cm x W:20 cm Complete Size of Unframed W...

Signed, titled and numbered in pencil by the artist. Edition size 50. Christian Bozon was born in Lons-le-Saunier, France in 1969. He was trained at the Art School of Besancon and t...

Artist: Roger Hebbelinck (Belgian, born 1912) Title: Landscape with Pond Year: Circa 1960 Medium: Color etching with aquatint Edition: Numbered 43/3...

Artist: (after) George Fennell Robson (English, 1788-1833) Title: "Ben Lawers" (Plate 18) Portfolio: Scenery of the Grampian Mountains Year: 1819 (Second edition) Medium: Original Ha...

Signed, titled and numbered from the edition of 50. Bozon's prints are often a balance between abstraction and landscape, which he creates with drypoint and aquatint. They reflect t...

'Le Pecheur' is an excelletn example of the aquatints of Manuel Robbe, a French artists working during the turn of the 20th century. The image draws upon th...

Braun G., Hogenberg F., Nurnberg or Nuremberg, from the collection Civitates Orbis Terrarum, Cologne, T. Graminaeus, 1572-1617. Very fine B/W aquatint showing a view of Nuremberg. Strongly influenced by Hartmann Schedel's Nuremberg Chronicles...

Limited editions layered paper and etching composition of an abstracted urban landscape, with fractured yellow and green color fields, by Julia Pitcher (American, b. 1942). Numbered ...

Signed, titled and numbered from the edition of 20. Daniel Beugniot, who signs his prints Dul, was born in Bordeaux in 1954 and died in April 2010. He spent many years teaching etch...

Signed, titled and numbered in pencil by the artist. Edition size: 50. Christian Bozon was born in Lons-le-Saunier, France in 1969. He was trained at the Art School of Besancon and ...

RAOUL DUFY 1877-1953 Le Havre 1877-1953 Forcalquier (French) and JACQUES VILLON 1875-1963 (Gaston Duchamp) Damville 1875 - 1963 Paris (French) Tit...

An accomplished aquatint print depicting industrial work at Over Hulton in Greater Manchester. Signed and titled in graphite below the plate line. On paper.

Louise Ibels (1891-1965) 'Théâtre Antique à Arles' Etching and aquatint Signed and titled in pencil to margin 3rd state proof Approx. 39 x 25cm (plate...

Phil Greenwood Autumn Vines Limited Edition Etching with Aquatint Image Size: H 48cm x W 59cm Sheet Size: H 59cm x W 76cm x D 0.1cm Sold Unframed Please...

Menashe Kadishman was born in Tel-Aviv in 1932. He is a Graduate of St. Martin's School of Art, University of London Studies with Anthony Caro, Reg Butler. From 1947 to 1950, Kadish...

Moongazers by Rebecca Denton [2018] limited_edition Etching and aquatint Edition number /40 Image size: H:15 cm x W:15 cm Complete Size of Unframed Wor...

Artist: Jane Freilicher, American (1924 - 2014) Title: Peonies Year: 1989 Medium: Etching with Aquatint, signed and numbered in pencil Edition: 25 Size: 29.5 x 22 in. (74.93 x 55.88 cm)

An Etching with Hand Coloring on paper, signed, numbered and dated in pencil by Argentinian/American artist, Diana Gandolfi.

This is an artist proof (one of a kind) aquatint and watercolor depicting a cactus-filled Mexican garden, a mirror tilted up and an image of the artist s...

Signed, titled and numbered aquatint print. Summer light infuses the Live Oaks in a park near the town of Sonoma, CA. Wheat colored grasses rustle lightly in the brease. This is a g...

Traveling away from his normal area of the Pacific Northwest, McMillan shows his ability to capture the essence of landscapes far afield. This print of the gondolas of Venice and the...

This original vintage color aquatint etching captures the breathtaking beauty of Longs Peak and Mount Meeker, as seen from Rocky Mountain National Park near Estes Park, Colorado. Cre...

GENE KLOSS (1903 – 1996) TAOS INDIAN JESTERS, 1944 Etching and aquatint, Signed and titled in pencil. Edition 30. Image 11” x 13 7/8”, sheet 13 ¼ x 16 ½”. In very good condition sa...

Aquatint with hand coloring in watercolor on watermarked, laid Arches paper, 8 1/16 x 5 9/16 inches (206 x 142 mm), full margins. Signed, titled, dated, and numbered 22/40 in pencil,...

Reynold Weidenaar (American, 1915-1985) Signed: Reynold Weidenaar (Lower, Left) " Ten O'Clock in Taxco " Etching and Aquatint Plate Size: 17" x 13" Housed in a 1 1/8" Black and...

Kit Boyd The Tree Climber Etching and Aquatint on Hahnemuhle etching paper Hand printed by the artist in Prussian Blue. Edition of 50 signed copies. Image size 45x30cm this work is s...

Artist: Jacques Villon, After Henri Rousseau, French (1844 - 1910), French (1875 - 1963) Title: La Chasse au Tigre Year: 1924 Medium: Etching with Aquatint, signed and dated in th...

Donald Baechler, Sea World, 1999: A fun, whimsical, and highly decorative signed limited edition Baechler piece that works well in any setting. Medium: Soft-ground etching and aqu...

Etching with drypoint and aquatint on light cream wove paper, 5 1/2 x 5 inches (140 x 122 mm), full margins. Signed in pencil in the lower margin. One of a total of 400 signed impres...

SALVO (SALVATORE MANGIONE), Leonforte 1947 - Turin 2015 Nocturne 1991 Original aquatint and aquatint signed by hand by the artist.. (mm. 590x470). Perfect specimen, imprinted on Hahn...

color etching and aquatint. Edition 1/100 Fantastical Surreal Fantasy

The present artwork is an original color aquatint by the Sag Harbor-based artist Nicolette Jelen, and is a particularly rare Hors Commerce proof. It presents a view of what is probab...

Felix Buhot (1847-1898), L’Hiver a Paris ou La Neige a Paris, 1879, etching, aquatint, drypoint, roulette. [signed and dated in the plate Felix Buhot Par...

Vitaly was considered an up and coming artist in his native Ukraine, after years of training under one of the Ukraine’s greatest graphic artists. He had his first large solo exhibit...

Camille Pissarro (1830-1903), L’île Lacroix, à Rouen, etching, aquatint, maniere grise, drypoint, burnishing, c. 1887. Signed and numbered (No. 1) in pencil lower left, annotated 1...

Catalogue raisonné 00594 edition 16/43 Published by Simmelink-Sukimoto Editions Although best known for his portraits, Katz has depicted landscapes both inside the studio and out o...

From David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio, an image from the story of Rapunzel. The Enchantress with the baby Rapunzel references a Heironymus...

From David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio, an image from the story of Rapunzel. Hockney stated: “The old woman who wants the child. In one tr...

Medium: Color Etching with aquatint Year: 2024 Edition: 25 Image Size: 24 x 18 inches Signed, titled and numbered in pencil by the artist Dramatic etching of high wire walker Philip...

Donald Baechler, Blue Spruce, 2005 A fun, whimsical, and highly decorative signed limited edition Baechler piece that works well in any setting. Medium: Aquatint and drypoint, on ...

Sparire means "to disappear" in Italian. This large-scale, dreamlike print spans almost ten feet. Enzo Cucchi Sparire 1, 1988 Color etching, aquatint and silkscreen 30 1/2 × 118 in ...

Aquatint printed in brownish ink with extensive hand coloring in watercolor on buff paper, 10 1/4 x 12 1/2 inches (260 x 317 mm) (sheet), uneven narrow to full margins. Laid down to a contemporary wove paper support. Scattered condition issues on the sheet (excluding the mount) include surface soiling, creasing, a significant vertical repaired tear, and toning, despite these issues, the hand coloring remains good. Suitable for framing. From A Picturesque Tour Through the Cities of London and Westminster, Illustrated With the most interesting Views, accurately delineated And executed in Aquatinta By Thomas Malton, published by Thomas Malton, London 1796. The work was published serially, in twenty-five numbers. The plates in Volume I carry the dates 1792, 1793, 1794, 1795, 1796 or 1797; those in Volume II, the dates 1797, 1798, 1799, 1800 or 1801. In most copies the title page of Volume I carries the publisher's later address, of 103 Long Acre...

Born in Germantown, Pennsylvania, Earl Horter was a self-taught artist who began his career working in New York City as a draftsman at an advertising agenc...

This etching from David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio depicts the somewhat obscure story Old Rinkrank, which Hockney chose to illustrate beca...

London: J. Taylor, 1820. Etching and aquatint with engraving on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), full margins. Small spots of adhesive resi...

A very good impression of this color drypoint and aquatint. Third state (of 3). Edition of 150. Signed and inscribed "No. 25" in pencil, lower right.

A sspectacular view from above of the buildings and traffic a large city. Werger's mezzotint prints are masterful at capturing a mood, and suggesting a story for the viewer to comple...

Signed, titled and numbered from the edition of 50. Bozon's prints are often a balance between abstraction and landscape, which he creates with drypoint and aquatint. They reflect t...

'St. Mark's Church on the Bowery', aquatint with etching, edition not stated but small, 1932. Signed in pencil. Signed in the plate lower left and titled in the plate lower right. A superb, atmospheric impression, on cream wove paper, with full margins (1 1/8 to 2 inches), in excellent condition. Matted to museum standards, unframed. Image size 9 3/4 x 7 3/8 inches (248 x 187 mm); sheet size 13 1/8 x 10 inches (333 x 254 mm). Impressions of this work are held in the collections of the Princeton University Art Museum and the Five College Museums. ABOUT THE ARTIST Born in Vienna, Leon Dolice left a secure position in the family business to pursue his artistic interests. He began his art education in his teens and early twenties when he traveled through Europe to study the works of the Old Masters. He immigrated to America in 1920 and made his home in Manhattan. As a printmaker, he chose as his subjects the architecture, back streets, dock scenes, and other aspects of New York City life that were being overtaken by the modern world. In 1950, learning of the coming demolition of the Third Avenue El, Dolice created a series of Third Avenue and other New York City landmarks that were threatened with extinction. His images from that period provide a record of a New York that has passed into history. During his lifetime, Dolice exhibited throughout Europe and the United States. Retrospectives of his work include a one-man show of his graphic work at Tribeca Gallery, New York; the traveling exhibition ‘Vintage New York’ with the New Rochelle Council on the Arts; and the Hofstra Museum, Hempstead. Dolice's works are in the permanent collections of the Museum of the City of New York, the National Gallery of Art, the New York Historical Society, Georgetown University, the Philadelphia Print Club, and the New York Public Library, as well as private and corporate collections. ABOUT ST. MARKS CHURCH St. Mark's Church in-the-Bowery is a parish of the Episcopal Church located at 131 East 10th Street, at the intersection of Stuyvesant Street and Second Avenue in the East Village neighborhood of Manhattan in New York City. The property has been the site of continuous Christian worship since the mid-17th century, making it New York City's oldest site of continuous religious practice. The structure is the second-oldest church building in Manhattan. In 1651, Petrus Stuyvesant, Director General of New Netherland, purchased land for a bowery or farm from the Dutch West India Company and, by 1660, built a family chapel at the present-day site of St. Mark's Church. Stuyvesant died in 1672 and was interred in a vault under the chapel. Stuyvesant's great-grandson, Petrus "Peter" Stuyvesant, sold the chapel property to the Episcopal Church for $1 in 1793, stipulating that a new chapel be erected to serve Bowery Village, the community which had coalesced around the Stuyvesant family chapel. In 1795, the cornerstone of the present-day St. Mark's Church was laid, and the fieldstone Georgian-style church, built by the architect and mason John McComb Jr., was completed and consecrated on May 9, 1799.[4] Alexander Hamilton provided legal aid in incorporating St. Mark's Church as the first Episcopal parish independent of Trinity Church in New York City. By 1807, the church had as many as two hundred worshipers at its summer services, with 70 during the winter. While the 19th century saw St. Mark's Church grow through its many construction projects, the 20th century was marked by community service and cultural expansion. Today, the rectory houses the Neighborhood Preservation Center, the Greenwich Village Society for Historic Preservation, and the Historic Districts Council, as well as other preservation and community organizations such as the Poetry Project, the Millennium Film Workshop, and the Danspace Project. St Mark's has supported an active artistic community since the 19th century. In 1919, poet Kahlil Gibran was appointed a member of the St. Mark's Arts Committee, and the next year, the two prominent Indian statues, "Aspiration" and "Inspiration" by sculptor Solon Borglum...

"Pomme d' Amour" Mid-Century Modern Aquatint embossed Floral "Sept Tomate Original by Anne Walker Mid-Century Modern Aquatint of the Pomme d’amour or ‘Love Apple’ by Anne Walker (Be...

Medium: Aquatint Dimensions: 12 x 9 inches (image) Signature: Signed Date finished: 2018 Edition: of 100 Fall colors on Chuckanut Drive, south of Bellingham, WA Born in Berkeley, ...

Etching and aquatint on vélin Magnani Pescia paper. Paper size: 22.625 x 39.625 inches. Inscription: Hand signed and numbered, 62/78, as issued. Notes: Published by Multiples, Inc., ...

Etching and aquatint on vélin Magnani Pescia paper. Paper size: 22.75 x 40 inches. Inscription: Hand signed and numbered, 62/78, as issued. Notes: Published by Multiples, Inc., New Y...

Etching and aquatint on vélin Magnani Pescia paper. Paper size: 22.625 x 39.625 inches. Inscription: Hand signed and numbered, 32/78, as issued. Notes: Published by Multiples, Inc., ...