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Style: Abstract
Medium: Archival Paper
Hand Drawn-Painted X-L One Off Edition-Constant Gardener-British Awarded Artist
Located in London, GB
This is an X-large hand drawn with original charcoal and hand painted with original oil and gesso paint; it is the No 1 of the only 10 Limited Editions; the colours of the painting ...
Category
2010s Abstract Expressionist Archival Paper Landscape Prints
Materials
Archival Paper, Giclée, Gesso, Charcoal, Oil, Acrylic
Hand painted Artist Proof-Magnolias-Weaver Series-British Awarded Artist #2 of 3
Located in London, GB
This stunning Proof is hand-painted by the artist , signed at front and on the back label too; each proof is 80% hand painted and gold gilded by Shizico Yi, because the nature of han...
Category
2010s Abstract Expressionist Archival Paper Landscape Prints
Materials
Gold Leaf
Hand-Gilded-Constant Gardener-Artist Proof-Rare X-Large-British Awarded Artist
Located in London, GB
This is an unique one-off Artist Proof, in a rare Extra-Large square format.
A special Proof that only 3 have been made with hand gilded Gold Leaf.
The outstanding hand-painted qua...
Category
2010s Abstract Expressionist Archival Paper Landscape Prints
Materials
Gold Leaf
Hand Painted-After Turner-One Off, Proof No 1-British Awarded Artist-Seascape
Located in London, GB
This is a large hand painted Artist's Proof with original oil and gesso paint; it is the No 1 of the only 3 Proofs; the colours of the painting and Shizico's expressive brushstrokes ...
Category
2010s Abstract Expressionist Archival Paper Landscape Prints
Materials
Archival Ink, Acrylic, Oil, Gesso, Archival Paper, Giclée
Hand painted Artist Proof-Rare LargeSquare format-British AwardedArtist-Rosarian
Located in London, GB
This is an unique one-off Artist Proof in a stunning large square format and its hand-painted detail bringing still life to modernity;
its outstanding hand-painted quality and rare...
Category
2010s Abstract Expressionist Archival Paper Landscape Prints
Materials
Gesso, Archival Ink, Acrylic, Archival Paper, Giclée
Hand Painted-X-Large-Gladiolus Glorious-British Awarded Artist-Limited Edition#6
Located in London, GB
This X-Large size and hand-painted quality with artist's original paint and vibrant colours promises to bring huge impact to your space and wowing the visitors, furthermore, delights...
Category
2010s Abstract Impressionist Archival Paper Landscape Prints
Materials
Gesso, Archival Ink, Acrylic, Archival Paper, Giclée
Aspen Study I - large scale photograph of Indian summer autumnal color palette
By Frank Schott
Located in San Francisco, CA
Aspen Study I by Frank Schott
a series of images capturing the yellow golden Indian summer foliage palette of aspen trees in California's Sierra Nevada
...
Category
21st Century and Contemporary Abstract Archival Paper Landscape Prints
Materials
Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée
Stream 61, Forest, Stream, Light Teal Green, Yellow, Dark Eggplant Purple
By Eve Stockton
Located in Kent, CT
This is a unique woodcut print of a forest and stream in dark eggplant purple offset by a minty light teal greenish blue and pale yellow background. The monotype brings to mind the t...
Category
2010s Abstract Archival Paper Landscape Prints
Materials
Ink, Archival Paper, Woodcut
Abstract India Edition 3/5 Linocut Print Green Blue Turquoise Architectural
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest.
Mukesh Sharma, Celebration B, Lino-cut on Drawing paper
Edition: 3 of 5, 2005
Image size: 47 x 39 cm / Sheet size: 79 x 55 cm
Unframed
Mukesh Sharma's work:
It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio.
Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed.
In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...
Category
Early 2000s Abstract Archival Paper Landscape Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
Hand-Painted One Off Artist Proof-Summer Night-British Awarded Artist-100x70CM
Located in London, GB
This is an unique large one-off Artist Proof, its outstanding hand-painted quality and its visual presence promises to bring huge impact to your space.
The Proof is 80% hand-painted ...
Category
2010s Abstract Expressionist Archival Paper Landscape Prints
Materials
Gesso, Archival Ink, Oil, Acrylic, Archival Paper, Giclée
Stream 60, Forest, Stream, Light Teal Green, Yellow, Dark Eggplant Purple
By Eve Stockton
Located in Kent, CT
This is a unique woodcut print of a forest and stream in dark eggplant purple offset by a minty light teal greenish blue and pale yellow background. The monotype brings to mind the t...
Category
2010s Abstract Archival Paper Landscape Prints
Materials
Ink, Archival Paper, Woodcut
South Ridge Series #66, Abstract Landscape
Located in Soquel, CA
A beautiful abstracted landscape, mixed media print and painting, in soft pastel hues by California artist Katherine Chang Liu (American, 20th-century). Signed and dated "Katherine C...
Category
1980s Abstract Expressionist Archival Paper Landscape Prints
Materials
Ink, Oil, Archival Paper, Etching
Anya Simmons, Dancing Moon Cottages, Limited edition landscape print
By Anya Simmons
Located in Deddington, GB
Dancing Moon Cottages is a limited edition print by Anya Simmons, inspired by her travels across the United Kingdom.
This Giclée limited edition print is created using archive quali...
Category
21st Century and Contemporary Abstract Archival Paper Landscape Prints
Materials
Screen, Archival Paper
Mid Century Abstracted Landscape -- South from Puertecitos
Located in Soquel, CA
A striking woodcut landscape print from Edgar Dorsey Taylor's series of prints depicting his adventures in Baja California in 1963 (American, 1904-1978). Also, the book titled "Baja ...
Category
1960s Abstract Impressionist Archival Paper Landscape Prints
Materials
Archival Paper, Woodcut
Abstract Landscape Indian Art Edition 3/5 Linocut Print Nature Orange Australia
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest.
Mukesh Sharma, Jetty 1, Lino-cut chin- coll’e on German Ivory paper
Edition: 3 of 5, 2005
Image size: 50 x 33 cm / Sheet size: 79 x 55 cm
Unframed
''What mesmerised me was the meeting of the sea and the mountain peak. Where the Jetty, a special curved wooden staircase leading to one end and the deep crystal clear sea at a distance. These scenes were amazing to me."
Mukesh Sharma's work:
It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio.
Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed.
In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...
Category
Early 2000s Abstract Archival Paper Landscape Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
Abstract India Edition 3/5 Linocut Print Nature Sea Jetty Yellow Green Australia
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest.
Mukesh Sharma, Jetty 2, Lino-cut on German Ivory paper
Edition: 3 of 5, 2005
Image size: 47 x 39 cm / Sheet size: 79 x 55 cm
Unframed
'What mesmerised me was the meeting of the sea and the mountain peak. Where the Jetty, a special curved wooden staircase leading to one end and the deep crystal clear sea at a distance. These scenes were amazing to me.'
Mukesh Sharma's work:
It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio.
Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed.
In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...
Category
Early 2000s Abstract Archival Paper Landscape Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
Aspen Study II - large scale photograph of Indian summer autumnal color palette
By Frank Schott
Located in San Francisco, CA
Aspen Study II by Frank Schott
a series of images capturing the yellow golden Indian summer foliage palette of aspen trees in California's Sierra Nevada
...
Category
21st Century and Contemporary Abstract Archival Paper Landscape Prints
Materials
Archival Paper, Photographic Paper, Archival Pigment, Giclée
Stream 49, Forest, Stream, Dark Eggplant Purple, Light Blue, Pale Lilac
By Eve Stockton
Located in Kent, CT
This is a unique woodcut print of a forest and stream in dark eggplant purple offset by a light blue and pale grayish lilac background. The monotype brings to mind the tradition of J...
Category
2010s Abstract Archival Paper Landscape Prints
Materials
Ink, Archival Paper, Woodcut
Helios
Located in New York, NY
Ann Aspinwall’s Helios is a striking large-scale work that exemplifies her mastery of minimal color and intricate mark-making. Known for her precise printmaking and deep understandin...
Category
2010s Abstract Archival Paper Landscape Prints
Materials
Archival Paper, Screen
"On the edge of nothingness, n6" Giclee Print, Abstract Photography, Limited Ed.
By Hatice Besun
Located in Brooklyn, NY
On the edge of nothingness / n6 / Photograph
Creator: Hatice Besun
Creation year: 2024
Dimension: 40 x 60”
External Dimension( with white border) Height:40.8 in.( 103.63 cm) Width:6...
Category
2010s Abstract Expressionist Archival Paper Landscape Prints
Materials
Archival Paper, Giclée, Archival Ink, Archival Pigment
Suffolk Beach Huts, Print by Fiona Carver
By Fiona Carver
Located in Deddington, GB
Suffolk Beach Huts, Painting by Fiona Carver
Anyone who has been to Southwold in Suffolk will recognise this gorgeous row of beach huts looking out to sea. They nestle along the edge of the grassy dunes in a typically British seaside scene.
Additional information:
The print is hand pulled using oil based inks on archival paper. It uses 6 lino blocks.
Limited edition of 50
Image Size: 33 x 20cm
Mounted size: 47.3cm x 34.5cm
Size: H:34.5 cm x W:47.3 cm
Fiona has been creating things since she was a tiny girl when her grandmother would encourage her to draw elaborate chalk pictures on her kitchen floor. She went on to study Design and Applied Arts at Edinburgh College of Art, graduating in 1999. Here she combined her love of drawing and painting with three-dimensional disciplines such as furniture and ceramics. She now pursues this interest in both flat and more hands on work through lino printing, enjoying the different stages of drawing, gouging lino and inking up and printing which she does with her antique cast...
Category
21st Century and Contemporary Abstract Archival Paper Landscape Prints
Materials
Archival Paper
"On the edge of nothingness, n3" Giclee Print, Abstract Photography, Limited Ed.
By Hatice Besun
Located in Brooklyn, NY
On the edge of nothingness / n°3 / Photograph
Creator: Hatice Besun
Creation year: 2024
Dimension: 40 x 60”
External Dimension( with white border) Height:40.8 in.( 103.63 cm) Width ...
Category
2010s Abstract Expressionist Archival Paper Landscape Prints
Materials
Archival Ink, Archival Paper, Archival Pigment, Giclée
The Away Team Beams Down to What Appears to Be an Uninhabited Planet
By Sonny Assu
Located in Montreal, Quebec
The title "Interventions On The Imaginary" is a clear reference to Marcia Crosby’s essay, "The Construction of the Imaginary Indian", and situates itself within the realm of remix culture—as digital interventions onto works that contain the colonial gaze.
These interventions participate in the growing discourse of decolonization, acting as “tags” to challenging the colonial fantasy of terra nullius and confronting the dominant colonial culture’s continued portrayal of Indigenous peoples as a vanishing race...
Category
21st Century and Contemporary Abstract Archival Paper Landscape Prints
Materials
Archival Paper, Digital
They're Coming! Quick! I have a better hiding place for you. Dorvan V
By Sonny Assu
Located in Montreal, Quebec
The title "Interventions On The Imaginary" is a clear reference to Marcia Crosby’s essay, "The Construction of the Imaginary Indian", and situates itself within the realm of remix cu...
Category
21st Century and Contemporary Abstract Archival Paper Landscape Prints
Materials
Archival Paper, Digital
"On the edge of nothingness, n4" Giclee Print, Abstract Photography, Limited Ed.
By Hatice Besun
Located in Brooklyn, NY
On the edge of nothingness / n°4 / Photograph
Creator: Hatice Besun
Creation year: 2024
Dimension: 40 x 60”
External Dimension( with white border) Height:40.8 in.( 103.63 cm) Width:...
Category
2010s Abstract Expressionist Archival Paper Landscape Prints
Materials
Archival Paper, Archival Ink, Archival Pigment, Giclée
Making a b-line to HaidaBucks, Salmonberry Frap #ftw #starbucksFAIL #lol
By Sonny Assu
Located in Montreal, Quebec
The title "Interventions On The Imaginary" is a clear reference to Marcia Crosby’s essay, "The Construction of the Imaginary Indian", and situates itself within the realm of remix culture—as digital interventions onto works that contain the colonial gaze.
These interventions participate in the growing discourse of decolonization, acting as “tags” to challenging the colonial fantasy of terra nullius and confronting the dominant colonial culture’s continued portrayal of Indigenous peoples as a vanishing race...
Category
21st Century and Contemporary Abstract Archival Paper Landscape Prints
Materials
Archival Paper, Digital
Grazing by the Estuary, Print by Fiona Carver
By Fiona Carver
Located in Deddington, GB
Grazing by the Estuary, Painting by Fiona Carver
Grazing by the Estuary is an original limited edition linocut by Fiona Carver illustrating sheep grazing gently on the banks of a typical Cornish Estuary. The lovely pink hydrangeas are growing and, as you’d expect in Du Maurier country, the dark trees reach down the hill to the water’s edge. It is hand printed using four lino blocks on archival paper. Edition of 50
Fiona Carver is a painter and printmaker from the Rutland/Leicestershire border. She trained at Edinburgh College of Art graduating with a BA (hons) in 1999 and now creates contemporary oil paintings and linocuts of the land and sea.
She is interested in capturing an impression of a place, the atmosphere, colours and emotion experienced at that time. Her paintings are completed mostly ‘en plein air’ meaning they are painted outdoors, usually in one sitting. That way she can capture the light and weather, getting the brush marks down before it changes. The challenges of painting in wind or rain, with moving subjects and changing views adds to the exhilaration of finishing a painting, stepping back, stretching and absorbing what is on the canvas.
The process of creating a linocut makes a nice contrast for Fiona with it’s slow, methodical planning. She cuts multiple blocks for each print, one for each colour, and layers them to build up the image. She usually has a good idea of what the finished piece will look like but this can change as the image progresses and Fiona will often adapt it as she goes along. She is interested by the process of etched lino and experiments with this to create texture and energy in her practice.
Additional information:
Limited Edition Landscape Print
Linocut hand printed using oil based inks on archival paper
Image Size: 24 cm x 29 cm
Mounted size: 37.5cm x 43.2cm
Sold mounted and not framed
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Please note that in situ images are purely an indication of how a piece may look.
Fiona has been creating things since she was a tiny girl when her grandmother would encourage her to draw elaborate chalk pictures on her kitchen floor. She went on to study Design and Applied Arts at Edinburgh College of Art, graduating in 1999. Here she combined her love of drawing and painting with three-dimensional disciplines such as furniture and ceramics. She now pursues this interest in both flat and more hands on work through lino printing, enjoying the different stages of drawing, gouging lino and inking up and printing which she does with her antique cast iron press...
Category
21st Century and Contemporary Abstract Archival Paper Landscape Prints
Materials
Archival Paper
It was, like, a super long time ago that ppl were here, right?
By Sonny Assu
Located in Montreal, Quebec
The title "Interventions On The Imaginary" is a clear reference to Marcia Crosby’s essay, "The Construction of the Imaginary Indian", and situates itself within the realm of remix cu...
Category
21st Century and Contemporary Abstract Archival Paper Landscape Prints
Materials
Archival Paper, Digital
Yeah... shit's about to go sideways. I'll take you to Amerind. You'll like it...
By Sonny Assu
Located in Montreal, Quebec
The title "Interventions On The Imaginary" is a clear reference to Marcia Crosby’s essay, "The Construction of the Imaginary Indian", and situates itself within the realm of remix cu...
Category
21st Century and Contemporary Abstract Archival Paper Landscape Prints
Materials
Archival Paper, Digital
PRESERVER ONE: Well, looks like we got them all. See, don’t you feel GREAT...
By Sonny Assu
Located in Montreal, Quebec
The title "Interventions On The Imaginary" is a clear reference to Marcia Crosby’s essay, "The Construction of the Imaginary Indian", and situates itself within the realm of remix cu...
Category
21st Century and Contemporary Abstract Archival Paper Landscape Prints
Materials
Archival Paper, Digital
Beware of the intentions of well meaning Aliens
By Sonny Assu
Located in Montreal, Quebec
The title "Interventions On The Imaginary" is a clear reference to Marcia Crosby’s essay, "The Construction of the Imaginary Indian", and situates itself within the realm of remix culture—as digital interventions onto works that contain the colonial gaze.
These interventions participate in the growing discourse of decolonization, acting as “tags” to challenging the colonial fantasy of terra nullius and confronting the dominant colonial culture’s continued portrayal of Indigenous peoples as a vanishing race...
Category
21st Century and Contemporary Abstract Archival Paper Landscape Prints
Materials
Archival Paper, Digital
The Value of Comic Sans
By Sonny Assu
Located in Montreal, Quebec
The title "Interventions On The Imaginary" is a clear reference to Marcia Crosby’s essay, "The Construction of the Imaginary Indian", and situates itself within the realm of remix culture—as digital interventions onto works that contain the colonial gaze.
These interventions participate in the growing discourse of decolonization, acting as “tags” to challenging the colonial fantasy of terra nullius and confronting the dominant colonial culture’s continued portrayal of Indigenous peoples as a vanishing race...
Category
21st Century and Contemporary Abstract Archival Paper Landscape Prints
Materials
Archival Paper, Digital
"Axiom" Abstract Aerial Landscape Print
By Ross Racine
Located in New York, NY
This black and white print by Ross Racine presents an abstract view of a suburban neighborhood. The roadways and sidewalks have been distorted and intertwined in a knot pattern that...
Category
2010s Abstract Archival Paper Landscape Prints
Materials
Archival Ink, Archival Paper, Archival Pigment
Archival Paper landscape prints for sale on 1stDibs.
Find a wide variety of authentic Archival Paper landscape prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, green, orange and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Frank Schott, Eve Stockton, Massimo Vitali, and Rob Woodcox. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Archival Paper landscape prints, so small editions measuring 0.01 inches across are also available