Lithograph Landscape Prints

Aberdeen from above the chain bridge is a lithograph artwork on paper realized by the artist W.H. Bartlett . Signed on the plate on the lower left. Titled on the lower center. The state of preservation is good, only a yellowed paper along the edges. William Henry Bartlett...

Flamborough Head is a lithograph on paper realized by the artist George Balmer . Signed on the plate on the lower left. Titled on the lower center. Engraved by E. Finden The state...

Whirlpool at Awa is a modern artwork realized in the Mid-20th Century. Mixed colored lithograph after a woodcut realized by the great Japanese artist Utagawa Hiroshige in the 19th c...

Banksy Visit Historic Palestine Print Mint Condition The only way to obtain this print was by staying overnight in the Hotel in Bethlehem. On the verso of the print it is double stamped with the Walled Off Hotel Emblem. The artwork was personally obtained by me when I visited the Walled Off Hotel. It has a stamp in the lower left corner that reads, "The Walled Off Hotel". Comes with Certificate of Authenticity from the Hotel which also has a stamp on it. The print is in pristine condition and has been stored flat since my arrival back from the Hotel. Also has four crisp corners and is in near mint/mint condition. Any questions please and thank you ask away. Banksy’s career—filled with art world pranks and political activism—has produced a variety of posters showcasing the street artist’s wry sense of humor. Commissioned by Greenpeace to protest global deforestation, Banksy’s early poster Save or Delete (2002) features blindfolded characters from Disney’s The Jungle Book standing amidst a devastated landscape. In 2005, Banksy pranked The Museum of Modern Art by secretly installing a painting of a Tesco Value soup can (a spoof on Andy Warhol’s famous silkscreens of Campbell’s Soup Cans) in one of its galleries—a hoax that went unnoticed by the museum’s staff for six days and inspired a series of Tesco Value soup can posters years later. Collectible Banksy posters...

Eight Scenic Spots in Kanazawa is a modern artwork realized in the Mid-20th Century. Mixed colored lithograph after a woodcut realized by the great Japanese artist Utagawa Hiroshige in the 19th century. Very Good conditions. Collect an oriental artwork...

David Roberts 1796 - 1864 Kom Ombo First Edition lithograph Full plate: 210 Presented in an acid free mount

To find our other views of Oxford and Cambridge, scroll down to and click on 'view more from this seller'. Sir Hugh Casson CH, KCVO, PRA, RDI (1910-1999) St John’s College, Oxford Lithograph 25 x 20 cm Initialled 'HC' in pencil. Sir Hugh Casson was educated at Eastbourne College, St John’s College Cambridge and the Bartlett School of Architecture. Trained in the 1930s in the early modernist style, he taught at the Cambridge School of Architecture. After employment as a camoufleur during World War 2 by the Air Ministry, in 1948 he was appointed as director of architecture for the Festival of Britain. A close friend of the Royal Family, he undertook designs for the 1953 coronation...

Port Glasgow is a lithograph on paper realized by the artist W.H. Bartlett . Signed on the plate on the lower left. Titled on the lower center. The state of preservation is good, only a yellowed paper along the edge. William Henry Bartlett...

Artist: Henri Le Sidaner (French, 1862-1939) Title: "Maisons sur la Rivière, Canal à Nemours (Houses on the River, Nemours Canal)" Portfolio: Revue de l'Art Ancien & Moderne *Issued ...

According to the frontis these were produced by Hand Lithography. According to the Museum of Modern Art (MOMA NY) website "Edition:300 announced; only approx. 42 issued (including regular edition of 30, deluxe edition of approx. 10, and 2 artist's proofs)" I believe these are from the deluxe edition as they are on Mould made BFK Rives French paper and the dimensions are larger than stated in the MOMA website. the sheet size here is 40X29 cm. Date 1936. Publisher:Black Sun Press, New York. Printer:George C. Miller & Son, New York. most of them are plate signed. George Grosz (July 26, 1893 – July 6, 1959) was a German artist known especially for his Satire and Caricature drawings of Berlin life in the 1920s. He was a prominent member of the Berlin Dada and New Objectivity group during the Weimar Republic before he emigrated to the United States in 1933. He studied at the Dresden Academy of Fine Arts, where his teachers were Richard Müller, Robert Sterl, and Oskar Schindler. He subsequently studied at the Berlin College of Arts and Crafts under Emil Orlik. Grosz left the Communist Party KPD in 1922 after having spent five months in Russia and meeting Lenin and Trotsky, because of his antagonism to any form of dictatorial authority. Along with Otto Dix, he is widely considered one of the most important artists of the Neue Sachlichkeit. Bitterly anti Nazi, Grosz left Germany shortly before Hitler came to power. In June 1932, he accepted an invitation to teach the summer semester at the Art Students League of New York. In October 1932, Grosz returned to Germany, but on January 12, 1933 he and his family emigrated to America. In 1946 he published his autobiography, A Little Yes and a Big No. In the 1950s he opened a private art school at his home and also worked as Artist in Residence at the Des Moines Art Center. Grosz was elected into the National Academy of Design as an Associate Academician in 1950. In 1954 he was elected to the American Academy of Arts and Letters. Grosz worked in a style influenced by Expressionism and Futurism, as well as by popular illustration, graffiti, and children's drawings.The City (1916–17) was the first of his many paintings of the modern urban scene. Other examples include the apocalyptic Explosion (1917), Metropolis (1917), and The Funeral, a 1918 painting depicting a mad funeral procession. In his drawings, usually in pen and ink which he sometimes developed further with watercolor, Grosz did much to create the image most have of Berlin and the Weimar Republic in the 1920s. Corpulent businessmen, wounded soldiers, prostitutes, sex crimes and orgies were his great subjects His draftsmanship was excellent although the works for which he is best known adopt a deliberately crude form of caricature. His oeuvre includes a few absurdist works, and also includes a number of erotic artworks. ("Ecce Homo" which saw him accused of pornography) My Drawings expressed my despair, hate and disillusionment, I drew drunkards; puking men; men with clenched fists cursing at the moon. ... I drew a man, face filled with fright, washing blood from his hands ... I drew lonely little men fleeing madly through empty streets. I drew a cross-section of tenement house: through one window could be seen a man attacking his wife; through another, two people making love; from a third hung a suicide with body covered by swarming flies. I drew soldiers without noses; war cripples with crustacean-like steel arms; two medical soldiers putting a violent infantryman into a strait-jacket made of a horse blanket ... I drew a skeleton...

Fanch LEDAN (Francois LEDAN, Called) Paris, Ile Saint Louis : Seine River, Boats and Notre Dame Original lithograph Printed signature in the plate On ...

This is an original 19th century 1st octavo edition John James Audubon hand-colored lithograph entitled "American Bittern, 1. Male 2. Female", No. 73, Plate 365 from Audubon's "Birds of America, lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts male and female American Bittern birds standing on the ground, each looking in opposite directions. There is high grass in the background. This original 1st octavo edition hand-colored Audubon American Bittern lithograph is in excellent condition, other than a few tiny spots, which appear most likely inclusions related to the paper manufacture. The sheet measures 6.5" high by 10.25" wide. The original text pages, 94-98, from Audubon's 19th century publication are included with the lithograph. John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio...

Lithograph on paper titled 'Mine Near Continental Divide' by Arnold Ronnebeck (1885-1947) from 1933. Depicts a black and white winter scene of a mine in the mountains with snow on the rooftops and hillsides. Presented in a custom frame measuring 18 ¼ x 22 ¼ inches. Image size measures 10 ¼ x 14 ½ inches. Provenance: Estate of the Artist, Arnold Ronnebeck Expedited and international shipping is available - please contact us for a quote. About the Artist: Modernist sculptor, lithographer and museum administrator, Rönnebeck was a noted member of European and American avant-garde circles in the early twentieth century before settling in Denver, Colorado, in 1926. After studying architecture at the Royal Art School in Berlin for two years beginning in 1905, he moved to Paris in 1908 to study sculpture with Aristide Maillol and Émile-Antoine Bourdelle. While there he met and befriended American modernist painter, Marsden Hartley, of whom he sculpted a bronze head that was exhibited at the Salon d’Automne in Paris in 1912 and the following year at Hartley’s solo show of paintings at Alfred Stieglitz’s Gallery 291 in New York. A frequent guest of Gertrude Stein’s Saturday "evenings" in Paris, she described Rönnebeck as "charming and always invited to dinner," along with Pablo Picasso, Mabel Dodge (Luhan) and Charles Demuth. After the outbreak of World War I in 1914, Rönnebeck returned to Germany where he served as an officer in the German Imperial Army on the front lines. Twice wounded, including in the Battle of Marne in France, Kaiser Wilhelm II awarded him the Iron Cross. During the war Hartley fell in love with Rönnebeck’s cousin, Lieutenant Karl von Freyburg, who was killed in combat. As a tribute to Freyburg, Hartley created Portrait of a German Officer (1914) now in the Metropolitan Museum of Art in New York. After the war Rönnebeck traveled in Italy with German writer, Max Sidow, and German poet, Theodor Daubler, doing a series of drawings of Positano and the Amalfi Coast that formed the basis for his lithographs on the subject. The death of his finacée, the young American opera singer Alice Miriam in 1922 and his own family’s increasing financial problems in post-World War I Germany led him to immigrate to the United States in 1923. After living briefly with Miriam’s family in Washington, DC, he moved to New York where he became part of the avant-garde circle around Alfred Stieglitz. His essay, "Through the Eyes of a European Sculptor," appeared in the catalog for the Anderson Gallery exhibition, "Alfred Stieglitz Presents Seven Americans: 159 Paintings, Photographs & Things, Recent & Never Publicly Shown, by Arthur G. Dove, Marsden Hartley, John Marin, Charles Demuth, Paul Strand, Georgia O’Keeffe, Alfred Stieglitz." In New York Rönnebeck began producing Precisionist-style lithographs of the city’s urban landscapes which he termed "living cubism." Some of them were reproduced in Vanity Fair magazine. Through Stieglitz he met Erhard Weyhe head of the Weyhe Gallery who, with its director Carl Zigrosser, arranged Rönnebeck’s first solo American exhibition in May 1925 at the gallery in New York. Comprising some sixty works – prints, drawings and sculpture – the show subsequently traveled on a thirteen-month tour of major American cities. Until the end of his life, the gallery represented him, along with other American artists Adolf Dehn, Wanda Gag, Rockwell Kent, J.J. Lankes, Louis Lozowick, Reginald Marsh and John Sloan. In the summer of 1925, as the guest of Mabel Dodge Luhan, Rönnebeck first saw Taos, New Mexico, which Marsden Hartley had encouraged him to visit. It was there that he met his future wife, Louise Emerson, an easel painter and muralist. A year later they were married in New York before relocating to Denver. He served as director of the Denver Art Museum from 1926 to 1930 where he invited Marsden Hartley to lecture on Cézanne’s art in 1928. Rönnebeck fostered the development of the museum’s collection of American Indian art and the curation of modernist art exhibitions. In addition to his work at the museum, he was professor of sculpture at the University of Denver’s College of Fine and Applied Arts from 1929 to 1935, and wrote a weekly art column in the Rocky Mountain News. His best known Denver sculptures from the late 1920s in bronze, copper, stone, wood and terra cotta include a reredos, The Epiphany, at St. Martin’s Chapel; The History of Money (six panels) at the Denver National Bank; The Ascension at the Church of Ascension; and the William V. Hodges Family Memorial at Fairmount Cemetery. At the same time he did a series of terra cotta relief panels for La Fonda Hotel in Santa Fe, New Mexico. In the 1930s his bas-relief aluminum friezes of stylized Pueblo and Hopi Indian Kachina masks...

Georges BRAQUE (after) Marseille : L'Estaque Landscape Color lithograph after a painting Printed signature in the plate On Arches Vellum 50 x 65 cm (c. 20 x 26 inch) Excellent con...

This is an original 19th century hand-colored folio-sized lithograph entitled "Campylopterus Cuvieri" (Cuvier's Sabre-wing Hummingbird) by John Gould, as plate 52 published in his "A Monograph of the Trochilidae, or Family of Humming-birds", published in London between 1849 and 1861. The print, which was drawn by Gould and Henry Richter and lithographed by Hullmandel and Walton, depicts two mostly green-colored hummingbirds with brown wings perched on a branch of a tropical long leafed plant, possibly bamboo with ferns in the background. This beautiful Gould hand-colored hummingbird lithograph is augmented with gum-arabic paint. It is in excellent condition, other than some discoloration at the edges of the upper and lower right corners. The original descriptive text page from Gould's 19th century publication is included. There are several other unframed Gould hummingbird lithographs available on our 1stdibs and InCollect storefronts. Two or more of these striking lithographs would make an attractive display grouping. A discount is available for purchase of a set depending on the number. These additional Gould hummingbirds may be viewed by typing Timeless Intaglio...

Seascape is a lithograph realized by Luciano Villani in the 1980s. Numbered, Edition, 9/99. Hand-signed. The artwork is depicted through harmonious colors in a well-balanced compo...

Jean-Claude Quilici Greece : Summer in Mykonos Original lithograph Handsigned in pencil Numbered / 250 ex On vellum 57 x 57 cm (c. 23 x 23 inch) Excellent condition

The Japanese landscape is a modern artwork realized in the Mid-20th Century. Mixed colored lithograph after a woodcut realized by the great Japanese artist Utagawa Hiroshige in the ...

David Roberts 1796 - 1864 Facade of the Pronaos of the Temple of Edfou First Edition lithograph Full plate: 208 Presented in a acid free mount We have all 250 of the Lithograph set...

Panoramic View of Saruhashi is a modern artwork realized in the Mid-20th Century. Mixed colored lithograph after a woodcut realized by the great Japanese artist Utagawa Hiroshige in...

The Japanese landscape is a modern artwork realized in the Mid-20th Century. Mixed colored lithograph after a woodcut realized by the great Japanese artist Utagawa Hiroshige in the ...

Snow Scene along Kiso Route is a modern artwork realized in the Mid-20th Century. Mixed colored lithograph after a woodcut realized by the great Japanese artist Utagawa Hiroshige in...

Walking in Snowy Winter is a modern print realized in the Mid-20th Century. Mixed colored lithograph after a woodcut realized by the great Japanese artist Utagawa Hiroshige in the 1...

Whitby is a lithograph on paper realized by the artist James Duffield Harding. Signed on the plate on the lower left. Titled on the lower center. Engraved by W. Finden The state of...

Landscape is a lithograph realized by Bob Paulson in the 1980s. Hand-signed on the lower. Numbered, Edition of 11/99 prints. The artwork is depicted through harmonious colors in a...

Image dimensions: 9.3 x 16 cm. Plan de la Nouvelle Orléans is an interesting black and white lithograph on paper, realized in 1880 by an anonymous artist. Original Title: Plan de l...

Artist: Peter Max (1937) Title: Flag with Heart on Blue Year: 2002 Edition: 476/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 4.87 x 4.5 inches Condition: Excellen...

Scarborough is a lithograph on paper realized by the artist James Duffield Harding. Signed on the plate on the lower left. Titled on the lower center. Engraved by W. Finden The sta...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Baptist Malchair (1730 – 1812) View from the Master's Lodgings, New College, Oxford (1929) Lithograph 33 x 46 cm A 1929 lithograph from a 1767 watercolour of New College by John Malchair. The artist's composition highlights the pale stone of New College on a winter's day. The chapel's spires stretch upward into a cold, cloud-filled sky, as do the bare branches of the trees. Malchair's watercolour (which is held by the Ashmolean museum) was reproduced as a lithograph in 1929, to be published in the "Oxford Almanack". The Oxford Almanack was an annual almanac published by the Oxford University Press for the University of Oxford from 1674 through 2019 (when printing sadly ceased due to "dwindling interest"). The almanac traditionally included engravings or lithographs of the University and information about the upcoming year. Other almanac artists have included James Basire, Michael Burghers, J. M. W. Turner, and John Piper. Malchair was a German-born watercolourist, violinist, drawing master, and collector of traditional European music. He is described as “one of the most distinctive figures of eighteenth century Oxford”, and is recognised as having been an influence on later landscape artists, including John Constable. Malchair was a talented artist, producing hundreds of paintings of English landscapes...

IN THE GARDEN is a limited edition color lithograph printed using traditional hand lithography methods on archival printmaking paper, 100% acid free, in an edition size of 150 by the renowned African American artist Romare Bearden. Featuring fresh, uplifting shades of lavender, hues of fresh green, pink, warm tomato red, orange yellow, grays, black and white, IN THE GARDEN depicts a charming collage portrait drawing of a young black woman waving as she carries her basket of freshly picked flowers. She is standing in the garden wearing a bright pink gingham...

The Sea and Boats is a modern artwork realized in the Mid-20th Century. Mixed colored lithograph after a woodcut realized by the great Japanese artist Utagawa Hiroshige in the 19th ...

Franz Herbelot (French, active 1940s-1950s) Paris: La Rue de Chevalier de la Barre la nuit Lithograph 28 x 22 cm A fantastic lithograph by Herbelot which brilliantly captures the spirit of mid-century Paris...

BACKLAND is an original hand drawn limited edition lithograph(not a photo reproduction or digital print) by the realist painter, Peter Sculthorpe (b.1948 Ontario, Canada) printed using hand lithography techniques on archival Arches paper, 100% acid free. BACKLAND is a finely detailed drawing of a Bucks County...

Irish Fair Lithograph, 1923 Signed and numbered in pencil by the artist (see photo) Titled "Irish Fair" by the artist in pencil Edition: 84 Housed in an archival frame with acid free...

Signed, titled and numbered lithograph. An early work by this artist known for his southwestern imagery, showing an oncoming herd of buffalo appearing out of the vast space of the...

After Salvador DALI (1904-1969) Butterfly suite : Normandy, 1969 Lithograph and heliogravure Printed signature in the plate bottom right Tall model, from the 700 unumbered edition P...

Winter Snow is a modern artwork realized in the Mid-20th Century. Mixed colored lithograph after a woodcut realized by the great Japanese artist Utagawa H...

About the artist: Bay Area artist, Carson Gladon's "transparent collages" combine the elements of nature with a mix of computer graphics and traditional painting using vivid and pastel colors. Seeming, "to infuse the techniques of the European impressionists with a hint of the delicacy of a Chinese or Japanese silk screen...

Artist - John Lutes (1926-2001) Title - Cay Runner Year Published - 1980 Print Size - 29" x 22" Printer - JK Fine Art Editions Co., NY Cay Runner is an original hand drawn, limited ...

The Japanese landscape is a modern artwork realized in the Mid-20th Century. Mixed colored lithograph after a woodcut realized by the great Japanese artist Utagawa Hiroshige in the ...

Artist: Bernard Buffet, French (1928 - 1999) Title: Notre Dame Year: 1968 Medium: Lithograph, signed in the plate Size: 25.5 x 19.5 in. (64.77 x 49.53 cm) Frame Size: 31 x 25.5 inches

Dejeuner sur l'Herbe Lithograph, c. 1914 Edition: c. 100 Unsigned as issued by Vollard References And Exhibitions: Commissioned from Cezanne by Ambrose Vollard in the late 1890s Prin...

Popular Festival is an original artwork realized by Serge Mendjisky in the 1970s. Mixed colored lithograph. Hand-signed by the artist on lower right. Numbered on lower left. Editio...

Roman Forum is a Modern artwork realized by Orfeo Tamburi (Jesi, 1910 – Paris,1994) in the 1975s. Hand-signed on the lower right. Colored Lithograph o...

The Bridge of Salamanca is a lithograph on paper realized by John Godfrey in The 19th Century. Signed on the plate on the lower right corner. Titled on the lower center. Good condition with minor foxing. An impressive landscape...

Artist: Perez, Enoc Title: Puerto Rico 1N Date: 2016 Medium: Photogravures with hand coloring Unframed Dimensions: 25" x 32" Signature: Signed Editi...

Original “A La Gloire de la Marine A Voiles” vintage French poster. Printed by Mourlot in Paris, France. Edition des Musees Nationaux. ‘To the Glory of the Sailing Navy.' Archival linen backed in good condition, ready to frame. This poster is part of the Paris, Orangerie Museum collection. This is a tribute to the French Navy. The image of a wooden sailing ship at sea. A cloud of smoke...

Snow Scene along Kiso Route is a modern artwork realized in the Mid-20th Century. Mixed colored lithograph after a woodcut realized by the great Japanese artist Utagawa Hiroshige in...

Giorgio De Chirico ( 1888 - 1978 ) - L’Italia del centenario - hand-signed lithography, 1971 Additional information: Material: Color lithography Edited in 1971 Limited edition in 99...

'The Port of Algiers", original lithograph, by Albert Marquet (circa 1940s). Marquet spent five years in Algiers, between 1940-45. Due to his travelling, harbour scenes were an impor...

Praying in The Snow is a modern print realized in the Mid-20th Century. Mixed colored lithograph after a woodcut realized by the great Japanese artist Utagawa Hiroshige in the 19th ...

Tree is an original contemporary artwork realized by Alfonso Bonavita in 1990s. Mixed colored lithograph. Hand signed and numbered on the lower margin. Artist's proof. Edition of ...

A Little Poor Woman is an Original Lithograph realized by Adolphe Léon Willette ( 1857-1926). Good condition included a cardboard passpartout (65x50 cm). Hand-signed by the artist ...

Ancient View of Tenerife is an original lithograph on paper realized by Eigenthum d. Verleger in The 19th Century. Signed on the plate on the lower right corner. Original lithograph on paper. Titled on the lower center. Good condition. An impressive landscape...

Original Le Vetement “Superchic” pour l’homme vintage French fashion poster. Linen backed and ready to frame. These two dapper men, dressed in...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Paysage". The original painting was completed in 1937. In the 1970's after Picasso's death, ...

Lithograph on paper titled 'Colorado Gold Dredge, Breckenridge' by Arnold Ronnebeck (1885-1947) from 1932. Numbered 15/25. Depicted is a gold dredge in Colorado mining town Breckenridge with a mountain landscape in the background. Presented in a custom frame measuring 17 ¼ x 21 ¼ inches. Image size measures 10 ¼ x 14 ¼ inches. Print is clean and in very good vintage condition - please contact us for a detailed condition report. Provenance: Estate of Arnold Ronnebeck Expedited and international shipping is available - please contact us for a quote. About the Artist: Modernist sculptor, lithographer and museum administrator, Rönnebeck was a noted member of European and American avant-garde circles in the early twentieth century before settling in Denver, Colorado, in 1926. After studying architecture at the Royal Art School in Berlin for two years beginning in 1905, he moved to Paris in 1908 to study sculpture with Aristide Maillol and Émile-Antoine Bourdelle. While there he met and befriended American modernist painter, Marsden Hartley, of whom he sculpted a bronze head that was exhibited at the Salon d’Automne in Paris in 1912 and the following year at Hartley’s solo show of paintings at Alfred Stieglitz’s Gallery 291 in New York. A frequent guest of Gertrude Stein’s Saturday "evenings" in Paris, she described Rönnebeck as "charming and always invited to dinner," along with Pablo Picasso, Mabel Dodge (Luhan) and Charles Demuth. After the outbreak of World War I in 1914, Rönnebeck returned to Germany where he served as an officer in the German Imperial Army on the front lines. Twice wounded, including in the Battle of Marne in France, Kaiser Wilhelm II awarded him the Iron Cross. During the war Hartley fell in love with Rönnebeck’s cousin, Lieutenant Karl von Freyburg, who was killed in combat. As a tribute to Freyburg, Hartley created Portrait of a German Officer (1914) now in the Metropolitan Museum of Art in New York. After the war Rönnebeck traveled in Italy with German writer, Max Sidow, and German poet, Theodor Daubler, doing a series of drawings of Positano and the Amalfi Coast that formed the basis for his lithographs on the subject. The death of his finacée, the young American opera singer Alice Miriam in 1922 and his own family’s increasing financial problems in post-World War I Germany led him to immigrate to the United States in 1923. After living briefly with Miriam’s family in Washington, DC, he moved to New York where he became part of the avant-garde circle around Alfred Stieglitz. His essay, "Through the Eyes of a European Sculptor," appeared in the catalog for the Anderson Gallery exhibition, "Alfred Stieglitz Presents Seven Americans: 159 Paintings, Photographs & Things, Recent & Never Publicly Shown, by Arthur G. Dove, Marsden Hartley, John Marin, Charles Demuth, Paul Strand, Georgia O’Keeffe, Alfred Stieglitz." In New York Rönnebeck began producing Precisionist-style lithographs of the city’s urban landscapes which he termed "living cubism." Some of them were reproduced in Vanity Fair magazine. Through Stieglitz he met Erhard Weyhe head of the Weyhe Gallery who, with its director Carl Zigrosser, arranged Rönnebeck’s first solo American exhibition in May 1925 at the gallery in New York. Comprising some sixty works – prints, drawings and sculpture – the show subsequently traveled on a thirteen-month tour of major American cities. Until the end of his life, the gallery represented him, along with other American artists Adolf Dehn, Wanda Gag, Rockwell Kent, J.J. Lankes, Louis Lozowick, Reginald Marsh and John Sloan. In the summer of 1925, as the guest of Mabel Dodge Luhan, Rönnebeck first saw Taos, New Mexico, which Marsden Hartley had encouraged him to visit. It was there that he met his future wife, Louise Emerson, an easel painter and muralist. A year later they were married in New York before relocating to Denver. He served as director of the Denver Art Museum from 1926 to 1930 where he invited Marsden Hartley to lecture on Cézanne’s art in 1928. Rönnebeck fostered the development of the museum’s collection of American Indian art and the curation of modernist art exhibitions. In addition to his work at the museum, he was professor of sculpture at the University of Denver’s College of Fine and Applied Arts from 1929 to 1935, and wrote a weekly art column in the Rocky Mountain News. His best known Denver sculptures from the late 1920s in bronze, copper, stone, wood and terra cotta include a reredos, The Epiphany, at St. Martin’s Chapel; The History of Money (six panels) at the Denver National Bank; The Ascension at the Church of Ascension; and the William V. Hodges Family Memorial at Fairmount Cemetery. At the same time he did a series of terra cotta relief panels for La Fonda Hotel in Santa Fe, New Mexico. In the 1930s his bas-relief aluminum friezes of stylized Pueblo and Hopi Indian Kachina masks...

Signed and titled by the artist from the edition of 20. This planographic print features an impressionist view of Southern California highways, palm trees with a plane flying above, ...