Lithograph Landscape Prints

This exquisite lithograph by Roger Bissiere (1886–1964), titled Soleil (Sun), from the album XXe Siecle, Nouvelle serie, XXVIe Annee N°24, Decembre 1964, originates from the 1964 edi...

Henri LE SIDANER (1862-1939) Impressionism : Girls Dancing, 1898 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFO...

Original "Visitez la France: Bretagne" French Travel Poster by Jean Farcia, 1950s. Archival linen-backed with vibrant lithographic colors, it is ready to be framed. See condition b...

Juan Genovés Candel (Spanish, 1930-) Painter, illustrator, and graphic printmaker engraver. He painted 'El abrazo' ('the embrace'), which became an emblematic poster during the Spanish political transition. He was born in Valencia in 1930. The son of Juan Genovés Cubells, an artisan whose family was close to the labor movement. His mother Maria Candel Muñoz came from a family of practicing Catholics. In 1946 Genovés studied at the Escuela de Bellas Artes de San Carlos in Valencia and then settled in Madrid. He set up the 'Los Siete' group together with other artists in 1949, and the following year he travelled to Madrid, where he was influenced by the works by Fra Angélico and Hieronymus Bosch in the Prado Museum. In 1957 he had his first solo exhibitions in the gallery Alfil, Madrid and in the Museo d'Arte Moderna, Havana. He is considered the most important representative of modern Spanish painting. His images, executed in a politically engaged, critical realism...

Original French travel poster: ROUEN, Chemins de Fer de L'Etat French Railway. For literary enthusiasts, this is where a fair portion of Madame Bovary took place. The poster is in...

A black and white, large-scale surreal mythical landscape of an ocean voyage, with a snake wrapped around a clock, female figure, greek urns, and an...

This exquisite lithograph after Rene Magritte (1898–1967), titled Les Bijoux indiscrets (The Indiscreet Jewels), from the album San Lazzaro et ses Amis, Hommage au fondateur de la re...

This is an original 19th century Currier and Ives hand-colored lithograph entitled "The Celebrated Trotting Team Edward and Swiveller, Owned by Frank Work Esq. N.Y.: Winning their ma...

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled La Femme au Vase (Woman with a Vase), from the album L'Art Cubiste, Theories et Realisations, Etude Crit...

This exquisite lithograph after Georges Braque (1882–1963), titled L’Oiseau Noir sur Fond Brun (The Black Bird on Brown Background), from the folio Les Peintres mes amis (The Painter...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Femme a la meche (Woman with the Lock of Hair), from the folio Les Bleus de Barcelone, 12 aquarelles et ...

Serigraph Signed in pencil

hand pulled limited edition lithograph signed and numbered by the artist Glenn Green Galleries also presents paintings, prints and sculpture by Southwestern luminary, DAN NAMINGHA....

This exquisite lithograph by Ellsworth Kelly (1923–2015), titled Rouge, bleu, vert, jaune (Red, Blue, Green, Yellow), originates from the historic 1964 folio Derriere le Miroir, No. ...

Original poster commemorating Rene Ricard's 1990 exhibition Mal de Fin: Paintings 1989-1990 at the Petersburg Press Gallery, New York. The image reproduces his painting, Mal de Fin, ...

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

Original Fabre Line “Marseilles — Mediterranean — New York” Poster by J. Tonelli, linen-backed, Grade A- Capture the golden age of ocean travel with this original vintage poster de...

Artist: Peter Max (1937) Title: Statue of Liberty I Year: 2003 Edition: 455/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 10 x 5.5 inches Condition: Excellent Insc...

Artist: John Chamberlain (1927-2011) Title: Flashback VI Year: 1979 Medium: Lithograph on vélin d’Arches paper Edition: 151/175, plus proofs Size: 28 x 20 inches Inscription: Signed ...

This exquisite collotype after Max Ernst (1891–1976), titled Systeme de monnaie solaire (System of Solar Currency), from the album Max Ernst, Histoire Naturelle (Natural History), or...

This exquisite lithograph after Henri Matisse (1869–1954), titled Plume (Feather), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse), originates from the 1925 editi...

Artist: Earnie Barnes (1938-2009) Title: Destination Unknown Year: 1979 Medium: Lithograph on archival paper Size: 25 x 19.5 inches Edition: 120/300, plus proofs Condition: Good Insc...

Artist: Peter Max (1937) Title: Liberty Head VIII Year: 2003 Edition: 455/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 3.43 x 2.62 inches Condition: Excellent Ins...

This exquisite lithograph after Marc Chagall (1887–1985), titled Romeo et Juliette (Romeo and Juliet), from the album Le plafond de l’Opera de Paris par Marc Chagall (The Ceiling of the Paris Opera by Marc Chagall), originates from the 1965 edition published by Andre Sauret, Editeur, Monte Carlo, rendered by Charles Sorlier, Paris, and printed by Mourlot Freres, Paris, October 6, 1965. This romantic and luminous composition pays homage to Charles Gounod’s opera Romeo et Juliette, one of the works celebrated in Chagall’s magnificent ceiling design for the Palais Garnier. Romeo et Juliette radiates with the tenderness, tragedy, and transcendent beauty of Shakespeare’s tale, reimagined through Chagall’s poetic symbolism and vivid color. Floating lovers, celestial forms, and musical motifs intertwine in a lyrical vision of eternal love and harmony, reflecting the artist’s lifelong fascination with the union of art, music, and emotion. The composition captures the very spirit of Gounod’s music—lyrical, passionate, and filled with grace. Executed as a lithograph on velin paper, this work measures 13 x 9.5 inches (33.02 x 24.13 cm). Unsigned and unnumbered as issued. The edition exemplifies the technical mastery of the Mourlot Freres atelier and the enduring collaboration between Marc Chagall and Charles Sorlier. Artwork Details: Artist: After Marc Chagall (1887–1985) Title: Romeo et Juliette (Romeo and Juliet), from Le plafond de l’Opera de Paris par Marc Chagall (The Ceiling of the Paris Opera by Marc Chagall) Medium: Lithograph on velin paper Dimensions: 13 x 9.5 inches (33.02 x 24.13 cm) Inscription: Unsigned and unnumbered as issued Date: 1965 Publisher: Andre Sauret, Editeur, Monte Carlo Rendered by: Charles Sorlier, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Cain, Julien, and Fernand Mourlot. Chagall Lithographe III, 1962–1968. Andre Sauret, Editeur, 1969, illustration 434. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne Des Livres Illustres. P. Cramer ed., 1995, illustration 61. Condition: Well preserved, consistent with age and medium Provenance: From the album Le plafond de l’Opera de Paris par Marc Chagall (The Ceiling of the Paris Opera by Marc Chagall), published by Andre Sauret, Editeur, Monte Carlo, October 6, 1965, in an edition of V̅ Notes: Excerpted from the album, This work could not have been made without the valuable collaboration of Madame Marc Chagall to whom we extend our warmest thanks. This work, made by Andre Sauret, was completed to print on October 6, 1965 on the presses of l’imprimerie du Lion in Paris. Jacques Lassaigne’s texts were composed by hand in Romain du Roi in the workshops of l’imprimerie nationale. The VI color lithographies and all the black and white drawings were set on stone by Charles Sorlier, based on Marc Chagall’s original models. The original lithography and color lithographs were drawn on the presses of Mourlot Freres. The binding is by Maurice Busenhart in Lausanne. About the Publication: Le plafond de l’Opera de Paris par Marc Chagall (The Ceiling of the Paris Opera by Marc Chagall), published in October 1965 by Andre Sauret, Editeur, Monte Carlo, commemorates one of the most ambitious and celebrated artistic commissions of the 20th century. Created under the direction of Charles Sorlier, the album documents Chagall’s magnificent ceiling design for the Palais Garnier in Paris, unveiled in 1964. The publication includes color lithographs based on the artist’s preparatory studies and painted maquettes, executed with exceptional fidelity by Mourlot Freres. Chagall’s ceiling—divided into segments representing musical masters such as Mozart, Wagner, Berlioz, Ravel, and Debussy—blends myth, music, and emotion into a vibrant celestial composition. The album captures this visionary synthesis through luminous lithography, allowing viewers to experience the grandeur and intimacy of the artist’s monumental work. Produced with the collaboration of Madame Marc Chagall, Charles Sorlier, and Fernand Mourlot, and printed with the precision and artistry for which Andre Sauret’s editions were renowned, this publication stands as both a tribute to Chagall’s genius and a celebration of French art’s enduring dialogue between tradition, innovation, and the divine. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Romeo...

This exquisite lithograph by Marino Marini (1901–1980), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie, No. 5 (double), Juin 1955, originates from the 1955 e...

This is a framed original 19th century hand-colored folio-sized lithograph entitled “Strix Flammea” (Barn Owl) by John Gould, from his "Birds of Great Britain", published in London between 1862 and 1873. The print depicts an adult Barn Owl perched on a log its three baby owls to the left. Another adult owl in the background on the right, presumably a male, watches over his family. There are leaves on the right contributing to this pleasant landscape composition. This striking framed Gould...

This lithograph is part of my private collection of School of Paris era artists. Eve Jean 1900-1968 was French and her work is very detailed and colorful. It is approved by the artis...

Lithograph on vélin de Rives paper. Inscription: hand signed and unnumbered, as issued. Good condition. Notes: From the folio, Variations sur l'imaginaire, 1972. Published by Philipp...

This exquisite lithograph after Jean Cocteau (1889–1963), titled Frontispice pour Les Cavaliers d’Ombre (Frontispiece for The Horsemen of Shadow), from the album Les Cavaliers d'Ombr...

Artist: Pablo Picasso Title: La Pique (I), Jeu de la Cape (III), Les Banderilles (IV) Portfolio: A Los Toros Avec Picasso Medium: Set of three transfer lithographs Date: 1961 Edition...

Lloyd Lozes Goff, American (1918 - 1982) - French Gothic, Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 250, AP 30, Image Size: 24 x 18 inches, Size: 2...

Signed lower right, 'Zarou' for Victor Zarou (French, b. 1930), inscribed 'Epreuve d'Artiste' with number and limitation 'XIII/XXV' (13/25), lower left and titled lower center 'Lourm...

Lithograph on vélin bouffant d'Alfa paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Le Dur Désir de Durer, illustré par Marc Chagall, ...

Framed 40.50 x 30 in The lithograph features the dry stamps of the Magritte Foundation & ADAGP and is countersigned in pencil by Mr. Charly Herscovici, President of the Magritte...

Medium: Lithograph on grand vélin Filigrané a sa marque paper Year: 1950 Paper Size: 12.5 x 9.75 inches; image size: 11.02 x 7.87 inches Inscription: Signed in the plate and unnumber...

This exquisite lithograph after Pierre-Auguste Renoir (1841–1919), titled Baigneuse debout (Standing Bather), from the album Les Lithographies de Renoir (The Lithographs of Renoir), originates from the 1951 edition published by Editions du livre, Monte-Carlo, under the direction of Andre Sauret, Monte-Carlo, in collaboration with Fernand Mourlot, Paris; rendered by Georges Duval, maître imprimeur, Paris; and printed by Mourlot Freres, Paris, March 25, 1951. Baigneuse debout reflects Renoir’s lifelong devotion to the female form, expressing his mastery of color, light, and sensuality with a warmth that defines the essence of Impressionism. Executed as a lithograph on grand velin Renage filigrane a la marque de l'editeur paper, this work measures 12.5 x 9.5 inches overall; 10.63 x 8.27 inches image. Signed in the plate and unnumbered as issued. The edition exemplifies the refined craftsmanship of Mourlot Freres and Georges Duval, and the exceptional production standards of Editions du livre, Monte-Carlo. Artwork Details: Artist: After Pierre-Auguste Renoir (1841–1919) Title: Baigneuse debout (Standing Bather), from the album Les Lithographies de Renoir (The Lithographs of Renoir) Medium: Lithograph on grand velin Renage filigrane a la marque de l'editeur paper Dimensions: 12.5 x 9.5 inches overall; 10.63 x 8.27 inches image (31.75 x 24.1 cm overall; 27 x 21 cm image) Inscription: Signed in the plate and unnumbered as issued Date: 1951 Publisher: Editions du livre, Monte-Carlo, under the direction of Andre Sauret, Monte-Carlo, in collaboration with Fernand Mourlot, Paris Printer: Mourlot Freres, Paris; rendered by Georges Duval, maitre imprimeur, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album Les Lithographies de Renoir (The Lithographs of Renoir), published by Editions du livre, Monte-Carlo, 1951 Notes: Excerpted from the album, This album, produced by Andre Sauret and Fernand Mourlot, has been printed in MMM examples on grand velin Renage filigrane with the publisher's brand. It has been completed to print, March 25, 1951 on the presses of Mourlot Freres and Georges Duval, maitre imprimeur, in Paris. The typography is from L'Imprimerie Union. About the Publication: Les Lithographies de Renoir (The Lithographs of Renoir), published in Monte-Carlo in 1951 under the direction of Andre Sauret in collaboration with Fernand Mourlot, stands among the most elegant postwar tributes to Pierre-Auguste Renoir’s artistic legacy. Conceived as part of the distinguished series of fine art albums issued by Editions du livre, the publication united leading masters of lithography to honor Renoir’s enduring influence on modern art. Printed on grand velin Renage filigrane a la marque de l'editeur by the ateliers of Mourlot Freres and Georges Duval, the album combined technical precision with scholarly presentation, showcasing interpretive plates rendered with exceptional fidelity and tonal refinement. It embodies the collaborative spirit between printer, publisher, and artist that characterized the golden age of French art editions, joining other monumental projects such as those devoted to Matisse, Chagall, Braque, and Picasso. A hallmark of twentieth-century art publishing, Les Lithographies de Renoir preserves the warmth and radiance of Renoir’s aesthetic through the masterful lithographic techniques that made Mourlot Freres synonymous with excellence in fine art printing. About the Artist: Pierre-Auguste Renoir (1841–1919) was one of the most influential and beloved artists in the history of modern art, a French Impressionist master whose radiant color harmonies, sensual brushwork, and joyful depictions of life helped transform the course of painting. Born in Limoges, France, into a modest family, Renoir began his career as a porcelain painter before studying at the Ecole des Beaux-Arts in Paris and joining the avant-garde circle of Claude Monet, Alfred Sisley, and Frederic Bazille. Together they pioneered plein-air painting, capturing fleeting light and atmosphere with revolutionary immediacy. Renoir’s early works, such as La Loge (1874) and Bal du moulin de la Galette (1876), embody the luminous vitality of Impressionism, while his later period, influenced by the classical mastery of Raphael, Ingres, and Rubens, brought greater structure and sensuality to his figures. His art evolved into a vision of timeless beauty expressed through color, form, and emotion, celebrating humanity and intimacy with unmatched tenderness. Even when afflicted by severe rheumatoid arthritis, Renoir continued to paint daily, his hands bound with cloth, and collaborated with sculptor Richard Guino to translate his soft, fluid touch into bronze. His influence radiated across generations—Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray all drew inspiration from his dedication to expressive color and emotional depth. His sensual palette profoundly impacted Henri Matisse, Pierre Bonnard, Raoul Dufy, and Andre Derain, while later artists such as Marc Chagall and Balthus inherited his lyrical humanism and poetic approach to beauty. Renoir’s art, often described as a hymn to joy, found universality in its warmth, intimacy, and reverence for life’s everyday grace. Today, his works hang in major museums worldwide, including the Musee d’Orsay, the Louvre, the National Gallery, the Metropolitan Museum of Art, and the Art Institute of Chicago, continuing to inspire collectors and artists alike. The highest auction record for Pierre-Auguste Renoir was achieved with Bal du moulin de la Galette (1876), which sold for $78.1 million USD at Sotheby’s, New York, on May 17, 1990, securing his enduring legacy as one of the greatest masters of Impressionism and one of the most cherished figures in art history. Pierre-Auguste Renoir Baigneuse...

RANDOM SELECTION 2 is an original hand drawn limited edition lithograph by the British artist, Michael Hasted printed using hand lithography on archival Somerset paper, 100% acid fre...

This exquisite lithograph by Pablo Palazuelo (1915–2007), titled Sans titre (Untitled), originates from the 1963 folio Derriere le Miroir, No. 137, published by Maeght Editeur, Paris...

This exquisite lithograph by Pablo Palazuelo (1915–2007), titled Sans titre (Untitled), originates from the 1963 folio Derriere le Miroir, No. 137, published by Maeght Editeur, Paris...

This exquisite lithograph by Pablo Palazuelo (1915–2007), titled Sans titre (Untitled), originates from the 1970 folio Derriere le Miroir, No. 180, published by Maeght Editeur, Paris...

This exquisite lithograph by Pablo Palazuelo (1915–2007), titled Sans titre (Untitled), originates from the 1970 folio Derriere le Miroir, No. 180, published by Maeght Editeur, Paris...

This exquisite lithograph by Willem de Kooning (1904–1997), titled Untitled, from the folio Poems, originates from the 1988 edition published by The Limited Editions Club, New York, ...

Rue Furstenberg. 1894. Lithograph. Way 59; Levy 90; Tedeschi, Stratis and Spink catalog 97. Only state. 8 7/8 x 6 1/4 (sheet 14 1/4 x 8 7/8). A fine ...

Medium: Lithograph and stencil on vélin paper Year: 1945 Paper Size: 13 x 17 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Degas, Ten Balle...

This exquisite lithograph by Henri Matisse (1869–1954), titled Symphonie chromatique (Chromatic Symphony), from Verve, Revue Artistique et Litteraire, Vol. II, No. 8, originates from...

Raoul DUFY Sailboats Stone lithograph after a painting (Mourlot workshop) Printed signature in the plate On Arches vellum 50 x 65 cm (c. 20 x 26 in) Excellent condition

Landscape is an original lithograph on cardboard, realized by Mario Sportelli. The state of preservation is very good. Hand-signed on the lower right Artist's proof. Sheet dimens...

This exquisite lithograph and pochoir by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Les Biches (The Does), originates from the 1924 edition published b...

This exquisite lithograph, titled Sans titre, after Leonor Fini, from the folio L'Histoire d'O (The Story of O), 1962, was published and printed by La Compagnie des Vibliophiles, au ...

'Villagio indiano nell' Isola Quadra-Voncuver / Interno di Una capanna di Vakosei' (Indian Village on Quadra Island, Vancouver / Interior of a Vakosei hut) Italian lithograph, c184...

This exquisite lithograph by Marc Chagall (1887–1985), titled Devant le Tableau (Before the Painting), from the album The Lithographs of Chagall, Volume II, originates from the 1963 ...

CARLSBERG PILSNER, artist: Carsten Ravn. This professional archival linen-backed lithograph is ready to frame. Carlsberg is synonymous with quality and tradition in the brewing world. Condition A-. Touched-up pin holes in the four corners. Minor touch-up near the bottom left crown emblem. Green is more of an old army green, and lettering is natural, unbleached, tan colored. Carlsberg Pilsner DRINK ALL YEAR ROUND The horizontal poster shows four scenes of people enjoying their beer: a skier, a cycling woman, a dandy, and a hunter. Above them is the inscription “Carlsberg Pilsner“ and below it “DRIKKES AARET RUNDT.” The latter makes it clear that you can drink it all year round. The four scenes also show the four seasons and that you can always drink Carlsberg Pilsner. (Text is in Danish). Carlsberg’s first brewery was just outside Copenhagen and was opened in 1847. However, it wasn't until 1904 that Carlsberg pilsner is brewed for the first time This 1908 poster...

'The Port of Algiers", original lithograph, by Albert Marquet (circa 1940s). Marquet spent five years in Algiers, between 1940-45. Due to his travelling, harbour scenes were an impor...

Artist: Romare Bearden (1911-1988) Title: Brass Section (Gelburd/Rosenberg 70-77) Year: 1979 Medium: Lithograph on vélin d’Arches paper Edition: 110/175, plus proofs Size: Paper Size...

Camille HILAIRE Mountain torrent Original lithograph Handsigned in pencil On Vellum 40 x 30 cm (c. 16 x 12 in) Excellent condition

This exquisite lithograph by Andre Derain (1880–1954), titled Au Jardin d'Allah (In the Garden of Allah), from Verve, Revue Artistique et Litteraire, Vol. I, No. 4, originates from t...

This exquisite lithograph and pochoir by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Les Biches (The Does), originates from the 1924 edition published b...

This exquisite lithograph after Jean Cocteau (1889–1963), titled Flamenco (Flamenco), from the folio Taureaux, Lithographies de Jean Cocteau (Bulls, Lithographs by Jean Cocteau), ori...

This piece is part of my private collection since the 1970's. It is an original color lithograph signed and numbered by the Japanese artist Shungo Sekiguchi. In 1935 Shungo Sekiguchi...