Paul Cézanne

Landscape in Auvers, The Farm - Original drypoint

1873

Paul CÉZANNE (after) Provence : Sainte Victoire Mountain Etching and aquatint Engraved by Jacques Villon after the painting of Cezanne Signature printed in the plate On Arches vellu...

Paul Cézanne Young girl Original etching and roulette Signed in plate "P. Cézanne" and dated 1873 in lower right corner On vellum 32 x 25 cm (c. 13 x 10") REFERENCES : - Catalog...

Richard DAVIES (1945-1991) The Belvedere Original etching and mezzotint Handsigned in pencil Numbered / 50 On vellum 51 x 66 cm (c. 20 x 26 inch) REFERENCES : Catalog Raisonne Plum...

After Giovanni Antonio Canaletto Venice: View of the Grand Canal Héliogravure after the original etching (Atelier Jacomet) Printed signature in the plate On paper Vergé de Hollande,...

François HOUTIN Versailles : The Fountains, 1985 Original etching Handsigned in pencil Numbered / 45 in roman numbers On vellum 25 x 33 cm (c. 10 x 13 inch) Excellent condition

Jean-Emile LABOUREUR The Blacksmith's House Original etching Handsigned Limited edition to 150 copies On vellum Van Gelder 27.5 x 30.5 cm Authenticated by the dry stamp of the editor Marcel Guiot (Paris) REFERENCES : Catalog raisonne by Sylvain Laboureur (son of the artist) #391 The etching is part of the set 'Cahier de...

Printed in Italy by Roberto Hoesch-Milano. Measures 14.75 x 18.75 inches and is Unframed. Good Condition.

Piper-Druck No. 57. Printed in Germany. Measures 25.75 x 29.25 inches and is unframed. The image is in Very Good Condition. The border is in Good/Fair Condition-yellowing/discolorati...

Edouard Manet (1832-1883) (2) etchings printed by A. Salmon: At top, Charles Baudelaire de Profile 1862 etching is monogrammed “M” in the plate upper right and marked “Imp. A. Salmon” to the lower right. Below, Portrait of Charles Baudelaire de Face 1865 etching is signed “Manet” in the plate lower right. Both Marked “Paint et Grave par Manet to the lower left and marked “Imp. A. Salmon” to the lower right. Top Etching Dimensions: H 4.5 in. x W 3.75 in. Bottom Etching Dimensions: H 4.25 in. x W 3.75 in. Artist Biography: Edouard Manet was born in Paris on January 23, 1832, to an affluent and well connected family. His mother, Eugenie-Desiree Fournier, was the goddaughter of the Swedish crown prince, Charles Bernadotte, from whom the current Swedish monarchs are descended. His father, Auguste Manet, was a French judge who expected Edouard to pursue a career in law. His uncle, Charles Fournier, encouraged him to pursue painting and often took young Manet to the Louvre. In 1845, following the advice of his uncle, Manet enrolled in a special course of drawing where he met Antonin Proust, future Minister of Fine Arts, and a subsequent life-long friend. At his father's suggestion, in 1848 he sailed on a training vessel to Rio de Janeiro. After twice failing the examination to join the navy, the elder Manet relented to his son's wishes to pursue an art education. From 1850 to 1856, Manet studied under the academic painter Thomas Couture, a painter of large historical paintings. In his spare time he copied the old masters in the Louvre. From 1853 to 1856 he visited Germany, Italy, and the Netherlands, during which time he absorbed the influences of the Dutch painter Frans Hals, and the Spanish artists Diego Velazquez and Francisco Jose de Goya. In 1856, he opened his own studio. His style in this period was characterized by loose brush strokes, simplification of details, and the suppression of transitional tones. Adopting the current style of realism initiated by Gustave Courbet, he painted The Absinthe Drinker...

Lithographs, 1923, 45x40 cm, image; 57x46 cm, sheet size. Signature: Lower right signed by the artist in pencil "Henri Matisse", below numbered "45/50". Catalog Raisonne: Duthuit/...

Etching on laid paper titled "Guillaumin au Pendu," 1873, by Paul Cezanne (1839-1906). Signed 'in the image' with Cezanne's signature monogram symbol (Hanging Man...

This original lithograph by Pierre-Aguste Renoir entitled 'Claude Renoir, tourné a gauche,' the artist captures an intimate portrait of his young son. Claude, who was only three year...

Paul Cézanne Le Sentier ca. 1890 Watercolour and pencil on paper 34.6 x 51.5 cms (13 5/8 x 20 1/4 ins) PC16325

Claude Renoir, la Tete Baisee (Claude Renoir, Head Lowered) Lithograph, 1904 Edition 1,000, this one of 950 on wove paper with the stamp signature (th...

Papier Colle II After Georges Braque, French (1882–1963), Date: Printed 1963 Lithograph on Arches, signed in the plate, numbered in pencil Edition: 9...

Danseuse sur un Tabouret is a wonderful lithograph realized by Henri Matisse in 1929. From the Portfolio "Dix Danseuses", Éditions de la Galerie d'Art Contemporain, Paris. It is han...

Printed in Italy by Roberto Hoesch-Milano. Measures 14.75 x 18.75 inches and is Unframed. Good Condition.

Gardner and Clark catalog 52. Image: 7 1/4 x 4 3/4; sheet 9 1/4 x 7 1/4. Edition 65, # number 5. A rich impression with drypoint burr printed on 'J Whatman 1827' laid paper. Signed...

Breaking up a Tow -- North River (Hudson River). c. 1905. Etching and drypoint. 6 3/4 x 10 (sheet 9 1/8 x 12). Printed on Japanese mulberry paper with full margins. A rich impression...

The Biggest of All; Telephone and Telegraph Building. 1925. Etching. Wuerth 853. 9 7/8 x 11 7/8 (sheet 11 1/2 x 17 1/8). Edition probably 35. An atmospheric impression with plate tone, printed on antique laid paper...

Rinder 391.iii. 10 1/8 x 7 13/32 (sheet 162 1/4 x 9). Belgian set #5. Edition 63. Illustrated: The Studio Volume 44 (1908): 92; W.P. Robins, The Etching Craft London, Bookman's Journ...

William Walcot. R.E., R.I.B.A. San Marco. Etching with drypoint and aquatint. Dickins 66, Harvey-Lee 91. 3 7/8 x 5 7/8 (sheet 9 1/4 x 12 1/8). Venice set, # 2. Edition 415. A rich impression printed on cream wove paper. Fold in the margin, well outside the image; otherwise good condition. Signed in pencil. Housed in a 16 x 20-inch archival mat. Soon after Walcot's arrival in England, the Fine Art Society sponsored a trip sent to Italy. This scene is one of four small drypoints that resulted from the artist’s stay in Venice. When he was seventeen, he began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...