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Period: 1820s
Cottage in the Forest of Arden /// British Victorian Landscape Cottage Etching
Located in Saint Augustine, FL
Artist: Jacob George Strutt (English, 1784-1867)
Title: "Cottage in the Forest of Arden"
Portfolio: Deliciae Sylvarum or Grand and Romantic Forest Scenery in England and Scotland
Year: 1829
Medium: Original Etching on chine appliqué on heavy wove paper
Limited edition: Unknown
Printer: Unknown
Publisher: Jacob George Strutt, London, UK
Sheet size: 14.07" x 21.13"
Image size: 9.63" x 13.82"
Condition: Minor soiling and discoloration in margins. Light areas of waterstaining about sheet mainly in margins. It is otherwise a strong impression in very good condition
Very rare
Notes:
There is an example of this work within the permanent collection of the British Museum, London, UK and the National Gallery of Ireland, Dublin, Ireland.
Biography:
Jacob George Strutt (4 August 1784 – 1867) was a British portrait and landscape painter and engraver in the manner of John Constable. He was the husband of the writer Elizabeth Strutt, and father of the painter, traveller and archaeologist Arthur John Strutt...
Category
Victorian 1820s Landscape Prints
Materials
Etching, Intaglio
Ruins of the Roman Baths of Belisarius: A 19th C. Etching by Luigi Rossini
Located in Alamo, CA
This early 19th century etching entitled "Veduta degl' Avanzi delle Torri di Belisario Dalla parte che guarda l' Interno della Città, vicino a Porta S. Giovanni, A. Mura Aureliane" (...
Category
Old Masters 1820s Landscape Prints
Materials
Etching
Veduta di Tivoli mista d'Antico, e moderno (...) - Etching by L. Rossini - 1824
Located in Roma, IT
Veduta di Tivoli mista d'Antico, e moderno (...)
From the collection: “Le antichità de' contorni di Roma ossia le più famose città del Lazio. Tivoli, Albano...
Category
Modern 1820s Landscape Prints
Materials
Etching
62: At Spithead
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic 1820s Landscape Prints
Materials
Etching
"Various Himochi" Wagashi Festival Japanese Woodblock Print by Utagawa Toyokuni
Located in Soquel, CA
"Various Himochi" Wagashi Festival Japanese Woodblock Print by Utagawa Toyokuni
Rare oversized early 19th century 5-tiered woodblock by Utagawa Ichiyosai Toyokuni, (Japan, 1769-1825), a Japanese lord and wife oversee a sekku festival of food, music, and dolls or toys. '"oshi" is the first day of “Mi (Snake)” in the third month of the lunar calendar. This day, known in modern Japan as the Girls' Festival, originated in China as a form of purification ceremony in which water and drinking peach blossom wine were used to drive away evil. Many kinds of hishi-mochi appear in this picture of hina ningyo (dolls associated with Hinamatsuri, or the Girl’s Day) from Omochae.
The custom of eating special dishes at events throughout the year and at milestones in people's lives has existed since ancient times. This paragraph specifically focuses on the annual event called sekku, and life events that involve eating sweets. Joshi is the first day of “Mi (Snake)” in the third month of the lunar calendar. This day, known in modern Japan as the Girls' Festival, originated in China as a form of purification ceremony in which water and drinking peach blossom wine were used to drive away evil. According to the Keiso saijiki, in ancient China, on the third day of the third lunar month, people ate “ryuzetsuhan,” which is the juice of gogyo (Jersey cudweed) mixed with rice flour and nectar. In Japan, there is a record in the Heian period history book Nihon Montoku tenno jitsuroku [839-5] that it was an annual event to make kusamochi using gogyo on the third day of the third month of the lunar calendar, which may have been influenced by Chinese customs.
The tradition of eating kusamochi on the third day of the third month of the lunar calendar continued after that. By the Edo period, however, hishimochi had come to be used as a sweet to serve on the third day of the third month. A picture of a hishimochi is included in the Morisada manko , which we mentioned in Part 1. According to it, hishimochi in the Edo period were often three layers of green-white-green instead of the now common red-white-green. However, it is possible to see from our collection that not all hishimochi were made in this way. Omochae published in 1857, is a good example. Omochae is a type of ukiyoe print...
Category
Edo 1820s Landscape Prints
Materials
Ink, Rice Paper, Woodcut
The Basilica of St. Paul in Rome, Early 19th Century Etching by Luigi Rossini
Located in Alamo, CA
"Rovina della gran Basilica di S. Paolo fueri le mura accaduta" (View of the Ruins of the Great Triumphal Arch of S. Paolo Fuori le Mura) from "Le Antichita Romane" (Ancient Rome), published in Rome in 1823. It depicts the destruction of the Basilica of St. Paul after the fire of 1823. People stand in the road and on the right observing the damage amid debris, which includes many fragments of columns.
The etching is presented in a silver-color wood frame with an off-white double mat with a black inner mat. There are a few small spots, but it is otherwise in very good condition. See item # LU117324669722 for another Rossini etching...
Category
Old Masters 1820s Landscape Prints
Materials
Etching
The Deluge - JOSEPH MALLORD WILLIAM TURNER (1775 - 1851)
Located in Santa Monica, CA
(after) JOSEPH MALLORD WILLIAM TURNER (1775 - 1851)
THE DELUGE, 1828. Mezzotint, Engraved by I. P. Quilly after a painting by J. M.W. Turner R.A.. Image ...
Category
Old Masters 1820s Landscape Prints
Materials
Mezzotint
Near Stoneleigh, Warwickshire /// British Victorian Landscape Etching Black Art
Located in Saint Augustine, FL
Artist: Jacob George Strutt (English, 1784-1867)
Title: "Near Stoneleigh, Warwickshire"
Portfolio: Deliciae Sylvarum or Grand and Romantic Forest Scenery in England and Scotland
*Monogram signed by Strutt in the plate (printed signature) lower right
Year: 1828
Medium: Original Etching on chine appliqué on heavy wove paper
Limited edition: Unknown
Printer: Unknown
Publisher: Jacob George Strutt, London, UK
Sheet size: 14.25" x 21.13"
Image size: 10.38" x 13.94"
Condition: Minor soiling and discoloration in margins. A few light areas of waterstaining at right and bottom edges in margins. It is otherwise a strong impression in very good condition
Very rare
Notes:
There is an example of this work within the permanent collection of the British Museum, London, UK and the National Gallery of Ireland, Dublin, Ireland.
Biography:
Jacob George Strutt (4 August 1784 – 1867) was a British portrait and landscape painter and engraver in the manner of John Constable. He was the husband of the writer Elizabeth Strutt, and father of the painter, traveller and archaeologist Arthur John Strutt...
Category
Victorian 1820s Landscape Prints
Materials
Etching, Intaglio
A 19th Century Curtis Hand-colored Engraving of a Flowering Clerodendrum Plant
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Clerodendrum Macrophyllum" (Broad-Leaved Clerodendrum), plate 2356, published in London in 1824 ...
Category
Naturalistic 1820s Landscape Prints
Materials
Engraving
Avanzi della Biblioteca ... - Etching by Luigi Rossini - 1824
Located in Roma, IT
Avanzi della Biblioteca in Villa Adriana, di opera retticolata is an original etching realized by Luigi Rossini.
From the collection “Le antichità de’ c...
Category
Old Masters 1820s Landscape Prints
Materials
Etching
01: Prussian Snow
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
1820s Landscape Prints
Materials
Etching
Interno della Basilica della Fortuna Prenestina - by L. Rossini - 1826
Located in Roma, IT
Interno della Basilica della Fortuna Prenestina
Image dimensions: 40x53 cm.
From the collection “Le antichità de’ contorni di Roma (...)”, published in Rome, 1826 an artist's proof w...
Category
Old Masters 1820s Landscape Prints
Materials
Etching
JOB SACRIFICED - And My Servant Job Shall Pray For You
Located in Santa Monica, CA
WILLIAM BLAKE (British 1757-1827)
JOB'S SACRIFICE - And my Servant Job Shall Pray For You, 1825 (Bindman 1978.643; Binyon 1926.123 iii; Russell 1912.33)
Engraving, First edition, one of 100 sets printed directly onto Whatman wove paper with a 1825 watermark. and the word “proof” removed. From "Illustrations of the Book of Job...
Category
English School 1820s Landscape Prints
Materials
Engraving
Avanzi di un Gran Salone nel piano terra della Villa di Mecenate in Tivoli
Located in Roma, IT
Like G.B.Piranesi, Rossini, well know as the “Piranesi’s heir”, trained as an architect and his etchings have the same tendency to emphasize the massive structure of the Ancient Rome...
Category
Old Masters 1820s Landscape Prints
Materials
Etching
"The World" Published by Cummings & Hilliard, No. 1, Cornhill, Boston
Located in Soquel, CA
"The World" Published by Cummings & Hilliard, No. 1, Cornhill, Boston
Early 19th century engraved double hemisphere Atlas Map, titled "The World." Hand colored original outlines. Pu...
Category
American Realist 1820s Landscape Prints
Materials
Paper, Printer's Ink, Etching
35: The United Kingdom Steam Vessel
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic 1820s Landscape Prints
Materials
Etching
William Hogarth . Original engravings 155 pсs., 1 piece with blend. 1822 London
Located in Riga, LV
William Hogarth (1697-1764)
Original engravings 155 pсs., 1 piece with blend. 1822 London
From A. Neibergs collection
Category
Realist 1820s Landscape Prints
Materials
Paper, Engraving
Three 19th C. Hand Colored Engravings of London Architecture by T. Shepherd
By Thomas Hosmer Shepherd
Located in Alamo, CA
A set of three hand-colored engravings from "Metropolitan Improvements; or London in the Nineteenth Century", published in London, England in 1828. The scenes were drawn by Thomas Ho...
Category
Realist 1820s Landscape Prints
Materials
Engraving
Cathedral Church of Notre Dame, at Séez /// John Sell Cotman Architectural Print
Located in Saint Augustine, FL
Artist: John Sell Cotman (English, 1782-1842)
Title: "Cathedral Church of Notre Dame, at Séez (West Front)" (Vol. 2, Plate 99)
Portfolio: Architectural Antiquities of Normandy
Year: ...
Category
Victorian 1820s Landscape Prints
Materials
Etching, Intaglio
38: Lugger on the Beach
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic 1820s Landscape Prints
Materials
Etching
Flowering Crinum Plant: A 19th C. Hand-colored Botanical Engraving by Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Crinum Arenarium" (Water-Island Sand Crinum), plate 2355, published in London in 1822 in William...
Category
Naturalistic 1820s Landscape Prints
Materials
Engraving
07: The Victory
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
1820s Landscape Prints
Materials
Etching
Quicksilver Royal Mail and The Blenheim
Located in Douglas, Isle of Man
James Pollard 1792-1867, was an English painter and watercolourist. Pollard was born in North London he was the son of a painter and publisher. He exhibited at the Royal Academy, Suf...
Category
1820s Landscape Prints
Materials
Paper, Printer's Ink, Watercolor
Veduta Generale del Tempio della Sibilla... - by L. Rossini - 1824
Located in Roma, IT
Veduta Generale del Tempio della Sibilla, e Ponte della Cascata di Tivoli
Image dimensions: 61x45 cm.
From the series “Le antichità de’ contorni di Roma (...)” an artist's proof with...
Category
Old Masters 1820s Landscape Prints
Materials
Etching
Interno del Pronao del Tempio ... - Etching by Luigi Rossini - 1825
Located in Roma, IT
Interno del Pronao del Tempio d'Ercole nella città di Cora is an original etching by Luigi Rossini.
From the collection “Le antichità de’ contorni di Roma”(..), Rome, 1826 by L. Rossini, an artist's proof with sharp details, showing Cora’s Ruins.
Signed on plate “Rossini dis. e inc.” lower-left corner, with date and place “Roma, 1825”.
In very good condition.
Image Dimensions: 45 x 57 cm
Luigi Rossini (1790 – 1857)
Like Giovanni Battista Piranesi, Luigi Rossini was an architect and his etchings have the same tendency to emphasize the massive constructions of the Ancient Rome. He became famous thanks to his etchings representing Roman landscapes and antique monuments...
Category
Modern 1820s Landscape Prints
Materials
Etching
44: At Brighton, Prawn-boat
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic 1820s Landscape Prints
Materials
Etching
Bennett: Bowling Green, New York, 1826
Located in Clinton Township, MI
Historical Print entitled "Bennett: Bowling Green, New York" 1826 as noted in bottom Left Corner
It was published by Rudolf Leach Fine Arts, Inc.,
225 Fifth Avenue, New York City
...
Category
Realist 1820s Landscape Prints
Materials
Lithograph
37: The Stationer's Barge
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic 1820s Landscape Prints
Materials
Etching
10: Thames Barge
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic 1820s Landscape Prints
Materials
Etching
58: Schooner & Smack
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic 1820s Landscape Prints
Materials
Etching
Sepolcro Regio o Consolare (...) - Etching by Luigi Rossini - 1825
Located in Roma, IT
Sepolcro Regio o Consolare inciso nella rupe del Monte Albano, or nel Convento di Fr. Frances. ni di Palazzuolo is an original etching realized by Luigi Rossini.
From the series “Le ...
Category
Modern 1820s Landscape Prints
Materials
Etching
20: Hatch Boat
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic 1820s Landscape Prints
Materials
Etching
61: H.M.S. Prince
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic 1820s Landscape Prints
Materials
Etching
Altra Veduta presa sotto... - Etching by Luigi Rossini - 1825
Located in Roma, IT
Altra Veduta presa sotto il grand' Arco dell'interno dell'Emissario di Albano is an original etching belonging to the series "Le Antichità di contorni di Roma” (…)".
Beautiful proof...
Category
Modern 1820s Landscape Prints
Materials
Etching
06: Baroque
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
1820s Landscape Prints
Materials
Etching
51: Peter Boats
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic 1820s Landscape Prints
Materials
Etching
18: Fishing Smack
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic 1820s Landscape Prints
Materials
Etching
15: West Indiaman
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic 1820s Landscape Prints
Materials
Etching
11: On the Beach at Cromer
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic 1820s Landscape Prints
Materials
Etching
49: Dutch Galliots
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic 1820s Landscape Prints
Materials
Etching
09: The Wolf Brig of War
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic 1820s Landscape Prints
Materials
Etching
56: The Stern of His Majesty's Ship
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic 1820s Landscape Prints
Materials
Etching
55: Hay Boats
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic 1820s Landscape Prints
Materials
Etching
19: Prison Ship
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic 1820s Landscape Prints
Materials
Etching
17: Skiff
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic 1820s Landscape Prints
Materials
Etching
14: Anchors
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic 1820s Landscape Prints
Materials
Etching
57: Mud Dredger
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic 1820s Landscape Prints
Materials
Etching
02: Fishing Boat Arrived
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
1820s Landscape Prints
Materials
Etching
27: Lugger near the Blockade Station
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic 1820s Landscape Prints
Materials
Etching
Veduta degli Avanzi della Villa... - Etching by L. Rossini - 1825
Located in Roma, IT
Veduta degli Avanzi della Villa di Domiziano da altri chiamata le Terme di Pompeo Magno
Image dimensions: 46x60 cm.
From the collection “Le antichità de’ contorni di Roma (...)” an a...
Category
Old Masters 1820s Landscape Prints
Materials
Etching
29: The Discovery, Convict Ship
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic 1820s Landscape Prints
Materials
Etching
Ristauro del Tempio della Fortuna Prenestina - Etching by L. Rossini - 1826
Located in Roma, IT
Ristauro del Tempio della Fortuna Prenestina.
From the collection “Le antichità de’ contorni di Roma (...)” a Virtuous proof concerning the restoration of the Fortuna Prenestina Temple, with artchitectural plan, sections and some notes.
Signed on plate “Rossini dis. e inc.” lower-left corner, with date and place “Roma, 1826”.
In Excellent condition with some light stains.
Image Dim: cm 67.5 x 51 , Dim: cm 70 x 53
Luigi Rossini (1790 – 1857)
Like Giovanni Battista Piranesi, Luigi Rossini was an architect and his etchings have the same tendency to emphasize the massive constructions of the Ancient Rome. He became famous thanks to his etchings representing Roman landscapes and antique monuments...
Category
Modern 1820s Landscape Prints
Materials
Etching
30: Collier
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic 1820s Landscape Prints
Materials
Etching
59: A Brig of Wars
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic 1820s Landscape Prints
Materials
Etching
63: Fishing Boat
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic 1820s Landscape Prints
Materials
Etching
13: Dover Cliffs
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic 1820s Landscape Prints
Materials
Etching
42: Boat-hut
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic 1820s Landscape Prints
Materials
Etching
54: Collier Discharging
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic 1820s Landscape Prints
Materials
Etching