1960s Landscape Prints

Landscape is a modern artwork realized by Arnoldo Ciarrocchi in 1966. China ink Drawing on paper. Hand signed and dated on the lower margin. Includes frame

This exquisite lithograph after Marc Chagall (1887–1985), titled Tribe of Simeon, from the album Marc Chagall, The Jerusalem Windows, originates from the 1962 edition published by An...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Le Flutiste (The Flautist), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy), originate...

Original Philadelphia Fly TWA vintage American travel poster created by master artist David Klein. Professional, acid-free, linen-bac...

This exquisite lithograph and pochoir after Joan Miro (1893–1983), titled Sans titre (Untitled), from the album Miro, L'Oiseau solaire, L'Oiseau lunaire, Etincelles (Miro, The Sun Bi...

Etching on vélin Johannot d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Paroles peintes I, 1962. Published by Éditions O. La...

Original “The Union Pacific West fun map, archivally linen backed in very good condition. Ready to frame. This was initially folded, and the fold marks were ...

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Profil et l’Enfant rouge (The Profile and the Red Child), from the album The Lithographs of Chagall, Volume I, origin...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Les Cavaliers sous les arbres (Riders Beneath the Trees), from the folio Lettre a mon peintre Raoul Dufy (Letter to My ...

Linda Plotkin, American (1938 - ) - Landscape II, Year: circa 1965, Medium: Etching, signed, titled and numbered in pencil, Edition: 18/75, Image Size: 6 x 4.25 inches, Size: 15...

This exquisite lithograph after Jean Cocteau (1889–1963), titled Evaluation mutuelle (Mutual Evaluation), from the folio Taureaux, Lithographies de Jean Cocteau (Bulls, Lithographs b...

Laurent Marcel Salinas, Egyptian/French (1913 - 2010) - Untitled - Harbor, Year: circa 1962, Medium: Lithograph, Image Size: 17.25 x 21 inches, Size: 21 x 29.5 in. (53.34 x 74....

This exquisite lithograph by Cesar Baldaccini (1921–1998), titled Compression dans la nuit (Compression in the Night), from the album XXe Siecle, Nouvelle serie, XXVe Annee N°22, Noel 1963, originates from the 1963 edition published by Societe Internationale d'Art XXe siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris, and printed by Mourlot Freres, Paris, 1963. Compression dans la nuit reflects Cesar’s fascination with transformation, matter, and the poetic potential of industrial materials, encapsulating his lifelong dialogue between creation and destruction. Executed as a lithograph on velin paper, this work measures 12.5 x 9.75 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Cesar Baldaccini (1921–1998) Title: Compression dans la nuit (Compression in the Night), from the album XXe Siecle, Nouvelle serie, XXVe Annee N°22, Noel 1963 Medium: Lithograph on velin paper Dimensions: 12.5 x 9.75 inches (31.75 x 24.77 cm) Inscription: Unsigned and unnumbered as issued Date: 1963 Publisher: Societe Internationale d'Art XXe siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album XXe Siecle, Nouvelle serie, XXVe Annee N°22, Noel 1963, published by Societe Internationale d'Art XXe siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris; printed by Mourlot Freres, Paris, 1963 About the Publication: Gualtieri di San Lazzaro's XXe Siecle (Twentieth Century) was one of the most influential art journals of the modern era, founded in Paris in 1938 as a platform for the greatest painters, sculptors, and writers of the 20th century. San Lazzaro, a visionary editor, critic, and champion of modernism, believed that art and literature should coexist as expressions of a shared human imagination. Under his direction, XXe Siecle became a cultural bridge between Europe and the wider world, publishing special issues devoted to leading figures such as Picasso, Matisse, Chagall, Braque, Calder, Miro, Kandinsky, and Leger. Each edition combined essays by renowned critics and poets with original lithographs and woodcuts printed by the foremost ateliers of Paris, Milan, and New York, including Mourlot, Curwen, and Amilcare Pizzi, creating a uniquely rich dialogue between text and image. Through XXe Siecle, San Lazzaro preserved the creative spirit of the avant-garde during and after World War II, championing freedom of expression and the evolution of abstraction, surrealism, and modern thought. Over nearly four decades, the journal shaped international taste and defined the intellectual landscape of postwar art publishing. Today, XXe Siecle remains celebrated for its extraordinary synthesis of art, literature, and design, an enduring testament to Gualtieri di San Lazzaro's belief that the visual arts are the soul of the modern age. About the Artist: Cesar Baldaccini (1921–1998), known simply as Cesar, was a groundbreaking French sculptor whose radical manipulation of industrial materials redefined the language of modern sculpture and secured his place among the most influential artists of the 20th century. Born in Marseille to Italian immigrant parents, he rose from modest beginnings to international acclaim through his inventive transformation of metal, scrap, and synthetic matter into dynamic works that fused poetry with power. After studying at the Ecole des Beaux-Arts in Marseille and Paris, he absorbed the innovations of modern masters such as Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. Like Picasso, Cesar sought to reinvent form through fragmentation; like Calder, he drew inspiration from the mechanics of movement; and like Duchamp, he challenged conventional definitions of art by transforming discarded materials into conceptual masterpieces. His early Fers soudes (welded iron sculptures) of the 1950s revealed his fascination with industrial detritus and the sculptural possibilities of found objects, while his Compressions of the 1960s—created by compacting automobiles and metal waste using hydraulic presses—became iconic symbols of modern industrial society’s power and fragility. These works embodied both destruction and creation, reflecting the aesthetic philosophy of the Nouveau Realisme movement, founded by Pierre Restany, of which Cesar was a central figure alongside Yves Klein, Arman, Jean Tinguely, and Niki de Saint Phalle. His Expansions of the late 1960s and 1970s, made by pouring and allowing liquid polyurethane to expand freely, introduced a radical new sculptural language of chance, energy, and transformation, blurring the boundary between control and spontaneity. With works such as Pouce (Thumb)—a monumental cast of his own thumb—Cesar turned the human form into a symbol of identity, individuality, and creative authorship, while his Human Imprints and Portraits Empreintes captured the immediacy of human presence in enduring bronze. His bold explorations of material and process anticipated later conceptual and environmental art, influencing generations of artists including John Chamberlain, Richard Serra, Anselm Kiefer, Jeff Koons, and Tony Cragg. Both a sculptural innovator and a cultural icon, Cesar designed the Cesar Award—France’s equivalent of the Academy Award—bridging avant-garde experimentation with popular recognition. His works are held in major institutions such as the Centre Pompidou (Paris), the Tate Modern (London), the Museum of Modern Art (New York), and the Peggy Guggenheim Collection (Venice), reflecting his enduring global impact. Standing alongside Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, Cesar Baldaccini remains a towering figure of postwar modernism—a sculptor who turned compression, expansion, and transformation into metaphors of contemporary existence. His highest auction record was achieved by Compression "Ricard" (Compression Ricard) (1962), which sold for $2.41 million USD at Sotheby’s, Paris, on December 5, 2018, affirming his legacy as one of the most visionary, provocative, and collectible artists of the modern era. Cesar Baldaccini Compression dans la nuit, Cesar Compression...

This exquisite lithograph after Jean Cocteau (1889–1963), titled Deux monosabios (Two Monosabios), from the folio Taureaux, Lithographies de Jean Cocteau (Bulls, Lithographs by Jean ...

This exquisite heliogravure after Maria Helena Vieira da Silva (1908–1992), titled Ville doree (Golden City), from the folio Vieira da Silva, Peintres d'aujourd'hui (Vieira da Silva,...

This exquisite lithograph by Marc Chagall (1887–1985), titled L'apparition au cirque (The Vision at the Circus), from the album The Lithographs of Chagall, Volume II, originates from...

"The Sun Shines All Over", a bold minimalist vintage abstract landscape print by the renowned printmaker Shiou-ping Liao (Taiwanese, b.1936). A perfectly circular, high voltage rainb...

Signed lower right, 'Georges Lambert' (French, 1919-1998) and inscribed lower left, number and limitation, '19/175'. Georges Lambert first studied in Paris at the Academie de la Gra...

Cannes AM After Pablo Picasso Pablo Picasso was a Spanish painter, sculptor, and co-founder of the Cubist movement, which revolutionized European painting and sculpture in the earl...

Sunrise. 1965, paper, etching, 53x52 cm Dzidra Ezergaile (1926-2013) Born in Riga. School years alternate with summer work in the countryside. In 1947, she began her studies at the ...

This exquisite heliogravure after Nicolas de Stael (1914–1955), titled Coin d'atelier, fond bleu (Corner of the Studio, Blue Background), from the folio Nicolas de Stael, Peintres d'...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Derrière le miroir, N° 155, 1965. Published by Aimé Maeght, Éditeu...

Artist: Fairfield Porter (1907-1975) Title: Street Scene (L.18) Year: 1969 Medium: Lithograph on Arches paper Edition: 69/100, plus proofs Size: 22.25 x 30 inches Condition: Excellen...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 166, 1967. Published by Aimé Maeght, Éditeur, Paris; pr...

This exquisite lithograph after Marc Chagall (1887–1985), titled Le Bouquet d'amoureux (The Lovers' Bouquet), from the folio Les Peintres mes amis (The Painters My Friends), originat...

Lithograph on vélin de Lana paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, tête edition, Consacré à Jean-Paul Riopelle, Derrière le mi...

Lithograph on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: from the folio, Regards sur Paris, 1963. Publi...

This exquisite lithograph after Jean Cocteau (1889–1963), titled Le buisson ardent (The Burning Bush), from the folio Taureaux, Lithographies de Jean Cocteau (Bulls, Lithographs by J...

This exquisite lithograph after Marc Chagall (1887–1985), titled Mozart et Moussorgsky (Mozart and Mussorgsky), from the album Le plafond de l’Opera de Paris par Marc Chagall (The Ce...

Saito, Kiyoshi. KATSURA KYOTO I. Color Woodblock, 1962. Edition of 200. Titled, dated and numbered 84/200 in pencil. Signed in the block (prints from thi...

This exquisite lithograph after Andrew Wyeth (1917–2009), titled Spring Sun, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wyeth. Published and printed by Art in America Company, Inc., New York, the edition captures Wyeth’s luminous portrayal of seasonal awakening. Spring Sun evokes the thin sunlight and faint warmth of early spring—the quiet renewal of life after winter’s retreat—rendered with Wyeth’s characteristic restraint, tonal subtlety, and contemplative emotional depth. Executed on velin paper, this lithograph measures 17 x 13 inches (43.2 x 33 cm). As issued, it is unsigned and unnumbered, representing the folio’s authentic format. The Four Seasons series was conceived by the editors of Art in America in collaboration with Andrew and Betsy Wyeth, who selected drawings from the artist’s studio and personal collection to illustrate the intimate relationship between nature, time, and memory. Each composition distills Wyeth’s gift for transforming the familiar into visual poetry through mastery of texture, light, and mood. Artwork Details: Artist: After Andrew Wyeth (1917–2009) Title: Spring Sun, from The Four Seasons, Paintings and Drawings by Andrew Wyeth, 1962 Medium: Lithograph on velin paper Dimensions: 17 x 13 inches (43.2 x 33 cm) Inscription: Unsigned and unnumbered, as issued Date: 1962 Publisher: Art in America Company, Inc., New York Printer: Art in America Company, Inc., New York Condition: Well preserved, consistent with age and medium Provenance: From the 1962 folio The Four Seasons, Paintings and Drawings by Andrew Wyeth, published and printed by Art in America Company, Inc., New York Notes: Excerpted from the 1962 folio: "In 1962 the editors of Art in America proposed to Wyeth a portfolio of images of his recent dry-brush drawings. The artist and his wife suggested the theme, 'The Four Seasons,' because of the essential role played in his work by the cycle of the seasons. The drawings were selected by Andrew and Betsy Wyeth from works in the house and studio at Chadds Ford, supplemented by some owned by friends. With a few exceptions they had never been exhibited or reproduced. The plates were made directly from the originals. In these drawings Wyeth's loving concentration on the object is fully revealed. But as always in his work, this concern with the tangible is balanced by sensibility to mood, to the emotion arising from the actual. They are pervaded with a sense of the season—the exact time of year, the hour of the day, the quality of the light. To the truth and subtlety with which he captures these intangible factors, these drawings owe their poignant poetry." About the Artist: Andrew Wyeth (1917–2009) was an American visual artist and one of the best-known painters of the mid-20th century. Although he considered himself an abstractionist, Wyeth’s work is characterized by a meticulous realism imbued with psychological depth and atmosphere. He often painted the landscapes and people surrounding his homes in Chadds Ford, Pennsylvania, and Cushing, Maine, creating an intimate record of American rural life. The son of the celebrated illustrator N. C. Wyeth, Andrew trained under his father before developing his own deeply personal visual language inspired by Winslow Homer, Henry David Thoreau, and King Vidor. His wife, Betsy Wyeth, was both his muse and career manager, while his son Jamie Wyeth continued the family’s artistic legacy. Among Wyeth’s best-known works is Christina’s World (1948), housed in the Museum of Modern Art, New York—a quintessential image of 20th-century American art. His other notable series include The Helga Pictures and his window studies, each reflecting a profound meditation on solitude, memory, and perception. Wyeth was the first painter to receive both the Presidential Medal of Freedom and the Congressional Gold Medal, and was elected to the French Académie des Beaux-Arts in 1980. In 2022, Andrew Wyeth's painting Day Dream sold for USD 23.29 million at Christie’s New York, setting a world record for the artist. Andrew Wyeth lithograph...

This exquisite lithograph after Jean Cocteau (1889–1963), titled Banderilles de feu (Fire Banderillas), from the folio Taureaux, Lithographies de Jean Cocteau (Bulls, Lithographs by ...

This exquisite lithograph after Jean Cocteau (1889–1963), titled Appel de Muleta (Call of the Muleta), from the folio Taureaux, Lithographies de Jean Cocteau (Bulls, Lithographs by J...

Linda Plotkin, American (1938 - ) - Mountain Ridge, Year: circa 1965, Medium: Etching and Aquatint on BFK Rives, signed, titled and numbered in pencil, Edition: 67/120, Image Size...

"The Giant Leeches" by Bernard L Kowalski Attack of the Giant Leeches originally titled as The Giant Leeches is an independently made 1959 black-and-white science fiction-horror film, produced by Gene Corman and directed by Bernard L. Kowalski. It stars Ken Clark, Yvette Vickers and Jan Shepard. The screenplay was written by Leo Gordon. The film was released by American International Pictures on a double bill with A Bucket of Blood. Later, in some areas in 1960, Leeches played on a double bill with the Roger Corman film House of Usher...

This exquisite lithograph after Jean Cocteau (1889–1963), titled L'œillet de la provocation (The Carnation of Provocation), from the folio Taureaux, Lithographies de Jean Cocteau (Bu...

Medium: Lithograph on vélin d'Arches paper Year: 1969 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Raoul Dufy, IV, Col...

This exquisite lithograph after Marc Chagall (1887–1985), titled L’Oiseau de feu (The Firebird), from the album Le plafond de l’Opera de Paris par Marc Chagall (The Ceiling of the Pa...

This exquisite lithograph after Marc Chagall (1887–1985), titled Boris Godounov (Boris Godunov), from the album Le plafond de l’Opera de Paris par Marc Chagall (The Ceiling of the Pa...

This exquisite lithograph by Marc Chagall (1887–1985), titled Couple Devant L’arbre (Couple Before the Tree), from the album The Lithographs of Chagall, Volume I, originates from the 1960 edition published by Andre Sauret, Editeur, Monte Carlo, and George Braziller, Editeur, New York, and printed by Mourlot Freres, Paris, October 1960. This lyrical composition reflects Chagall’s enduring themes of love, nature, and spiritual harmony. Couple Devant L’arbre portrays two lovers standing tenderly before a radiant tree—a symbol of life, unity, and divine connection. Bathed in Chagall’s signature palette of luminous blues, greens, and reds, the figures appear suspended between dream and reality, evoking both earthly affection and cosmic transcendence. The work captures the artist’s unique ability to merge personal intimacy with universal emotion, transforming a simple moment of devotion into an emblem of timeless love and renewal. Executed as a lithograph on velin paper, this work measures 12.216 x 9.875 inches (31.03 x 25.08 cm). Unsigned and unnumbered as issued. The edition exemplifies the exceptional craftsmanship of the Mourlot Freres atelier, renowned for its close collaboration with Chagall and its technical perfection in fine art lithography. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Couple Devant L’arbre (Couple Before the Tree), from The Lithographs of Chagall, Volume I, 1960 Medium: Lithograph on velin paper Dimensions: 12.216 x 9.875 inches (31.03 x 25.08 cm) Inscription: Unsigned and unnumbered as issued Date: 1960 Publisher: Andre Sauret, Editeur, Monte Carlo, and George Braziller, Editeur, New York Printer: Mourlot Freres, Paris Catalogue raisonne references: Cain, Julien, and Fernand Mourlot. Chagall Lithographe. Andre Sauret, Editeur, 1960, illustration 292. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne Des Livres Illustres. P. Cramer ed., 1995, illustration 43. Condition: Well preserved, consistent with age and medium Provenance: From the album The Lithographs of Chagall, Volume I, published by Andre Sauret, Editeur, Monte Carlo, and George Braziller, Editeur, New York, 1960 Notes: From the album, The Lithographs of Chagall, Volume I, 1960. Published by Andre Sauret, Editeur, Monte Carlo, and George Braziller, Editeur, New York; printed by Mourlot Freres, Paris, October 1960. Excerpted from the album, This album, which was designed and compiled by Fernand Mourlot and Andre Sauret, was finished in October 1960. The reproductions were printed on the presses of Draeger Freres, and the original lithographs on the presses of Mourlot Freres. The Imprimerie Nationale de France is responsible for the typography. There exists a special edition, in French, of this album composed of C examples on velin d'Arches numbered from I to C, and including two original lithographs, in a limited edition of C copies, numbered and signed by the artist, and a series, with margins, of the XII original lithographs contained in this album. About the Publication: The Lithographs of Chagall, Volume I, published in 1960 by Andre Sauret, Monte Carlo, and George Braziller, New York, marks the beginning of a monumental five-volume catalogue project chronicling Marc Chagall’s prolific achievements in lithography. Conceived and supervised by Fernand Mourlot—Chagall’s long-time printer and collaborator—the series celebrates the technical brilliance and emotional depth of Chagall’s printmaking. Volume I features twelve original lithographs alongside meticulously printed works that trace the evolution of Chagall’s imagery from the 1920s through the 1950s. The publication exemplifies the partnership between artist, printer, and publisher that defined mid-century fine art printing in France, uniting precision craftsmanship with poetic expression. Through its themes of love, faith, and nature, this volume encapsulates Chagall’s world—a visionary synthesis of the earthly and the divine. The Lithographs of Chagall series remains one of the most significant undertakings in modern printmaking, a testament to both Chagall’s imagination and Mourlot’s unmatched mastery of the lithographic process. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Couple...

Lithograph on vélin des Papeteries du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, André Beaudin, Verve: Revue Artistique et...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 160, 1966. Published by Aimé Maeght, Éditeur, Paris; pr...

Original vintage poster: SWITZERLAND FLY TWA Trans World Airline. Artist:l David Klein. Archival linen backed in fine condition. Artist: David Klein #Da...

Richard Florsheim La Seine a Paris 1964 Original Color Lithograph on Velin d'Arches Size: 10x7.375in Edition: 2,000 Annotated verso Unsigned as issued Publisher: Mourlot, Paris Print...

Lithograph on grand vélin des Papeteries de Lana paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Au Temps de Paris Seine...

Original Go Greyhound, Washington D. C. vintage travel poster. See your U. .S. A. Leave the driving to us. Conservation linen backed in very good / fine condition. Ready to frame. The image features a statue of a man on a horse in the foreground. In the back is the Capitol dome. A light blue background. The bottom right corner has the emblem of the Greyhound bus...

Ed Ruscha Some Los Angeles Apartments (Unsigned), 1965 True First Edition Artist Book: Stated Limited Edition of only 700 7 × 5 1/2 inches Unframed A rare and elusive 1960s Artist Bo...

This exquisite lithograph, titled Sans titre, after Leonor Fini, from the folio L'Histoire d'O (The Story of O), 1962, was published and printed by La Compagnie des Vibliophiles, au ...

Original vintage travel poster: Germany by SAS (Scandinavian Airline System). Artist: Otto Nielsen. Size: 25 x 39.5" Archival linen backed original vintage travel poster; ex...

Woodcut on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Éloge de Émile Bernard, 1962. Published by Editions d'Art Ma...

Firmada a lápiz por el artista en la parte inferior y con tiraje 13/250 En buen estado de conservación Sin enmarcar Medidas: 58 cm x 49 cm.

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Coq Violet (The Purple Rooster), from the folio Derriere le miroir, No. 132, originates from the 1962 edition publish...

Lithograph on vélin des Papeteries du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, André Beaudin, Verve: Revue Artistique et...

This original etching is hand signed in pencil by the artist "Hockney" in the lower right margin. It is hand signed in pencil from the edition of 100, at the lower left corner. There were also 15 artist’s proofs aside from the standard edition. The suite was published in four sets (A, B, C & D) for a total edition of 100. It was printed by Piet Clement at The Print Shop...

This is a lithographically printed reproduction of a sensationally fun Lichtenstein triptych he painted in 1964, produced by the Stedelijk Museum...

Silkscreen on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the album, Numbers, 1968. Published by the Edition Domberger, Stuttgart, and G...

This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Sans titre (Untitled), from the folio Derriere le miroir, No. 179, originates from the 1969 edition published by...

Signed lower right, 'Georges Lambert' (French, 1919-1998), titled lower center 'Landscape' and inscribed lower left, number and limitation, 'XV/LX' (15/60). Georges Lambert first st...

Peter Kalen - West Hill, Year: 1968, Medium: Screenprint on thin wove paper, signed, titled and numbered in pencil, Edition: 2/15, Image Size: 15 x 11 inches, Size: 16.75 x 12 in. (...

This is from his New York series consisting of 10 original lithographs signed & numbered. Limited edition of 150 numbered and 30 AP.. It is number 58 in the catalogue of lithographs. The size is the registered paper size plus the frame. Vol.1 Bernard Buffet lithographs...