1970s Landscape Prints

Artist: Peter Max (1937) Title: Winter Sunshine Year: 1970 Edition: A.P.; 300, plus proofs Medium: Silkscreen on wove paper Size: 16 x 18.5 inches Condition: Good Inscription: Signed...

Original Hawaii, United Airlines Hawaii travel poster. Linen-backed, excellent condition. Ready to frame. Great price for an archival linen-backed poster of this Hawaii United Airlines vintage...

Original 1973 Vail Village, Colorado vintage travel and skiing poster. Preservation linen-mounted in A- condition, ready to frame. Discover Vintage Vail Magic! Take a trip back i...

Lloyd Lozes Goff, American (1918 - 1982) - French Road, Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 250, AP 30, Image Size: 24 x 16.5 inches, Size: 2...

Artist: John Chamberlain (1927-2011) Title: Flashback II Year: 1979 Medium: Lithograph on vélin d’Arches paper Edition: 88/175, plus proofs Size: 28 x 20 inches Inscription: Signed a...

Lloyd Lozes Goff, American (1918 - 1982) - Notre Dame, Year: 1979, Medium: Lithograph, Signed and Numbered in Pencil, Edition: 300, AP 30, Image Size: 19 x 25 inches, Size: 23 i...

Field by Millard Owen Sheets, American (1907–1989) Date: circa 1977 Lithograph, signed and numbered in pencil Edition of 250 Size: 24 in. x 35 in. ...

This exquisite lithograph by Hans Hartung (1904–1989), titled L differe-2 (The Deferred-2), from the album San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe siecle (San L...

Artist: Romare Bearden (1911-1988) Title: Louisiana Serenade (Gelburd/Rosenberg 70-77) Year: 1979 Medium: Lithograph on vélin d’Arches paper Edition: 39/175, plus proofs Size: Paper ...

Salvador Dali, Spanish (1904 - 1989) - Warriors Dream, Portfolio: Peace in Vietnam, Year: 1973, Medium: Lithograph, signed and numbered in pencil, Edition: 135/300, Size: 16.25 ...

Edition of 110, signed and numbered lower right

Contemporary French artist Francois Houtin still developed his signature style of imaginary vegetation and symbols in the 1970's and has continued to master etching and fantasy lands...

The way. 1976, linocut, print size 65x50 cm; total 75x60 cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction publications. The main directi...

Original Japan serigraph travel poster. Linen backed in very find condition, ready to frame. Japanese travel posters have a rich history and are renowned for their captivating aesthetics, often blending traditional imagery with modern elements. In the 1970s, during the height of travel poster popularity, Japanese artists created numerous designs promoting tourism within the country and to international destinations. The poster you're referring to, produced by the American Screen Printing Co. in 1972, likely aimed to capture the essence of Japanese culture and scenery while appealing to an American audience. Pagodas are iconic structures in Japanese architecture. They are multi-tiered towers...

This exquisite lithograph by Marc Chagall (1887–1985), titled Nu au Collier (Nude with Necklace), from the folio Derriere le miroir, No. 198, originates from the 1972 edition publish...

Lloyd Lozes Goff, American (1918 - 1982) - Entrance to Venice, Year: 1979, Medium: Lithograph, Signed and Numbered in Pencil, Edition: 300, AP 30, Image Size: 19 x 25 inches, Siz...

Lloyd Lozes Goff, American (1918 - 1982) - New York Harbor, Year: 1979, Medium: Lithograph, Signed and Numbered in Pencil, Edition: 250, AP 15, Image Size: 18.5 x 24 inches, Size...

Composition is an original etching realized by Leo Guida in 1970s. Good condition. Mounted on a white cardboard passpartout (50x35). Not signed and not dated. Leo Guida (1992 - ...

Original “Student Winter in Poland with Almatur” horizontal Polish poster. Travel and tourism office of the Socialist Union of Polish Students”. Th...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph II, from the album Joan Miro Lithographs, Volume II, originates from the 1975 edition published by Leon Amiel, New York, and printed by Mourlot Freres, Paris, 1975. Lithograph II reflects Miros poetic mastery of line, movement, and color, capturing his lifelong pursuit of visual rhythm and lyrical abstraction. Combining spontaneity and control, this composition embodies Miros signature balance of playful geometry and poetic energy—translating instinct and imagination into a harmonious field of motion and light. Executed as a lithograph on velin paper, this work measures 12.5 x 9.625 inches. Unsigned and unnumbered as issued. The edition exemplifies the refined craftsmanship and technical mastery of Mourlot Freres, Paris, one of the foremost printmaking ateliers of the 20th century. Artwork Details: Artist: Joan Miro (1893–1983) Title: Lithograph II, from the album Joan Miro Lithographs, Volume II, 1975 Medium: Lithograph on velin paper Dimensions: 12.5 x 9.625 inches (31.8 x 24.4 cm) Inscription: Unsigned and unnumbered as issued Date: 1975 Publisher: Leon Amiel, New York Printer: Mourlot Freres, Paris Catalogue raisonne references: Cramer, Patrick, and Joan Miro. Joan Miro, Catalogue Raisonne Des Livres Illustres. P. Cramer, 1989, illustration 198. Cramer, Patrick. Joan Miro: Lithographs Volume V 1972–1975. Maeght, 1992, illustration 1038. Condition: Well preserved, consistent with age and medium Provenance: From the album Joan Miro Lithographs, Volume II, published by Leon Amiel, New York; printed by Mourlot Freres, Paris, 1975 Notes: Excerpted from the album, The original Joan Miro lithographs were printed by Mourlot, the illustrations by Arte Adrien Maeght, and the text by Imprimerie Union, Paris, France. V̅ examples of this English-language edition, numbered I-V̅, have been printed. A deluxe French edition of CL examples, numbered I-CL, with II additional original lithographs signed by Joan Miro, and LXXX suites, numbered I-LXXX, containing the XIII original lithographs on velin with wide margins and with each lithograph signed by the artist, have also been printed. About the Publication: Joan Miro Lithographs, Volume II, published in 1975 by Leon Amiel, New York, with lithographs printed by Mourlot Freres, Paris, is the second installment in the monumental four-volume series documenting Miros complete lithographic work. The project was conceived as both an artistic and scholarly endeavor, uniting Miro’s technical innovation with comprehensive cataloguing of his print oeuvre. Volume II chronicles an essential period in Miros career—from 1950 to 1956—when his exploration of symbolic abstraction, vibrant color, and gestural spontaneity reached new levels of expressive freedom. The collaboration between Miro and the master lithographers at Mourlot resulted in works of exceptional brilliance and vitality, capturing the artist’s playful yet deeply spiritual sensibility. The album was produced with meticulous attention to detail, printed on the highest-quality velin paper, and accompanied by essays and documentation that provide historical and artistic context. Issued in English and French-language editions, Joan Miro Lithographs, Volume II stands as a landmark in 20th-century printmaking—testament to the enduring creative partnership between Miro, Mourlot, and the publishers Maeght and Amiel. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola d'Art in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miros inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miros work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for 23,561,250 GBP (approximately 37 million USD) at Sotheby's, London, on June 19, 2012. Joan Miro Lithograph II...

Hans-Georg Rauch, German (1939 - 1993) - Untitled (31), Year: 1978, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: HC X/X, Size: 20 in. x 28 in. (50.8 cm ...

Hans-Georg Rauch, German (1939 - 1993) - Untitled (2/23), Year: 1978, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: 100, Size: 23 x 15 in. (58.42 x 38....

Artist: Joan Melnick, American (1942 - ) Title: Morning Star Year: 1979 Medium: Screenprint, signed and numbered in pencil Edition: 300, AP 35 Paper Size: 25 x 40 in. (63.5 x 101.6 cm)

Mel Hunter, American (1927 - 2004) - In Our Birch Grove, Year: 1976, Medium: Lithograph, signed and numbered in pencil, Edition: 10, XXV, Size: 22 x 26 in. (55.88 x 66.04 cm)

Max Epstein, Canadian (1932 - 2002) - Winter's Morning, Year: 1978, Medium: Screenprint, signed and numbered in pencil, Edition: AP 42/50, Size: 17.75 x 25.75 in. (45.09 x 65.4...

Original Evel Knievel, 1971 vintage movie poster. Excellent condition, folded as initially shipped to the movie theater. U. S. original 1-sheet movie poster A Timeless Tribute t...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Ediciones Polígrafa, Redfern Gallery, 1979. Published by Redfern Gallery, London...

Artist: John Chamberlain (1927-2011) Title: Flashback VII Year: 1979 Medium: Lithograph on vélin d’Arches paper Edition: 119/175, plus proofs Size: 28 x 20 inches Inscription: Signed...

Artist: Peter Max (1937) Title: Garden Flowers Year: 1979 Edition: 347/350, plus proofs Medium: Lithograph on Somerset paper Size: 30 x 22 inches Condition: Excellent Inscription: Si...

Robert Cottingham Everybody's Bookshop, Everybody's Books, 1975 Color Lithograph 23 × 18 inches Signed and numbered from the edition of 200 in pencil on the front; Bears Artist's cop...

Noel Daggett, American (1925 - 2005) - Halfway to Lamey, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 18 x 22 inches, Siz...

The original Hawaii Western Airlines 1970s vintage travel poster is archivally linen-backed, in excellent condition, and ready to frame. It was p...

Original Las Vegas, Nevada American Airlines travel poster. Archival linen backed in very good Condition Grade A-. The post...

Artist: Alexander Calder (1898-1976) Title: Sky Swirl, Braniff International Airways Flying Colors Collection Year: 1975 Medium: Lithograph on vélin d’Arches paper Size: 26 x 20 inch...

Lithograph on vélin papel Guarro con filigrana paper. Unsigned and unnumbered, as issued. Good condition. Notes: published in 1970 to promote the folio, Tapís De Tarragona, il·lustra...

This exquisite silkscreen after Jean Cocteau (1889–1963), titled Sans titre (Untitled), from the album Nous croyons en lEurope, Etudes pour un projet de timbre (We Believe in Europe,...

Tiger TATEISHI (1941 - 1998) Moon Landscape, 1973 Original lithograph Handsigned in pencil Numbered /100 On vellum 82.5 x 58.5 cm (c. 33 x 23 in) Exce...

Artist: Christo, Title: Running Fences yellow Series: Running Fences Date: 1976 Medium: Offset Lithograph Dimensions: 25.25" x 39.5" Signature: Signed Edition: 1000

Hans-Georg Rauch, German (1939 - 1993) - Untitled - 55, Year: circa 1978, Medium: Aquatint Etching, signed and numbered in pencil, Edition: HC I/XX, Size: 21 x 27 in. (53.34 x ...

Marion McClanahan, American (1921 - 1993) - Cibourne Harbor, Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 50, Image Size: 23.5 x 34 inches, Siz...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph II, from the album Joan Miro Lithographs, Volume I, originates from the 1972 edition published by Tudor Publishing Company, New York, and printed by Mourlot Freres, Paris, 1972. Lithograph II reflects Miros poetic mastery of line, movement, and color, capturing his lifelong pursuit of visual rhythm and lyrical abstraction. Combining spontaneity and control, this composition embodies Miros signature balance of playful geometry and poetic energy—translating instinct and imagination into a harmonious field of motion and light. Executed as a lithograph on velin paper, this work measures 12.5 x 9.625 inches. Unsigned and unnumbered as issued. The edition exemplifies the refined craftsmanship and technical mastery of Mourlot Freres, Paris, one of the foremost printmaking ateliers of the 20th century. Artwork Details: Artist: Joan Miro (1893–1983) Title: Lithograph II, from the album Joan Miro Lithographs, Volume I, 1972 Medium: Lithograph on velin paper Dimensions: 12.5 x 9.625 inches (31.8 x 24.4 cm) Inscription: Unsigned and unnumbered as issued Date: 1972 Publisher: Tudor Publishing Company, New York Printer: Mourlot Freres, Paris Catalogue raisonne references: Cramer, Patrick, and Joan Miro. Joan Miro, Catalogue Raisonne Des Livres Illustres. P. Cramer, 1989, illustration 160. Calas, Nicolas, and Elena Calas. Joan Miro: Lithographs Volume IV 1969-1972. Maeght, 1981, illustration 858. Condition: Well preserved, consistent with age and medium Provenance: From the album Joan Miro Lithographs, Volume I, published by Tudor Publishing Company, New York; printed by Mourlot Freres, Paris, 1972 Notes: Excerpted from the album, The original Joan Miro lithographs were printed by Mourlot, the illustrations by Arte Adrien Maeght, and the text by Imprimerie Union, Paris, France. V̅ examples of this English-language edition, numbered I-V̅, have been printed. A deluxe French edition of CL examples, numbered I-CL, with II additional original lithographs signed by Joan Miro, and LXXX suites, numbered I-LXXX, containing the XIII original lithographs on velin with wide margins and with each lithograph signed by the artist, have also been printed. About the Publication: Joan Miro Lithographs, Volume I, published in 1972 by Tudor Publishing Company, New York, in collaboration with Mourlot Freres, Paris, inaugurated the definitive four-volume catalogue series devoted to Miros original lithographs. This landmark publication was conceived as both a scholarly reference and a visual celebration of the artist’s printmaking achievements, uniting essays, documentation, and full-color lithographic plates printed from the original stones. The English-language edition, produced for international distribution, was printed to the same technical standards as the French deluxe edition issued by Maeght Editeur, ensuring identical quality and fidelity. The lithographs, executed at the Atelier Mourlot—Europe’s most renowned lithographic studio—reflect the seamless collaboration between Miro and printer Fernand Mourlot, whose partnership had defined the highest standards of fine art lithography since the 1930s. The album embodies Miros philosophy of printmaking as a form of spontaneous creation, translating the energy of his hand directly into color and form. Combining artistic rigor with playful invention, the series captures the essence of Miros late style: joyous, musical, and deeply poetic. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola d'Art in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miros inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miros work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for 23,561,250 GBP (approximately 37 million USD) at Sotheby's, London, on June 19, 2012. Joan Miro Lithograph II...

Artist: Peter Max (1937) Title: Galaxy Lady Year: 1972 Edition: T.P.; 300, plus proofs Medium: Silkscreen on wove paper Size: 16 x 18.5 inches Condition: Good Inscription: Signed by ...

ROBERTO MATTA (1911-2002) FOG, GOG, AND MAGOG 1971 Color lithograph. Plate 1 from “Fog Gog, and Magog” 1971. Signed in pencil and numbered. This work is number 92 from the edition o...

Vasilios Janopoulos, Greek (1953 - ) - Works Miami, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: HC, Image Size: 24.5 x 14.5 inches, Size: 29.5 ...

Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Féerie et Le Royaume, Lithographies Originales de Marc Chagall, 1972...

This exquisite lithograph by Yaacov Agam (born 1928), titled Composition sur fond noir (Composition on a Black Background), from the album XXe siecle, Nouvelle serie, XL Annee, No. 5...

Original Zurich, Switzerland vintage travel poster. Conservation linen backed and ready to frame. Excellent condition. Created by the esteemed...

Original Caribbean South America Holland America Cruises vintage poster. S.S. Rotterdam and the S.S. Statedam cruise ships. Artist: David Klein. Archivally linen-backed and ready to frame. In excellent condition. Note that his poster was printed with a shiny surface. David Klein was the notable artist that created most of TWA’s travel posters...

Original Zurich, Switzerland vintage travel poster, conservation linen backed and ready to frame. Printer: Schwegler Karl AG Zürich Thi...

Artist: John Chamberlain (1927-2011) Title: Flashback I Year: 1979 Medium: Lithograph on vélin d’Arches paper Edition: 50/175, plus proofs Size: 28 x 20 inches Inscription: Signed an...

Kenneth Snelson New York State Council on the Arts vintage poster, 1971 Offset lithograph on wove paper Unsigned, Unnumbered 35 × 25 inches Unframed Scarce original 1970s offset lit...

Flower song, a beautiful landscape lithograph in soft tones by Michael Schofield (American, b. 1947). Presented in a wooden frame. Signed "Schofield" lower right and numbered "165/35...

This exquisite lithograph by Alexander Calder (1898–1976), titled Composition aux Cercles (Composition with Circles), from the folio Derriere le miroir, No. 221, originates from the 1976 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1976. Composition aux Cercles reflects Calder’s mastery of rhythm, motion, and form—translating the dynamic energy of his sculptural works into bold, abstract compositions on paper, rich with color and movement. Executed as a lithograph on velin paper, this work measures 15 x 22 inches, with centerfold as issued. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Alexander Calder (1898–1976) Title: Composition aux Cercles (Composition with Circles), from the folio Derriere le miroir, No. 221 Medium: Lithograph on velin paper Dimensions: 15 x 22 inches (38.1 x 55.88 cm), with centerfold as issued Inscription: Unsigned and unnumbered as issued Date: 1976 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, No. 221, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1976 Notes: Excerpted from the folio (translated from French), The illustrations on the cover and pages 3, 4-5, 6, 9, 12-13 and 16 of this issue of "Behind the Mirror" are original lithographs by Calder printed at l'imprimerie Arte, Adrien Maeght. It was printed a luxury edition on velin d'Arches in CL numbered examples. About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght’s belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Alexander Calder (1898–1976) was an American sculptor, painter, and printmaker whose pioneering innovations in kinetic art revolutionized 20th-century sculpture and transformed modern visual language. Born in Lawnton, Pennsylvania, into a family of artists, Calder initially trained as a mechanical engineer at the Stevens Institute of Technology before turning to art at the Art Students League in New York—a combination of technical precision and creative imagination that defined his career. Moving to Paris in 1926, he immersed himself in the avant-garde and formed friendships with Pablo Picasso, Alberto Giacometti, Joan Miro, Wassily Kandinsky, Salvador Dali, Marcel Duchamp, and Man Ray, whose ideas profoundly shaped his artistic philosophy. From Picasso, he absorbed structural invention; from Miro, lyrical abstraction; from Kandinsky, spiritual geometry; and from Duchamp and Man Ray, the courage to merge intellect and play. In Paris, Calder created his famous Cirque Calder, a miniature mechanical circus that introduced motion and performance as central components of sculpture, and by the early 1930s, he invented the mobile—a term coined by Duchamp—to describe his delicately balanced, moving sculptures that responded to air currents. Later, Jean Arp would name his stationary counterparts stabiles. These two inventions—sculptures that could either float and spin gracefully or stand monumentally still—transformed art into a dynamic dialogue between movement, balance, and space. Calder’s signature forms, painted in vivid reds, blacks, blues, and yellows, embodied both joy and precision, creating an art that was at once abstract, organic, and deeply human. Like Kandinsky and Miro, he viewed art as a form of rhythm and emotion; like Duchamp, he embraced innovation and humor; and like Giacometti and Dali, he was fascinated by perception, structure, and the unseen forces of motion. His monumental public sculptures—such as La Grande Vitesse (1969) in Grand Rapids and Flamingo (1973) in Chicago—redefined public art as a symbol of civic optimism and modern progress. A key bridge between European modernism and American abstraction, Calder’s influence extended to artists including Jean Tinguely, George Rickey, Donald Judd, Ellsworth Kelly, Richard Serra, and Olafur Eliasson, whose works in kinetic and spatial art continue to echo his vision. His gouaches, prints, and jewelry carried the same balance and movement as his sculptures, revealing a unified language of rhythm across media. Represented in every major modern museum—including MoMA, the Guggenheim, the Tate, and the Centre Pompidou—Calder remains celebrated for merging engineering, color, and poetry into an art of pure equilibrium. Standing alongside Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he remains one of the cornerstones of modern art—a visionary whose works breathe with motion, grace, and joy. His highest auction record was achieved by Poisson Volant (Flying Fish) (1957), which sold for $25.9 million at Christie’s, New York, on May 15, 2014, reaffirming Alexander Calder’s enduring legacy as one of the most inventive, dynamic, and collectible artists in the history of modern art. Alexander Calder Composition...

Richard Florsheim created this color lithograph entitled “Carnival” in 1972 in an edition of 30 pieces. Published by Associated American Artists and printed by Landfall Press, this i...

Up towards the sun. 1972, paper, lithography, 15x12.5 cm Dzidra Ezergaile (1926-2013) Born in Riga. School years alternate with summer work in the countryside. In 1947, she began he...

Richard Haas The Rookery Courtyard, Chicago, 1974 Etching on etching rag paper Signed, titled and numbered 11/50 in graphite pencil on the front Frame included Etching on etching ra...

Artist: Romare Bearden (1911-1988) Title: Out Corus (Gelburd/Rosenberg 70-77) Year: 1979 Medium: Lithograph on vélin d’Arches paper Edition: 147/175, plus proofs Size: Paper Size: 23...

Artist: Leroy Neiman (1921-2012) Title: Nadia, Comaneci Montreal Olympics poster Year: 1976 Medium: Silkscreen on wove paper Size: 22 x 30.5 inches Condition: Excellent Inscription: ...

This exquisite lithograph after Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Tapis De Tarragona (Tarragona Tapestry), illustrations, Joan Miro, 1972, originate...

Artist: Romare Bearden (1911-1988) Title: Bopping at the Birdland (Gelburd/Rosenberg 70-77) Year: 1979 Medium: Lithograph on vélin d’Arches paper Edition: 110/175, plus proofs Size: ...