20th Century Landscape Prints

Green and blue tonal architectural landscape of a cathedral. The work is signed, titled, and dated by the artist. It is framed in a gold frame with a white matte. Paul Sprohge is a H...

Pink Flowers  is a colored lithograph realized by Ivan Rabuzin .   Hand signed  in pencil on the lower right corner. Numbered in pencil on the lower left corner.  Edition 172/ 200 ...

Rare Contemporary Architectural Urban Landscape "The Overpass" Etching on Paper A compelling urban design of a highway underpass and one of his "El Paso" series of images, by Califo...

Rare Contemporary Architectural Urban Landscape "Under the Overpass" Etching on Paper A compelling urban design of a highway underpass detail and one of his "El Paso" series of imag...

Frank Lloyd Wright's Ennis House, Los Angeles - Lithograph on Paper Clean, modern lithograph of the Ennis House in Los Angeles by Frances Myers (American, 1936-2014). The Ennis House sits at the top of a small hill, cutting a strong line against a soft peach-colored sky. Wright's strong sense of balance is highlighted in this composition, with patterns and lines guiding the viewers eye in various directions around the piece. Numbered, titled, signed and dated along the bottom edge: 7/50 Ennis House - Los Angeles Frances Myers 1980 Paper size: 29.5"H x 38"W Print size: 24"H x 32"W Shipped rolled in a tube. Myers was born on April 16, 1936, in Racine, Wisconsin. She began her studies at the San Francisco Art Institute, but soon transferred to the University of Wisconsin–Madison where she earned a BS in 1962, and an MFA in 1965. Myers employed a variety of printmaking techniques in her career including "relief, photo-etching, and mixed media processes." Myers is best known for her prints depicting various buildings. She once said, “I don’t want to invent a building, I want to bring new life to a building.” Growing up in Racine, Myers was exposed to many of Frank Lloyd Wright's architectural works, and she paid tribute to this in her 1980 work The Frank Lloyd Wright Print...

Reynold Weidenaar (American, 1915-1985) Signed: Reynold Weidenaar (Lower, Left) " Ten O'Clock in Taxco " Etching and Aquatint Plate Size: 17" x 13" Housed in a 1 1/8" Black and...

Original first edition printing of Scandinavia by SAS, Scandinavian Airlines System. The first edition has a greyish panel along the bottom. The poster also features the SAS logo...

Original first printing of London by SAS, Scandinavian Airlines System. The first edition has a mint green panel along the bottom. The poster also features the SAS logo on the lo...

SWEETGRASS CARRIERS is a hand drawn, limited edition lithograph(not a photo reproduction or digital print) by the renowned American artist JONATHAN...

"Farewell" is an original color woodcut by Carol Summers. The artist signed the piece. This woodcut depicts a river flowing through green hills beneath a blood-red sky. The edition number is 20/50. 24 1/4" x 37" art 32" x 45" frame Carol Summers has worked as an artist throughout the second half of the 20th century and into the first years of the next, outliving most of his mid-century modernist peers. Initially trained as a painter, Summers was drawn to color woodcuts around 1950 and it became his specialty thereafter. Over the years he has developed a process and style that is both innovative and readily recognizable. His art is known for it’s large scale, saturated fields of bold color, semi-abstract treatment of landscapes from around the world and a luminescent quality achieved through a printmaking process he invented. In a career that has extended over half a century, Summers has hand-pulled approximately 245 woodcuts in editions that have typically run from 25 to 100 in number. His talent was both inherited and learned. Born in 1925 in Kingston, a small town in upstate New York, Summers was raised in nearby Woodstock with his older sister, Mary. His parents were both artists who had met in art school in St. Louis. During the Great Depression, when Carol was growing up, his father supported the family as a medical illustrator until he could return to painting. His mother was a watercolorist and also quite knowledgeable about the different kinds of papers used for various kinds of painting. Many years later, Summers would paint or print on thinly textured paper originally collected by his mother. From 1948 to 1951, Carol Summers trained in the classical fine and studio arts at Bard College and at the Art Students League of New York. He studied painting with Steven Hirsh and printmaking with Louis Schanker. He admired the shapes and colors favored by early modernists Paul Klee (Sw: 1879-1940) and Matt Phillips (Am: b.1927- ). After graduating, Summers quit working as a part-time carpenter and cabinetmaker (which had supported his schooling and living expenses) to focus fulltime on art. That same year, an early abstract, Bridge No. 1 was selected for a Purchase Prize in a competition sponsored by the Brooklyn Museum. In 1952, his work (Cathedral, Construction and Icarus) was shown the first time at the Museum of Modern Art in New York City in an exhibition of American woodcuts. In 1954, Summers received a grant from the Italian government to study for a year in Italy. Woodcuts completed soon after his arrival there were almost all editions of only 8 to 25 prints, small in size, architectural in content and black and white in color. The most well-known are Siennese Landscape and Little Landscape, which depicted the area near where he resided. Summers extended this trip three more years, a decision which would have significant impact on choices of subject matter and color in the coming decade. After returning from Europe, Summers’ images continued to feature historical landmarks and events from Italy as well as from France, Spain and Greece. However, as evidenced in Aetna’s Dream, Worldwind and Arch of...

THOMAS HART BENTON (1889-1975) MISSOURI FARMYARD, 1936 (Fath 10) AKA KANSAS FARMYARD Lithograph as published by Associated American Artists. Edition 250. Signed in pencil and in the...

"La Peine Perdue (Wasted Effort)" (sky Bird) is a limited edition 74/275 fine art lithograph of Belgian surrealist artist René Magritte on BFK Rives hand-made paper. It depicts in h...

THOMAS HART BENTON (1889-1975) PLOUGHING IT UNDER (aka Ploughing) 1934 (Fath 8) Original lithograph, signed in pencil. Edition of 250 as published by Associated American Artists (AA...

"July Fifteenth" is a lithograph from 1938 by Grant Wood. The artwork size is 9 3/4 x 12 1/2 inches. The framed size is 17 x 19 1/2 x 5/8 inches. The piece is signed in pencil, lower...

Popular Festival is an original artwork realized by Serge Mendjisky in the 1970s. Mixed colored lithograph. Hand-signed by the artist on lower right. Numbered on lower left. Editio...

Large Marine Scene Dutch or Flemish, 20th century color print on canvas, framed framed: 27 x 34 inches canvas: 20 x 27.5 inches provenance: private collection, UK condition: very goo...

Artist: Peter Milton, American (1930 - ) Title: Under Greylock Year: 1993 Medium: Intaglio Etching, signed and numbered in pencil Edition: 175 Image Size: 18.25 x 15 inches Size: 25 ...

Christo & Jeanne Claude Surrounded Islands Offset Lithograph Size: 24.0×36.0 inches Signed and inscribed in the print COA provided Ref.: 924802-1556 Christo Vladimirov Javacheff an...

Jeanne Marguerite Frey-Surbek (Swiss, * 23.2.1886 Delémont, † 17.5.1981 Bern) Country Road near Gabés, Tunesia, North Africa • Etching • Platte, ca. 7 x 11 cm • Sheet, ca. 33 x 25.5 cm • Monogrammed lower right • Edition noted lower left 74/100 • Printed title lower right Looking through my stock, buyers will notice my liking of female artistes working in Switzerland and here I introduce you to another important heroine of Swiss artistes and present a sweet little Swiss School orientalist pre-war etching...

One of a series of 18 lithographs drawn by the artist fo¬r the Auden Poems/Moore Lithographs 1974 book and portfolio. This work is from an edition of 25 printed on vellum aside from ...

Windmill And Well At Dusk - Original Vintage Lithograph Original vintage black and white lithograph of a windmill and well at dusk by Peter Hurd (American, 1904-1984). The viewer looks out into the New Mexico desert, as a windmill stands in back of a full water tank. The setting dusky sun lights the horizon as the crescent moon comes into view. Simple, beautiful New Mexico desert scene. Signed in print575 "Peter Hurd" lower right. Presented in a silver frame with an inner white mat. Frame: 15.25"H x 19.25"W Mat: 14.5"H x 18.5"W Image: 8.75"H x 10.25"W Peter Hurd (American, 1904-1984) was an American painter whose work is strongly associated with the people and landscapes of San Patricio, New Mexico, where he lived in the 1930s. He is equally acclaimed for his portraits and his western landscapes. Early in his life, Hurd studied in Chadds Ford, Pennsylvania under the noted illustrator N. C. Wyeth, along with two of his grown children. Hurd later married the painter's eldest daughter, Henriette Wyeth, who also is known as an accomplished painter. During World War II, Hurd worked for Life magazine as a war correspondent attached to the US Air Force. He created hundreds of "War Sketches". Hurd came to national attention in the 1930's for both painting and book illustration. Among the books are Last of the Mohicans (1926), Great Stories of the Sea and Ships (1933), and Habit of Empire (1938). Nevertheless, he was most associated with the New Mexico subjects which occupied most of his career. He worked primarily in egg tempera on gesso, a medium he introduced to his younger brother-in-law, Andrew Wyeth. Hurd's realist palette and brush technique of fine, linear marks and hatches beautifully conveyed the scrubby high-desert landscape. He loved to explore the visual effect of constantly changing weather and sunlight on the land. Hurd also was known for his honest yet sympathetic portrayals of local ranch and farm families going about the work and pleasures of their daily lives. Sponsored by New Deal art programs, Heard painted murals for the Big Springs, Texas Post Office in 1938 and the Terminal Annex Building in Dallas in 1940. In that latter year he also completed three fresco murals at the Alamogordo, New Mexico Post Office. From 1942 to 1945 Hurd worked as a war correspondent for Life magazine and then resumed full-time painting. During 1953 and 1954 Peter, Henriette, and two students, Manuel Acosta...

Image dimensions: 18 x 14 cm. Nocturne in Egypt is an original contemprary artwork realized by Robert Naly in the middle of the XX Century. Original etching on ivory paper. Hand-...

French Impressionist landscape lithograph from the 1960's titled "Hills of Provence." Edition 10/25. Signed, titled, and dated by artist. Dimensions Without Frame: H 20.5 in. x W 24 in. Artist Biography: She was born in Latvia in 1921. She received her early training in Munich, Germany, working in theater Costume History and Design, and in painting before she came to America. In 1949 she became an American citizen. Once in New York she studied at the Art Students League, the School of Visual Arts, the Pratt Graphic Art Center under Frasconi, and then continued at Pratt on a fellowship to work under Michael Ponce de Leon...

Lithograph in colors on Fabriano hand-made, rag, cream laid paper. Inscription: Unsigned and unnumbered, as issued. Catalogue Raisonne Reference: Michler/Löpsinger 1600; Field 69-3....

Lithograph on vélin d'Arches. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Raoul Dufy, IV, Collection Pierre Levy, 1969; published by Fernand Mourlot,...

STEPPIN OUT is a hand drawn original lithograph printed using hand lithography techniques on archival Arches printmaking paper 100% acid free. STEPPIN OUT is a highly detailed drawing printed in light sepia brown ink depicting a procession of muscular stone men walking...

Lithograph on vélin d'Arches Arjomari paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Lettre à mon peintre Raoul Dufy, 1965. Published by Librairie ...

THE BIG APPLE, NEW YORK CITY is a handmade limited edition color lithograph with metallic gold silkcreen by the American artist Alex Echo. THE BIG APPLE, NEW YORK CITY was printed us...

Boatmen - Eight Scenic Spots Along Sumida River is a modern print realized in the Mid-20th Century. Mixed colored lithograph after a woodcut realized by the great Japanese artist Ut...

Alexander Calder Lithograph c. 1967 from Derrière le miroir: Lithograph in colors; 15 x 11 inches. Very good overall vintage condition; well-preserved. Unsigned from an edition of u...

Salvador DALI (1904-1969) Butterfly suite : Les Alpes, 1969 Heliogravure / Photogravure after original design by Dali Blind stamp signature bottom right Numbered / 1700 copies Print...

Lithograph in colors on Fabriano hand-made, rag, cream laid paper. Inscription: Unsigned and unnumbered, as issued. Catalogue Raisonne Reference: Michler/Löpsinger 1600; Field 69-3....

Lithograph in colors on Fabriano hand-made, rag, cream laid paper. Inscription: Unsigned and unnumbered, as issued. Catalogue Raisonne Reference: Michler/Löpsinger 1600; Field 69-3....

Lithograph in colors on Fabriano hand-made, rag, cream laid paper. Inscription: Unsigned and unnumbered, as issued. Catalogue Raisonne Reference: Michler/Löpsinger 1600; Field 69-3....

Amalfi Belvedere from the Amalfi Coast collection is a serigraph on paper with an image size 16 x 18 inches, signed 'McKnight' lower right and numbered lower left. Numbered XXII/L fr...

Ravello Garden from the Amalfi Coast collection is a serigraph on paper with an image size 16 x 18 inches, signed 'McKnight' lower right and numbered lower left. Framed in a contempo...

Sorrento Courtyard from the Amalfi Coast collection is a serigraph on paper with an image size 16 x 18 inches, signed 'McKnight' lower right and numbered lower left. Framed in a cont...

Sunset Hill - Mykonos is a serigraph on paper with an image size 20 x 36 inches, signed 'McKnight' lower right and numbered lower left. Framed in a contemporary black frame. Numbered...

After Gustav Klimt, Max Eisler Plate #21, Gastein; grey-green monochrome collotype after the 1917 painting in oil on canvas. Original destroyed by fire May 1945. GUSTAV KLIMT EINE N...

After Gustav Klimt, Max Eisler Plate #29, Am Attersee; brown-toned monochrome collotype after the 1915-16 painting in oil on canvas. GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTE...

This artwork titled "Tierra Roja" from "The Mexican Suite" is an original colors lithograph on Arches paper by renown Mexican artist David Alfaro Siqueiros, 1896-1974. It is hand sig...

John Buck is well known for his carved wood and bronze sculptures and monumental woodblock prints. In recent years, he has turned his attention to creating ever-more-complex mechanic...

Lithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Drawings from the Bible by Marc Chagall, Verve: Revue Artistique et...

Linocut on archival paper. Inscription: Unsigned and unnumbered, as issued. Good condition; unframed. Notes: From the volume, Pablo Picasso: Linogravures. Published by Éditions Cerc...

Original Limited Edition Collotype on Arches paper. Paper Size: 10.25 x 16.5 inches. Inscription: Unsigned and unnumbered, as issued. Edition: 1500, plus proofs. Excellent condit...

Lithograph and stencil on Papeteries de Rives paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Toulouse-Lautrec Album De Ma...

Wood Engraving in Colors on Rives BFK paper. Edition: 4765, French; 3188, Italian. Paper Size: 13 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue Raiso...

Original Limited Edition Collotype on Arches paper. Paper Size: 10.25 x 16.5 inches. Inscription: Unsigned and unnumbered, as issued. Edition: 1500, plus proofs. Excellent condit...

Lithograph on vélin du Marais paper. Inscription: Signed in the plate, verso, with title and additional lithograph. Good condition; with centerfold, as issued. Notes: From the volume...

Lithograph on vélin d'Arches Arjomari paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Lettre à mon peintre Raoul Dufy, 1...

Lithograph on Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Georges Braque le solitaire, 1959. Published by Editio...

Artist: Robert Rauschenberg (1925-2008) Title: Charms against harms Year: 1993 Medium: Lithograph on wove paper Edition: H.C. 8/15, 100, plus proofs Size: 40.5 x 28 inches Condition:...

The Sea is an original contemporary artwork realized by Denise Bonvallet-Philippon in the half of the XX Century by the French artist Denise Bonvallet-Philippon (1906-1994). Origina...

The original Hawaii Western Airlines 1970s vintage travel poster is archivally linen-backed, in excellent condition, and ready to frame. It was printed with a semi-glossy finish and ...

Lithograph in colors on Fabriano hand-made, rag, cream laid paper. Inscription: Unsigned and unnumbered, as issued. Catalogue Raisonne Reference: Michler/Löpsinger 1600; Field 69-3....

Lithograph in colors on Fabriano hand-made, rag, cream laid paper. Inscription: Unsigned and unnumbered, as issued. Catalogue Raisonne Reference: Michler/Löpsinger 1600; Field 69-3....

Lithograph in colors on Fabriano hand-made, rag, cream laid paper. Inscription: Unsigned and unnumbered, as issued. Catalogue Raisonne Reference: Michler/Löpsinger 1600; Field 69-3....

Lithograph in colors on Fabriano hand-made, rag, cream laid paper. Inscription: Unsigned and unnumbered, as issued. Catalogue Raisonne Reference: Michler/Löpsinger 1600; Field 69-3....