20th Century Landscape Prints

Jules PERRICHON (1866-1946) Cannes : View from California Park, 1928 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind sta...

Henri ROUSSEAU (called Le Douanier ROUSSEAU) (after) Virgin Forest with Sunset Stone lithograph after a painting Printed signature in the plate Numbered /300 copies On vellum 57 x 7...

This exquisite lithograph and pochoir after Andre Derain (1880–1954), titled Paysage de l'Arbre Bleu (Landscape of the Blue Tree), from the album Douze Contemporains (Twelve Contempo...

Pierre BAZIRE Landscape in Normandy Original lithograph Handsigned in pencil Numbered on 50 copies On vellum 56 x 76 cm (c. 22.04 x 29.9 in) Very good condition, small defects in t...

HIGH TIDE, LOW TIDE is a hand drawn, limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on arch...

Ski Poland! Circa 1960s. Artist: Irv Isaacson. Poster satirizing ski culture in Poland showing an unkept ski instructor skiing down a pass with a toilet plunger and nails throug...

Lalibela is an original etching on paper realized by Lino Bianchi Barriviera in 1939. Hand-signed in pencil. Image Dimensions: 35 x 47.5 cm. Num...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance: from...

A rich and tonal image of an icon of Manhattan architecture. Etching with drypoint, 11 7/8 x 7 3/8 inches (300 x 186 mm), full margins. Edition of 100. Signed in pencil, lower right...

Jesse F. Reed, 'Church at Chichicastenango', color etching and aquatint, 1963. Signed and titled in pencil. Signed and dated in the plate, lower right. A fine, richly-inked impression, with fresh colors, on cream wove paper; the full sheet with margins (1 3/8 to 2 1/2 inches), in excellent condition. Chichicastenango, also known as Santo Tomás Chichicastenango, is a town in the El Quiché department of Guatemala, located in a mountainous region about 140 km northwest of Guatemala City. Chichicastenango is a K'iche' Maya cultural center, with the great majority of the municipality's population indigenous Mayan K'iche. The church depicted is the 400-year-old church Iglesia de Santo Tomás. Built atop a Pre-Columbian temple platform, the steps which remain venerated today, originally led to a temple of the pre-Hispanic Maya civilization. K'iche' Maya priests still use the church for their rituals, burning incense and candles. Each of the 18 stairs that lead up to the church stands for one month of the Maya calendar year. ABOUT THE ARTIST Jesse Floyd Reed (1920-2011) studied art in New York City at the Grand Central School of Art and the Art Students’ League. He held degrees in History and English and completed special advance studies in Asian, African, and Latin American art, history and culture. At the time of his retirement, he was a Professor of the Arts Emeritus at Davis & Elkins College, a position he held for over forty-nine years. A nationally recognized artist since 1947, Professor Reed’s art has been shown in hundreds of museums, libraries, colleges, and universities, including the Boston Museum, National Museum, The Library of Congress, Brooklyn Museum, and Seattle Museum. In his native West Virginia, he is represented in the permanent collections of the Huntington Museum and the Charleston Museum at Sunrise. The recipient of many national and regional awards, Reed was a member of the Salmagundi Club in NY, the Boston Printmakers, the Print Club of Albany, and was a founding member of the West Virginia Water...

Lalibela is an original etching on paper realized by Lino Bianchi Barriviera in 1949. Hand-signed in pencil. Image Dimensions: 35.5 x 49.5 cm. Nu...

Lithograph on vélin d'Arches à la forme savoir paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Dans l'Atelier de Picasso, 1957. Published by Fernan...

Serigraph printed in colors on paper. Hand signed, dated and numbered by Melanie Taylor Kent. Remarqued lower margin. Printer's Proof edition. ...

Etching on fine, laid antique Head & Co. paper with a partial watermark. 1/2 x 13/16 (13 x 21 mm), full margins. Signed, dated, and inscribed "II" in pencil, lower margin. A trial pr...

hand pulled lithograph edition 100 signed and numbered by the artist unframed

This exquisite lithograph after Fernand Leger (1881–1955), titled Le deux figures (The Two Figures), from the folio Derriere le miroir, No. 79-81, originates from the 1955 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1955. This composition exemplifies Leger’s rhythmic balance of color, form, and movement, translating the mechanical vitality of modern life into a harmonious, humanized geometry. Executed as a lithograph on velin paper, this work measures 15 x 11 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: After Fernand Leger (1881–1955) Title: Le deux figures (The Two Figures), from the folio Derriere le miroir, No. 79-81 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.94 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1955 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, No. 79-81, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1955 About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght's belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Fernand Leger (1881–1955) was a visionary French painter, sculptor, designer, and filmmaker whose groundbreaking fusion of modern industry, vivid color, and geometric form transformed the course of 20th-century art. Born in Argentan, Normandy, Leger began as an architectural draftsman before studying at the Academie Julian and the Ecole des Beaux-Arts in Paris, where he absorbed the lessons of Paul Cezanne’s structural rigor and the revolutionary ideas of Cubism. Alongside Pablo Picasso and Georges Braque, he became one of the leading innovators of the avant-garde, yet his work stood apart through its embrace of mechanical rhythm, bold contrasts, and industrial modernity—earning him the title “the painter of the machine age.” His art celebrated the beauty of technology, urban life, and the human form rendered in dynamic, interlocking cylinders and planes, evoking the pulse of the modern world. Immersed in the vibrant Parisian art scene, Leger worked in dialogue with peers and contemporaries such as Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, all of whom shared his commitment to innovation and the reimagining of artistic expression. Beyond painting, Leger’s creative reach extended into film, design, and monumental public art—his 1924 collaboration on Ballet Mecanique with Dudley Murphy and Man Ray remains a landmark of avant-garde cinema. His later works evolved toward greater clarity and monumentality, celebrating the unity of form, color, and humanity through large-scale murals and mosaics that bridged fine art and architecture. Leger’s synthesis of Cubism, Futurism, and abstraction paved the way for movements such as Pop Art and influenced generations of artists including Roy Lichtenstein, Ellsworth Kelly, Robert Indiana, and Alexander Calder, who admired his fusion of structure, energy, and optimism. Today, his works are prized by major museums and collectors worldwide for their bold visual power and enduring modernity. His highest auction record was achieved by La femme en rouge et vert (1914), which sold for 39,241,000 USD at Sotheby’s, New York, on May 7, 2008. After Fernand Leger Le deux figures 1955, Leger Derriere le miroir No. 79-81, Leger Mourlot...

Irving Amen (American, 1918–2011) Venice Recalled Hand-Signed & Numbered Color Woodcut print Edition: 26/75 Radiant and architecturally expressive, Venice Recalled showcases Ir...

This exquisite lithograph by Andre Minaux (1923–1986), titled La barque echouee (The Stranded Boat), from the album Prints from the Mourlot Press, exhibition sponsored by the French ...

Signed lower right, 'Y. Ganne' for Yves Ganne (French, born 1931) and inscribed 'Epreuve d'Artiste', lower left. Yves Ganne first studied at the Ecole des Beaux-Arts of Nantes and,...

Wayne Ensrud, American (1934 - ) - Piazza Navona, Rome, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 45, Image Size: 24 x 29.5 inches, Size: 2...

Artist: David Rosenthal (American 1876-1949) Title: Bayfront Park, Miami Florida Year: c.1940 Medium: Color Etching with aquatint Image (Plate mark) size: 9 x 11 inches Sheet size: 10 x 12.25 inches Signature: Hand signed, titled and numbered 6/150 in pencil by the artist Condition: Very good, margin slightly toned by age About the artist. David Rosenthal (1876-1949) was a Cincinnati artist...

This exquisite heliogravure, titled Sans titre (Untitled), after Leonor Fini, from the album Fruits de la passion, trente-deux variations sur un theme de Leonor Fini (Fruits of Passi...

This exquisite lithograph by Max Bill (1908–1994), titled Variation 13, from the album XXe siecle, Chroniques du jour, 13 rue Valette (5e), Directeur G. di San Lazzaro, Sommaire du n...

CHRISTO Closed Highway, Project for 5000 Miles, 6 Lanes East-West Highway (Schellmann, 51), 1972 Lithograph with Offset lettering on wove paper Hand signed in felt tip pen and pencil...

JOHN MARIN (1872 -1953) CANAL BRIDGE AMSTERDAM, 1906 (Zigrosser 13 i/ii) Etching, drypoint and plate tone. A PROOF IMPRESSION of the 1st state, Annotated...

This artwork titled "Schubert's Birthplace, Vienna, Austria" c.1925 is a color etching on Wove paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the a...

A Gale at Port Errol. 1923. Etching. Hardie 215, #46. 13 x 8 3/4 (sheet 16 7 /8 x 11 1/2). Edition 76. #46. Illustrated: Fine Prints of the Year, 1923. A rich...

Serge LASSUS (1933-) Horses : Horse Riding in Autumn, 1983 Original Lithograph Handsigned in pencil Numbered / 250 (the number you can see can be different) On Vellum 56 x 76 cm (c....

Paul Cezanne Small French Garden, 1971 Lithograph and stencil (Jacomet workshop) Unsigned Numbered / 225 On paper applied on Arches vellum 41.5 x 53.5 cm (c. 16.5 x 21 in) INFORMAT...

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Ciel des Amoureux (The Lovers’ Sky), from the album The Lithographs of Chagall, Volume II, originates from the 1963 e...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Jacqueline en Espagnole (Jacqueline in Spanish Dress), from the folio Picasso, La flute double, 16 Dessi...

Hank Laventhol, American (1927 - 2001) - Tree of People, Year: circa 1980, Medium: Aquatint Etching, signed and numbered in pencil, Edition: 300, AP XXXV, Image Size: 19.5 x 16 i...

This exquisite lithograph by Keith Haring (1958–1990), titled Untitled, from the album Against All Odds, 20 drawings - Oct. 3, 1989 (Against All Odds, 20 drawings - Oct. 3, 1989), or...

A nostalgic image of a bucolic farmyard and thatched cottage, hearkening to a bygone era. c 1920. Etching with drypoint on laid watercolor paper with deckle edges, and an indiscerni...

Lithograph on vélin papier bouffant des Papeteries de Casteljaloux paper. Paper Size: 11.02 x 8.46 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Sui...

This exquisite lithograph after Pierre-Auguste Renoir (1841–1919), titled Femme au cep de vigne (Woman with Vine Branch), from the album Les Lithographies de Renoir (The Lithographs ...

One of a series of 18 lithographs drawn by the artist for the Auden Poems/Moore Lithographs 1974 book and portfolio. This work is from an edition of 25 printed on vellum aside from t...

Donna Evans' "Angel and Skeleton" shows an angel reaching out to a skeleton as if to rescue it from a wooded landscape. Donna Evans is one of a group of N...

Victor ZAROU (1930-2013) Small Path in Provence, 1982 Original Lithograph Handsigned in pencil Numbered / 150 (the number you can see can be different) On Vellum 74 x 55 cm (c. 29 x...

This exquisite collotype after Alfonso Ossorio (1916–1990), titled Peinture initiatique II (Initiatory Painting II), from the album Peintures initiatiques d'Alfonso Ossorio (Initiato...

This exquisite lithograph and pochoir by Jean Fautrier (1898–1964), titled Annabelle nue (Annabelle Nude), from the album XXe siecle, Nouvelle serie No. 9, Juin 1957, originates from...

Fernand Léger The Viaduct, 1959 Original lithograph (Atelier Mourlot) Signed with the artist's stamp Limited to 180 copies (Here numbered 160) On Arches vellum 66 x 50.5 cm (c. 25....

This exquisite lithograph by Alfred Manessier (1911–1993), titled La tache rouge (The Red Spot), originates from the 1972 edition published by Editions A. C. Mazo et Cie., Paris, in ...

Original Vintage Poster, Moscow 1980, Olympic Games. Levi's Skiing North America. Original first printing of this poster. Official sponsors of the US team for the 1980 Olympic Games. The campaign was titled “Levi’s Olympic Opportunity Sweepstakes," and each poster emphasized the sport associated with one of the six continents: Great artwork depicting a sliding red skier with the globe behind, highlighting the North American continent. This poster is linen-backed and in excellent condition, ready to frame. One of six posters produced by Levi-Strauss for the 1980 Moscow Olympic Games. The posters were created with a sport that was associated with of the six continents. Levi's logo and stylized title text in the margin below the images. Levi's commissioned FCB Advertising in San Francisco to produce a set of six posters and designed by some of the top commercial artists of the 1970s and 1980s. The US pulled out of the Moscow Olympics due to the Soviet Union's invasion of Afghanistan. A small group of these posters was printed. Levi’s abandoned the promotions. The posters were withdrawn following the decision by US President Carter to boycott the Olympics in protest after the USSR invaded Afghanistan in December 1979. The U.S. boycott in 1980 applied to the Moscow SUMMER Olympic Games The artists who created the Levi 1980 Olympic posters...

Etching on cream laid paper, 3 7/8 x 5 7/8 inches (99 x 150 mm), full margins. Signed, dated, and inscribed "Sketch Grolier Club Library Demonstration Print," and numbered "I" in pen...

This exquisite lithograph, titled Sans titre (Untitled), by Leonor Fini, from the folio Parallelement (Parallel), Illustre de lithographies originales de Leonor Fini (Illustrated wit...

This exquisite lithograph by Maurice Utrillo (1883–1955), titled Montmartre, Place Saint-Pierre (Montmartre, Place Saint-Pierre), from the album Paris Capitale (Paris Capital), origi...

Henri ROUSSEAU (called Le Douanier ROUSSEAU) (after) Fight Between a Tiger and a Buffalo Stone lithograph after a painting Printed signature in the plate Numbered /300 copies On vel...

This exquisite lithograph by Fernand Leger (1881–1955), titled Planche 111 (Plate 111), from the album Cirque, Lithographies Originales (Circus, Original Lithographs), originates fro...

Andre DERAIN (after) London : Hyde Park Stone lithograph after a painting (Mourlot workshop) Printed signature in the plate On Arches Vellum 50 x 65 cm (c. 20 x 26 inch) Excellent ...

A magnificent impression from the collection of the artist's sister, with a dedication in Arms's hand. Etching on antique grayish-blue laid paper, 9 1/2 x 5 1/2 inches (242 x 140 mm...

This exquisite lithograph and pochoir by Zoran Music (1909–2005), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie, XXIe Annee, N°13, Noel 1959, originates fro...

Catalogue raisonné 00594 edition 16/43 Published by Simmelink-Sukimoto Editions Although best known for his portraits, Katz has depicted landscapes both inside the studio and out o...

"Nativity" Modernist Landscape Screenprint in Ink on Paper Whimsical modern landscape silkscreen print of the nativity scene by San Francisco, C...

Artist: Roberto Matta (1912-2002) Title: Centre Noeuds (Sabatier 393) Year: 1974 Edition: 38/125, plus proofs Medium: Etching on Arches paper Size: 23.875 x 17.5 inches Inscription: ...

Cape Cod from the New England suite is a serigraph on paper measuring 16 x 18 inches, signed 'McKnight' lower right and annotated lower left. Framed in a contemporary, black frame. N...

This artwork titled "America! America" is a color lithograph after noted American artist James Fetherolf, 1925-1994. It is hand signed at the lower rig...

This exquisite lithograph by Ellsworth Kelly (1923–2015), titled Rouge, Bleu (Red, Blue), originates from the historic 1964 folio Derriere le Miroir, No. 149. Published by Maeght Edi...

Lithograph hand colored realized by Rosanna Cattaneo. Edition of 190. Original title "Quando il Porto è Silenzio". Hand signed and numbered. Excellent condition.

This exquisite lithograph by Marc Chagall (1887–1985), titled L’Offrande (The Offering), from the album The Lithographs of Chagall, Volume I, originates from the 1960 edition publish...