20th Century Landscape Prints

Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série, XXVe Année N°22, Noël 1...

Lithograph on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Man Ray, 1984. Published by Centre National des Arts Plastiques, Ni...

Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série, XXVe Année N°22, Noël 1...

Lithograph on vélin paper. Paper Size: 9.65 x 12.4 inches. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonné references: Kaplan, Gilbert E., and Timothy ...

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Mourlot, Fernand. C...

To see our other original vintage travel posters, many of which have skiing and Austrian subjects, scroll down to "More from this Seller" and below it click on "See all from this sel...

Artist: Dennis Oppenheim Title: Mud Flat Year: 1977 Medium: Lithograph, signed and numbered in pencil Edition: 100 Size: 41 in. x 29 in. (104.14 cm x 73.66 cm)

Arms, John Taylor (American 1887-1953). SHADOWS OF VENICE - IL PONTE DI RIALTO, VENEZIA. Etching, 1930. Edition of 140 + 14 Artist's Proofs. 10 x 12 inches (Plate), 11 3/8 x 157/8 in...

Artist: Gabor Peterdi, Hungarian (1915 - 2001) Title: The Reef Year: 1969 Medium: Color Etching, signed and numbered in pencil Edition: HC 10 Image Size: 17.5 x 24 inches Size: 23.5 ...

Lithograph on papier bouffant des Papeteries de Casteljoux paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Eaux-fortes originale pour des textes de ...

Lithograph on vélin paper. Paper Size: 12.216 x 9.875 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cain, Julien, and Fernand Mourlot. Chaga...

Pencil signed artists proof lithograph or serigraph. Shmuel Katz (Hebrew: שמואל כ"ץ‎) (August 18, 1926 – March 26, 2010) was an Israeli artist, illustrator, and cartoonist. A Holocau...

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cain, Julien, and F...

Lithograph on vélin de Rives paper. Paper Size: 15 x 11 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Taureaux, Lithographies de Jean Coc...

Lithograph with foil stamping and embossing on paper. Hand signed and numbered by the artist. From the edition of 200. Artwork is in excellent condition. Certificate of authenticit...

Screenprint in colors on wove paper. Hand signed, dated and numbered 'AP' by the artist (main edition of 150 plus 10 artist proofs made). Image size 19.5 x 37 inches. Sheet size 25.7...

This stunning version of Cafe Ravello is a limited edition embellished giclee on canvas. It is numbered 64/195 and signed by the artist Howard Behrens. Framing options are available.

By Joaquim Torrents Llado Signed Serigraph, Edition 8/60 21.5" x 21" About the Artist: Joaquim Torrents Lladó (1946-1993) was a distinguished Spanish painter known for his figurativ...

Marsh, Reginald (American, 1898-1954) RUE ST. JACQUES. S.5 Lithograph, 1928. Edition of 36 per Sasowsky, citing Marsh's notebook, but inscribed, lower left, "35 Proofs," and signed in pencil, lower right. 12 1/2 x 8 1/2 inches, 317 x 215 mm. (image). One of the series of lithographs...

Fire Stars Ronald Julius Christensen, American (1923–1999) Date: 1980 Lithograph, signed and numbered in pencil Edition of 295 Size: 27.25 x 38 in. (69.22 x 96.52 cm)

This artwork Titled "Fishing Boats in Cap Muroto" c.1950, is an original woodcut on paper by Japanese artist Gihachiro Okuyama, 1907-1981. It is hand signed and inscribed in Japanese...

David Hockney Richard Strauss: Los Angeles Music Center Opera (Hand Signed and Inscribed), 1993 Offset Lithograph (hand signed and inscribed by David Hockney) 30 × 20 inches Signed a...

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A poster belonging to Erik Nitsche's second series for General Dynamics, promoting its nuclear research. Founded 1952, General Dynamics hired Nitsche as Art Director – a Swiss (1908 – 1998) educated at the Collège Classique in his birth town Lausanne and at the Kunstgewerbeschule in Munich. 1934 he emigrated to the United States and became an incredibly versatile graphic designer whose work became exemplary modernist. General Dynamics for its part focused on – amongst others – aerodynamics, aerospace, electronics and nuclear power. So here the company had a problem: Only a few years after Hiroshima and Nagasaki it wasn’t exactly the simplest thing to explore nuclear energy and not to be suspected of developing weapons of mass destruction. The International Conference on the Peaceful Uses of Atomic Energy 1955 in Geneva was a great opportunity to be seen as a provider of peaceful technology. The guys in charge chose Erik Nitsche to communicate this message. He created four poster series. Atoms for Peace was the first consisting of eleven posters. The second was made for the Conference 1958; these posters are titled Exploring the Universe and represent different aspects of technological research. The third series promoted General Dynamics’ departments. The last series of six smaller posters...

Artist: Jane Freilicher, American (1924 - 2014) Title: Peonies Year: 1989 Medium: Etching with Aquatint, signed and numbered in pencil Edition: 25 Size: 29.5 x 22 in. (74.93 x 55.88 cm)

Lithograph on vélin paper. Paper Size: 14.173 x 11.181 inches. Inscription: Signed in the plate and unnumbered, as issued. From the folio, Hans Hartung: Peintres d'aujourd'hui, 1962....

Artist: Risaburo Kimura, Japanese (1924 - ) Title: Vienna Year: 1973 Medium: Silkscreen on BFK Rives, Signed, titled and numbered in pencil Edition: 250, AP 20 Size: 30 in. x 22 in. ...

Original Vintage Airline Poster commissioned by the British Overseas Airways Corporation promoting its service to the British Territory in the Atlantic ...

Cindy Bernard’s career spans nearly three decades and she is best known for photographs and projections that explore the relationship between cinema, memory, and landscape including the widely exhibited series Ask the Dust (1988-92), now in the collections of the Museum of Contemporary Art, Los Angeles (21 part set), the Pompidou, MOMA and the Whitney Museum of American Art. She is a recipient of grants and fellowships from the J. Paul Getty Trust Fund for the Visual Arts, California Arts Council, Creative Capital, Anonymous Was a Woman, the Harpo Foundation, California Community Foundation, the John Simon Guggenheim Memorial Foundation and the MacDowell Colony. Her work has been exhibited in museums and galleries in the US, Canada, Mexico, Europe, and Japan, and was included in the Whitney and Lyon Biennials. In addition to her visual practice, Bernard takes an active interest in the spaces and production of social exchange. She was a director and advisor to Foundation for Art Resources from 1985 to 1990, a founding director of the Coalition for Freedom of Expression, and co-founder of MOCA Mobilization. Bernard is also the founder and director of The Society for the Activation of Social Space through Art and Sound (SASSAS), an organization she began in response to the need for a flexible and sustainable association dedicated to experimental music in Los Angeles. She has curated and produced more than 50 concerts for SASSAS including Welcome Inn Time Machine for Pacific Standard Time in 2012. Her interest in sound has spurred several projects including a series of photographs of municipal band shells which Bernard sees as an architecture of public exchange and The Inquisitive Musician, an adaptation of a 17th century German satire, Musicus Curiosus, or Battalus, the Inquisitive Musician; the Struggle for Precedence between the Kunst Pfeifer and the Common Players. The Inquisitive Musician pits itinerant “beer fiddlers” against the city sanctioned “Kunstpfeifer” in an argument over who has the right to perform and be compensated. Presented as a staged reading incorporating video and live music, The Inquisitive Musician has been performed in New York, in Los Angeles at the LA County Museum of Art, and most recently at the Stedelijk Museum in Amsterdam in June 2013. Current projects include Vinland, a meditation on the complex and continually shifting relationships between spaces, social and economic structures, and personal and collective histories and, more recently, an “episodic” series based on the history of social nudism: Your Personal View of (Social) Nudism. Bernard is a Adjunct Professor of Graduate Fine Art at Art Center College of Art and Design and was appointed the inaugural Ruffin Distinguished Artist-In-Residence at the University of Virginia for the academic year 2013/2014. She was a 2016 National Endowment for the Arts Fellow at the MacDowell Colony and will be in residence at the UCross Foundation in 2017. Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow, a sizzling sunset by Peter Alexander, abstract compositions by Pauline Stella Sanchez and Jennifer Steinkamp, text and photo combinations by Bill Barminski and Nancy Dwyer...

Reginald Marsh (1898-1954), Switch Engines, Erie Yards, Jersey City, Stone No. 3, lithograph, 1948, signed in pencil lower right. Reference: Sasowsky 30, o...

La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...

Carter, Clarence Holbrook (American, 1904-2000). OLIVE TREES, CAPRI. Aquatint in colors, 1932. Titled,signed and dated in pencil. 5 1/2 x 6 7/8 inches (plat...

Lithograph on vélin d’Arches paper. Signed in the plate, as issued. Good condition. Notes: From the folio, Picasso, Vingt-Neuf Portraits Imaginaires, 1969. Published by Éditions Cerc...

Artist: Wayne Ensrud, American (1934 - ) Title: Comogli Italy Year: 1982 Medium: Lithograph, signed and numbered in pencil Edition: 300, HC Image Size: 21.5 x 28 inches Size: ...

Ryohei, Tanaka (Japanese, 1933- 2019). RED RADISHES, Etching and aquatint, 2000. Edition of 100. Signed and numbered 22/100 in pencil, image 3 ¼ x 4 ¾ inches, with full margins. fram...

Plate signed signature. Lithograph measure 26 x 28 inches. Good condition.

A signed etching by the justifiably famous New Orleans French Quarter artist Eugene Loving, in an edition of 200. It depicts in wonderful detail one of ...

Héliogravure, collotype vélin paper. Paper Size: 18.23 x 17.32 inches; image size: 10.94 x 11.69 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the f...

Lithograph on vélin d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Cirque, Lithographies Originales. Published by Les Édition...

Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonné references: Dupin, J...

Artist: Alexander Calder Medium: Lithograph Title: Derriere le Miroir #201 Portfolio: Derriere le Miroir #201 Year: 1973 Edition: Unnumbered Framed ...

Lithograph, stencil on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 7...

A pair of of prints that form a cohesive landscape when displayed side by side. Each piece is 28 x 22 inches. Together they are 28 x 44 inches over all. Each of the two prints are si...

New York: 1947. Etching on white wove paper, 7 x 5 inches (752 x125 mm), full margins. Signed and titled in pencil, lower margin. In very good condition with some minor spots of ligh...

Lithograph and silkscreen with grease crayon, lithographic tusche, lead pencil, charcoal on vélin d'Arches paper. Paper size: 12.8 x 9.84 inches. Inscription: Unsigned and unnumbered...

Solstice flowers. 1984. Paper, linocut, 20x34 cm imprint size 9x25 cm total page size 20x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fict...

GATEKEEPER, 1996, color Iris print, signed in pencil, from the numbered edition 35, This is 5/35 (the picture shows 3/35) image 9 x 7 ½", full margins, printed & published by Muse X, Los Angeles. Botanical/Erotic print in the manner of Judy Chicago. A modern feminist take on the female anatomy. ANNE MARIE KARLSEN received a B.F.A. from Michigan State University and an M.F.A. from the University of Wisconsin. Her work has been featured in exhibitions throughout the United States including the Museum of Fine Arts in Boston, the UCLA Armand Hammer Museum in Los Angeles, the Brooklyn Museum in New York, and the Carnegie Institute Museum of Art in Pittsburgh. Karlsen has completed numerous commissions for libraries, transit stations, cruise lines and municipal buildings. Her public art projects have been recognized as some of the most successful in the United States by the Americans for the Arts Year in Review. Karlsen received the Westside Prize by the Westside Urban Forum for her work on the Santa Monica Boulevard Master Plan for the City of West Hollywood. She teaches at Santa Monica College. Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

A lithograph and silkscreen on aluminum by Richard Haas from 1999. A detailed sectional view of the support and suspension structure of the George Washingt...

Max Epstein, Canadian (1932 - 2002) - Winter's Morning, Year: 1978, Medium: Screenprint, signed and numbered in pencil, Edition: AP 42/50, Size: 17.75 x 25.75 in. (45.09 x 65.4...

Reynold Weidenaar (American, 1915-1985) Signed: Reynold Weidenaar (Lower, Left) " Ten O'Clock in Taxco " Etching and Aquatint Plate Size: 17" x 13" Housed in a 1 1/8" Black and...

By Joaquim Torrents Llado Signed Serigraph, Edition 10/60 21.5" x 21" About the Artist: Joaquim Torrents Lladó (1946-1993) was a distinguished Spanish painter known for his figurati...

Authentic 1959 US 1-sheet poster for "The Scapegoat" starring Alec Guinness and Bette Davis. This original theatrical release poster has been professionally linen-backed for preserva...

"Trees in Ranchitos II" is a stunning 1975 color lithograph by renowned modernist artist Andrew Michael Dasburg (1887-1979). This collectible artwork, initialed in the lower right, captures the serene beauty of the New Mexico landscape, reflecting Dasburg’s signature blend of Post-Impressionism and Cubist influences. Presented in a custom frame measuring 30 ½ x 36 ¼ inches. Image size is 16 ½ x 23 ¼ inches. About the Artist: Born France, 1887 Died New Mexico, 1979 Born in Paris, France, Andrew Dasburg immigrated to New York City in 1892, where his talent was recognized early. He studied at the Art Students League of New York, training under Robert Henri, Kenyon Cox, and Birge Harrison. In 1908, Dasburg traveled to Paris, where he encountered the works of Henri Matisse and Paul Cézanne, igniting his lifelong passion for modernism. He later settled in Woodstock, NY, immersing himself in the avant-garde art scene alongside Morgan Russell...

Héliogravure, collotype, metallic inks on vélin paper. Paper Size: 18.86 x 17.91 inches; image size: 11.69 x 11.81 inches. Inscription: Signed in the plate and unnumbered, as issued....

Lithograph on vélin paper. Paper Size: 15 x 22 inches, with centerfold, as issued. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Derrière le miro...

Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série, XXIIe Année, N° 15, Noë...

Lithograph on vélin paper. Paper Size: 12.4 x 28.95 inches, with bifold, as issued. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Miró, Joan, and Jo...

Lithograph and silkscreen with grease crayon, lithographic tusche, lead pencil, charcoal on vélin d'Arches paper. Paper size: 12.8 x 9.84 inches. Inscription: Unsigned and unnumbered...