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Period: Mid-19th Century
Southwest View of Sherborne Abbey Church /// History of Dorset English Engraving
Located in Saint Augustine, FL
Artist: John Hutchins (English, 1698-1773)
Title: "Southwest View of Sherborne Abbey Church" (Plate 15)
Portfolio: The History and Antiquities of the County of Dorset
Year: 1861-1870...
Category
Victorian Mid-19th Century Landscape Prints
Materials
Engraving
Church of the Holy Sepulchre: A 19th C. Hand-colored Lithograph by David Roberts
Located in Alamo, CA
"Stone of Unction, Church of the Holy Sepulchre" is a framed 19th century hand-colored lithograph by David Roberts from the large folio edition of his monumental 6 volume publication...
Category
Realist Mid-19th Century Landscape Prints
Materials
Lithograph
Tourelle, Rue de la Tixéranderie démolie en 1851
Located in Middletown, NY
Etching and drypoint on watermarked Hudelist laid paper, 9 5/8 x 5 inches (245 x 129mm) full margins. Second state (of five) after lettering. A superb condition with a pencil inscrip...
Category
French School Mid-19th Century Landscape Prints
Materials
Laid Paper, Etching, Drypoint
Approach of the Simoon, Giza, Egypt: Original 19th C. Lithograph by D. Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "Approach of the Simoon, Desert of Gizeh" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, ...
Category
Realist Mid-19th Century Landscape Prints
Materials
Lithograph
Thames Warehouses
Located in Santa Monica, CA
JAMES McNEILL WHISTLER (American 1834–1903 London)
THAMES WAREHOUSES, 1859 (K 38 ii/ii; Glascow 46 iv/v; Mansfield 37)
Etching and drypoint on fine thin laid paper. Plate: 3 × 8 i...
Category
Impressionist Mid-19th Century Landscape Prints
Materials
Drypoint, Etching
Road to Nablous, West Bank: A 19th C. Hand-colored Lithograph by David Roberts
Located in Alamo, CA
"Entrance to Nablous, The Holy Land (West Bank)" is a framed 19th century hand-colored lithograph by David Roberts from the large folio edition of his monumental 6 volume publication...
Category
Realist Mid-19th Century Landscape Prints
Materials
Lithograph
Abu Simbel Temple to Ramesses II in Egypt: A 19th C. Lithograph by David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "The Great Temple of Aboo Simble, Nubia" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, p...
Category
Realist Mid-19th Century Landscape Prints
Materials
Lithograph
Hummingbirds: Framed Gould Antique Hand-Colored "Rufous-breasted Sabrewing"
Located in Alamo, CA
This is a framed hand-colored folio sized lithograph entitled "Campylopterus Hyperythrus" (Rufous-breasted Sabrewing Hummingbird), Plate 51 from John Gould's "A Monograph of the Trochilidae, or Family of Humming-birds", published in London in 1850. The print, which was drawn by Gould and Henry Richter and lithographed by Hullmandel and Walton, depicts three hummingbirds displaying multiple colors, including, green, blue and shades of brown highlights among burgundy and cream colored flowers. The hummingbirds are highlighted by bright iridescent metallic paint.
This beautiful Gould hummingbird...
Category
Naturalistic Mid-19th Century Landscape Prints
Materials
Lithograph
Florida Rat Family: An Original 19th Century Hand-colored Lithograph by Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Florida Rat", No. 1, Plate IV", from John James Audubon's Quadrupeds of North America, published in Philadelp...
Category
Naturalistic Mid-19th Century Landscape Prints
Materials
Lithograph
Petra, The Upper or Eastern Valley: 19th C. Hand-colored Roberts Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored lithograph entitled "Petra, Shewing the Upper or Eastern End of the Valley" by David Roberts, from his Egypt, The Holy Land and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1842. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century.
This is one of Roberts' most famous and collectible works. The scene captures a view of the magnificent ruins of Petra in what is Jordan today, as it appeared on March 8, 1839, on the day of Roberts' visit. Multiple Arab men are approaching Petra; some on foot and others riding camels. They are dressed in their colorful local costumes. Roberts' signature and hand written date are reproduced in the plate on the left.
This hand-colored lithograph is printed on wove paper with wide margins. There is some loss of color in the text in the title and a faint dark curvilinear area in the upper right. The print is otherwise in very good condition. It is presented in a gold-colored wood frame with a tan mat. It is glazed with UV protected conservation glass. All framing materials used are archival museum quality. The frame measures 23.5" high and 30.5" wide.
There are two additional iconic David Roberts hand-colored lithographs for sale on 1stdibs that are matted and framed in identical styles, although slightly different sizes. They are scenes of Approach of Simoon, Desert of Gizeh and the Citadel of Cairo. They can be viewed by typing their reference #'s, LU1173211955452 and LU1173211970142, into the 1stdibs search field or typing Timeless Intaglio in the search field and tapping on the drop down name to be taken to our storefront. Two or all three of these pieces would make for a striking display grouping. A discount is available for the purchase of multiple pieces.
David Roberts (1796-1864) was a Scottish painter who specialized in landscapes, architectural subjects, and scenes from the Middle East and Europe. Born in Edinburgh, Roberts began his career at age ten as an apprentice to a house painter and eventually became a scene painter for theater companies in Edinburgh and London. In the 1820s, J. M. W. Turner recognized his artistic talent and encouraged him to become a full-time artist. He began to focus on painting landscapes and architecture. In 1838 he traveled to Egypt and soon after to the Holy Land, concluding in Jerusalem. Roberts' travels in the Middle East had a profound impact on his art, and he produced a series of highly detailed and realistic paintings and sketches of the region's famous ruins and other landmarks, including the Pyramids of Giza, the Sphinx, the Temple of Abu Simbel...
Category
Realist Mid-19th Century Landscape Prints
Materials
Lithograph
"Christian Church of St. George": A Framed 19th C. Lithograph by David Roberts
Located in Alamo, CA
This duotone tinted lithograph with additional hand-coloring is entitled "Christian Church of St. George, at Lud Ancient, Lydda". It was drawn by Davi...
Category
Naturalistic Mid-19th Century Landscape Prints
Materials
Lithograph
Her Majesty's Stag Hounds on Ascot, A Colored 19th Century British Hunting Scene
Located in Alamo, CA
"The Meeting of Her Majesty's Stag Hounds on Ascot Heath" is a large colorful mezzotint engraving of an extensive British hunting scene. It was created by Sir Francis Grant...
Category
Mid-19th Century Landscape Prints
Materials
Engraving, Mezzotint
“Thebes, Great Hall at Karnak”
Located in San Francisco, CA
This lithograph titled "Thebes, Great Hall at Karnak" is a notable work by the Scottish painter David Roberts (1796-1864). This particular scene is part of Roberts' most famous colle...
Category
English School Mid-19th Century Landscape Prints
Materials
Paper, Lithograph
Billingsgate
Located in Middletown, NY
Etching printed in dark brownish black ink on cream laid paper, 6 x 8 7/8 inches (152 x 226 mm); full margins. Extremely minor and unobtrusive band of toning along the top sheet edg...
Category
Impressionist Mid-19th Century Landscape Prints
Materials
Laid Paper, Drypoint, Etching
The Ayase River and Kanegafuchi, Summer, One Hundred Famous Views of Edo
Located in Soquel, CA
The Ayase River and Kanegafuchi, Summer, One Hundred Famous Views of Edo
Summer on the Ayase River by Hiroshige (Ando) Utagawa (Japan, 1797 - 1858 ). Woodcut circa 1856.
Ima...
Category
Realist Mid-19th Century Landscape Prints
Materials
Ink, Woodcut
"Le Lac" etching
Located in Henderson, NV
Medium: etching. Etched by Felix Bracquemond after Corot. This impression on chine-collé paper was printed in Paris by Taneur and published as plate 27 for the Les chefs-d’œuvre port...
Category
Mid-19th Century Landscape Prints
Materials
Etching
The Great Sphinx & Pyramids, Giza, Egypt: A 19th C. Lithograph by David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "The Great Sphinx, Pyramids of Gizeh" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, publ...
Category
Realist Mid-19th Century Landscape Prints
Materials
Lithograph
The Great Hall at Karnak, Luxor, Egypt: A 19th C. Lithograph by David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "Great Hall at Karnac, Thebes" by David Roberts, from his Egypt and Nubia volumes of the larg...
Category
Realist Mid-19th Century Landscape Prints
Materials
Lithograph
Kintai Bridge at Iwakuni in Suo Province (Suo iwakuni kintai-bashi), 1859
By Hiroshige II
Located in Myrtle Beach, SC
Utagawa Hiroshige II (1829-1869), 'Kintai Bridge at Iwakuni in Suo Province' (Suo iwakuni kintai-bashi), from the series 'One Hundred Views of Famous Pla...
Category
Edo Mid-19th Century Landscape Prints
Materials
Woodcut
"The Lake of Terni" by Jean Baptiste Camille Corot; lithograph
Located in Chesterfield, MI
Jean Baptiste Camille Corot was a French landscape and portrait painter as well as a printmaker in etching. His prolific works simultaneously referenced the Neo-Classical tradition a...
Category
Impressionist Mid-19th Century Landscape Prints
Materials
Lithograph
Souvenir d'Italie - Etching by Camille Corot - 1860s
Located in Roma, IT
Souvenir d'Italie is a black and White etching realized by Camille Corot in the 1860s.
Titled in the lower
Image Size: 32x23
Very good impression.
Realized for the "Société des ...
Category
Modern Mid-19th Century Landscape Prints
Materials
Etching
"The Cougar", an Original 19th C. Audubon Hand Colored Quadruped Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored royal octavo lithograph entitled "The Cougar, Male", No. 20, Plate XCVI, 96 from Audubon's "Quadrupeds of North America". It was d...
Category
Naturalistic Mid-19th Century Landscape Prints
Materials
Lithograph
PAYSAGE D’ ITALIE
Located in Santa Monica, CA
JEAN-BAPTISTE CAMILLE COROT (1876 - 1875)
PAYSAGE D’ ITALIE 1866 (Melot 7 iii/iii)
Etching, plate 6 ¼ x 9 inches, Third state after the removal of the text but before the random scr...
Category
Romantic Mid-19th Century Landscape Prints
Materials
Etching
"Boat Horses" original etching
Located in Henderson, NV
Medium: original etching. This impression on laid paper was printed in London in 1868 for the rare first volume of P. G. Hamerton's "Etching and Etchers". Plate size: 3 1/4 x 4 1/4 i...
Category
Mid-19th Century Landscape Prints
Materials
Etching
Le Village de Chanaz - Etching by Appian - 1860s
Located in Roma, IT
Le Village de Chanaz is a black and White etching realized by A. Appian in the 1860s.
Titled in the lower.
Image size: 16x23.
Very good impression with wide margins and a very fr...
Category
Modern Mid-19th Century Landscape Prints
Materials
Etching
American Crow 1858 Chromolithograph by J.J. Audubon Plate, Julius Bien Edition
Located in Paonia, CO
American Crow by J.J. Audubon from his Birds of America folio shows an adult male crow in a Black Walnut bush with a nest of a Ruby-Throated Hummingbird in a branch below the crow. This original chromolithograph plate no. 226 is in good condition with a repairable water mark in the image on the left side as can be seen in the photos.
The ” Birds of America” by John James...
Category
Naturalistic Mid-19th Century Landscape Prints
Materials
Lithograph
"Traveller Near a Wood" original etching
Located in Henderson, NV
Medium: original etching. Catalogue reference: B53 iii/iii. Published in London in 1868 for the rare first volume of P. G. Hamerton's "Etching and Etchers". This impression on laid p...
Category
Mid-19th Century Landscape Prints
Materials
Etching
LE PETIT CAVALIER SUR BOIS.
By Jean Baptiste Corot
Located in Santa Monica, CA
JEAN-BAPTISTE CAMILLE COROT (1876 - 1875)
LE PETIT CAVALIER SUR BOIS. 1854 (1921) (Delteil 42)
Cliché-verre on thin vellum. Signed in plate at bottom. 8 1/4 x 6 5/16” (sheet size)....
Category
Realist Mid-19th Century Landscape Prints
Materials
Photographic Paper, Etching
"Bald Eagle", an Original Audubon Hand-colored First Edition Lithograph
Located in Alamo, CA
An original rare and extremely collectible first octavo edition John James Audubon hand-colored royal octavo lithograph entitled "White-headed Sea Eagle or Bald Eagle", No. 3, Plate ...
Category
Naturalistic Mid-19th Century Landscape Prints
Materials
Lithograph
Interior of the Temple Abu Simbel, Egypt: A 19th C. Lithograph by David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "Interior of the Temple of Aboo Simbel" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, pu...
Category
Realist Mid-19th Century Landscape Prints
Materials
Lithograph
Barn Owl Family: A Framed Original 19th C. Hand-colored Lithograph by Gould
Located in Alamo, CA
This is a framed original 19th century hand-colored folio-sized lithograph entitled “Strix Flammea” (Barn Owl) by John Gould, from his "Birds of Great Britain", published in London between 1862 and 1873. The print depicts an adult Barn Owl perched on a log its three baby owls to the left. Another adult owl in the background on the right, presumably a male, watches over his family. There are leaves on the right contributing to this pleasant landscape composition.
This striking framed Gould...
Category
Naturalistic Mid-19th Century Landscape Prints
Materials
Lithograph
Saw-bill Hummingbirds and Nest: Framed 19th C. Hand-colored Lithograph by Gould
Located in Alamo, CA
This is a hand-colored folio sized lithograph entitled "Grypus Naevius" (Saw-bill Hummingbird with Nest & Eggs) by John Gould, published in his "A Monograph of the Trochilidae, or Family of Humming-birds", published in London in 1850. The print, which was drawn by Gould and Henry Richter and lithographed by Hullmandel and Walton, depicts three black, brown and peach-colored hummingbirds about a nest, containing at least two eggs. The beautiful soft grey-green foliage includes a white, soft pink and cranberry-colored flower.
This beautiful Gould hand-colored hummingbird lithograph is augmented with iridescent gum-arabic paint. It is in excellent condition. The original text page is included, which has extensive foxing, as lower quality paper was used for the text pages.
There are several other unframed Gould hummingbird lithographs available via our 1stdibs storefront. Two or more of these would make an attractive display grouping. A discount is available for purchase of a set depending on the number. These additional Gould hummingbirds...
Category
Naturalistic Mid-19th Century Landscape Prints
Materials
Lithograph
Colossal Statue of Ramses: 19th Century Hand-colored Lithograph by David Roberts
Located in Alamo, CA
"One of Two Colossal Statues of Rameses II. Entrance to the Temple at Luxor" is a framed 19th century hand-colored lithograph by David Roberts from volume I of his monumental 6 volum...
Category
Realist Mid-19th Century Landscape Prints
Materials
Lithograph
North Dock - Etching by Mathew White Ridley - 1860s
Located in Roma, IT
North Dock is a black and White etching realized by Mathew White Ridley in the 1860s.
Titled in the lower.
Image size: 12x21.
Very good impression with wide margins and a very fr...
Category
Modern Mid-19th Century Landscape Prints
Materials
Etching
The Mersey at Liverpool - Etching by J.C. Armytage - 1845
Located in Roma, IT
The Mersey at Liverpool is an etching realized in 1845 by J.C.Armytage.
Signed in plate.
The artwork is realized in a well-balanced composition.
Category
Modern Mid-19th Century Landscape Prints
Materials
Etching
Kiyomi Barrier & Seiken Temple Near Okitsu- Japanese Woodcut Print on Rice Paper
Located in Soquel, CA
Kiyomi Barrier & Seiken Temple Near Okitsu - Japanese Woodcut Print on Rice Paper
Woodblock print of boats in a harbor by Utagawa Hiroshige (Japanese, 1797-1858). Originally publish...
Category
Impressionist Mid-19th Century Landscape Prints
Materials
Rice Paper, Woodcut
Sedans used by the Japanese Ladies of Quality – English School, 19th century
Located in Middletown, NY
Sedans used by the Japanese Ladies of Quality; One plate from Drake's Voyages
London: circa 1860.
Engraving with hand coloring in watercolor on cream laid paper; 7 1/2 x 10 3/4 inch...
Category
English School Mid-19th Century Landscape Prints
Materials
Handmade Paper, Watercolor, Engraving
A View of Dover, England: A Framed 19th C. Engraving After J. M. W. Turner
By J.M.W. Turner
Located in Alamo, CA
This beautiful 19th century framed engraving "Dover" by Thomas Lupton is based on an original painting by the renowned British artist J.M.W. Turner, which depicts a panoramic view of the harbor of Dover, a town in southeastern England, that has been an important port for centuries. The engraving captures the dramatic sky and sea that Turner was known for, with billowing clouds and waves crashing against the shore. The town and its famous white cliffs are visible in the background, while ships and boats dot the harbor in the foreground. Several wooden rowboats...
Category
Romantic Mid-19th Century Landscape Prints
Materials
Engraving
The Fighting Temeraire: A Framed 19th C. Engraving After J. M. W. Turner
By J.M.W. Turner
Located in Alamo, CA
This beautiful 19th century framed engraving "The Fighting Temeraire" by James Tibbetts Willmore is based on an original painting by the renowned British artist J.M.W. Turner. It was published by James S. Virtue & Co. in London between 1859-1875. It depicts the once mighty British warship the HMS Temeraire being towed away down the river Thames by a much smaller steamboat to a ship-breaking yard to be broken up for scrap. The Temeraire was first launched in 1798 and represented the pinnacle of British ship-building. 180-feet long, constructed of English oak and armed with 98 guns, she was one of the largest warships of the period. The Temeraire became a symbol of British pride and military power that endured throughout the 19th century. The man-of-war served during the French Revolutionary and Napoleonic Wars and was among the last serving ships to have been at the Battle of Trafalgar in 1805. It became one of the many older ships put out of service in the 1830s and 1840s. The once mighty and feared ship symbolizes a once magnificent, but now obsolete, technology. Turner seems to lament her inglorious final journey, being towed by a less magnificent, but modern steam powered tugboat.
The Turner painting was created in 1838 and is now held in the National Gallery in London. Willmore's engraving, created in 1859, captures the dramatic scene with great detail and skill. The image has become an iconic representation of the decline of Britain's naval power and the transition from sail to steam in the 19th century. The sunset in the background is symbolic of the sun going down on British naval power and tradition. The painting conveys profound and diverse themes that are central to the human experience: those of mortality and change, technology and progress, heroism and brutality. The painting demonstrates Turner’s skill as an artist. His ability to produce scenes of great beauty that are dramatic, but are also symbolic, stimulating both thoughtful analysis, as well as emotion. Turner's painting was voted by the British public in a 2005 BBC radio sponsored survey to be the British people's favorite painting of all time. In 2020 it was included on a new British banknote...
Category
Romantic Mid-19th Century Landscape Prints
Materials
Engraving
"American Swan", Audubon Hand-colored First Octavo Edition Lithograph
Located in Alamo, CA
This is an original rare and extremely collectible 1st royal octavo edition John James Audubon hand-colored royal octavo lithograph entitled "American Swan", No. 77, Plate 384, from Audubon's "Birds of America". It was lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts an adult white American Swan swimming in a body of water. Plants with yellow flowers are in the foreground and hills are in the background.
This original rare first edition hand-colored Audubon bird lithograph has a mildly wavy lower edge of the paper where it was previously bound. It is otherwise in excellent condition. The sheet measures 6.63" x 10.13". The original text pages 226-234 are included.
John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio size. Due to their expense they were purchased in rather small numbers by the wealthy. To reach a larger audience, Audubon, with the help of his sons and J. T. Bowen, published a smaller octavo sized lithograph version, which were much more affordable.
With the success of his bird projects, Audubon then turned his attention to four-legged animals. He explored the Missouri River in 1843 sketching the four-legged animals he encountered in their natural setting. His expedition covered some of the same regions recently explored by Lewis and Clark, traveling from present day Alaska to Mexico. Audubon realized that this was an opportunity to document these animals in the still relatively pristine American wilderness, before man encroached on their environment.
Between 1845 and 1848, Audubon and his sons John Woodhouse Audubon and Victor Gifford Audubon produced a set of elephant folio sized lithographs that were primarily engraved and hand colored by J. T. Bowen in Philadelphia. The publication, which included text descriptions of the animals was published 3 years before Audubon died. As with the birds, this was followed by a three-volume set of 155 octavo-sized plates entitled “The Quadrupeds of North America” completed and published by Audubon’s sons, John, Jr. and Victor.
Audubon prints continue to be popular and a wise investment. The double elephant folio set...
Category
Naturalistic Mid-19th Century Landscape Prints
Materials
Lithograph
Le Ruisseau Dans La Clairière (The Brook in the Clearing)
Located in Middletown, NY
Paris: 1862. Cliché-verre on lightweight photosensitive wove paper, 8 3/4 x 7 1/8 inches (220 x 180 mm) (sheet), full margins. Signed in the plate, lower right. Because this impressi...
Category
Realist Mid-19th Century Landscape Prints
Materials
Photographic Paper
Red-throated Diver Bird Original First Edition Audubon Hand Colored Lithograph
Located in Alamo, CA
This is an original rare and extremely collectible first octavo edition John James Audubon hand colored royal octavo lithograph entitled "Red-throated Diver", No. 96, Plate 478, from...
Category
Naturalistic Mid-19th Century Landscape Prints
Materials
Lithograph
19th century woodcut engraving print figurative American forest trees scene
Located in Milwaukee, WI
The present woodcut engraving is an original print designed by Winslow Homer, originally published in Harper's Weekly on April 30, 1859. It is an excellent example of the many prints Homer produced of fashionable people engaged in leisurely activities, in this case along a picturesque countryside lane. The sign reading 'Belmont' on the left indicates this is probably near his home in Belmont Massachusetts. The image presents multiple figures, both men and women, riding horseback: Some in the distance gallop away, toward a town marked by a church steeple beyond. Three others in the foreground, including two equestrian women, gather around a group of children who have been gathering flowers and trapping birds...
Category
Victorian Mid-19th Century Landscape Prints
Materials
Woodcut, Engraving
Blue-eyed Cockatoo: A Framed Original 19th C. Hand-colored Lithograph by Gould
Located in Alamo, CA
This is a framed original 19th century hand-colored folio-sized lithograph entitled “Cacatua Ophthalimica” (Blue-eyed Cockatoo) by John Gould, from the supplement to his "Birds of Australia", published in London between 1851 and 1869. The print depicts a large blue-eyed cockatoo perched on a branch, with its head turned to the left. The scene is enhanced with leaves and sky and clouds in the background.
This striking framed Gould...
Category
Naturalistic Mid-19th Century Landscape Prints
Materials
Lithograph
Ancient View of Bordeaux - Original Lithograph - Mid-19th Century
By Leo Guida
Located in Roma, IT
Ancient View of Bordeaux is an original modern artwork realized in the Mid-19th Century.
Original B/W Lithograph on Ivory Paper.
Inscripted on the lower central margin: Im hafen v...
Category
Modern Mid-19th Century Landscape Prints
Materials
Lithograph
Male Whooping Crane: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored 1st octavo edition lithograph entitled "Whooping Crane, Male, adult", No. 63, Plate 313 from Audubon...
Category
Naturalistic Mid-19th Century Landscape Prints
Materials
Lithograph
Reddish Egrets, Adult & Young: An Original Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Reddish Egret, 1. Adult, Full Spring Plumage 2. Young in Full Spring Plumage Two Years Old", No. 75, Plate 371 from Audubon's "Birds of America, lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1870-1871. It depicts an adult reddish egret standing in the water with leg up, looking to the left at a young white egret standing on land looking to the right at the adult bird. A beautiful landscape is depicted.
This original hand-colored Audubon egret...
Category
Naturalistic Mid-19th Century Landscape Prints
Materials
Lithograph
Shin-machi Bridge at Hodogaya - Japanese Woodcut Print on Rice Paper
Located in Soquel, CA
Shin-machi Bridge at Hodogaya - Japanese Woodcut Print on Rice Paper
Woodblock print of travelers on a bridge by Utagawa Hiroshige (Japanese, 1797-185...
Category
Impressionist Mid-19th Century Landscape Prints
Materials
Rice Paper, Woodcut
$1,240 Sale Price
20% Off
A View of Scarborough, England: A Framed 19th C. Engraving After J. M. W. Turner
By J.M.W. Turner
Located in Alamo, CA
This beautiful 19th century framed engraving "Scarborough" by W. Chapman is based on an original painting by the renowned British artist J.M.W. Turner. It was published in London by ...
Category
Romantic Mid-19th Century Landscape Prints
Materials
Engraving
Trumpeter Swan, Adult: An Original Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Trumpeter Swan, Adult", No. 77, Plate 382 from Audubon's "Birds of America, lit...
Category
Naturalistic Mid-19th Century Landscape Prints
Materials
Lithograph
Colossal Statue Luxor, Egypt: Original 19th C. Lithograph by David Roberts
Located in Alamo, CA
This is an original 19th century duotone lithograph entitled "A Colossal Statue at the Entrance to the Temple of Luxor" by David Roberts, from his Egypt and Nubia volumes of the larg...
Category
Realist Mid-19th Century Landscape Prints
Materials
Lithograph
Pheasant Pigeon Birds: 19th C. Folio-sized Hand-colored Lithograph by John Gould
Located in Alamo, CA
This is a hand-colored folio-sized lithograph entitled "Otidiphaps Nobilis" (Pheasant Pigeon) by John Gould from his monograph "The Birds of Asia", published in London in 1862-1879. The print, which was drawn by Gould and H. C. Richter and lithographed by Walter, depicts two Pheasant Pigeon birds...
Category
Naturalistic Mid-19th Century Landscape Prints
Materials
Lithograph
Swainson's Warbler: A Framed Original Hand-colored Audubon Folio Bird Engraving
Located in Alamo, CA
This is an original John James Audubon hand-colored folio sized lithograph entitled "Swainson's Warbler, Male, Sylvicola Swainsonia, Tree: Vulgo, White Oak", No. 10, Plate 50, from A...
Category
Naturalistic Mid-19th Century Landscape Prints
Materials
Engraving
The Ferry at Sakasai - One Hundred Famous Views of EDO 名所江戸百景
Located in BRUCE, ACT
Hiroshige (1797-1858) - One Hundred Famous Views of EDO 名所江戸百景
Artist: 広重 Hiroshige (1797-1858)
Series: One Hundred Famous Views of EDO (名所江戸百景)
Title: The Ferry at Sakasai (逆井のわたし...
Category
Mid-19th Century Landscape Prints
Materials
Woodcut
$2,704 Sale Price
20% Off
"Esquimaux Curlew": A Framed Original Audubon Hand-colored Folio Engraving
Located in Alamo, CA
This is an original hand-colored folio edition John James Audubon engraving entitled "Esquimaux Curlew", Folio, Pl. CCVIII", No. 42, Plate 208, from Audubon's "Birds of America". It was engraved, printed and colored in London by Robert Havell, Jr. in 1834. It depicts a male and a female Esquimaux Curlew birds...
Category
Naturalistic Mid-19th Century Landscape Prints
Materials
Engraving
Hamburg - Amerika Linie original vintage travel poster
By Albert Fuss
Located in Spokane, WA
Original Hamburg - Amerika linie, Hamburg America Line vintage travel by ship antique poster. Art Deco time frame vintage poster for traveling by cruise...
Category
Art Deco Mid-19th Century Landscape Prints
Materials
Lithograph
$1,000 Sale Price
20% Off
Fishing Off Hastings, England: A Framed 19th C. Engraving After J. M. W. Turner
By J.M.W. Turner
Located in Alamo, CA
This beautiful 19th century framed engraving "Line Fishing Off Hastings" by William Miller is based on an original painting by the renowned British artist J.M.W. Turner, which depicts a scene of fishermen at work off the coast of the town of Hastings in East Sussex, England. The Miller engraving faithfully reproduces Turner's painting, capturing the same atmospheric quality and sense of motion. In the foreground of the image, a group of fishermen are shown in a small boat, with one man using a fishing line to catch fish. In the background, there is a larger ship, along with a view of the town of Hastings and the cliffs beyond. Overall, the Miller engraving "Line Fishing Off Hastings" is a beautiful and detailed representation of Turner's original painting, and provides a glimpse into life in a 19th century fishing community.
This colorful 19th century engraving is presented in a gold-colored wood frame and a cream-colored French mat highlighted with a light blue band and thinner mustard and gold-colored bands. There is a gold-colored fillet which further embellishes the engraving. The frame measures 18" high, 20.5" wide and 1" deep. The engraving, frame and mat are in excellent condition.
Joseph Mallord William (J.M.W.) Turner (1775-1851) was an English painter who is widely considered one of the greatest landscape painters in Western art history. Born in London, he showed a remarkable talent for art from a young age, and studied at the Royal Academy of Arts from the age of 14. He quickly gained recognition for his watercolor landscapes, which were highly innovative and expressive. Turner's style evolved over time, and he became increasingly interested in the effects of light and color. He traveled extensively throughout Europe, and his experiences of the natural world, particularly the sea and the sky, had a profound influence on his art. His paintings are known for their luminosity, atmospheric effects, and dramatic use of color. Despite facing criticism and ridicule from some of his contemporaries, Turner continued to push the boundaries of art, experimenting with new techniques and styles throughout his career. He was a prolific artist, creating thousands of paintings, sketches, and watercolors, and his legacy continues to inspire artists today.
William Miller (1796-1882) was an English engraver and publisher, best known for his work in reproducing the paintings of J.M.W. Turner. Miller was born in Bristol and began his career as an engraver at a young age, working for a variety of publications and artists. In the early 1820s, Miller began working with Turner, engraving many of the artist's most famous works, including "The Fighting Temeraire...
Category
Romantic Mid-19th Century Landscape Prints
Materials
Engraving
Hiroshige (1797-1858) - Horie and Nekozane - Meisho Edo Hyakkei
Located in BRUCE, ACT
Artist: Utagawa Hiroshige (Hiroshige Ando 1797-1858)
Title: No.96 "Meisho Edo Hyakkei"
Series: One Hundred Famous Views of Edo (名所江戸百景)
Size: O-ban 大判
Age: 1856
Category
Mid-19th Century Landscape Prints
Materials
Woodcut
The Citadel of Cairo: 19th C. Hand-colored Roberts Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored lithograph entitled "Petra, Shewing the Upper or Eastern End of the Valley" by David Roberts, from his Egypt, The Holy Land and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1849. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century.
This is one of Roberts' most famous and collectible works. The scene captures a view of the magnificent ruins of Petra in what is Jordan today, as it appeared on March 8, 1839, on the day of Roberts' visit. Multiple Arab men are approaching Petra; some on foot and others riding camels. They are dressed in their colorful local costumes. Roberts' signature and hand written date are reproduced in the plate on the left.
This hand-colored lithograph is printed on wove paper with wide margins. There is some loss of color in the text in the title and a faint dark curvilinear area in the upper right. The print is otherwise in very good condition. It is presented in a gold-colored wood frame with a tan mat. It is glazed with UV protected conservation glass. All framing materials used are archival museum quality. The frame measures 23.63" high and 29" wide.
There are two additional iconic David Roberts hand-colored lithographs for sale on 1stdibs that are matted and framed in identical styles, although slightly different sizes. They are scenes of Approach of Simoon, Desert of Gizeh and the Petra. They can be viewed by typing their reference #'s, LU1173211955452 and LU1173211969422, into the 1stdibs search field or typing Timeless Intaglio in the search field and tapping on the drop down name to be taken to our storefront. Two or all three of these pieces would make for a striking display grouping. A discount is available for the purchase of multiple pieces.
David Roberts (1796-1864) was a Scottish painter who specialized in landscapes, architectural subjects, and scenes from the Middle East and Europe. Born in Edinburgh, Roberts began his career at age ten as an apprentice to a house painter and eventually became a scene painter for theater companies in Edinburgh and London. In the 1820s, J. M. W. Turner recognized his artistic talent and encouraged him to become a full-time artist. He began to focus on painting landscapes and architecture. In 1838 he traveled to Egypt and soon after to the Holy Land, concluding in Jerusalem. Roberts' travels in the Middle East had a profound impact on his art, and he produced a series of highly detailed and realistic paintings and sketches of the region's famous ruins and other landmarks, including the Pyramids of Giza, the Sphinx, the Temple of Abu Simbel...
Category
Realist Mid-19th Century Landscape Prints
Materials
Lithograph
Ancient View of Lago Maggiore - Lithograph on Paper - Mid-19th Century
Located in Roma, IT
Ancient View of Lago Maggiore is an original modern artwork realized in Italy in the first half of the 19th Century.
Original Lithograph on Ivory Paper...
Category
Surrealist Mid-19th Century Landscape Prints
Materials
Lithograph
