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Samuel and Nathaniel Buck
Samuel and Nathaniel Buck - 1728 Engraving, Prospect Of Preston, Lancaster

1728

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Leonard R. Squirrel (1893–1979) - Early 20th Century Mezzotint, Notre Dame
Located in Corsham, GB
This charming mezzotint depicts the façade of Notre Dame in Paris. Signed in graphite below the plate lines. On paper.
Category

Early 20th Century Landscape Prints

Materials

Mezzotint

Johann Christian Reinhart (1761-1847) - 1807 Engraving, Balaam's Donkey
Located in Corsham, GB
A fine early 19th Century engraving, showing the Biblical scene of Balaam's Donkey. The artist has inscribed their name and date in plate at the lower edge, along with an inscription...
Category

Early 19th Century Landscape Prints

Materials

Engraving

John Harris After Thomas Badeslade - 18th Century Engraving, Deane House
By John Harris (painter)
Located in Corsham, GB
A delightful bird's eye view of Deane House Kent, engraved by John Harris after an original drawing by British illustrator Thomas Badeslade. The engraving shows a detailed view of th...
Category

Early 18th Century Landscape Prints

Materials

Engraving

Sutton Nicholls - Framed 18th Century Engraving, Devonshire Square
By Sutton Nicholls
Located in Corsham, GB
A bird's eye view of Devonshire Square, engraved by British master Sutton Nicholls. Published according to the act of Parliament in 1754 for Stow's Survey of London. This detailed en...
Category

Early 18th Century Landscape Prints

Materials

Engraving

Henry Scott Bridgwater after J. B. Corot - Early 20thC Mezzotint, River Foraging
Located in Corsham, GB
A fine impressionistic mezzotint landscape showing two figures foraging on the banks of a rover with their boat nearby. The mezzotint is after the original painting by the French art...
Category

20th Century Landscape Prints

Materials

Mezzotint

William Woollett after Annibale Carracci - 19th Century Engraving, Italian Town
By William Woollett
Located in Corsham, GB
A charming engraving by William Woollett (British 1735-1785) after Annibale Carracci (Italian 1560-1609) depicting a picturesque rural landscape on the outskirts of an Italian town. ...
Category

19th Century Landscape Prints

Materials

Engraving

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OLD NEW YORK - VIEWS BY S. HOLLYER
Located in Portland, ME
Hollyer, Samuel. OLD NEW YORK - VIEWS BY S. HOLLYER. New York, 1905, 1909 & 1912. 3 Volumes, oblong 4to., bound in full red morocco leather, gilt, with...
Category

Early 20th Century Landscape Prints

Materials

Engraving

Chrysanthemum: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
By Johann Wilhelm Weinmann
Located in Alamo, CA
This is an original antique hand-colored botanical mezzotint and line engraving of flowering Chrysanthemum matricaria plants. It is entitled "A. Chrysanthemum Matricarice Folus Flore...
Category

Mid-18th Century Naturalistic Still-life Prints

Materials

Engraving, Mezzotint

A Flowering Cactus Plant: 18th C. Hand-colored Botanical Engraving by Weinmann
By Johann Wilhelm Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Cereus Erectus Altissimo Surinamensis (Cereus Cactus Plant)". It is plate...
Category

Mid-18th Century Naturalistic Still-life Prints

Materials

Engraving, Mezzotint

Peacock Butterfly, Moth & Botanical: An 18th C. Hand-colored M. Harris Engraving
By Moses Harris
Located in Alamo, CA
This is a rare, original first edition hand-colored engraving of Peacock Butterflies and Water Betony Moths depicted in their natural botanical environment, which is plate 8 from Mos...
Category

Mid-18th Century Landscape Prints

Materials

Engraving

Papaya and Moth Metamorphosis: 18th C. Hand-colored Engraving by Maria Merian
By Maria Sibylla Merian
Located in Alamo, CA
This exquisite hand-colored 18th century folio-sized engraving of a papaya plant and moth metamorphosis is plate 64 from Maria Sibylla Merian's publication '...
Category

Early 18th Century Academic Still-life Prints

Materials

Engraving

Map of the World: An Original 18th Century Hand-colored Map by E. Bowen
Located in Alamo, CA
This is an original 18th century hand-colored map entitled "A New & Correct Chart of All The Known World Laid down according to Mercator's Projection" by Emanuel Bowen. It was published in 1744 in London in John Harris's "Navigantium atque Itinerantium Bibliotheca" or "A Complete Collection of Voyages and Travels". This highly detailed and colorful map depicts the world. as it was known in the mid 18th century. A majority of the northern and central portions of Canada and America are left blank due to the purity of knowledge at the time this map was published. The map is embellished with four Compass Roses in the lower left, lower center, lower right and center, along with many rhumb lines. There a is a decorative title cartouche in the upper left. This colorful, attractive, historical and interesting 1744 map presents the entire world on Mercator's projection as it was understood in the middle part of the 18th century, before the landmark explorations of Captain’s Cook, Vancouver, Wilkes and others. It is an example of a nautical chart, a type of map that was designed specifically for use by mariners. The map is centered on the equator and includes both the Eastern and Western Hemispheres. The continents of North America, South America, Europe, Africa, and Asia are depicted, as well as various islands in the Atlantic, Pacific, and Indian Oceans. The map is laid out according to the Mercator projection, a type of cylindrical map projection that was developed in the 16th century by Flemish cartographer Gerardus Mercator. This projection has the advantage of preserving angles and shapes, making it useful for navigation. The map presents a paucity of inland detail, particularly for the Americas, but major cities, geographical landmarks, and regions are included. Ocean currents and Tradewinds are identified, as well as the magnetic declination lines or magnetic variance, which refers to the difference between true north and compass north. The continents are color coded, enhancing the beauty of this map. The three compass roses indicate the directions of the cardinal points. The depiction of the western coast of America, the Pacific and Australia are interesting. There was very little exploration of Australia between the navigations of William Damper in 1699 and Tobias Furneaux in 1773. Most of the maps detail relies on the 17th century Dutch expeditions to Australia's western coast, by Abel Tasman and William Janszoon. Van Diemen's Land (Tasmania) and New Guinea appear connected to the Australian continent. New Zealand appears as a single landmass. North of New Zealand there is a landmass labelled 'Ter d' St. Esprit' which probably represents the New Hebrides Islands. This map precedes the accurate exploration of the South Pacific and east coast of Australia by Captain James Cook later in the 18th century. The map includes ‘Drakes' Port,' the site where Sir Francis Drake supposedly landed in 1579 during his 1579 circumnavigation of the globe. Here he claimed territory for England, restocked, and repaired his vessels. Drake named the region New Albion. The exact location of Drake's Port is a cartographic mystery. Drake's Harbor is believed to be in the region of San Francisco Bay, Bodega Bay, San Pablo Bay...
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Mid-18th Century Old Masters Landscape Prints

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