Conceptual Landscape Prints
CONCEPTUAL STYLE
In 1967, artist Sol LeWitt wrote that in “Conceptual art the idea or concept is the most important aspect of the work.” He was giving a name to an art movement that had emerged in the 1960s in which artists were less focused on their medium being something traditionally “artistic” and instead engaged in using any object, movement, form, action or place to express an idea.
LeWitt’s work was featured alongside an assemblage of notes, drawings and outlines by other artists in “Working Drawings and Other Visible Things on Paper Not Necessarily Meant to Be Viewed as Art,” a groundbreaking show at New York City’s School of Visual Arts curated by Mel Bochner, another leading exponent of Conceptualism. Building on radical 20th-century statements, like Fountain (1917) by French artist Marcel Duchamp, Conceptual artists around Europe and North and South America were not interested in the commercial art scene and rather directly challenged its systems and values.
Stretching into the 1970s, this movement has also been called Post-Object art and Dematerialized art. Conceptual art reflected a larger era of social and political upheaval. Pieces associated with the style range from Roelof Louw’s Soul City (Pyramid of Oranges) (1967) — a work of installation art that sees fresh oranges stacked into a pyramid from which visitors are allowed to take one orange away — to On Kawara’s “Today” series, which saw the Japanese artist carefully painting a date in white acrylic on canvases consisting of a single color from 1966 to his death in 2014. Artists such as Ed Ruscha, who created the Twentysix Gasoline Stations book — a collection of photos of gas stations that is widely said to be the first modern artists’ book — made photography a major platform for Conceptual art, as did Bruce Nauman, who burned one of Ruscha's books and then photographed it for his own.
Conceptual art’s legacy of questioning artistic authorship, ownership and how to work with complex ideas of space and time had a significant influence on the decades of culture that followed, and it continues to inform art today.
The collection of Conceptual photography, paintings and sculptures on 1stDibs includes artworks by John Baldessari, Jenny Holzer, Lawrence Weiner, Joseph Kosuth and others.
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Style: Conceptual
YES - large format photograph of conceptual motivational sign at night
By Frank Schott
Located in San Francisco, CA
large scale original photograph from a series of conceptual motivational messages on classic Americana billboard signs in iconic landscape of the American West
YES by Frank Schott
...
Category
21st Century and Contemporary Conceptual Landscape Prints
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée
YES - large format photograph of conceptual motivational message sign at night
By Frank Schott
Located in San Francisco, CA
large scale original photograph from a series of conceptual motivational messages on iconic Americana signs in landscape of the American West
YES by Frank Schott
48 x 67 inches (122 x 171cm)
signed edition of 7
29 x 40 inches (74 x 102cm)
signed edition of 25
archival quality fine art pigment print
limited art edition published by Edition EKTAlux
artist signed + numbered certificate of authenticity
_______________
Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence.
Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels.
Influenced by a number of photographic peers and precursors such as Candida Höfer, Andreas Gursky, Thomas Struth, Jeff Wall, Ed Rusha...
Category
21st Century and Contemporary Conceptual Landscape Prints
Materials
Giclée, Archival Ink, Archival Paper, Photographic Paper, Archival Pigment
Fold-out PACE Gallery invitation (hand signed by Robert Irwin)
By Robert Irwin
Located in New York, NY
Robert Irwin
Fold-out PACE Gallery invitation (hand signed by Robert Irwin), 2012
Offset lithograph fold-out invitation (hand signed by Robert Irwin)
Boldly signed by Robert Irwin on...
Category
2010s Conceptual Landscape Prints
Materials
Lithograph, Offset
Christo, Lower Manhattan Packed Buildings (Monuments) - Signed Print
By Christo
Located in Hamburg, DE
Christo (American-Bulgarian, b. 1935)
Lower Manhattan Packed Buildings (2 Broadway and 20 Exchange Place, from Monuments), 1968
Medium: Offset and screen print on Bristol board
Dimen...
Category
20th Century Conceptual Landscape Prints
Materials
Offset, Screen
Back in 10 - large format photograph of conceptual message sign in landscape
By Frank Schott
Located in San Francisco, CA
large scale photograph from a series of conceptual motivational messages on classic Americana billboard signs in landscape of the American West
BACK I...
Category
21st Century and Contemporary Conceptual Landscape Prints
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée
Meteorites, natural light, analog photography, star field, stones and geometries
Located in Carballo, ES
Color photography printed in high quality on matte photographic paper. The dimensions are 21 x 30cm.
Claudia Ferreiro (Santiago de Compostela, 1996) explores memory and identity li...
Category
21st Century and Contemporary Conceptual Landscape Prints
Materials
Photographic Paper
Wrapped Reichstag
Located in Boston, MA
Artist: Christo,
Title: Wrapped Reichstag
Series: Wrapped Reichstag
Date: 1971-1995
Medium: Offset Lithograph
Framed Dimensions: 25.25" x...
Category
1970s Conceptual Landscape Prints
Materials
Offset
"Wishing the Mountains Madness", 1978, Lithograph by Dennis Oppenheim
Located in Long Island City, NY
Artist: Dennis Oppenheim, American (1938 - 2011)
Title: Wishing the Mountains Madness
Year: 1978
Medium: Lithograph on Johannot Paper, unsigned
Edition: 150
Size: 41.25 in. x 29.75 i...
Category
1970s Conceptual Landscape Prints
Materials
Lithograph
YES - XXL format photograph of conceptual motivational message sign at night
By Frank Schott
Located in San Francisco, CA
large scale original photograph from a series of conceptual motivational messages on classic Americana signs in landscape of the American West
YES by Frank Schott
58 x 81 inches (...
Category
21st Century and Contemporary Conceptual Landscape Prints
Materials
Archival Paper, Photographic Paper, Archival Pigment, Giclée
Billboard - large scale monochromatic photograph of iconic Americana road sign
By Frank Schott
Located in San Francisco, CA
a monochromatic photographic homage to artist Ed Ruscha from a series of iconic Americana roadside billboard signs and conceptual signage
BILLBOARD by Frank Schott
48 x 76 inches...
Category
21st Century and Contemporary Conceptual Landscape Prints
Materials
Archival Paper, Photographic Paper, Archival Pigment, Giclée
Lourdes Teleferique du Beout original vintage French travel poster
Located in Spokane, WA
Lourdes Teleferique du Beout original French antique poster. Archival linen backed in very fine condition. The artist Hubert Mathieu created ...
Category
1950s Conceptual Landscape Prints
Materials
Lithograph
Next Sign - large format landscape photograph with conceptual road sign
By Frank Schott
Located in San Francisco, CA
Next Sign by Frank Schott
from a series of works capturing conceptual roadside signs in iconic American landscapes
captured with a large format camera to allow epic scale print s...
Category
21st Century and Contemporary Conceptual Landscape Prints
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée
Back in 10 - large format photograph of conceptual message sign in landscape
By Frank Schott
Located in San Francisco, CA
large scale photograph from a series of conceptual motivational messages on classic Americana billboard signs in landscape of the American West
BACK IN 10 by Frank Schott
58 x 77.3...
Category
21st Century and Contemporary Conceptual Landscape Prints
Materials
Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment
Guggenheim, Modern Screenprint by Pol Bury 1972
By Pol Bury
Located in Long Island City, NY
Artist: Pol Bury, Belgian (1922 - 2005)
Title: Guggenheim
Year: 1972
Medium: Silkscreen, signed and numbered in pencil
Edition: 215/250
Size: 24.75 x 34.5 inches
Category
1970s Conceptual Landscape Prints
Materials
Screen
Sheep Portfolio 7
Located in Long Island City, NY
Artist: Menashe Kadishman, Israeli (1932 - 2015)
Title: Sheep Portfolio 7
Year: 1981
Medium: Serigraph and Etching, signed in pencil
Edition Size: 65, AP 5
Size: 33.5 x 31 in. (85.0...
Category
1980s Conceptual Landscape Prints
Materials
Screen
"Brown Palm" Screenprint by Menashe Kadishman
Located in Long Island City, NY
Artist: Menashe Kadishman, Israeli (1932 – 2015)
Title: Brown Palm
Year: 1979
Medium: Serigraph, signed in pencil
Edition: WP (Working Proof)
Size: 30.5 x 21.5 inches
Category
1970s Conceptual Landscape Prints
Materials
Screen
Waterdrops, Lithograph by Kim Tschang-Yeul
Located in Long Island City, NY
Artist: Tschang-Yeul Kim, Korean (1929 - )
Title: Water Drops
Year: 1988
Medium: Screenprint, signed and numbered in pencil
Edition: 300
Size: 43.5 in. x 29 in. (110.49 cm x 73.66 cm)
Category
1980s Conceptual Landscape Prints
Materials
Screen
Time Line, Contemporary Lithograph by Dennis A. Oppenheim
Located in Long Island City, NY
Artist: Dennis Oppenheim, American (1938 - 2011)
Title: Time Line Kent, Maine
Year: 1979
Medium: Lithograph, signed and numbered in pencil
Edition: 150, AP 3...
Category
1970s Conceptual Landscape Prints
Materials
Lithograph
Twilight's 034, Danse Macabre - A skeletal Oak tree - Landscpae
Located in London, GB
A skeletal oak, starved of light by the surrounding fir trees still holds its twisted limbs up towards the light as if frozen in its death throes.
"I want to bring a sense of unfamiliarity into the images; to present commonplace nature in a peculiar way. This is, in part, a reaction against our over sanitised and conditioned lives. The night forest is devoid of people. It is an undomesticated wilderness right on our doorstep." - Jasper Goodall...
Category
2010s Conceptual Landscape Prints
Materials
Photographic Paper, Archival Pigment
Running Fences yellow
Located in Boston, MA
Artist: Christo,
Title: Running Fences yellow
Series: Running Fences
Date: 1976
Medium: Offset Lithograph
Dimensions: 25.25" x 39.5"
Signature: Signed
Edition: 1000
Category
1970s Conceptual Landscape Prints
Materials
Offset
Sign Of The Time - large scale photograph of conceptual motivational billboard
By Frank Schott
Located in San Francisco, CA
Large format photograph of a billboard signage in California desert landscape, from a series of conceptual motivational messages on iconic Americana roadside signs and billboards cap...
Category
21st Century and Contemporary Conceptual Landscape Prints
Materials
Archival Paper, Photographic Paper, Giclée, Archival Pigment
TODAY - large format (framed) photograph of conceptual billboard sign at night
By Frank Schott
Located in San Francisco, CA
billboard against ultramarine blue night sky, a large scale original photograph from a series of conceptual motivational messages on classic Americana billboards in landscape of the ...
Category
21st Century and Contemporary Conceptual Landscape Prints
Materials
Photographic Paper, Plexiglass, Archival Paper, Archival Ink, Giclée, Ar...
MAYBE - large format photograph of conceptual motivational billboard at night
By Frank Schott
Located in San Francisco, CA
large scale photograph of a billboard signage against ultramarine blue night sky, from a series of conceptual motivational messages on iconic Americana roadside signs and billboards ...
Category
21st Century and Contemporary Conceptual Landscape Prints
Materials
Archival Paper, Photographic Paper, Archival Pigment, Giclée, Archival Ink
Whirlpool - Eye of the Storm, Contemporary Lithograph by Dennis Oppenheim
Located in Long Island City, NY
Artist: Dennis Oppenheim, American (1938 - 2011)
Title: Whirlpool - Eye of the Storm
Year: 1978
Medium: Lithograph on Johannot Wove Paper, signed and ...
Category
1970s Conceptual Landscape Prints
Materials
Lithograph
MAYBE - large format photograph of conceptual motivational billboard at night
By Frank Schott
Located in San Francisco, CA
large scale photograph of a billboard signage against ultramarine blue night sky, from a series of conceptual motivational messages on iconic Americana roadside signs and billboards ...
Category
21st Century and Contemporary Conceptual Landscape Prints
Materials
Archival Paper, Photographic Paper, Archival Pigment, Giclée
Seafront Landscape with Rocks, Conceptual Photography, Lively Colors Cave
Located in Barcelona, ES
"Sexy Miami Futuristic Cocktail Lounge" is a series of photographs by Ryan Rivadeneyra inspired by the Art Deco colors of Miami that show beautiful ob...
Category
2010s Conceptual Landscape Prints
Materials
C Print, Giclée, Archival Pigment
Yvon Lambert Gallery Poster (Hand Signed and Addressed by Dennis Oppenheim)
Located in New York, NY
Dennis Oppenheim
Directed Seeding -Wheat, Historic Yvon Lambert Gallery Poster (Hand Signed and Addressed by Dennis Oppenheim), 1969
Offset lithograph poster. Hand signed, inscribed. Postmarked and addressed to Oppenheim's dealer, John Gibson
23 × 16 inches
Hand Signed and inscribed by Dennis Oppenheim lower right in blue marker in 2006, hand addressed by Dennis Oppenheim in 1969 in red marker
Unframed
This is an extremely uncommon vintage poster/mailer announcing the May 20th, 1969 opening reception (Vernissage) for the exhibition of works by American conceptual art pioneer Dennis Oppenheim at the Yvon Lambert Gallery in Paris. The poster is historic in that it was originally mailed to John Gibson, the East 67th Street dealer, who famously gave Dennis Oppenheim his first New York exhibition in 1968, and it is hand addressed to Gibson, bearing the original Paris, France postmark of 1969. It is, exceptionally, hand signed and dedicated by Dennis Oppenheim to a collector who acquired the poster from John Gibson's collection, and then secured Dennis Oppenheim's autograph in 2006, making this an especially valuable collectors item.
More information about the project from the Tate Gallery archives, which acquired the work:
This work brings together two interventions Oppenheim created on a field owned by farmer Albert Waalken in Finsterwolde, north-eastern Holland, in 1969. It comprises four distinct elements mounted on board: a colour photograph of a wheatfield being sowed by a tractor in parallel curving lines seen from high up; a negative image in black and white of a map of the area of Finsterwolde onto which two sections of text have been collaged; and two black and white aerial photographs of the same field being traversed by a tractor cutting an X into the wheat. The first two elements relate to the action Directed Seeding. For this the field was seeded according to a line plotted by following the road from the village of Finsterwolde, the location of the field, to Nieuweschans, another village where the farmer’s storage silo for wheat was located. Oppenheim reduced this curved line by a factor of six in order to direct the trajectory of seeding. The tractor then carved a series of curved parallel lines on the surface of the field as it dug up earth and scattered seed. From an aerial perspective the patterning of parallel lines may be viewed as a form of line drawing on the landscape. The precise location of the field and the silo are indicated on the map, showing the trajectory of the road. The two sections of text collaged onto the upper portion of the map briefly describe the two interventions. Explaining the action Cancelled Crop, the artist wrote:
In September the field was harvested in the form of an X. The grain was isolated in its raw state, further processing was withheld. This project poses an interaction upon media during the early stages of processing. Planting and cultivating my own material is like mining ones own pigment (for paint) – I can direct the later stages of development at will. In this case the material is planted and cultivated for the sole purpose of withholding it from a product-oriented system. Isolating this grain from further processing (production of food stuffs) becomes like stopping raw pigment from becoming an illusionistic force on canvas. The esthetic is in the raw material prior to refinement, and since no organization is imposed through refinement, the material’s destiny is bred with its origin.
(Quoted from artist’s statement in Tate acquisition file.)
Directed Seeding and Cancelled Crop are two separate works, brought together in several different versions of which Tate’s is one. The collage presents three ways in which human action may marks the land. For the first two, agricultural machinery is used to create straight lines, in the process of harvesting as in the X of Cancelled Crop, or curved lines, during the process of planting seed in the contours photographed for Directed Seeding. The map shows a third (and more ancient) way of marking the land, through the construction of roads. The use of the landscape – natural, industrial or urban – as a canvas on which to act is typical of Oppenheim’s work in the late 1960s and early 1970s. In a related action, Directed Harvest, 1966 (Tate T07590) and Directed Harvest 1968 (Kröller-Müller Museum, Otterlo, Netherlands), the artist caused a field to be harvested in linear patterns which he then had photographed in its progressive stages. In Reverse Processing: Cement Transplant, East River, NY, 1970, 1978 (Tate T07591) Oppenheim drew large crosses on the roofs of barges transporting raw cement that he found moored on the New York East River banks. All these works centre on process as an agent of change and utilise materials, elements and locations on which the artist can have no permanent claim, making them deliberately ephemeral. Such actions as seeding a crop and harvesting it several months later operate within time parameters dependent on the cycles of the seasons rather than the will of man, mixing human processes with those of nature. Oppenheim’s analogy between the prevention of a crop from entering the food chain and the halting of the expressive, ‘illusionistic’ force of paint deconstructs the sophisticated processes of art-making and the food industry to the elemental notion of making simple marks on the environment. In this way, the artist highlights contemporary man’s dependency on complex chains...
Category
1960s Conceptual Landscape Prints
Materials
Offset, Lithograph
Still Life Conceptual Scene, Playful Seafood in Vivid Color, Blue, Yellow , Pink
Located in Barcelona, ES
"Sexy Miami Futuristic Cocktail Lounge" is a series of photographs by Ryan Rivadeneyra inspired by the Art Deco colors of Miami that show beautiful objects and textures arranged meti...
Category
2010s Conceptual Landscape Prints
Materials
Photographic Film, C Print, Giclée, Archival Pigment
Car Festival at Puri India original vintagea travel poster
Located in Spokane, WA
Original vintage travel poster Car Festival at Puri India. Archival linen-backed lithograph in fine condition, ready to frame.
At this festival, the public gathers and pull a chari...
Category
1950s Conceptual Landscape Prints
Materials
Lithograph
TODAY - large format photograph of conceptual motivational billboard at night
By Frank Schott
Located in San Francisco, CA
large scale original photograph of a billboard signage against ultramarine blue night sky from a series of conceptual motivational messages on iconic Americana signs...
Category
21st Century and Contemporary Conceptual Landscape Prints
Materials
Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée
China Night, Lithograph by Terry Allen
By Terry Allen
Located in Long Island City, NY
Artist: Terry Allen, American (1943 - )
Title: China Night
Year: 1985
Medium: Lithograph, signed and numbered in pencil
Edition: 75
Size: 23 x 30 in. (58.42 x 76.2 cm)
Category
1980s Conceptual Landscape Prints
Materials
Lithograph
Pan Am Building, Conceptual Screenprint by Pol Bury
By Pol Bury
Located in Long Island City, NY
Artist: Pol Bury, Belgian (1922 - 2005)
Title: Pan Am Building
Year: circa 1970
Medium: Silkscreen, signed and numbered in pencil
Edition: 32/75
Image Size...
Category
1970s Conceptual Landscape Prints
Materials
Screen
"Death Ramp", 1978, Lithograph by Dennis Oppenheim
Located in Long Island City, NY
Artist: Dennis Oppenheim, American (1938 - 2011)
Title: Death Ramp
Year: 1978
Medium: Lithograph, signed and numbered in pencil
Edition: 100
Size: 39 in. x 27 in. (99.06 cm x 68.58 cm)
Category
1970s Conceptual Landscape Prints
Materials
Lithograph
Running Fences White
Located in Boston, MA
Artist: Christo,
Title: Running Fences White
Series: Running Fences
Date: 1976
Medium: Offset Lithograph
Dimensions: 25" x 39"
Signature: Signed...
Category
1970s Conceptual Landscape Prints
Materials
Offset
Isabelle Carbonell "Somewhere Over the Rainbow" Iconic Wizard of Oz Set of Four
Located in Detroit, MI
"Somewhere Over the Rainbow" is one of a set of four digital prints whose titles were inspired by the iconic film The Wizard of Oz starring ...
Category
Early 2000s Conceptual Landscape Prints
Materials
Digital Pigment
Sunrise at Bayonne, Framed Conceptual Aquatint Etching by Komar & Melamid
Located in Long Island City, NY
Artist: Vitaly Komar, Russian (1943 - ) and Alexander Melamid, Russian (1945 - )
Title: Sunrise at Bayonne
Year: 1988
Medium: Aquatint Etching with Metallic Leaf Collage, signed and ...
Category
1980s Conceptual Landscape Prints
Materials
Etching, Aquatint
"Ghost Trip", 1978, Lithograph by Dennis Oppenheim
Located in Long Island City, NY
Artist: Dennis Oppenheim, American (1938 - 2011)
Title: Ghost Trip
Year: 1978
Medium: Lithograph, signed and numbered in pencil
Edition: 100
Size: 39 in. x 27 in. (99.06 cm x 68.58 cm)
Category
1970s Conceptual Landscape Prints
Materials
Lithograph
Church, NJ - Abstract Aquatint Etching by Komar & Melamid
Located in Long Island City, NY
Artist: Vitaly Komar, Russian (1943 - ) and Alexander Melamid, Russian (1945 - )
Title: Church, NJ
Year: 1991
Medium: Etching, signed, numbered, dated, and tilted in pencil
Paper Si...
Category
1980s Conceptual Landscape Prints
Materials
Etching, Aquatint
Nebraska Project, Lithograph by Dennis Oppenheim 1979
Located in Long Island City, NY
Nebraska Project
Dennis Oppenheim, American (1938–2011)
Date: 1979
Lithograph on Johannot Paper, signed and numbered in pencil
Edition of 150, AP 30
Size: 41 x 30 in. (104.14 x 76.2 cm)
Category
1970s Conceptual Landscape Prints
Materials
Lithograph
Tim Southall, Destination Unknown, Contemporary Art Print, Affordable Art
By Tim Southall
Located in Deddington, GB
Tim Southall
Destination Unknown
Limited Edition Print
Edition of 45
Image Size: H 15cm x W 20cm
Sheet Size: H 26cm x W 32cm x D 0.1cm
Sold Unframed
Pleas...
Category
21st Century and Contemporary Conceptual Landscape Prints
Materials
Paper, Etching, Monoprint
Devil's Hole, Conceptual Art Lithograph by Dennis A. Oppenheim
Located in Long Island City, NY
Artist: Dennis Oppenheim, American (1938 - 2011)
Title: Devil's Hole
Year: 1978
Medium: Lithograph, signed and numbered in pencil
Edition: 150
Size: 41.25 in. x 29.75 in. (104.78 cm ...
Category
1970s Conceptual Landscape Prints
Materials
Lithograph
"Star Field - Western United States", 1979, Lithograph by Dennis Oppenheim
Located in Long Island City, NY
Artist: Dennis Oppenheim, American (1938 - 2011)
Title: Star Field - Western United States
Year: 1978
Medium: Lithograph, signed and numbered in ...
Category
1970s Conceptual Landscape Prints
Materials
Lithograph
Mud Flat, Contemporary Lithograph by Dennis Oppenheim
Located in Long Island City, NY
Artist: Dennis Oppenheim
Title: Mud Flat
Year: 1977
Medium: Lithograph, signed and numbered in pencil
Edition: 100
Size: 41 in. x 29 in. (104.14 cm x 73.66 cm)
Category
1970s Conceptual Landscape Prints
Materials
Lithograph
Christo, 5600 Cubicmeter Package (Monuments) - Signed Print
By Christo
Located in Hamburg, DE
Christo (American-Bulgarian, b. 1935)
5600 Cubicmeter Package (from Monuments), 1968
Medium: Offset lithograph on Bristol board
Dimensions: 70 × 54.5 cm (27 3/5 × 21 1/2 in)
Edition ...
Category
19th Century Conceptual Landscape Prints
Materials
Offset
Bridge, Geometric Pop Art Screenprint by Allan D'Arcangelo
Located in Long Island City, NY
Artist: Allan D'Arcangelo, American (1930 - 1998)
Title: Bridge
Year: 1979
Medium: Serigraph, signed and numbered in pencil
Edition: 120
Image Size: 29 x 40 inches
Size: 35 x 46 in. ...
Category
1970s Conceptual Landscape Prints
Materials
Screen
Allied Chemical Tower, Packed, Contemporary Signed Lithograph by Christo
Located in Long Island City, NY
Artist: Christo, Bulgarian (1935 - )
Title: Allied Chemical Tower, Packed, Project for Number 1 Times Square
from "(Some) Not Realized Projects" portfolio
Year: 1971
Medium: Lithogra...
Category
1980s Conceptual Landscape Prints
Materials
Lithograph
City 379, Geometric Pop Art Screenprint by Risaburo Kimura
Located in Long Island City, NY
Artist: Risaburo Kimura
Title: City 379
Year: 1971
Medium: Serigraph, signed and numbered in pencil
Edition: 300
Paper Size: 28.5 x 22.5 inches
Category
1970s Conceptual Landscape Prints
Materials
Screen
City 57, Geometric Serigraph by Risaburo Kimura
Located in Long Island City, NY
Artist: Risaburo Kimura, Japanese (1924 - )
Title: City 57
Year: 1969
Medium: Silkscreen, signed in pencil
Edition: 6/75
Size: 25 x 19 in. (63.5 x 48.26 cm)
Category
1960s Conceptual Landscape Prints
Materials
Screen
"Tank Skid", 1978, Lithograph by Dennis Oppenheim
Located in Long Island City, NY
Artist: Dennis Oppenheim, American (1938 - 2011)
Title: Tank Skid
Year: 1978
Medium: Lithograph, signed and numbered in pencil
Edition: 100
Size: 39 in. x 27 in. (99.06 cm x 68.58 cm)
Category
1970s Conceptual Landscape Prints
Materials
Lithograph
"Dry Wells", 1978, Lithograph by Dennis Oppenheim
Located in Long Island City, NY
Artist: Dennis Oppenheim, American (1938 - 2011)
Title: Dry Wells
Year: 1978
Medium: Lithograph, signed and numbered in pencil
Edition: 100
Size: 39 in. x 27 in. (99.06 cm x 68.58 cm)
Category
1970s Conceptual Landscape Prints
Materials
Lithograph
Pine Cut Down C, by Alan Turner
By Alan Turner
Located in Long Island City, NY
Artist: Alan Turner
Title: Pine Cut Down C
Year: 1981
Medium: Lithograph, Signed and Numbered in Pencil
Edition: 40
Paper Size: 22 x 17 inches [55.88 x 43.18...
Category
1980s Conceptual Landscape Prints
Materials
Lithograph
"Cage Screen Test", 1978, Lithograph by Dennis Oppenheim
Located in Long Island City, NY
Artist: Dennis Oppenheim, American (1938 - 2011)
Title: Cage Screen Test
Year: 1978
Medium: Lithograph, signed and numbered in pencil
Edition: 100
Paper Si...
Category
1970s Conceptual Landscape Prints
Materials
Lithograph
The Eye, Signed Conceptual Earth Art Lithograph by Colette
By Colette
Located in Long Island City, NY
Artist: Colette
Title: The Eye
Year: 1979
Medium: Lithograph, signed and numbered in pencil
Edition: 200, AP 30
Image Size: 25 X 17 inches
Size: 29.5 in. x 22 in. (74.93 cm x 5...
Category
1970s Conceptual Landscape Prints
Materials
Lithograph
"Green Palm" Serigraph by Menashe Kadishman
Located in Long Island City, NY
Artist: Menashe Kadishman, Israeli (1932 – 2015)
Title:Green Palm
Year: 1979
Medium: Serigraph, signed in pencil
Edition: WP (Working Proof)
Size: 30.5 x 21...
Category
1970s Conceptual Landscape Prints
Materials
Screen
"Two Ways to Skin a Cat", 1978, Lithograph by Dennis Oppenheim
Located in Long Island City, NY
Artist: Dennis Oppenheim, American (1938 - 2011)
Title: Two Ways to Skin a Cat
Year: 1978
Medium: Lithograph, signed and numbered in pencil
Edition: 100
Size: 39 in. x 27 in. (99.06 ...
Category
1970s Conceptual Landscape Prints
Materials
Lithograph
Primrose Hill: The View
By Jennie Ing
Located in Deddington, GB
Jennie Ing
Primrose Hill: The View
Limited Edition Print
Edition of 40
Image Size: H 23cm x W 33cm
Signed
Sold Unframed
Please note that in situ i...
Category
2010s Conceptual Landscape Prints
Materials
Linocut, Paper
Pine Cut Down B, by Alan Turner
By Alan Turner
Located in Long Island City, NY
Artist: Alan Turner
Title: Pine Cut Down B
Year: 1981
Medium: Lithograph, Signed and Numbered in Pencil
Edition: 40
Paper Size: 22 x 17 inches [55.88 x 43.18...
Category
1980s Conceptual Landscape Prints
Materials
Lithograph
City 50, Geometric Abstract Screenprint by Risaburo Kimura
Located in Long Island City, NY
Artist: Risaburo Kimura (1924 - )
Title: City 50
Year: 1969
Medium: Silkscreen, signed in pencil
Edition: AP
Size: 25 x 19 inches
Category
1960s Conceptual Landscape Prints
Materials
Screen
Conceptual landscape prints for sale on 1stDibs.
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