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Art Subject: Arch
Avanzi della Biblioteca ... - Etching by Luigi Rossini - 1824
Located in Roma, IT
Avanzi della Biblioteca in Villa Adriana, di opera retticolata is an original etching realized by Luigi Rossini. From the collection “Le antichità de’ c...
Category

1820s Old Masters Landscape Prints

Materials

Etching

Ancient Roman Fresco - Original Etching by Niccolò Vanni - 18th Century
Located in Roma, IT
Ancient Roman Fresco, from the series "Antiquities of Herculaneum", is an original etching on paper realized from a design by Niccolò Vanni in the 18th century. Signed on the plate....
Category

18th Century Old Masters Figurative Prints

Materials

Etching

Ascendant and Descendant - Signed Facsimile, Ltd /450
Located in Paris, IDF
M.C. ESCHER (1898-1972) Ascendant and Descendant, 2008 Facsimile after the original woodcut from 1938 Signed in the plate Numbered / 450 copies (the number you can see can be differ...
Category

20th Century Modern Landscape Prints

Materials

Color

The West Prospect of the Cathedral of York /// "Britannia Illustrata" Engraving
Located in Saint Augustine, FL
Artist: Johannes "Jan" Kip (Dutch, 1652/3-1722) Title: "The West Prospect of the Cathedral of York" (Vol. 3, Plate 31) Portfolio: Britannia Illustrata / Le Nouveau Théâtre de la Grande Bretagne Year: 1715-1724 (Third edition) Medium: Original Engraving and Etching on cream laid paper Limited edition: Unknown Printer: Joseph Smith, London, UK Publisher: Joseph Smith, London, UK Reference: "London Illustrated 1604-1850" - Adams No. 22; Crace No. 201; Brunet IV No. 114; Lowndes No. 1277; Lewine page 263-264 Sheet size: 19.25" x 24.19" Image size: 16.75" x 22.5" Condition: With centerfold as issued. Some light toning and foxing mainly in margins, and some light edgewear. Has been professionally stored away for decades. It is otherwise a strong impression in very good condition Rare Notes: Provenance: private collection - Ross-on-Wye, UK. Engraved by Dutch artist Johannes "Jan" Kip (1652/3-1722) after a drawing by Dutch artist Leonard Knyff or Leendert Knijff (1650-1722). Comes from Kip's six volume (including Supplement and 'Atlas Anglois') "Britannia Illustrata" / Le Nouveau Théâtre de la Grande Bretagne", (1724-1728) (Third edition), which consists of 394 engravings and etchings. Printed in one color from one copper plate: black. Biography: Johannes "Jan" Kip (1652/53 in Amsterdam - 1722 in Westminster) was a Dutch draftsman, engraver and print dealer. Together with Leonard Knyff, he made a speciality of engraved views of English country houses. Kip was a pupil of Bastiaen Stopendaal (1636–1707), from 1668 to 1670, before setting up on his own; his earliest dated engravings are from 1672. In April 1680, at the age of 27, he married Elisabeth Breda in Amsterdam. After producing works for the court of William of Orange in Amsterdam, Kip followed William and Mary to London and settled in St. John Street in Farringdon, where he conducted a thriving printselling business. He also worked for various London publishers producing engravings after such artists as Francis Barlow (c. 1626–1704) and Caius Gabriel Cibber (1630–1700), largely for book illustrations. He made several engraved plates for Awnsham & John Churchill's "A Collection of Voyages & Travels" (first published 1704). He signed the African scenes in volume V of the 1732 edition as "J. Kip". His most important works were the large fold-out folio illustrations for "Britannia Illustrata", 1708; for the 65 folio plates he engraved for the antiquary Sir Robert Atkyns, "The Ancient and Present State of Glostershire", 1712 (1st edition); and for "Le Nouveau Théâtre de la Grande Bretagne ou description exacte des palais de la Reine, et des Maisons les plus considerables des des Seigneurs & des Gentilshommes de la Grande Bretagne", 1715, an extended reprint in collaboration with other artists. The linked careers of Jan Kip and Leonard Knyff made a specialty of engraved views of English country houses, represented in detail from the bird's-eye view, a pictorial convention for topography. Their major work was "Britannia Illustrata: Or Views of Several of the Queens Palaces, as Also of the Principal seats of the Nobility and Gentry of Great Britain, Curiously Engraven on 80 Copper Plates", London (1707, published in the winter of 1708–9). The volume is among the most important English topographical publications of the 18th century. Architecture is rendered with care, and the settings of parterres and radiating avenues driven through woods or planted across fields, garden paths, gates and toolsheds are illustrated in detail. The images are staffed with figures and horses, coaches pulling into forecourts, water...
Category

1720s Old Masters Landscape Prints

Materials

Laid Paper, Engraving, Etching, Intaglio

Altra Veduta presa sotto... - Etching by Luigi Rossini - 1825
Located in Roma, IT
Altra Veduta presa sotto il grand' Arco dell'interno dell'Emissario di Albano is an original etching belonging to the series "Le Antichità di contorni di Roma” (…)". Beautiful proof...
Category

1820s Modern Landscape Prints

Materials

Etching

Interno del Pronao del Tempio ... - Etching by Luigi Rossini - 1825
Located in Roma, IT
Interno del Pronao del Tempio d'Ercole nella città di Cora is an original etching by Luigi Rossini. From the collection “Le antichità de’ contorni di Roma”(..), Rome, 1826 by L. Rossini, an artist's proof with sharp details, showing Cora’s Ruins. Signed on plate “Rossini dis. e inc.” lower-left corner, with date and place “Roma, 1825”. In very good condition. Image Dimensions: 45 x 57 cm Luigi Rossini (1790 – 1857) Like Giovanni Battista Piranesi, Luigi Rossini was an architect and his etchings have the same tendency to emphasize the massive constructions of the Ancient Rome. He became famous thanks to his etchings representing Roman landscapes and antique monuments...
Category

1820s Modern Landscape Prints

Materials

Etching

Temple de la Concorde, Rome - Etching by C.-L. Clérisseau - Early 1800
By Charles-Louis Clérisseau
Located in Roma, IT
Roman Temple is an original print on paper realized by Charles-Louis Clérisseau. titled on the lower center" Temple de la Concorde a Roma". In very good conditions. Sheet dimension: 31 x 21 cm Included a white passepartout: 49 x 34 cm The artwork represents the beautiful scenery of Roman temple, the landscape is from one of the most historical parts of the city, skilfully depicted details of remained part of temple and historical heritage sites, representing an admirable view from the eternal city of Rome. Charles-Louis Clérisseau (Paris, 1721 – Auteuil, 1820) was a French architect and painter. Student of Jacques-François Blondel, in 1746 he won the prix de Rome in architecture by going to the Italian city, as a boarder of the Academy of France...
Category

Early 19th Century Figurative Prints

Materials

Etching

Christ Church Cathedral, Oxford, 1816, from the Dean's gardens
Located in London, GB
John Cowey (1786-1833) Christ Church Cathedral, Oxford, 1816, from the Dean's gardens  Engraving  23 x 32 cm Early nineteenth-century view of Christ Church Cathedral from the Dean's...
Category

Early 19th Century Landscape Prints

Materials

Engraving

Untitled (Mangold 1977.02; Parasol RM12), Robert Mangold
Located in Fairfield, CT
Artist: Robert Mangold (1937) Title: Untitled (Mangold 1977.02; Parasol RM12), from Multiple Panel Paintings suite Year: 1992 Edition: 300, plus proofs ...
Category

1990s Abstract Geometric Figurative Prints

Materials

Screen

St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter Floor plan of St Albans Cathedral Engraving 61 x 95 cm This engraving was originally published by the Society of Antiquaries of London, an organisation ...
Category

1810s Realist Landscape Prints

Materials

Engraving

View of Rialto Bridge in Venice
Located in New York, NY
Engraving of Veduta della Piazza, verso la Chiesa di S Marco by Pierre van der Aa. Printed in 1722. Unsigned. Unframed. Image size, 13.5"L x 10.5"H. Has the original center crease an...
Category

1720s Landscape Prints

Materials

Paper

St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
John Basire & John Carter St Albans Cathedral Engraving 62 x 46 cm This engraving was originally published by the Society of Antiquaries of London, an organisation dedicated to st...
Category

1810s Realist Landscape Prints

Materials

Engraving

Bridge of Sighs II, Giclee print, Oxford, Architecture, bridge
Located in Deddington, GB
Bridge of Sighs II by Gary Wing Limited edition print by Gary Wing, featuring the iconic Hertford Bridge in Oxford, also known as the Bridge of Sighs. Original work also available. S...
Category

2010s Contemporary Landscape Prints

Materials

Giclée

Cincinnati Union Terminal, Perspective From East
Located in Fairlawn, OH
Cincinnati Union Terminal, Perspective From East Drypoint, 1930-1931 Signed in pencil lower right (see photo) Initialed and dated the the plate above the pencil signature From: Cincinnati Series (8 Plates), this No. 2 Edition: 155, completed May 4, 1931 Delivered to Fellheimer & Wagner, 1931 Louis Conrad Rosenberg 1890-1983 An American architectural etcher and engraver of the 1920's and 1930's era, Louis Conrad Rosenberg first studied at the Massachusetts Institute of Technology...
Category

1930s American Modern Landscape Prints

Materials

Drypoint

Powis House in Ormond Street London /// "Vitruvius Britannicus" Engraving
Located in Saint Augustine, FL
Artist: Colen Campbell (Scottish, 1676-1729) Title: "Powis House in Ormond Street London" (Vol. 1, Plate 42) Portfolio: Vitruvius Britannicus; or The British Architect, Containing th...
Category

1710s Old Masters Landscape Prints

Materials

Laid Paper, Engraving, Etching, Intaglio

Reims Cathedral, France poster after Maurice Utrillo Post-Impressionism
Located in London, GB
To see our other original vintage posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. after Maurice Utrillo (1883 - 1955) France: La Cathédrale de Reims Original vintage poster 100 x 62 cm Commissioned by the Ministère des Travaux Publics et des Transports and the Commissariat général au Tourisme. Printed in France, by and for the French Government. Printed by Braun & Cie, Mulhouse-Paris. This poster, featuring a Utrillo painting of Reims Cathedral, was printed by the French tourist board to encourage holidays to France. Utrillo's depiction of Reims is highly post-impressionist, with thick layers of impasto and an inventive colour palette. Maurice Utrillo was a French painter who specialised in post-impressionist cityscapes...
Category

20th Century Post-Impressionist Landscape Prints

Materials

Lithograph

Christ Church Oxford College, William Nicholson lithograph 1905 Stafford Gallery
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. William Nicholson Canterbury Gate, Christ Church, Oxford College Published by Stafford Gallery...
Category

Early 1900s Realist Landscape Prints

Materials

Lithograph

PONT NEUF Signed Lithograph, Surreal Landscape, Historic Bridge Paris France
Located in Union City, NJ
PONT NEUF is a hand drawn, limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archival Arche...
Category

1990s Surrealist Landscape Prints

Materials

Lithograph

1804 Etching St George's Chapel Windsor Castle Architectural Prince Harry Meghan
Located in London, GB
From a series of architectural prints of St George's Chapel; to see some others, scroll down to "More from this Seller" and below it click on "See all from this Seller." Frederick Nash (1782-1856) Drawn and etched Engraved by F C Lewis Arches and Columns London Published by F Nash, No 6 Asylum Buildings, Westminster Road July 12 1804 55x39cm Frederick Nash was born in Lambeth. Initially studying architectural drawing under Thomas Malton he subsequently enrolled at the Royal Academy of Arts. From 1801 to 1809 he worked with the antiquarians John Britton...
Category

Early 1800s Realist Landscape Prints

Materials

Engraving, Etching

Old Putney Bridge
Located in New York, NY
James Whistler (1834-1903), Old Putney Bridge, 1879, etching and drypoint, signed in pencil with a large, elaborate shaded butterfly, lower right and inscribed imp (also signed with the butterfly in the plate), printed in dark-brown/black ink on laid paper, watermark ProPatria, an impression in Glasgow’s seventh (final) state, published by The Fine Art Society, probably printed in 1881, 8x 11 3/4 inches, sheet 12 1/8 x 16 1/8 inches. Reference: Kennedy 178; Glasgow 185. Provenance: Kraushaar Gallery, New York A fine impression, with wide margins. The Fine Art Societys relationship with Whistler began with the new etchings of the Thames he made in 1879, following a visit from Ernest Brown who had joined the staff of the gallery. The plate is on a large scale and shows the change in the artists approach to the Thames since the etchings he had made in Wapping and the docks in the summer of 1859. The central motif is the old bridge, by this stage somewhat dilapidated. It was shortly to be demolished and replaced by the new bridge of Cornish granite...
Category

Late 19th Century Impressionist Landscape Prints

Materials

Drypoint, Etching

David Loggan: Great St Mary's Church Cambridge University engraving 1690
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category

1690s Realist Prints and Multiples

Materials

Engraving

Avanzi di un Gran Salone nel piano terra della Villa di Mecenate in Tivoli
Located in Roma, IT
Like G.B.Piranesi, Rossini, well know as the “Piranesi’s heir”, trained as an architect and his etchings have the same tendency to emphasize the massive structure of the Ancient Rome...
Category

1820s Old Masters Figurative Prints

Materials

Etching

The Château-Vitré, French School, 20th Century
Located in Middletown, NY
Lithograph on heavy weight wove paper, 12 3/8 x 16 3/8 inches (313 x 416 mm), full margins. Titled and signed (illegibly) in pencil, lower margins. With scattered notations in red pe...
Category

Mid-20th Century French School Landscape Prints

Materials

Lithograph

Stanwick
Located in Middletown, NY
A superb impression of a scarce proof on rare paper. Etching on blue laid watermarked "Hand Made" paper, 7 3/8 x 3/14 inches (188 x 83 mm); sheet 11 1/2 x 8 1/4 inches (292 x 209 mm...
Category

Early 20th Century American Modern Landscape Prints

Materials

Handmade Paper, Etching, Laid Paper

Assisi I, monochromatic hand pulled print, architectural
Located in Brooklyn, NY
Edition of 30 + 10AP I this series, master printer Agnes Murray concentrates on images of historic and classical architecture
Category

1980s American Realist Landscape Prints

Materials

Archival Ink, Archival Paper

St. Louis, Gateway to the West
Located in Missouri, MO
John Stobart "St. Louis, Gateway to the West" Color Lithograph 30 x 42 inches framed Signed in Pencil and Numbered 434/750
Category

1970s American Realist Landscape Prints

Materials

Lithograph

Fonte Nuova, Siena
Located in Middletown, NY
Etching with drypoint on lightweight Japon paper, 9 3/4 x 9 7/8 inches ( 247 x 250 mm); sheet 14 x 12 3/4 inches (355 x 324 mm), full margins. Signed in pencil in the lower margin. I...
Category

Late 19th Century American Modern Landscape Prints

Materials

Handmade Paper, Drypoint, Etching

Vue des Célestins - Etching by Adolphe Martial-Potémon - 1864
Located in Roma, IT
Etching on laid paper, signed in the plate and dated lower margin. This fine etching by Adolphe Martial Potémont, one of the leading French etchers of the 19th century, captures the...
Category

1860s Modern Figurative Prints

Materials

Etching

Wilby Church Northamptonshire
Located in Middletown, NY
Etching on cream laid antique J Whatman paper with a watermark, 4 1/2 x 2 3/8 inches (109 x 61 mm); sheet 8 1/2 x 6 1/8 inches (216 x 153 mm), full margins. A proof impression from t...
Category

Early 20th Century American Modern Landscape Prints

Materials

Handmade Paper, Laid Paper, Etching

View of Saint Peter (Rome) - Etching by Franco Marzilli - 1980s
Located in Roma, IT
Etching hand colored realized by Franco Marzilli.  Hand signed and numbered. Edition of 81/99 Very Good condition. This delicate etching by Italian artist Franco Marzilli captures...
Category

1980s Contemporary Landscape Prints

Materials

Etching

"Cockersand Abbey" from "Buck's Antiquities" /// British Old Master Engraving
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774) Title: "Cockersand Abbey" (Plate 148) Portfolio: Buck's Antiquities or Venerable Remains of Above 400 Castles...
Category

1720s Old Masters Landscape Prints

Materials

Laid Paper, Engraving, Intaglio

Rodez (The Tower of Notre Dame)
Located in Middletown, NY
Etching on extremely delicate antique Japon laid paper, 12 x 5 (305 x 127 mm); sheet 15 3/4 x 7 1/8 inches (400 x 178 mm), full margins. In very good condition. A magnificently detai...
Category

Early 20th Century American Modern Landscape Prints

Materials

Handmade Paper, Etching, Laid Paper

Église de Brou
Located in Middletown, NY
Etching on delicate, fibrous Japon paper with a deckle edge, 8 7/8 x 4 1/8 (227 x 105 mm); sheet 12 x 7 7/8 inches (304 x 100 mm), full margins. Signed and dated in pencil in the low...
Category

Early 20th Century American Modern Landscape Prints

Materials

Handmade Paper, Etching

Cathedral of Saint Cyr and Saint Julieta, Nevers
Located in Middletown, NY
Etching on cream laid paper, 12 7/8 x 5 1/2 inches (328 x 140 mm); sheet 14 7/8 X 8 3/8 inches (389 x 217 mm), full margins. Signed and dated in pencil in the lower right margin. Fro...
Category

Early 20th Century American Modern Landscape Prints

Materials

Handmade Paper, Etching

Mitate of a Daimyo's Procession Crossing Ryogoku Bridge - Woodblock Print
Located in Soquel, CA
Mitate of a Daimyo's Procession Crossing Ryogoku Bridge - Woodblock Print Woodblock print of a procession by Keisai Eisen (Japanese, 1790–1848). Terrific triptych of a procession of...
Category

Early 19th Century Edo Figurative Prints

Materials

Ink, Rice Paper, Woodcut

Prag / Prague
Located in Middletown, NY
An atmospheric view of the Charles Bridge and Old Town Bridge Tower. Dresden: Max Sinz, 1928. Etching and aquatint in colors on cream wove paper, 11 1/2 x 9 inches (292 x 227 mm) f...
Category

Early 20th Century Modern Landscape Prints

Materials

Etching, Aquatint

Cavendish Church
Located in Middletown, NY
A magnificent impression from the collection of the artist's sister, with a dedication in Arms's hand. Etching on antique grayish-blue laid paper, 9 1/2 x 5 1/2 inches (242 x 140 mm...
Category

1940s American Modern Landscape Prints

Materials

Handmade Paper, Etching

Stanwick Churchyard
Located in Middletown, NY
Etching on cream wove paper, 2 3/8 x 3/14 inches (61 x 83), full margins. Signed, dated and inscribed "IV" in the artist's hand. In superb condition with the numerals "365" written i...
Category

Mid-20th Century American Modern Landscape Prints

Materials

Handmade Paper, Etching

Cherry Street
Located in Middletown, NY
A view of lower Manhattan's Cherry Street as it appeared at the turn of the 20th century. One of only 5 proof impressions. New York: 1904. Drypoint with aquatint on watermarked, cr...
Category

Early 20th Century American Modern Landscape Prints

Materials

Handmade Paper, Drypoint, Etching

Piranesi, Hand Coloured Period Engraving, Vue d'un Superb Palais de Rome
Located in Cotignac, FR
A fine hand coloured 18th Century engraving after the original by Piranesi (Rome 1743), published by Danisy, Paris. Presented in period gold leaf frame, under glass. Piranesi was born in Venice, in the parish of S. Moisè where he was baptised. His father was a stonemason. His brother Andrea introduced him to Latin literature and ancient Greco-Roman civilization, and later he was apprenticed under his uncle, Matteo Lucchesi, who was a leading architect in Magistrato delle Acque, the state organization responsible for engineering and restoring historical buildings. From 1740, he had an opportunity to work in Rome as a draughtsman for Marco Foscarini, the Venetian ambassador of the new Pope Benedict XIV. He resided in the Palazzo Venezia and studied under Giuseppe Vasi, who introduced him to the art of etching and engraving of the city and its monuments. Giuseppe Vasi found Piranesi's talent was much greater than that of a mere engraver. According to Legrand, Vasi told Piranesi that "you are too much of a painter, my friend, to be an engraver." After his studies with Vasi, he collaborated with pupils of the French Academy in Rome to produce a series of vedute (views) of the city; his first work was Prima parte di Architettura e Prospettive (1743), followed in 1745 by Varie Vedute di Roma Antica e Moderna. From 1743 to 1747, he was mainly in Venice where, according to some sources, he often visited Giovanni Battista Tiepolo, a leading artist in Venice. It was Tiepolo who expanded the restrictive conventions of reproductive, topographical and antiquarian engravings. He then returned to Rome, where he opened a workshop in Via del Corso. In 1748–1774, he created an important series of vedute of the city which established his fame. In the meantime Piranesi devoted himself to the measurement of many of the ancient buildings: this led to the publication of Le Antichità Romane de' tempo della prima Repubblica e dei primi imperatori ("Roman Antiquities of the Time of the First Republic...
Category

Late 18th Century Baroque Landscape Prints

Materials

Paper, Ink, Watercolor

Vue de la ville de Maasluis - Etching by Johan Barthold Jongkind - 1864
Located in Roma, IT
Etching on laid paper. Signed and dated in plate lower left: maassluis Jongkind 1862 Published by Cadart & Luquet, Éditeurs, 79 Rue Richelieu, Paris With the blindstamp of the S...
Category

1860s Modern Figurative Prints

Materials

Etching

View of Porta Tiburtina oggi di... - Etching by Gaetano Cottafavi - 1835
Located in Roma, IT
Etching realized by Gaetano Cottafavi in 1835. Not signed, as issued. Very good condition.
Category

1830s Modern Figurative Prints

Materials

Etching

Dufza - Paris - Le Pont Neuf - Original Handsigned Etching
Located in Collonge Bellerive, Geneve, CH
Dufza - Paris - Le Pont Neuf - Original Handsigned Etching Circa 1940 Handsigned in pencil Dimensions: 20 x 25 cm Unumbered as issued
Category

1940s Modern Landscape Prints

Materials

Etching

SECLUSIONS
Located in Aventura, FL
Serigraph on paper. Hand signed, titled and numbered by the artist. From the edition of 100. Artwork is in excellent condition. Certificate of Authenticity included. All reasonab...
Category

Late 20th Century Contemporary Figurative Prints

Materials

Paper, Screen

SECLUSIONS
$250 Sale Price
50% Off
Le Vieux Pont de Vernon (Eure) - Etching by Alfred Taiée - 1875 ca.
Located in Roma, IT
Etching on laid paper Signed in plate lower right: A. Taiée Published by Cadart & Luquet, Éditeurs, 79 Rue Richelieu, Paris With the blindstamp of the Société des Aquafortistes, ...
Category

1870s Modern Figurative Prints

Materials

Etching

'Bridges of Florence' — Firenze Impressionism
Located in Myrtle Beach, SC
Alonzo C. Webb, 'Bridges of Florence', etching, 1929, edition 100. Signed and titled in pencil. Signed and dated in the plate, lower left. A superb, richly-inked impression, in warm ...
Category

1920s American Impressionist Figurative Prints

Materials

Etching

The city, The Viaduct - Original lithograph, HANDSIGNED, 1959
Located in Paris, IDF
Fernand Léger The Viaduct, 1959 Original lithograph (Atelier Mourlot) Signed with the artist's stamp Limited to 180 copies (Here numbered 160) On Arches vellum 66 x 50.5 cm (c. 25....
Category

1950s Modern Landscape Prints

Materials

Lithograph

LFO Train Game
Located in Brooklyn, NY
This interactive poster by acclaimed illustrator James McMullan invites viewers to engage by visually matching images in the margin with corresponding train cars. McMullan’s detailed...
Category

1960s Contemporary Landscape Prints

Materials

Offset

Pool of Bethesda, Jerusalem: A Hand-colored Aquatint & Engraving by L. Mayer
Located in Alamo, CA
This is a hand-colored aquatint and engraving entitled "Pool of Bethesda, Jerusalem", published in London by R. Bowyer in 1804. The print was created by Thomas Milton (1743-1827) from drawings by Luigi Mayer. This beautiful, detailed, original engraving is printed on deluxe J. Whatman paper with very wide left and right margins. There is a watermark "1801" indicating the year the paper was made. The sheet measures 11.25" high and 16" wide. There is a small faint spot in the upper margin on the left and a tiny faint spot in the right upper corner and another in the left lower corner. The engraving is otherwise in excellent condition with vibrant colors throughout the image. "The Pool of Bethesda...
Category

Early 19th Century Romantic Portrait Prints

Materials

Engraving, Aquatint

'Stanford University, the Quad', Palo Alto, Vienna Academy, Metropolitan Museum
Located in Santa Cruz, CA
Signed lower center, in pencil, 'Luigi Kasimir' (Austro-Hungarian, 1881-1962), and with title and date, 'Palo Alto, 1931'. at lower right. Paper dimensions: 12.25 x 16 inches. N.B. This is an original etching by Luigi Kasimir and is hand-signed by the artist. The notable etcher and painter, Luigi Kasimir, attended the Vienna Academy of Art where he studied under William Unger, who introduced him to colored etching. Kasimir was influenced by Anders Zorn and Karl von Kalckreuth and he furthered his studies with Sigmund L'Allemand. A pioneer in the technique of hand-colored etching, Kasimir began exhibiting in 1905 and received immediate critical recognition. Starting with a sketch, usually in pastel, Kasimir would transfer the design, by hand, onto as many as six plates, applying the color by hand to each plate. Luigi Kasimir's work is held in private and public collections throughout the world including in the permanent collections of New York's Metropolitan Museum and Smithsonian Museum, among others. Reference: E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Jacques Busse...
Category

1930s Landscape Prints

Materials

Paper, Color, Etching

Two lithographs in color with engraving; Eglise St. Ouen & Eglise St. Maclou
Located in Middletown, NY
Each 8 x 6 inches (202 x 150 mm), full margins. Each with scattered light handling wear, surface soiling, and each with a small bookworm hole in the lower left sheet, well outside of...
Category

Early 19th Century French School Figurative Prints

Materials

Lithograph

Vue du Marché de Lisbonne - Lithograph by Auguste Raffet - 1844
Located in Roma, IT
Lithograph realized by Raffet in 1846. Signed and dated in the plate. Image dimension 19x42 cm. A finely detailed lithograph by Auguste Raffet, depicting the bustling market of Lis...
Category

1840s Modern Figurative Prints

Materials

Lithograph

M's Orchard, by David Smith-Harrison
Located in Palm Springs, CA
Signed, titled and numbered by the artist. This intaglio print shows an orchard combined with the classical architectural imagery that often accompany Smith-Harrison's portraits of ...
Category

Early 2000s Contemporary Landscape Prints

Materials

Aquatint, Etching

Dorothy and John Taylor Arms M.D. MCMXXV
Located in Middletown, NY
Etching on cream wove paper 5 7/8 x 3 3/8 inches (150 x 86 mm). Signed and dated in pencil in the lower margin. First state (of 2), before the removal of the inscription in the lowe...
Category

1920s Landscape Prints

Materials

Handmade Paper, Etching

Stokesay Castle
Located in Middletown, NY
Etching on fine, light cream laid paper, 2 1/4 x 2 15/16 inches ( 58 x 75 mm), full margins. Signed and inscribed "II" in pencil, lower margin. A trial proof impression of the second...
Category

Mid-20th Century American Modern Landscape Prints

Materials

Laid Paper, Etching

Bridge - London, Southwark & Blackfriars... By W.H. Bartlett - 19th Century
Located in Roma, IT
Bridge - London, Southwark & Blackfriars Bridges (from the Surrey side of the River) is a lithograph artwork on paper realized by the artist W.H. Bartlett . Signed on the plate on t...
Category

19th Century Modern Figurative Prints

Materials

Lithograph

Buitenzijde Van Het Colosseum (Exterior of the Colosseum)
Located in Middletown, NY
The Hague: circa 1799. Engraving with burin on cream laid paper, 7 7/8 x 13 inches (198 x 330 mm) full margins. Octavo fold with additional hard creases with an associated loss in t...
Category

Late 18th Century Dutch School Figurative Prints

Materials

Laid Paper, Engraving

Church of Saint Jean, Laigle, Orne
Located in Middletown, NY
Etching on white laid paper with an "England" watermark, 3 x 1 3/4 inches (76 x 45 mm), full margins. Signed, dated and inscribed "II" in pencil, lower margin. One of 13 trial proof ...
Category

Mid-20th Century American Modern Landscape Prints

Materials

Laid Paper, Etching

Lescure, Une Tour Des Remparts
Located in Middletown, NY
Etching on antique laid paper, 6 9/16 x 3 15/16 inches (167 x 100 mm), signed and dated in pencil, lower margin. Potentially a trial proof impression aside from the unsigned edition of 1459. Non-archival tape residue along the top and bottom sheet edges, recto, well outside of image area. Scattered handling creases and general scattered soiling in the margins, minor and unobtrusive. [Fletcher 217]. This work was commissioned by The Architectural Forum...
Category

Mid-20th Century American Modern Landscape Prints

Materials

Handmade Paper, Laid Paper, Etching

Le Petit Pont
Located in Roma, IT
Signed on plate with the Monogram of the artist “CM”. Original Prints. State III/III Passepartout included : 60 x 40 cm Image Dimensions : 24.5 x 18.5 cm This artwork is shipped fro...
Category

1850s Realist Landscape Prints

Materials

Etching

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