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Arch Landscape Prints

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Art Subject: Arch
Le Pont
Located in Middletown, NY
Etching, engraving, roulette and drypoint on watermarked BFK Rives wove paper, 5 x 8 3/4 inches (126 x 222 mm), full margins. Signed and numbered 4/32 in pencil, lower margin. Minor ...
Category

Early 20th Century French School Figurative Prints

Materials

Drypoint, Etching, Engraving

The city of Ghent - Belgium - Gallery Print Edition - Panoramic Photography
Located in Brussels, BE
Panoramic view from the city of Ghent Pigment photographic paper - photography & fine art print © Jean Pierre De Neef You make my head spin serie - Tribute to Belgium The technique...
Category

2010s Photorealist Color Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

Kingsgate, Winchester
Located in Middletown, NY
Etching on cream wove paper, 8 1/8 x 9 3/4 inches (205 x 246 mm), full margins. Signed in pencil, lower right margin. One minor printing defect appearing as a slightly folded bottom ...
Category

Early 20th Century English School Figurative Prints

Materials

Watercolor, Handmade Paper, Etching

Robert Kasimir Austrian Artist - Aquatint of New York "Washington Arch"
Located in Phoenix, AZ
Beautiful New York subject etching by noted Austrian artist Robert Kasimir (1914-2002). The color etching with aquatint on paper measures 15 3/4"h x 11...
Category

Late 20th Century Landscape Prints

Materials

Paper

Wilby Church, Northhamptonshire, England
Located in Middletown, NY
A fine proof impression on antique paper Etching on antique laid paper with a large heraldic watermark. 4 1/4 x 2 3/8 inches (109 x 61mm), full margins. Signed, dated, and inscribed...
Category

Mid-20th Century American Modern Landscape Prints

Materials

Laid Paper, Etching

Design fragments of St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter Architectural Fragments of St Albans Cathedral Engraving 62 x 46 cm This engraving was originally published by the Society of Antiquaries of London, an...
Category

1810s Realist Landscape Prints

Materials

Engraving

Le Pont de Segovie
By Eugene Bejot
Located in Middletown, NY
Etching on cream wove paper, 5 1/2 x 7 inches (138 x 176 mm), full margins. Signed in pencil in the lower margin. With minor mat tone, and two pin-point spots...
Category

Early 20th Century French School Landscape Prints

Materials

Handmade Paper, Etching

New Staines Bridge, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'New Staines Bridge' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of aquat...
Category

Late 18th Century Naturalistic Landscape Prints

Materials

Engraving, Etching, Aquatint

Shadows in Mexico
Located in Middletown, NY
Etching on bluish-grey, antique laid paper, 5 x 3 5/8 inches (127 x 93 mm), signed, dated, and inscribed "III" in pencil, lower margin. A proof impression from the third state (of 3)...
Category

Mid-20th Century American Modern Landscape Prints

Materials

Laid Paper, Etching

Shadows of Venice
Located in Middletown, NY
Etching and aquatint on antique laid paper, wide margins. Signed, dated and inscribed "Edition of 100" in pencil, lower margin. Second state (of 2)....
Category

Mid-20th Century American Modern Landscape Prints

Materials

Laid Paper, Etching, Aquatint

Veduta del Ponte Lugano sull'Anione - Etching by G. B. Piranesi
Located in Roma, IT
Image dimensions 45x65.6. Veduta del Ponte Lugano su l'Anione is a superb black and white etching on laid paper realized by Giovan Battista Piranesi....
Category

1740s Landscape Prints

Materials

Etching

L'Hotel de Ville, Arras
Located in Middletown, NY
Lithograph in colors on card stock (as issued), 15 x 10 5/8 inches (380 x 268 mm), full margins. In good condition with some minor toning and some extremely minor and unobtrusive edg...
Category

Mid-19th Century English School Landscape Prints

Materials

Handmade Paper, Lithograph

David Bethel (1923-2006) - Framed 20th Century Serigraph, White Gate
Located in Corsham, GB
David Bethel (British 1923-2006) 'White Gate', original serigraph. Signed and dated 1980 in pencil to the lower margin. Inscribed and editioned 1/75. Smartly mounted in a narrow oak ...
Category

20th Century Landscape Prints

Materials

Screen

Under the Manhattan Bridge
Located in Middletown, NY
New York, circa 1940 Etching with aquatint in colors on cream laid paper with a partial watermark and a deckle edge, 11 3/4 x 8 1/4 inches (297 x 208 mm), full margins. Minor mat to...
Category

Early 20th Century American Modern Landscape Prints

Materials

Handmade Paper, Etching, Aquatint

Gloria, Saint Riquier; The Church of Saint Riquier; Gloria Ecclesiae Antiquae
Located in Middletown, NY
Etching on antique cream laid paper with an "England" watermark; 13 7/8 x 8 5/8 inches (353 x 221 mm), full margins. Signed, dated, titled, numbered "III," and inscribed in pencil. O...
Category

Mid-20th Century American Modern Landscape Prints

Materials

Handmade Paper, Etching, Laid Paper

Inside of the Duke's Theater in Lincoln's Inn Fields as it appeared...Charles II
Located in Middletown, NY
London: William Herbert & Robert Wilkinson, 1809 Engraving on buff wove paper, 12 1/4 x 8 1/4 inches (310 x 208 mm), full margins. In good condition with some scattered surface soiling, and edge wear along the top sheet edge, well outside of the image area. From a series of three views of the Duke's Theater. An impression of this work may be viewed in the permanant collection of the Royal Collection...
Category

Early 19th Century English School Landscape Prints

Materials

Engraving, Handmade Paper

French pipe organ design, late 18th century engraving
Located in Melbourne, Victoria
'Elevation Geometralle d'Un Buffet D'Orgue d'Une Nouvelle Decoration' Copper-line engraving. C1770. 380mm by 420mm (platemark) 460mm by 560mm (sheet) From Roubo's 'L'Art du Menui...
Category

Late 18th Century Rococo Landscape Prints

Materials

Engraving

The Château-Vitré, French School, 20th Century
Located in Middletown, NY
Lithograph on heavy weight wove paper, 12 3/8 x 16 3/8 inches (313 x 416 mm), full margins. Titled and signed (illegibly) in pencil, lower margins. With scattered notations in red pe...
Category

Mid-20th Century French School Landscape Prints

Materials

Lithograph

Cavendish Church
Located in Middletown, NY
Etching on cream laid paper with a deckle edge and with an unidentified watermark with an "AL" inside an ovoid cartouche with a garter and buckle (likely English 19th century), 9 1/2...
Category

1940s American Modern Landscape Prints

Materials

Handmade Paper, Etching

Composition, Portrait de A. Decaris, Albert Decaris
Located in Southampton, NY
Engraving on vélin de Rives paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Portrait de A. Decaris, 1953. Published by Editions d'Art Manuel Bruker, Paris; printed by Ateliers Rigal, Paris, January 30, 1953. Excerpted from the volume (translated from French), The present portrait of Albert Decaris was completed to print on January 30, 1953 for typography by Zichieri; for engraving by Rigal. The edition has been set at 250 on vélin de Rives. The first twenty examples are suites on annam of all the engravings. ALBERT DECARIS (1901-1988) was a French artist, engraver, painter and Olympic Gold Medallist. Decaris was the first illustrator of luxury art books such as Le Chant de Mon Voyage vers la Grèce by Léon Cathlin, Combourg by Chateaubriand, Les Discours des Misères de ce Temps by Ronsard and Les Destinées by Alfred de Vigny. Decaris joined the infamous group called FVHJ at age 24. In the 1930s, Decaris began engraving postage stamps, resulting in more than 500 such designs, for various postal services, notably French and African. Stamp collectors...
Category

1950s Modern Landscape Prints

Materials

Engraving

The New Bridge, On The River Dee, Wales. Paul Sandby C18th landscape engraving
Located in Melbourne, Victoria
'The New Bridge, On The River Dee, Near Chirk Castle' Engraving by Peter Mazell After Paul Sandby (1731-1809). From Paul Sandby's 'The Virtuosi's Museum, Containing Select Views in...
Category

18th Century Naturalistic Landscape Prints

Materials

Engraving

Street in Porto Maurizio
Located in Middletown, NY
Etching on antique handmade laid paper, 9 5/8 x 4 1/4 inches (246 x 109 mm), full margins. Signed and dated (1928) in pencil, lower margin. Printed by Frederick Reynolds. In very goo...
Category

1920s American Modern Figurative Prints

Materials

Handmade Paper, Etching

Street in Porto Maurizio
Located in Middletown, NY
Etching on antique cream laid paper with a partial watermark, 9 5/8 x 4 1/4 inches (246 x 109 mm); full margins. Signed and dated "1928" in pencil, lower margin. Inscribed "Street in Porto Maurizio...
Category

1920s American Modern Landscape Prints

Materials

Handmade Paper, Laid Paper, Etching

Cavendish Church
Located in Middletown, NY
Etching on bluish-grey, thin laid paper, 9 1/2 x 5 1/2 inches (242 x 140 mm), full margins. Signed, dated and numbered "II." In very good condition with three pin-point sized dots of...
Category

Mid-20th Century American Modern Landscape Prints

Materials

Handmade Paper, Laid Paper, Etching

Eglise Notre Dame, Les Andelys
Located in Middletown, NY
Etching and drypoint on greenish cream wove paper, 3 1/4 x 1 15/16 inches (81 x 48 mm), full margins. Signed, dated, and inscribed "III" in pencil. Number 46 from the French Churche...
Category

Mid-20th Century American Modern Figurative Prints

Materials

Handmade Paper, Etching

Marc Chagall, Tribe of Issachar, from The Jerusalem Windows, 1962 (after)
Located in Southampton, NY
This exquisite lithograph after Marc Chagall (1887–1985), titled Tribe of Issachar, from the album Marc Chagall, The Jerusalem Windows, originates from the 1962 edition published by Andre Sauret, Editeur, Paris, and printed by Mourlot Freres, Paris, June 7, 1962. This radiant composition celebrates the Tribe of Issachar, symbolizing wisdom, study, and spiritual insight. Tribe of Issachar reflects Chagall’s deep reverence for divine knowledge and the harmony between the earthly and celestial realms. Through an ethereal interplay of blues, greens, and golden light, the artist evokes the serene beauty of enlightenment and the eternal rhythm of faith. The imagery, both symbolic and lyrical, transforms biblical tradition into an expression of spiritual unity and human aspiration, hallmarks of Chagall’s poetic vision. Executed as a lithograph on velin paper, this work measures 15 x 11 inches (38.1 x 27.94 cm). Unsigned and unnumbered as issued. The edition exemplifies the exceptional craftsmanship of the Mourlot Freres atelier, renowned for its collaboration with the most important modern artists of the 20th century. Artwork Details: Artist: After Marc Chagall (1887–1985) Title: Tribe of Issachar, from Marc Chagall, The Jerusalem Windows Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.94 cm) Inscription: Unsigned and unnumbered as issued Date: 1962 Publisher: Andre Sauret, Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album Marc Chagall, The Jerusalem Windows, published by Andre Sauret, Editeur, Paris, June 7, 1962 Notes: Excerpted from the album, This album, which was compiled by Andre Sauret, was completed on June 7, 1962. The texts by Jean Leymarie were composed by hand in "Romain du roi" and were printed by The Imprimerie Nationale de France. The thirty-six preparatory color designs, some of which are in twenty colors, were transferred to the stones by Charles Sorlier under the direction of Marc Chagall. These designs and the two original lithographs by Marc Chagall were printed by Mourlot Freres. The other reproductions and the binding are by Draeger Freres. About the Publication: Marc Chagall, The Jerusalem Windows (Les Vitraux de Jerusalem), published in 1962 by Andre Sauret, Editeur, Paris, stands as one of the artist’s most celebrated illustrated albums and a cornerstone of modern printmaking. The publication documents Chagall’s monumental stained-glass windows created for the synagogue of the Hadassah-Hebrew University Medical Center in Jerusalem—an artistic and spiritual masterpiece dedicated to the twelve tribes of Israel. Conceived in collaboration with master printer Charles Sorlier and the renowned Mourlot Freres atelier, the album compiles the artist’s original color studies through vibrant lithography, achieving a remarkable luminosity that mirrors the glowing transparency of stained glass. The accompanying text by art historian Jean Leymarie offers profound insights into Chagall’s vision, faith, and symbolism. Completed on June 7, 1962, this edition embodies the union of fine art, craftsmanship, and devotion, capturing the transcendent beauty of Chagall’s windows and their universal message of peace and faith. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Tribe of Issachar, Chagall Jerusalem Windows...
Category

1960s Expressionist Figurative Prints

Materials

Lithograph

Rodez; The Tower of Notre Dame
Located in Middletown, NY
Etching on antique wove Catalunya-Spain watermarked paper, 12 x 5 inches (305 x 127 mm), full margins. Signed and dated in pencil, lower margin. In excellent condition with light ton...
Category

Mid-20th Century American Modern Landscape Prints

Materials

Handmade Paper, Etching

The Bridge - Etching by Bruno Croatto - 1897
Located in Roma, IT
The Bridge is an original etching realized by the Italian master Bruno Croatto. Hand-signed on the lower right. '97 Good conditions except for some sma...
Category

1890s Modern Figurative Prints

Materials

Etching

Precious Stones; Église Notre Dame - Les Andelys
Located in Middletown, NY
A signed impression from the artist's own collection. Kansas City: Miniature Print Society, 1946. Etching on antique cream laid paper, 3 5/15 x 1 7/8 inches (84 x 49 mm), full margi...
Category

Mid-20th Century American Modern Landscape Prints

Materials

Handmade Paper, Laid Paper, Etching

Fiesole, an Ancient Tower
Located in Middletown, NY
Etching on antique cream laid paper, 7 7/8 x 5 1/8 inches (201 x 130 mm), full margins. Edition of 150. Printed by Federick Reynolds. Signed and dated in pencil, lower right. Arms wa...
Category

Early 20th Century American Modern Landscape Prints

Materials

Handmade Paper, Laid Paper, Etching

The Basilica of Constantine
Located in Chicago, IL
A very fine impression of the 3rd State, still with the address and price which were eliminated in the following 4th state. The presence of the address and price confirms that this ...
Category

18th Century and Earlier Old Masters Landscape Prints

Materials

Etching

L'Hostel de Chevreuse, French town house in Paris, mid 17th century engraving
Located in Melbourne, Victoria
'L'Hostel de Chevreuse' Copper-line engraving by Matthaeus Merian. From 'Topographia Galliae', a fine series of engravings of 17th-century French landscapes, gardens, buildings an...
Category

Mid-18th Century Rococo Landscape Prints

Materials

Engraving

Stokesay Castle
Located in Middletown, NY
The Minature Print Society of Kansas City, Mo. , 1942. Etching on cream colored Japon wove paper, 2 1/4 x 2 15/16 inches (58 x 75 mm), full margins. Signed, dated and inscribed "II"...
Category

Mid-20th Century American Modern Landscape Prints

Materials

Handmade Paper, Etching

Cortile del Palazzo di Venezia, Rome, Italy. Lithograph
Located in Melbourne, Victoria
'Cortile del Palazzo di Venezia, Colla Chiesa di San Marco' Tinted lithograph by Eugene Ciceri after Felix Benoist. Figures by Bayot. From a French series titled 'Rome dans Sa Gran...
Category

Late 19th Century Victorian Landscape Prints

Materials

Lithograph

Chertsey Bridge, Surrey, Thames, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Chertsey Bridge, Surrey' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of ...
Category

Late 18th Century Naturalistic Landscape Prints

Materials

Engraving, Etching, Aquatint

Untitled - Lithograph by Remo Brindisi - 1980
Located in Roma, IT
Lithograph on Magnani-Pescia paper 310 gr/m2, paper size 64cm x 50cm, 50cmx41,5cm . Excellent condition, no defects. Artist proof. Remo Brindisi (Rome 1918 – Lido di Spina 1996) ha...
Category

1980s Modern Landscape Prints

Materials

Lithograph

Landscape - Zincography by Mino Maccari - 1950s
Located in Roma, IT
Landscape is an original modern artwork realized the 1950s by the Italian artist Mino Maccari (Siena, 1898 - Rome, 1989). Original zincography on Ivory paper. Image Dimensions: 16 x...
Category

1950s Modern Figurative Prints

Materials

Paper

View of Greenwich from Deptford Yard, Thames, London, C18th English aquatint
Located in Melbourne, Victoria
'View of Greenwich from Deptford Yard, Thames, London' Aquatint by JC Stadler after J Farmington. Published c1795 for Boydell's 'History of the River Thames'. Joseph Constantine St...
Category

Late 18th Century Naturalistic Landscape Prints

Materials

Engraving

Antique French Print of Archway and Seascape
Located in Soquel, CA
Antique French print of an archway with a seascape in the background by Emilie Richard Haumont (early 20th cent). Beautifully rendered piece of an idyll...
Category

Late 19th Century French School Landscape Prints

Materials

Lithograph, Laid Paper

Palazzo dell'Angelo
Located in Middletown, NY
Palazzo dell'Angelo 1931 Etching and drypoint on cream-colored, handmade laid paper with deckle edges, 7 1/4 x 6 3/4 inches (185 x 171 mm), edition of 100, full margins. Signed, dated and numbered "Ed. 100" in pencil, lower margin, second state (of three). Printed by Henry Carling, New York. Extremely minor mat tone and some inky residue in the top right corner, all unobtrusive and well outside of image area. An exquisite impression of this intricate image, with astonishing detail, and all the fine lines printing clearly. The image represents the first print which Arms printed on his own handmade paper. Framed handsomely with archival materials and museum grade glass in a wood gilt frame with a flower and garland motif. Illustrated: Dorothy Noyes Arms, Hill Towns and Cities of Northern Italy, p. 180; Anderson, American Etchers Abroad 1880-1930; Eric Denker, Reflections & Undercurrents: Ernest Roth and Printmaking in Venice, 1900-1940, p. 116. [Fletcher 233] Born in 1887 in Washington DC, John Taylor Arms studied at Princeton University, and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I, Arms served as an officer in the United States Navy, and it was during this time that he turned his focus to printmaking, having published his first etching in 1919. His first subjects were the Brooklyn Bridge, near the Navy Yard, and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on Gothic cathedrals and churches he visited in France and Italy. He used what was available to him, namely sewing needles and a magnifying glass, to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war, Arms enjoyed a successful career as a graphic artist, created a series of etchings of American cities, and published Handbook of Print Making and Print Makers (Macmillan, 1934). He served as President of the Society of American Graphic Artists, and in 1933, was made a full member of the National Academy of Design. In its most modern incarnation, Palazzo dell'Angelo was constructed in or around 1570. The building, which has a rich and storied history, was erected upon the ruins of an earlier structure which predates the Gothic period. Some remnants of the earliest features of the residence were most certainly still visible when Arms visited, as they are today. Having a background in architecture, there's no question that Arms was moved by the beauty, history and ingenuity represented in the physical structure. One thing specifically gives away Arms's passion for the architecture, and that is the fact that he focused on the building's Moorish entranceway, balustrade, and two mullioned windows, and not on the curious Gothic era bas-relief of an angel nestled into the facade of the building, after which the structure is named. The sculpture itself doesn't appear in Arms's composition at all, despite the fact that it is the feature of the building that is most famous in its folklore. Arms instead focuses on the oldest portion of the architecture, even documenting some of the remnants of a fresco, and a funerary stele for the freedman Tito Mestrio Logismo, and his wife Mestria Sperata (visible above the water level, to the left of the door, behind the gondola), which was first described in 1436. Among the many notable bits of history regarding the Palazzo, it has been documented that Tintoretto painted frescos of battle scenes on the facade of the building. The paintings have been lost to time and the elements, but not entirely to history. The empty frame...
Category

1930s American Modern Figurative Prints

Materials

Drypoint, Etching

Victoria Station (London)
By Kenneth Holmes, A.R.C.A.
Located in Middletown, NY
A lovely dark and inky impression, signed by the artist. Drypoint etching on cream laid paper, 10 7/8 x 8 5/8 inches (275 x 218 mm), full margins. Signed in pencil, lower center marg...
Category

Early 20th Century Modern Landscape Prints

Materials

Laid Paper, Drypoint, Etching

Tombeau à Merdach - Lithograph by Auguste Raffet - 1838
Located in Roma, IT
Lithograph on paper realized by Auguste Raffet in 1838. It is part of the suite "Crimée". The scene shows an Islamic funerary monument (türbe), partially in ruins, in the Crimea or...
Category

1830s Modern Figurative Prints

Materials

Lithograph

Gardens of the Chateau Rueil, Paris, France, mid 17th century engraving
Located in Melbourne, Victoria
'Prosp. horti Auraicorum Pomorum a Ruel' Copper-line engraving by Matthaeus Merian. From 'Topographia Galliae', a fine series of engravings of 17th-century French landscapes, gard...
Category

Mid-18th Century Rococo Landscape Prints

Materials

Engraving

French Etching Bridge
Located in Houston, TX
French etching of arched bridge by artist E. Roux-Fabre, circa 1930. Original artwork on paper displayed on a white mat with a gold border. Mat fits a ...
Category

1930s Landscape Prints

Materials

Etching

Braunschweig - Lithograph Mid 19° Century
Located in Roma, IT
Braunschweig is a beautiful color lithograph on paper, printed by von Led Kempner and published by von Schaffstein and C. Koln, Rhein. This modern artwork represents a urban and historical view of the German city of Braunschweig,in Lower Saxony, Germany, was a powerful and influential center of commerce in medieval Germany...
Category

Mid-19th Century Modern Figurative Prints

Materials

Lithograph

Queen's Gate, at Caernarfon, Wales. Paul Sandby C18th landscape engraving
Located in Melbourne, Victoria
'Queen's Gate, at Caernarvon' Engraving by William Watts (1752-1851) and William Angus after Paul Sandby (1731-1809). From Paul Sandby's 'The Virtuosi's Museum, Containing Select ...
Category

18th Century Naturalistic Landscape Prints

Materials

Engraving

Limoges (French Church Series #32)
Located in Myrtle Beach, SC
John Taylor Arms, 'Limoges (French Church Series #32)', etching, 1932, edition 142, third (final) state impressions, Fletcher 244. Signed, dated, and annotated 'Ed 100 III' in pencil. A superb, finely detailed impression, in warm black ink, on antique, pale gray laid paper, with full margins (1 1/16 to 1 1/2 inches); adhesive stains in the bottom left and right sheet corners, well away from the image, otherwise in excellent condition. Matted to museum standards, unframed. A view of Limoges, France and the Saint-Martial Bridge from the far side of the Vienne river. According to Fletcher, author of the catalogue raisonné on the artist's graphic work, this etching is among the artist’s preferred plates. Published references: "An Appreciation to John Taylor Arms 1887-1953", in PRINT, Vol. VIII #5 P. viii, Feb.-March 1954. Impressions of this print are in the permanent collections of the Davis Museum at Wellesley College, National Gallery of Art, Saint John’s University, Smithsonian Institution, and Wake Forest University. ABOUT THE ARTIST “John Taylor Arms will live on and on and future generations centuries from now will marvel at his work... . As a friend and as a man, he fully matched his superb work.” —John Winkler, printmaker Born in Washington, D.C. in 1887, John Taylor Arms attended the Lawrenceville School and began the study of law at Princeton University. In 1907, he transferred to the Massachusetts Institute of Technology and took up the study of architecture. Arms evolved his unique drafting style, with its highly realistic, precise detail and exquisitely rendered effects of light, from his experience and practice as an architectural student. He graduated in 1911 and completed a master’s degree the following year. He then worked as a draftsman with the well-known Carrere and Hastings Company in New York. In 1913 Arms was given a hobbyist’s etching set, and he began to dabble with copperplate and acid. In 1915, after copying a handful of prints by Jongkind and other Etching Revivalists, Arms created his first original etching. His early experiments were picturesque views of European villages, reflecting the influence of Whistler. He inked and printed several of these plates in color in the manner of Charles Mielatz...
Category

1930s American Realist Landscape Prints

Materials

Etching

Wild Garlic Bridge
Located in New York, NY
**Framing Included in Listing Price, Free Shipping, and 14-Day Return Policy** Wild Garlic Bridge (2013) by Susan Derges. 30 x 17 inches unframed 34 x 21 inches framed Digital C-P...
Category

2010s Landscape Prints

Materials

Photographic Paper

The Anglers
Located in New York, NY
Adriaen Van Ostade (1610-1685) etching The Anglers, circa 1647, Godefry 26, Bartsch 26. Very good condition, with small (1/2 inch) margins, on cream laid paper, archival mounting. 4 ...
Category

1640s Old Masters Landscape Prints

Materials

Etching

Strasburg Cathedral - Original Lithograph - Mid-19th Century
Located in Roma, IT
Strasburg Cathedral is an original modern artwork realized in the Mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower central margin: Strasburg Cathe...
Category

Mid-19th Century Modern Figurative Drawings and Watercolors

Materials

Lithograph

Uses and Customs - Tombs of the Scaligeri in Verona - Lithograph - 1862
Located in Roma, IT
Uses and Customs - Tombs of the Scaligeri in Verona is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: ...
Category

1860s Modern Figurative Prints

Materials

Lithograph

Armin Landeck, Tenement Walls
Located in New York, NY
The reference number on this work is Kraeft 88. It's from an edition of 100 and is signed, dated, and numbered, in pencil. Always an intaglio printmaker, Landeck switched from a mor...
Category

Mid-20th Century American Modern Figurative Prints

Materials

Drypoint

Composition, Regards sur Paris, André Dunoyer de Segonzac
Located in Southampton, NY
Lithograph on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: from the folio, Regards sur Paris, 1963. Publi...
Category

1960s Modern Landscape Prints

Materials

Lithograph

Mathematical Bridge Queen's College, Cambridge etching by Mabel Oliver Rae
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Mabel Oliver Rae (1868 - 1956) Queens' Bridge, Cambridge Etching 13 x 9 cm Titled lower left and signed lower right in plate, and again in pencil outside plate. The college's famed Mathematical Bridge, which reflects in the ruffled waters of the River Cam. Kate Hillman of the Cambridge University Engineering Department notes that: "One of the most recognisable structures on the Cam, Queens' College bridge was originally built in 1749 by James Essex the Younger. Since then it has been rebuilt twice to the original design of William Etheridge, once in 1866 and again in 1905. In 1866 the bridge deck...
Category

1920s Modern Landscape Prints

Materials

Etching

Enchanted Doorway, Venezia (La Porta della Carta, Venezia '29)
Located in Storrs, CT
Enchanted Doorway, Venezia (La Porta della Carta, Venezia '29). 1930. Etching. Fletcher catalog 227 state ii. 12 3/8 x 6 9/16 (sheet 15 13/16 x 9 15/16). Edition 148 in this state (...
Category

1920s American Modern Landscape Prints

Materials

Etching

Vue du châteaux de Chenonceaux
Located in Fairlawn, OH
Vue du châteaux de Chenonceaux Lithograph, 1843 Letterpress signature lower left corner Signature of the printer lower right corner After Pierre Justin Ouvrié (1806-1879) Published b...
Category

1840s Romantic Landscape Prints

Materials

Lithograph

The Quadrangle of Jesus College. Oxford University. Antique C19th engraving
Located in Melbourne, Victoria
'The Quadrangle of Jesus College' Engraving by John Le Keux after Frederick Mackenzie, 1837. From James Ingram's 'Memorials of Oxford'. 135mm by 175mm (...
Category

19th Century Naturalistic Landscape Prints

Materials

Engraving

French architecture house design lithograph, late 19th century, 1878
Located in Melbourne, Victoria
'Ecuries et Remises.' French architectural chromolithograph. From 'La Brique Ordinaire', by J Lacroux, 1878. A series of fine illustrations of French designs for brick buildings. ...
Category

Late 19th Century Art Nouveau Landscape Prints

Materials

Lithograph

Quadrangle of Corpus Christi College. Oxford University. Antique C19th engraving
Located in Melbourne, Victoria
'Quadrangle of Corpus Christi College' Engraving by John Le Keux after Frederick Mackenzie, 1837. From James Ingram's 'Memorials of Oxford'. 135mm by 17...
Category

19th Century Naturalistic Landscape Prints

Materials

Engraving

French architecture house design lithograph, late 19th century, 1878
By Jean-Francois Daumont
Located in Melbourne, Victoria
'College Ste Barbe. Facade sur la rue Valette a Paris, par Mr L Heureux, Archte' French architectural chromolithograph. From 'La Brique Ordinaire', by J Lacroux, 1878. A series of ...
Category

Late 19th Century Art Nouveau Landscape Prints

Materials

Lithograph

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