Bird Landscape Prints

A North Carolina native, the African-American Romare Bearden spent most of his career in New York City. For several decades he was a social worker in Harlem. But of course he traveled widely, read and studied with great care, and created a phenomenal body of work. This 1971 lithograph is a good example of his oeuvre -- far reaching though it may be. It speaks to his skill and knowledge of contemporary printmaking while featuring a complex subject representative of his interests. A lush jungles is packed with flora and fauna. 'Green Snake' is part of the title and there is a particularly winsome reptile showing up so well on the sand-colored border between the dense forest and the aquamarine water. There are of course many other land and sea animals showing themselves -- even a curious ginger cat...

Original PARIS linen-backed 1946 vintage travel poster, preservation linen-backed and ready to frame. Very good condition, Grade A- Original 1946 Paul Colin Paris Vintage Poster ...

This is a hand-colored folio sized lithograph entitled "Grypus Naevius" (Saw-bill Hummingbird with Nest & Eggs) by John Gould, published in his "A Monograph of the Trochilidae, or Family of Humming-birds", published in London in 1850. The print, which was drawn by Gould and Henry Richter and lithographed by Hullmandel and Walton, depicts three black, brown and peach-colored hummingbirds about a nest, containing at least two eggs. The beautiful soft grey-green foliage includes a white, soft pink and cranberry-colored flower. This beautiful Gould hand-colored hummingbird lithograph is augmented with iridescent gum-arabic paint. It is in excellent condition. The original text page is included, which has extensive foxing, as lower quality paper was used for the text pages. There are several other unframed Gould hummingbird lithographs available via our 1stdibs storefront. Two or more of these would make an attractive display grouping. A discount is available for purchase of a set depending on the number. These additional Gould hummingbirds...

An original rare and extremely collectible first edition John James Audubon hand colored royal octavo lithograph entitled "Black-throated Diver", No. 96, Plate 477, from Audubon's "Birds of America". It was lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts three Black-throated Divers; an adult male (1), an adult female (2) and a young Diver (3). The male sits on the bank, while the young Diver floats in the water and the female watches...

This is a framed hand-colored folio sized lithograph entitled "Campylopterus Hyperythrus" (Rufous-breasted Sabrewing Hummingbird), Plate 51 from John Gould's "A Monograph of the Trochilidae, or Family of Humming-birds", published in London in 1850. The print, which was drawn by Gould and Henry Richter and lithographed by Hullmandel and Walton, depicts three hummingbirds displaying multiple colors, including, green, blue and shades of brown highlights among burgundy and cream colored flowers. The hummingbirds are highlighted by bright iridescent metallic paint. This beautiful Gould hummingbird...

This is an original framed 19th century hand-colored folio-sized lithograph entitled "Diphogena Aurora" (Bolivian Rainbow Hummingbirds) by John Gould, from his "Monograph of the Trochilidae, or Family of Hummingbirds", published in London in 1853. The print depicts two Bolivian Rainbow hummingbirds feeding on the nectar of small flowers on a branch. This striking framed Gould hand-colored lithograph is presented in a antiqued gold frame, a gold-colored fillet, and a light tan French mat, embellished with a mint-colored broad band. The frame measures 32" high, 25.5" wide and 1.25" thick. The hand-coloring is enhanced by the use of gum-arabic paint on the hummingbirds heads and necks, giving them an iridescent appearance. The descriptive text page from Gould's original publication is included. It is affixed to the back of the frame in a clear sleeve. The piece is in excellent condition. There are several other unframed Gould bird lithographs available on our 1stdibs and InCollect storefronts. Two or more of these striking lithographs would make an attractive display grouping. A discount is available for purchase of a set depending on the number. These additional Gould hummingbirds may be viewed by typing Timeless Intaglio in the 1stdibs or InCollect search field to be taken to our storefront. John Gould (1804-1881]) was an English ornithologist and artist. He, like his American contemporary John James Audubon, published a number of books on birds in the mid 19th century, illustrated by hand-colored lithographs. His wife and fellow artist, Elizabeth Gould, and several other artists including Edward Lear and Henry Constantine Richter produced lithographs for his various publications. He has been considered the father of bird study in Australia and the Gould League in Australia is named after him. Charles Darwin referenced Gould’s work in his book, "On the Origin of Species" and Gould named a bird after Darwin; "Darwin's finches". Gould began his career in London as a taxidermist, but in 1827 became the first curator and conservator at the museum of the Zoological Society of London. In this position naturalists brought him collections of birds from all over the world. He began creating drawings and eventually hand-colored lithographs with his wife and Edward Lear, which were the basis for his first publications. Darwin brought him specimens from the Galapagos Islands, including 12 species of finches which had never been described. In 1838, Gould and his wife travelled to Australia and their work led to the seven volume publication of “The Birds of Australia”. Gould had a fascination for hummingbirds and collected specimens of 320 varieties before ever seeing a live hummingbird on a trip to the United States in 1857. He eventually published “A Monograph of the Trochilidae, or Family of Humming-birds". Other large publications include: "The Birds of Europe"," A Monograph of the Ramphastidae, or Family of Toucans”, “A Synopsis of the Birds of Australia, and the Adjacent Islands”, “A Monograph of the Odontophorinae, or Partridges of America”, “The Birds of Asia”, “The Birds of Great Britain” and "The Birds of New Guinea and the Adjacent Papuan Islands, including many new species recently discovered in Australia". John Gould (1804-1881) was a British ornithologist and illustrator who is best known for his monumental work, "The Birds of Europe," published between 1832 and 1837. Gould was born in Lyme Regis, Dorset, England, and began working as a taxidermist and natural history dealer in London in the 1820s. In 1827, Gould was appointed the first curator and preserver of birds at the Zoological Society of London, where he began to build his collection of specimens and began to study the birds of the world. He published his first monograph, "A Century of Birds from the Himalaya Mountains," in 1831, which included 80 plates of Himalayan birds. Gould continued to publish numerous volumes on the birds of the world throughout his life, including "The Birds of Australia" (1840-1848) and "The Birds of Great Britain" (1862-1873). His works were highly regarded for their accuracy and detail, and he was one of the most prominent ornithologists of his time. In addition to his work as an ornithologist, Gould was also a successful businessman, and he used his profits to fund expeditions and to support the scientific community. He was elected a Fellow of the Royal Society in 1843, and he was awarded the Royal Medal...

American Crow by J.J. Audubon from his Birds of America folio shows an adult male crow in a Black Walnut bush with a nest of a Ruby-Throated Hummingbird in a branch below the crow. This original chromolithograph plate no. 226 is in good condition with a repairable water mark in the image on the left side as can be seen in the photos. The ” Birds of America” by John James...

Beautifully framed large Thomas Kinkade "Hometown Lake, Hometown Memories IV". Measures 32.5 x 38.5 in excellent condition. Limited edition Artist Proof 267/495.

This is an original John James Audubon hand-colored lithograph entitled "Trumpeter Swan, Adult", No. 77, Plate 382 from Audubon's "Birds of America, lit...

This is an original John James Audubon hand-colored lithograph entitled "Mango Humming bird, 1. 2. Males. 3. Female. Bignonia grandifolia", No. 51, Plate 251 from Audubon's "Birds of America, lithographed, printed and colored by JT Bowen and published in Philadelphia between 1870-1871. The lithograph depicts an adult male hummingbird, labelled 1, in flight above a beautiful flowering plant, a Chinese Trumpet-vine. Another male, labeled 2, is perched on a flower on the left and a female, labelled 3, is perched on a flower on the right. This hand-colored Audubon bird octavo-size lithograph sheet measures 10.25" high by 6.75" wide. It is in excellent condition. The original text pages, 185-186, from Audubon's 19th century publication are included. John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio size. Due to their expense they were purchased in rather small numbers by the wealthy. To reach a larger audience, Audubon, with the help of his sons and J. T. Bowen, published a smaller octavo sized lithograph version, which were much more affordable. With the success of his bird projects, Audubon then turned his attention to four-legged animals. He explored the Missouri River in 1843 sketching the four-legged animals he encountered in their natural setting. His expedition covered some of the same regions recently explored by Lewis and Clark, traveling from present day Alaska to Mexico. Audubon realized that this was an opportunity to document these animals in the still relatively pristine American wilderness, before man encroached on their environment. Between 1845 and 1848, Audubon and his sons John Woodhouse Audubon...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Chagall, Vitraux pour Jérusalem. Published by Musée des Arts Décora...

Lithograph on English cartridge paper. Inscription: Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: Published by School Prints Ltd., London; Printe...

Medium: Lithograph on grand vélin d'Arches spécial paper Year: 1961 Paper Size: 14.8 x 11 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Les Côtes Norm...

Flamenco Flamingo [2014] limited_edition and hand signed by the artist Etching/aquatint Edition number 100 Image size: H:46cm cm x W:31cm cm Complete Size of Unframed Work: H:56cm c...

Andy Warhol Bodley Gallery 1957: A rare, 1950s gallery announcement offset illustrated by Andy Warhol on the occasion of: Andy Warhol Golden Pictures: December 2 - December 24, 1957: The Bodley Gallery 223 East 60th St., New York, NY. A scarce, historical Andy Warhol Pre-Pop illustration; highly collectible. Medium: Double-sided offset lithograph in colors, on wove paper, with full margins, before folding. Dimensions: 12 3/4 x 19 1/2 in. (32.4 x 49.5 cm) Good overall vintage condition. Minor signs of aging & handling. Well-preserved. Unsigned from an edition of unknown. Warhol Foundation annotations in pencil on one side. Provenance: The Andy Warhol Foundation for the Visual Arts, New York. Susan Sheehan Gallery, New York. Private Collection, New York. Literature: Kornbluth: Pre-Pop Warhol, no. 66, pp. 164-165. Further background: Warhol’s career began as a commercial illustrator on New York’s Madison Avenue in 1949, during the massive post-war economic boom. His arrival additionally coincided with an extensive change in the motivations and strategies behind advertising, utilizing applied psychology to influence American consumers to purchase products. This stint as an ad man would further his Pop interest in cultural commercialization and start his artistic career; thus began the first chapter of Warhol’s oeuvre. Several of Andy Warhol's earliest exhibitions in New York were at the Bodley during the 1950s, starting with two in 1956. _ Obsessed with celebrity, consumer culture, and mechanical reproduction, Pop Art king, Andy Warhol created some of the 20th century’s most iconic images. Warhol was widely influenced by popular & consumer culture, with this being evident in some of his most famous works: 32 Campbell's soup cans, Brillo pad box sculptures, and portraits of Marilyn Monroe & Mick Jagger, for example. Rejecting the standard painting and sculpting modes of his era, Warhol embraced silk-screen printmaking to achieve his characteristic hard edges and flat areas of color. The artist mentored Keith Haring and Jean-Michel Basquiat and continues to influence contemporary art around the world: His most bold successors include Richard Prince, Takashi Murakami, and Jeff Koons. Warhol has been the subject of exhibitions at the Whitney Museum of American Art, Museum of Modern Art, Tate Modern, and Centre Pompidou, among other institutions. Related Categories 1950s Andy Warhol. Vintage Andy Warhol. Mid century modern. Pop Art. Andy Warhol advertising...

Kate Heiss Curlew On the Beach – Lulworth Blue Series Linocut Edition of 50 Image Size 30 x 30cm Mounted size 40x 40cm Oil based inks on 300GSM Soft white Somerset Velvet Paper Signed and dated on the front Mounted Unframed Edition numbers may vary from the photo. Linocut Print – A relief printing technique where lino is cut, inked and rolled to create an inverse relief print, generating the image as seen. This work is sold mounted but not framed. Please note that in situ images are purely an indication of how a piece may look. Printed in a soft chalky Lulworth Blue* this print depicts a Curlew on the beach in front of Orfordness Lighthouse in Suffolk. The lighthouse is framed by a medley of wild flowers; sea holly...

TwoTurle Doves by Kate Heiss [2017] Limited edition Linocut Hand signed by the artist Edition of 30 Oil based inks on 300gsm Somerset Velvet soft white paper Image Size: H:30cm x W:30cm Complete size of unframed work (sold in mount) H:40cm x W:40cm x D:0.1cm Two visiting Turtle doves perched in a hawthorn bush who have survived their migratory journey to spend the summer in the English countryside. The Turtle Dove is now the UK’s fastest declining breed of bird. Between 1995 and 2004 the number of breeding turtle doves in the UK fell by 93%. This print is featured in a new book called “When Turtle Doves Fly” produced in conjunction with Operation Turtle dove (a branch of the RSPB dedicated to saving Turtle Doves from extinction) Kate Heiss is a textile designer and print-maker who has worked with a wide range of fashion brands including Fenchurch, Miss Selfridge and the Japanese fashion designer Michiko Koshino...

This is a remarkable hand-colored folio sized lithograph entitled "Euplocomus Vielloti" (Viellot's Crested Fireback) by John Gould from his monograph "The Birds of Great Asia", publi...

This is a beautiful and vibrant hand-colored folio-sized lithograph entitled "Parus Major (Great Tit birds) by John Gould from his monograph "The Birds of Great Britain ", published ...

Medium: Collotype and lithograph on vélin gloss finish paper (to resemble the finish of ceramic), archivally hinged on vélin paper Year: 1948 Paper Size: 11.25 x 15 inches Catalogue ...

This is an original John James Audubon hand-colored lithograph entitled "Reddish Egret, 1. Adult, Full Spring Plumage 2. Young in Full Spring Plumage Two Years Old", No. 75, Plate 371 from Audubon's "Birds of America, lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1870-1871. It depicts an adult reddish egret standing in the water with leg up, looking to the left at a young white egret standing on land looking to the right at the adult bird. A beautiful landscape is depicted. This original hand-colored Audubon egret...

This is an original John James Audubon hand-colored royal octavo lithograph entitled "Washington Sea Eagle", No. 3, Plate 13, from Audubon's "Birds of America". It was lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1856-1871. It depicts an adult male sea eagle perched on a rock. This is an excerpt from Audubon's own description of this magnificent eagle, which includes how he came up with the name "Washington Sea Eagle": "The name which I have chosen for this new species of Eagle, “The Bird of Washington,” may, by some, be considered as preposterous and unfit; but as it is indisputably the noblest bird of its genus that has yet been discovered in the United States, I trust I shall be allowed to honour it with the name of one yet nobler, who was the saviour of his country, and whose name will ever be dear, to it. To those who may be curious to know my reasons, I can only say, that, as the new world gave me birth and liberty, the great man who ensured its independence is next to my heart. He had a nobility of mind, and a generosity of soul, such as are seldom possessed. He was brave, so is the Eagle; like it, too, he was the terror of his foes; and his fame, extending from pole to pole, resembles the majestic soarings of the mightiest of the feathered tribe...

This is an original rare and extremely collectible 1st royal octavo edition John James Audubon hand-colored royal octavo lithograph entitled "American Swan", No. 77, Plate 384, from Audubon's "Birds of America". It was lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts an adult white American Swan swimming in a body of water. Plants with yellow flowers are in the foreground and hills are in the background. This original rare first edition hand-colored Audubon bird lithograph has a mildly wavy lower edge of the paper where it was previously bound. It is otherwise in excellent condition. The sheet measures 6.63" x 10.13". The original text pages 226-234 are included. John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio size. Due to their expense they were purchased in rather small numbers by the wealthy. To reach a larger audience, Audubon, with the help of his sons and J. T. Bowen, published a smaller octavo sized lithograph version, which were much more affordable. With the success of his bird projects, Audubon then turned his attention to four-legged animals. He explored the Missouri River in 1843 sketching the four-legged animals he encountered in their natural setting. His expedition covered some of the same regions recently explored by Lewis and Clark, traveling from present day Alaska to Mexico. Audubon realized that this was an opportunity to document these animals in the still relatively pristine American wilderness, before man encroached on their environment. Between 1845 and 1848, Audubon and his sons John Woodhouse Audubon and Victor Gifford Audubon produced a set of elephant folio sized lithographs that were primarily engraved and hand colored by J. T. Bowen in Philadelphia. The publication, which included text descriptions of the animals was published 3 years before Audubon died. As with the birds, this was followed by a three-volume set of 155 octavo-sized plates entitled “The Quadrupeds of North America” completed and published by Audubon’s sons, John, Jr. and Victor. Audubon prints continue to be popular and a wise investment. The double elephant folio set...

Champagne City, Aqua Blue Thames Clare Halifax Signed by the artist Limited edition of 10 Image size: H:48 cm x W:48 cm Paper size: H:56 cm x W:56 cm x D:0.1 cm Please note that insitus are purely an indication of how a piece may look. Champagne City, Aqua Blue Thames is a limited edition cityscape print by Clare Halifax. Champagne City, Aqua Blue Thames features hand gilded champagne gold leaf 22.5ct with aqua blue thames. This 2 colour screen print with hand finished gilding is printed by the artist and shows the view of the thames from sky garden, edition of 10, printed onto somerset satin 300gms with deckle edge. Clare Halifax, artist, joins Wychwood Art selling art online and in their art gallery in Deddington. Clare Halifax is offering exclusive Cotswold screen prints with Wychwood Art as well as scenes of London and Oxford. Clare Halifax graduated from the University of Loughborough in 2000 with a BA Hons in Printed Textile design and went on to sell her work internationally to the fashion and interior markets...

Lithograph and stencil on vélin papier a la cuve du moulin richard de bas specialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued....

Original U. S military World War 1 poster: Join the ARMY AIR SERVICE Be an American Eagle! Consult your local draft board. Read the illustrated booklet at any recruiting office, or write to the Chief Signal Officer of the Army, Washington D. D. Linen backed in very good condition; ready to frame. Professionally restore fold marks that are inconspicuous. Artist: Charles Livingston Bull Extremely rare original World War 1 poster. When you research all the major museums that have a copy of this poster, it is usually in bad shape with missing paper. This original c. 1917 has no missing paper and is bright and vibrant. It should be in the finest condition original available. Explore The United States Army Air Service was the aerial warfare service component of the United States Army between 1918 and 1926 1. It was established as an independent but temporary branch of the U.S. War Department during World War I by two executive orders of President Woodrow Wilson: on May 24, 1918, replacing the Aviation Section, Signal Corps as the nation’s Air Force, and March 19, 1919, establishing a military Director of Air Service to control all aviation activities. Its life was extended for another year in July 1919, during which time Congress passed the legislation necessary to make it a permanent establishment. The National Defense Act of 1920 assigned the Air Service the status of “combatant arm of the line” of the United States Army with a major general in command. Charles Livingston Bull (1874-1932) was an American illustrator known for his illustrations of wildlife. Bull studied taxidermy in Rochester, New York, and his first job at the age of 16 was preparing animals for mounting at the Ward’s Museum in Rochester, New York. During World War I, he designed recruiting posters, including the famous Join the Army Air Service poster...

Lithograph and stencil on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Cahiers d'Art N°24, 1949. Published and printed by Éditions des Cahi...

An original early 20th century etching of St Paul's Cathedral from across the River Thames, by Rowland Langmaid (1897-1956). The artist has signed and...

This is an original John James Audubon hand-colored 1st octavo edition lithograph entitled "Whooping Crane, Male, adult", No. 63, Plate 313 from Audubon...

This is an original John James Audubon hand-colored lithograph entitled "Golden Eagle", No. 3, Plate 12 from Audubon's "Birds of America, lithographed, printed and colored by JT Bowe...

London Bestiary by Mychael Barratt Limited Edition Etching: Edition of 100 Image Size: H 66m x W 99.7cm Complete size of Sheet: H 76.9cm x W 112.1cm x D 0.1cm Signed and titled Sold ...

This is a framed original 19th century hand-colored folio-sized lithograph entitled “Pernis Apivorus (The Honey Buzzard) by John Gould, plate 6 in volume 1 of his "Birds of Great Britain", published in London between 1862 and 1873. The print depicts an adult Honey Buzzard perched on a branch of a leafy tree in the foreground and three others in the background. The bird in the foreground has an insect in its beak and others are in flight on the right This striking framed Gould...

This is a beautiful hand-colored folio-sized lithograph entitled "Muscicapa Collarus" (White-collared Flycatcher birds) by John Gould from his monograph "The Birds of Great Britain",...

"First Horse Day, 1896" - Chiyoda Palace - Japanese Woodblock by Chikanobu Yoshu Colorful and expressive court scne by Toyohara Chikanobu,"Yoshu" (Japanese, 1838-1912). This is the r...

This is an original John James Audubon hand-colored lithograph entitled "Yellow Crowned Night Heron, 1. Adult Male Spring Plumage, 2. Young in October", No. 73, Plate 364 from Audubo...

This is an original 19th century John James Audubon hand-colored lithograph entitled "Virginian Rail, 1. Male, 2. Female, 3. Young", No. 63, Plate 311 from Audubon's "Birds of Americ...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Ballade du Soldat, 34 Lithographies Originales de Max Ernst, 1972. P...

This is a beautiful hand-colored folio-sized lithograph entitled "Muscicapa Atricapilla" (Pied Flycatcher) by John Gould from his monograph "The Birds of Great Britain ", published i...

This is a hand-colored folio sized lithograph entitled "Gallinago Major" (Great Snipe) by John Gould from his monograph "The Birds of Great Britain", published in London in 1862-1879...

The Swallows Arrival [2022] limited_edition and hand signed by the artist Screenprint Edition number 20 Image size: H:58 cm cm x W:58 cm cm Complete Size of Unframed Work: H:62....

The artwork is print on silk and it is limited edition. I clear the world layer by layer of verbal husk and silent contours of things appear like skeletons. "Library" by Natalia Ko...

Lithograph on vélin vélin de Rives paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Résurrection de l'oiseau, Georges Braque, 1958. Publ...

Linocut on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Pablo Picasso: Grabados al linóleo. Published by Gustavo Gili, S.A., Barcelona, and...

This is a hand-colored folio-sized lithograph entitled "Muscipeta Incei" ( (Ince's Paradise Flycatcher)) by John Gould, which is plate 19 from his monograph "The Birds of Great Brita...

Medium: Lithograph on vélin de Lana paper Year: 1950 Paper Size: 9.75 x 12.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the album, Signac Dessins, 1950. Publi...

large format photograph of Puglia ritual by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern lei...

This is a hand-colored folio-sized lithograph entitled "Otidiphaps Nobilis" (Pheasant Pigeon) by John Gould from his monograph "The Birds of Asia", published in London in 1862-1879. The print, which was drawn by Gould and H. C. Richter and lithographed by Walter, depicts two Pheasant Pigeon birds...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance: from...

Lithograph on papier bouffant des Papeteries de Casteljoux paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Eaux-fortes originale pour des textes de ...

This is a hand-colored folio-sized lithograph entitled "Nycticorax Griseus" (Night-Heron) by John Gould from his monograph "The Birds of Great Britain...

This is a hand-colored folio-sized lithograph entitled "Pitta Atricapilla (Black-headed Pitta) by John Gould, which is plate 19 from his monograph "The Birds of Asia", published in L...

This is a framed original 19th century hand-colored folio-sized lithograph entitled “Cacatua Ophthalimica” (Blue-eyed Cockatoo) by John Gould, from the supplement to his "Birds of Australia", published in London between 1851 and 1869. The print depicts a large blue-eyed cockatoo perched on a branch, with its head turned to the left. The scene is enhanced with leaves and sky and clouds in the background. This striking framed Gould...

Jack Hofflander, American (1920 - 2003) - Barnyard II, Year: 1979, Medium: Screenprint, signed and numbered in pencil, Edition: 250, 30 AP, Image Size: 30 x 22 inches, Size: 35 ...

This is a framed original 19th century hand-colored folio-sized lithograph entitled “Ciconia Alba” (A family of storks) by John Gould, from the supplement to his "Birds of Great Brit...

Original Holy Land TWA vintage travel poster. Artist David Klein. Size 25" x 40.5". Archival linen-backed authentic vintage TWA travel poster...

Lithograph on hand made Fabriano vélin paper mounted on museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Elegy of Ihpetonga and Ma...

This is an original framed 19th century hand-colored folio-sized lithograph entitled "Ramphomicron vulcani" (Southern Thorn-Bill Hummingbirds) by John Gould, Pl. 186 from his "Monograph of the Trochilidae, or Family of Hummingbirds", published in London in 1853. The print depicts two Southern Thorn-Bill hummingbirds sitting on branches of a flowering plant. This striking framed Gould hand-colored lithograph is presented in a antiqued gold frame, a gold-colored fillet, and a light tan French mat, embellished with a mint-colored broad band. The frame measures 32" high, 25.5" wide and 1.25" thick. The hand-coloring is enhanced by the use of gum-arabic paint...

This is an original John James Audubon hand-colored royal first octavo edition lithograph entitled "Red-shafted Woodpecker, 1. Male, 2. Female", No. 55, P...