Bride Landscape Prints

Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...

Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...

Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...

Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...

Lithograph in colors on vélin Fabriano charta ex meris pannis "ab alveo" manu fabricata, perlucidis figuris intexta paper. Paper size: 19 x 13.75 inches. Inscription: Signed in the p...

Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...

Sibyl, Bird, Veiled is an original etching realized by Leo Guida in 1972. Good condition. Mounted on a white cardboard passpartout (35x25). Hand-signed. Artist proof. Leo Guida ...

Architectural is an original etching artwork on creamy paper realized by Carlo Antonio Buffagnotti in the early 18th Century. The State of preservation is aged with diffused foxing ...

Ancient View of Donaustauf is an original modern artwork realized in Germany in the Mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lowet margin: Donau...

Medium: Lithograph on vélin Hamilton Kilmory paper Year: 1947 Paper Size: 9.5 x 12.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Rembrandt, Drawings...

Views of Plombières and Tournemer is an original lithograph realized by an Anonymous artist of the 19th century, included two images in one sheet. Printed in series of "France Pitto...

To Picasso is an original lithograph realized by Gian Paolo Berto, in 1974. Hand-signed and dated on the lower right margin. Numbered on the lower right margin. Edition of 25. The ...

La Lessiveuse is an original print in etching technique on ivory paper, realized by Alexandre Decamps (French Engraver; 1803-1860) and by Ch. Bourgeat, a sculptor. Good conditions:...

The Village is a lithograph attributed to Nicholas Verrall (1945) in the Late 20th Century. Hand-signed on the right corner. Numbered, Edition, 26/99, on the left margin. On the b...

Risks and Temptations is an Original Lithograph realized by Willette (Adolphe Léon). Good condition on a yellowed paper. Hand signed with blue pencil on the lower left corner. Ad...

Ancient View of Teheran is an original modern artwork realizedin the first half of the 19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower margin: Tehera...

Landscape is an original colored monotype print on paper realized by Italian artist Giuseppe Cena. Hand-signed on the lower right. The State of preservation is very good. The artwo...

Colpire is an original woodcut print by Attilio Giuliani in the early 20th Century. Good conditions. The artwork is depicted through strong strokes in a well-balanced composition

River is a superb original lithograph realized at the beginning of the XX century by the French artist Marcel Roche (1890-1959). The State of preservation is good and aged. The art...

Percussion Instruments is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the government, ...

Radicofani is an original contemporary artwork realized by Bettino Craxi in the first years of the 1980s. Original Etching. Very Good conditions. Beautiful etching depicting th...

Shepherds with Buffalo in the Roman Countryside is an original artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Good condition. Not signed. 1992 edit...

Image dimensions: 53.5x35 cm. Hand signed. Artist's proof. Very good conditions.

Baiser d'Une Mère is an artwork realized by Henri Charles Guérard in the 1870s. Etching. Image size:24x17 Good conditions. Realized for the...

Hand signed and numbered. Edition of 100 specimens. Image Dimensions: 16.5x24.5cm. Very good conditions.

Uses and Customs -Roma is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the government, ...

Uses and Customs - Paladins and Knights is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of...

Uses and Customs - Tragic Scene is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the gov...

Landscape is an original modern artwork realized by Giuseppe Giorgi in 1980s. Original etching on paper. Hand-signed on the lower right. Numbered. ...

Ponte S. Niccolò, Florence is an artwork realized in 1979, by the Italian Artist Michele Cascella. Colored lithograph on paper of the Portfolio "Landscape", 1979, with six original lithograph and the poems of Franco Simongini titled "Twenty Landscapes 1953-1960" Hand-signed on the lower right in pencil and numbered edition of 29/125 ex. Lower right blind stamp of the Printer Graphis Art, Livorno The state of preservation of the artwork is very good. Michele Cascella (Ortona, 7 September 1892 - Milan, 31 August 1989) was an Italian twilight painter and landscape painter. Over the course of his long artistic life which spanned almost eight decades of intense activity, Cascella has been able to maintain a unique, unmistakable style which is practically immune to the contamination of the pictorial currents and avant-gardes of the twentieth century. His works, including canvases, panels, pastels and drawings, are exhibited in numerous Italian and international museums, including the Victoria and Albert Museum[1] in London, the Galerie nationale du Jeu de Paume in Paris, the National Museum of History and Art in Luxembourg, the Musée d'Art Moderne in Brussels and the De Saisset Art Gallery of the University of Santa Clara in...

The Tree is an original artwork realized by George Henri Tribout. Original etching on paper glued on cardboard. Monogrammed on the lower right corner. George Henri Tribout (Paris,...

Musical Instruments - Ancient Costumes is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of ...

Aniene is an original etching realized by L.Cavalieri in the 19th Century. Signed on the plate on the lower right corner. Tav.124 Good conditions. Passepartout included: 34 x 49. ...

Basses-Pyrénées is an etching realized by an Anonymous engraver of the 19th Century. Printed in series of "France Pittoresque" at the top center. The state of preservation of the a...

Die Letzte Gabre is an Etching realized in the 19th Century by Adolphe Lalauze. Good condition.

The Feast is a photolithograph print on ivory-colored paper, glued on a greenish Passepartout realized in the early 20th century After Constantin Guys  Good conditions. The artwork...

Specchio (Mirror) is an original woodcut on paper realized by G. Guerrini. Very good condition. Included passepartout: 40 x 30 cm.

Ruins of Erenfels is an original print on paper realized by an Anonymous. titled on the lower of image. In very good conditions. Sheet dimension: 16 x23 cm The artwork represents ...

Letter U is an Etching realized by Luigi Vanvitelli. The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano Esposte”)...

Radicofani is an original contemporary artwork realized by Bettino Craxi in the first years of the 1980s. Original Etching. Good conditions. Beautiful etching depicting the Ita...

"Portrait and Landscape" is an original lithograph artwork realized by an anonymous engraver of the XIX century. Printed in series of "France Pittoresque" at the top center. Titled...

Lithograph on vélin de Rives paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Taureaux, Lithographies de Jean Cocteau, 1965....

Lithograph, stencil on vélin paper. Paper Size: 10 x 7.75 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Fernand Léger, Dessins de Guerre ...

Lithograph on vélin paper. Paper Size: 12.216 x 9.875 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cain, Julien, and Fernand Mourlot. Chaga...

Héliogravure, collotype vélin paper. Paper Size: 18.23 x 17.32 inches; image size: 14.61 x 10.24 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the f...

Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...

Beth Ganz, 'Humphrey's Peak, Arizona', copperplate photogravure etching, edition 10, 2021. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked impression in warm black ink, on cream, wove, cotton rag paper; the full sheet in excellent condition. Archivally sleeved, unmatted. Image size 10 1/2 x 10 1/2 inches; sheet size 16 x 15 1/2 inches. From the artist's series of 64 photogravure etchings, 'Axis Mundi'. Additional works from the series are available; please inquire. Exhibited: 'Photography in Ink, A Look at Contemporary Copper-Plate Photogravure,' Curated by Leandro Villaro, Penumbra Exhibition Space Gallery, Nov 30, 2022 - March 15, 2023. ABOUT THE IMAGE Humphreys Peak (Hopi: Aaloosaktukwi, Navajo: Dookʼoʼoosłííd) is the highest natural point and the second most prominent peak after Mount Graham in the U.S. state of Arizona, with an elevation of 12,637 feet (3,852 m) and is located within the Kachina Peaks Wilderness in the Coconino National Forest, about 11 miles (17.7 km) north of Flagstaff, Arizona. Humphreys Peak is the highest of a group of dormant volcanic peaks known as the San Francisco Peaks. Humphreys Peak was named in about 1870 for General Andrew A. Humphreys, a U.S. Army officer who was a Union general during the American Civil War and who later became Chief of Engineers of the United States Army Corps of Engineers. The San Francisco Peaks are a sacred place for Hopi, Navajo, Havasupai, Zuni, Apache, and other Native American tribes. A place of sacred shrines and ancestral dwellings, The Peaks are associated with emergence, deities, ancestors, life-giving moisture, and spiritual ceremony and are still actively utilized today. Numerous medicinal herbs and other plants used in traditional ceremonies and to treat ailments are found at several levels of the Peaks. The plants are said to have place-specific energies—that is, they must come from these sacred sites to fulfill their proper function. To the Hopi, the Peaks are Nuvatukaovi, “The Place of Snow on the Very Top,” home for half the year to the ancestral kachina spirits who live among the clouds around the summit. When properly honored through song and ceremony, it is believed that the kachinas will bring gentle rains to thirsty crops. ABOUT THE SERIES 'AXIS MUNDI' "This body of work focuses on satellite images of sacred mountains around the world—places where heaven and earth are thought to meet. The phenomenon of revering mountains as holy sites is an archetype found in many cultures. "This shared experience finds a visual echo in the ubiquity of images of the earth that are now available to any person with a computer and an Internet connection. What does the specificity of place mean when we can move across the surface of the earth in seconds and reduce everything to a series of pixels? To me, this process recalls abstract painting, which transforms the specific into gesture and form. Rather than treat digital technology as necessarily destructive to human meaning and experience, my work offers new ways of seeing that are reconcilable with the old. To this end, I combine 19th Century Photogravure technique with 21st Century surveillance captures. "Axis Mundi consists of 64 copperplate photogravures. The work is laid out in a grid, which is an arbitrary conversion of the visual world into a flat space that happens both on the picture plane and in the data processing. The title refers to the belief in a 'world center,' often conceived of as a mountain: a place where communication between higher and lower realms is possible. This project is a search for such a center in a world of decentralization and fragmentation." —Beth Ganz ABOUT THE ARTIST Beth Ganz is a contemporary American multidisciplinary visual artist, who lives and works in New York City. She graduated from Pratt Institute with a BFA (honors) in Painting, Sculpture, and Printmaking. The focus of her work is the intersection of landscape, digital technology, and abstraction. Ganz works in paint, brush, and ink drawing, both independently and alongside digital and analog printing techniques, including photogravure and intaglio printing. Ganz’s work has been the subject of many solo exhibitions, including 'Atlas Project' at Cynthia-Reeves Gallery, 'Up Close and Far Away, Grids and Toiles: Beth Ganz at Wave Hill House,' Wave Hill, and 'Geothermal Topographies' at Reeves Contemporary. She has been shown in numerous group exhibitions, and her work is represented in many public and private collections, including the 9-11 Memorial Museum, the Library of Congress, the New York Historical Society, and the New York Public Library Prints Collection. Ganz teaches workshops in photogravure and intaglio at Manhattan Graphics Center and has been a long-time grantee of the Elizabeth Foundation for the Arts. AWARDS AND RESIDENCIES 2018 – Signal: Tri-State Juried Exhibition (2nd Place), Katonah Museum of Art, Katonah, New York (Juror: Lumi Tan) 2001-2014 – Studio Program, Elizabeth Foundation for the Arts, New York, NY 2005 – Johnson & Johnson Purchase Prize, 48th Annual National Print Exhibition, Hunterdon Museum of Art, Clinton, NJ 1999 – Prints USA Juror’s Award, Springfield Art Museum, Springfield, MO 1993 – 37th Annual National Print Exhibition (Honorable Mention), Hunterdon Art Center, Clinton, NJ 1992 – Small Impressions 1992 (Juror’s Award), Printmaking Council of New Jersey, NJ BIBLIOGRAPHY: MAGAZINES, JOURNALS, NEWSPAPERS, AND ONLINE MEDIA 2018 – Mary Legrand, “A Signal of Invention,” Bedford Record, July 2018 2017 – Sara Mintz, “Profile of an Artist: Beth Ganz,” Journal of the Print World, Vol. 40, #4, October 2017 2017 – Cate McQuaid, “Critics’ Picks, The Ticket: Music, Theater, Dance, Art and more,” Boston Globe, May 2017 4, 2017 2017 – Beth Ganz, “New Prints: Beth Ganz and the Atlas Project Landscape,” Journal of the Print World, I Vol. 40, #3, July 2017 Collections: Duke Energy, Charlotte, NC; Evelyn Lauder Breast Center at SKMCC, New York, NY; Frost Bank, Houston, Texas; Hofstra Museum, Hofstra University; Johnson and Johnson...

Lithograph, stencil on vélin paper. Paper Size: 10 x 7.75 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Fernand Léger, Dessins de Guerre ...

Lithograph on vélin d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Cirque, Lithographies Originales. Published by Les Édition...

Woodcut in colors on vélin de Rives BFK paper, mounted on vélin d’Arches support, as issued. Paper size: 13 x 10.375 inches. Inscription: Signed in the block, and unnumbered, as issu...

Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...

Lithograph on vélin paper. Paper Size: 12.216 x 9.875 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cain, Julien, and Fernand Mourlot. Chaga...

Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...

Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...

Lithograph on vélin paper. Paper Size: 9.06 x 15.75 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Chagall, Marc,...

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Lithograph on vélin paper. Paper Size: 12.216 x 9.875 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cain, Julien, and Fernand Mourlot. Chaga...

Héliogravure, collotype vélin paper. Paper Size: 18.23 x 17.32 inches; image size: 14.53 x 11.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the f...

Woodcut in colors on vélin paper. Paper Size: 19 x 18 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Così fan tutte. Dramma giocoso in due atti. Musi...

Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...