Bride Landscape Prints

View of La Verna is an original artwork realized by Thomas Lupton (1971-1873) in 1833. Original etching. In the lower central part there is the inscription "Laverna". Good condition. Thomas Goff Lupton was a mezzotint engraver and miniature painter who was the first artist to use soft steel plates in the art of engraving. He experimented with plates of nickel, steel and other metals before producing a satisfactory steel plate. It was well received, and from 1823, steel engravings superseded copper engravings. This development permitted a printing of up to 1,500 mezzotints of excellent quality. The copper plates formerly used were very soft and could produce only around fifty prints of similar quality. Lupton's works include copies of landscape series by J.M.W. Turner as well as engraved portraits after oil...

To Picasso is an original lithograph realized by Gian Paolo Berto, in 1974. Hand-signed and dated on the lower right margin. Numbered on the lower right margin. Edition of 25. The ...

Image dimensions: 21 x 27 cm. Liber Veritatis - Plate 176 is a beautiful black and white etching and aquatint on paper realized by the Italian artist ...

Shepherds with Buffalo in the Roman Countryside is an original artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Good condition. Not signed. 1992 edit...

Hand signed. Edition of 30 prints.Original Prints. Passepartout included: 37 x 52.5 cm Image Dimensions : 15 x 19.5 cm This artwork is shipped from Italy. Under existing legislation...

Der Toppo - Fall is an original modern artwork realized in Germany in the Mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lowet margin in Capital Lette...

The Monumental Tablet Etching, engraving, drypoint and burnishing, c. 1748 Series: Grotteschi (Grotesques, 4 plates) Original, unwashed condition. Excellent. Second edition first is...

Cityscape - France Pittoresque is an original lithograph realized by an Anonymous artist of the 19th Century. Printed in series of "France Pittoresque" at the top center. Titled in...

Original stone Lithograph on ivory colored Japan paper with the 'La Galerie des Peintres-Graveurs' embossing stamp on lower-right corner. Signed inside out on plate on lower-right ma...

The Holy Grave is an original modern artwork realized in the mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower margin in...

An early rarely seen print from 1977, when Houtin was still developing his signature style of imaginary vegetation and symbols. Signed, titled and numbered in pencil from the edition of 20. François Houtin...

Landscape is an original modern artwork realized by Giuseppe Giorgi in 1980s. Original etching on paper. Hand-signed on the lower right. Numbered. ...

Hand signed and numbered. Edition of 100 specimens. Image Dimensions: 16.5x24.5cm. Very good conditions.

To see our other prints and architectural views, scroll down to "More from this Seller" and below it click on "See all from this Seller." Louise Ibels (1891-1965) Castle Ruins...

Portrait is an original lithograph artwork realized by an anonymous engraver of the XIX century. Printed in series of "France Pittoresque" at the top center. Titled in France on th...

Garibaldi Wounded in Aspromonte is an original lithograph on paper realized by J. Didier et Adam. Signed on the plate on the lower left. Titled on the lower: Aspromonte In good co...

La Lessiveuse is an original print in etching technique on ivory paper, realized by Alexandre Decamps (French Engraver; 1803-1860) and by Ch. Bourgeat, a sculptor. Good conditions:...

Trinità dei Monti is an original screen print realized by Carlo Mazzoni. Hand-signed by the artist in pencil on the lower right corner. Artist's proof. Good conditions. This art...

This map of Middelburg (ancient name: Middelbvrgvm) is an original etching realized by George Braun and Franz Hogenberg as part of the famous Series "Civitates Orbis Terrarum". The ...

"The Couple" is an original print in etching technique on ivory-colorated paper by Jean Ronfor Boubée. In excellent conditions: As good as new. Container dimension: 40 x 30 cm. Ha...

This map of Magdebvrgvm is an original etching realized by George Braun and Frans Hogenberg, as part of the famous series "Civitates Orbis Terrarum" (Atlas of the Cities of the Worl...

Landscape is an original colored monotype print on paper realized by Italian artist Giuseppe Cena. Hand-signed on the lower right. The State of preservation is very good. The artwo...

Aniene is an original etching realized by L.Cavalieri in the 19th Century. Signed on the plate on the lower right corner. Tav.124 Good conditions. Passepartout included: 34 x 49. ...

Specchio (Mirror) is an original woodcut on paper realized by G. Guerrini. Very good condition. Included passepartout: 40 x 30 cm.

City Center is an enchanting lithograph on ivory-colored cardboard, realized by Anonymous Artist of the XIX Century. Not Signed. The artwork represents a fantastic City Center. Th...

We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below it click on "See all from this Seller" and search for 'Collaert' - or message us as they may not all have been uploaded yet. Theodoor Galle...

Ruins of Erenfels is an original print on paper realized by an Anonymous. titled on the lower of image. In very good conditions. Sheet dimension: 16 x23 cm The artwork represents ...

Image dimensions: 53.5x35 cm. Hand signed. Artist's proof. Very good conditions.

Artist: (after) Pierre-Jacques Volaire (French, 1729-1799) Title: "Vesuvs im Winter (Vesuvius in Winter)" (Plate 9) *Issued unsigned, though signed by Richter in the plate (printed s...

Image dimensions: 34 x 45 cm. Venice is an original lithograph realized by an unknown artist (Michel Kingl) in the 1960s. Colored lithograph on paper. Hand-signed in pencil by the ...

Image dimension 36.5 x 18 cm. Hand Signed. Edition of 100 pieces.

Assemblee des Rabbins et Notables au 16 siecle  dans un village de Lithuanie is an original artist proof ( E. A. ) lithograph by  Theo Tobiasse (b.1927 -2012) , an internationally successful French painter, engraver, illustrator, and sculptor. He grew up in Paris during the Nazi occupation. His work has great depth and originality as he seeks to express the inner world of man.  Perhaps the hardships he and his family endured helped define his artistic expression. He has had many exhibitions around the world, in Paris at the Drouant gallery, in Geneva, Montreal or Tokyo, then London, Zurich, Lauzanne, Los Angeles, Kyiv. He also had a solo exhibition in New York and many more shows world wide over the years.  A visit to Jerusalem in 1970 brought him closer to his Jewish origins. He created his first stained glass windows on the theme of “Jewish Holidays” for the Jewish Community Center in Nice and a monumental oil on canvas entitled Que tes tentes sont belles, ô Jacob (1982). He traveled and immersed himself in the cultures he encountered, the jazz of New Orleans, Mexican archaeological sites and Native American totems. In New York, he met Elie Wiesel...

Landscape is an original artwork realized by the French artist Léopold Lévy in the first half of the XX century. Etching and drypoint on paper. Hand-signed by the artist on the lower right corner; signed on plate on the lower left margin. Very good conditions, except for some small spots on the surface of the sheet. Landscape is an original artwork realized by the French artist Léopold Lévy (1882-1966) representing a natural landscape with some buildings on the background. Very fresh and rapid the impression. Image dimensions: 15x20 cm. The artwork has been realized by the French artist Léopold Lévy (Paris, 1882 - Paris, 1966) a French painter and engraver. The edition of De la nature (De Rerum Natura) illustrated with 41 original etchings is considered one of the most beautiful artist books of the XX Century. He was one of the friends of Charles Edmond Kayser...

To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Walter Hoyle (1922 - 2000) King's College, Cambridge (Cambridge Series 1956 - 66) Linocut 46 x 56 cm Signed, titled, and numbered 5/5 in pencil. Hoyle's view of King's College, Cambridge, against a shadowy yellow sky. Hoyle trained at Beckenham School of Art and the Royal College of Art. At the latter he was strongly influenced by Edward Bawden, one of Britain’s greatest linocut printers. Bawden had been commissioned by the 1951 Festival of Britain to produce a mural for the South Bank, and chose Hoyle to assist on account of his great talent. Hoyle moved to Great Bardfield in Essex, becoming a part of the Great Bardfield group of artists; diverse in style, they created figurative work, in stark contrast to the abstract art of the St Ives artists at the opposite end of the country. Hoyle taught at St Martin’s School of Art from 1951-60, the Central School of Arts and Crafts from 1960-64, and the Cambridge School of Art from 1964...

Hand Signed. Artist's Proof, very good conditions.

This original, limited edition etching, was realized by the esteemed American artist John E. Costigan, who is represented in the collections of the Metropolitan Museum, the Philips M...

Barbara Rosiak is a Polish painter and graphic designer born in 1955 in Lodz. From 1974 to 1979, she studied at the National Superior School of Fine Arts at the Faculty of Painting a...

We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...

Hand Signed and signed on plate. Edition of 35 prints. Image Dimensions : 30 x 20 cm This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created ove...

'Tower Bridge II' is a playful original silkscreen print of the iconic bridge in London, there is man balancing across the top of it. A unique gift for someone who appreciates the si...

We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...

We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below it click on "See all from this Seller" and search for 'Collaert' - or message us as they may not all have been uploaded yet. Theodoor Galle...

Beth Ganz, 'Humphrey's Peak, Arizona', copperplate photogravure etching, edition 10, 2021. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked impression in warm black ink, on cream, wove, cotton rag paper; the full sheet in excellent condition. Archivally sleeved, unmatted. Image size 10 1/2 x 10 1/2 inches; sheet size 16 x 15 1/2 inches. From the artist's series of 64 photogravure etchings, 'Axis Mundi'. Additional works from the series are available; please inquire. Exhibited: 'Photography in Ink, A Look at Contemporary Copper-Plate Photogravure,' Curated by Leandro Villaro, Penumbra Exhibition Space Gallery, Nov 30, 2022 - March 15, 2023. ABOUT THE IMAGE Humphreys Peak (Hopi: Aaloosaktukwi, Navajo: Dookʼoʼoosłííd) is the highest natural point and the second most prominent peak after Mount Graham in the U.S. state of Arizona, with an elevation of 12,637 feet (3,852 m) and is located within the Kachina Peaks Wilderness in the Coconino National Forest, about 11 miles (17.7 km) north of Flagstaff, Arizona. Humphreys Peak is the highest of a group of dormant volcanic peaks known as the San Francisco Peaks. Humphreys Peak was named in about 1870 for General Andrew A. Humphreys, a U.S. Army officer who was a Union general during the American Civil War and who later became Chief of Engineers of the United States Army Corps of Engineers. The San Francisco Peaks are a sacred place for Hopi, Navajo, Havasupai, Zuni, Apache, and other Native American tribes. A place of sacred shrines and ancestral dwellings, The Peaks are associated with emergence, deities, ancestors, life-giving moisture, and spiritual ceremony and are still actively utilized today. Numerous medicinal herbs and other plants used in traditional ceremonies and to treat ailments are found at several levels of the Peaks. The plants are said to have place-specific energies—that is, they must come from these sacred sites to fulfill their proper function. To the Hopi, the Peaks are Nuvatukaovi, “The Place of Snow on the Very Top,” home for half the year to the ancestral kachina spirits who live among the clouds around the summit. When properly honored through song and ceremony, it is believed that the kachinas will bring gentle rains to thirsty crops. ABOUT THE SERIES 'AXIS MUNDI' "This body of work focuses on satellite images of sacred mountains around the world—places where heaven and earth are thought to meet. The phenomenon of revering mountains as holy sites is an archetype found in many cultures. "This shared experience finds a visual echo in the ubiquity of images of the earth that are now available to any person with a computer and an Internet connection. What does the specificity of place mean when we can move across the surface of the earth in seconds and reduce everything to a series of pixels? To me, this process recalls abstract painting, which transforms the specific into gesture and form. Rather than treat digital technology as necessarily destructive to human meaning and experience, my work offers new ways of seeing that are reconcilable with the old. To this end, I combine 19th Century Photogravure technique with 21st Century surveillance captures. "Axis Mundi consists of 64 copperplate photogravures. The work is laid out in a grid, which is an arbitrary conversion of the visual world into a flat space that happens both on the picture plane and in the data processing. The title refers to the belief in a 'world center,' often conceived of as a mountain: a place where communication between higher and lower realms is possible. This project is a search for such a center in a world of decentralization and fragmentation." —Beth Ganz ABOUT THE ARTIST Beth Ganz is a contemporary American multidisciplinary visual artist, who lives and works in New York City. She graduated from Pratt Institute with a BFA (honors) in Painting, Sculpture, and Printmaking. The focus of her work is the intersection of landscape, digital technology, and abstraction. Ganz works in paint, brush, and ink drawing, both independently and alongside digital and analog printing techniques, including photogravure and intaglio printing. Ganz’s work has been the subject of many solo exhibitions, including 'Atlas Project' at Cynthia-Reeves Gallery, 'Up Close and Far Away, Grids and Toiles: Beth Ganz at Wave Hill House,' Wave Hill, and 'Geothermal Topographies' at Reeves Contemporary. She has been shown in numerous group exhibitions, and her work is represented in many public and private collections, including the 9-11 Memorial Museum, the Library of Congress, the New York Historical Society, and the New York Public Library Prints Collection. Ganz teaches workshops in photogravure and intaglio at Manhattan Graphics Center and has been a long-time grantee of the Elizabeth Foundation for the Arts. AWARDS AND RESIDENCIES 2018 – Signal: Tri-State Juried Exhibition (2nd Place), Katonah Museum of Art, Katonah, New York (Juror: Lumi Tan) 2001-2014 – Studio Program, Elizabeth Foundation for the Arts, New York, NY 2005 – Johnson & Johnson Purchase Prize, 48th Annual National Print Exhibition, Hunterdon Museum of Art, Clinton, NJ 1999 – Prints USA Juror’s Award, Springfield Art Museum, Springfield, MO 1993 – 37th Annual National Print Exhibition (Honorable Mention), Hunterdon Art Center, Clinton, NJ 1992 – Small Impressions 1992 (Juror’s Award), Printmaking Council of New Jersey, NJ BIBLIOGRAPHY: MAGAZINES, JOURNALS, NEWSPAPERS, AND ONLINE MEDIA 2018 – Mary Legrand, “A Signal of Invention,” Bedford Record, July 2018 2017 – Sara Mintz, “Profile of an Artist: Beth Ganz,” Journal of the Print World, Vol. 40, #4, October 2017 2017 – Cate McQuaid, “Critics’ Picks, The Ticket: Music, Theater, Dance, Art and more,” Boston Globe, May 2017 4, 2017 2017 – Beth Ganz, “New Prints: Beth Ganz and the Atlas Project Landscape,” Journal of the Print World, I Vol. 40, #3, July 2017 Collections: Duke Energy, Charlotte, NC; Evelyn Lauder Breast Center at SKMCC, New York, NY; Frost Bank, Houston, Texas; Hofstra Museum, Hofstra University; Johnson and Johnson...

Montparnasse Street– 1931, Etching Duffy 128. Edition 50, only 25 printed. Signed, dated, and annotated imp and 50 in pencil. Image size 4 7/8 x 9 7/8 inches (124 x 251 mm); sh...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. Hugh Casson Oriel College...

Mountainscape Lithograph Sight: 25 1/2 x 19 1/4 in. Framed: 30 1/2 x 23 1/4 x 1 1/2 in. Inscribed upper left: 21/Zou [illegible] XLIII Signed upper right

Cities 7 - Gothic Revival, St Pancras, London by Susan Brown. Limited edition giclée print - The print edition is 150 The image size of the print is 40cm X 40cm, the overall size is 50cm X 50cm Each print is signed and numbered by Susan Brown Unframed, unmounted. The gothic building of St Pancras, designed in 1874 by George Gilbert Scott...

‘Quiet Beauty’ is a Limited edition hand coloured collograph print by Vicky Oldfield. Each print is individually painted, making every one unique. ‘Sunflower in a bottle’ is a Limit...

The Columns of Herakles Lithograph in Grey printed Zerkall-Vellum paper, 1960 Signed in pencil by the artist 'O. Zadkine' at the lower right corner (see photo) Numbered in pencil 102...

Independence Day by Colette Raker, French (1938) Date: circa 1980 Screenprint, signed and numbered in pencil Edition of 250 Image Size: 33 x 26 inches...

Signed, titled, and dated in pencil by the artist; The Print Club of Cleveland stamp lower left Edition: 260 The Print Club of Cleveland Publication No. 69, 1991 Printer: Am...

From the artists series of sketches in Mexico, showing a Cathedral and dramatic cloudscape in the background, and a destroyed plaza in the foreground. In 1944 he received a Guggenh...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. Hugh Casson Oriel College...

To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from...

Spring Fever XIV (2018) Oil and watercolor monoprint 12 x 12 Inches Paper Size: 20 x 18 Inches Printed by Sue Oehme at Oehme Graphics

Buhot, Felix (French, 1847-1898). UNE JETEE EN ANGLETERRE. B & G 132, State two of eight. Etching with drypoint, aquatint and roulette, 1879. Signed in pencil, and with the red owl...

Germany by bicycle original 1972 serigraph travel poster. Archivally backed linen is in excellent condition and ready to frame. The images shown are of the exact poster you will receive. This European bicycle posters are rare and very difficult to find in any condition! Germany has a rich tradition of travel posters often featuring bicycles, reflecting the country's cycling culture and scenic landscapes. These posters showcase Germany's beautiful countryside, picturesque towns, and well-maintained cycling paths, encouraging tourism and outdoor activities. Cycling in Germany is popular due to its extensive network of bike paths and routes, including the famous Romantic Road and the scenic paths along the Rhine River. Travel posters from various periods may highlight popular cycling destinations such as the Bavarian Alps and the Black Forest and charming cities like Heidelberg and Rothenburg ob der Tauber. Bicycles Across Time Periods: The poster illustrates the evolution of bicycles over the years, showcasing various designs from different eras. This could range from the early penny-farthing models of the 19th century to modern road bikes and bicycles built for two...

Sharp, William (American, 1900-1961). MAXWELL STREET. Etching and aquatint, not dated, but circa 1940. Edition of 25, titled and signed in pencil and numbered 9/25. 8 5/8 x 10 3/4 in...