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Art Subject: City
Tourelle, Rue de la Tixéranderie démolie en 1851
Located in Middletown, NY
Etching and drypoint on watermarked Hudelist laid paper, 9 5/8 x 5 inches (245 x 129mm) full margins. Second state (of five) after lettering. A superb condition with a pencil inscrip...
Category

Mid-19th Century French School Landscape Prints

Materials

Laid Paper, Etching, Drypoint

Topiary I - x large format photograph of ornamental shaped tree
Located in San Francisco, CA
from a series of photographic observances capturing the antics of urban gardening and striking art of topiaries' green minimalism Topiary I by Frank Schott 59.5 x 59.5 inches (1...
Category

21st Century and Contemporary Contemporary Color Photography

Materials

Archival Paper, Photographic Paper, Giclée, Archival Pigment

South Of France 1994 Signed Limited Edition Lithograph
Located in Rochester Hills, MI
Tony Bennett Title: South of France Lithograph Signed and Marked ATL  5/5 ( Printers Proof ) Paper Size: 31" x 24" inches Image Size : 26" x 20" inches Published By : Atelier E. Ettinger Gallery Anthony Dominick Benedetto, known professionally as Tony Bennett, is an American singer of traditional pop standards, big band, show tunes, and jazz. He is also a painter, having created works under his birth name that are on permanent public display in several institutions. Whether he is performing as Tony Bennett or painting as Anthony Benedetto...
Category

1990s American Impressionist Landscape Prints

Materials

Lithograph

'Manhattan Old and New' — Vintage New York Cityscape
Located in Myrtle Beach, SC
Samuel Chamberlain, 'Manhattan Old and New', drypoint, 1929, edition 100, Chamberlain and Kingsland 81. Signed, titled, and numbered '81/100' in pencil. Titled and annotated '30.00' in pencil, in the artist's hand, bottom margin. Matted to museum standards, unframed. A superb, finely-detailed impression, with selectively wiped plate tone, on heavy Rives cream wove paper; full margins (1 1/2 to 2 1/4 inches), in excellent condition. The subject of the print is the lower Manhattan cityscape just before the Depression. Image size 8 3/4 x 6 13/16 inches (222 x 173 mm); sheet size 12 3/4 x 10 inches (324 x 254 mm). Impressions of this work are held in the collections of the National Gallery of Art and the Zimmerli Art Museum. ABOUT THE ARTIST 'There is something about the atmospheric vibrancy of an etching which imparts a peculiar and irresistible life to architectural drawing...A copper plate offers receptive ground to the meticulously detailed drawing which so often appeals to the architect'. —Samuel Chamberlain, from the Catalogue Raisonné of his prints. Samuel V. Chamberlain (1896 - 1975), printmaker, photographer, author, and teacher, was born in Iowa. His family moved to Aberdeen, Washington in 1901, and in 1913, Chamberlain enrolled in the University of Washington in Seattle, where he studied architecture under Carl Gould. By 1915, he was enrolled in the School of Architecture of the Massachusetts Institute of Technology in Boston. With the United States' involvement in the First World War, Chamberlain sailed to France, where he volunteered in the American Field Service. In 1918, he was transferred to the United States Army to complete his tour of duty. After the war, he returned to Boston and resumed his architectural studies, which he eventually discontinued, working for a few years as a commercial artist. Chamberlain received the American Field Service Scholarship in 1923, which he used to travel to Spain, North Africa, and Italy. In 1924 he was living in Paris, where he studied lithography with Gaston Dorfinant and etching and drypoint with Edouard Léon, publishing his first etching the following year. In 1927, he studied drypoint with Malcolm Osborne...
Category

1920s American Modern Landscape Prints

Materials

Drypoint

Paris France lithograph vayreda canadell urbanscape
Located in Barcelona, Barcelona
Josep Maria Vayreda Canadell (Gerona 1932-2001) - Paris - Lithograph Print measurements 52x43 cm. Frame measurements 75x61 cm. Josep Maria Vayreda Canadell Year of birth: 1932 Biography: Member of a family spanish saga of artists, which highlighted Joaquim Vayreda...
Category

1990s Realist Landscape Prints

Materials

Lithograph

Manhattan Mountains
Located in Storrs, CT
Manhattan Mountains. 1938. Etching and drypoint. 14 3/4 x 12 3/8 (sheet 17 1/4 x 14 3/4). Artist proof, previous to the edition of 40. An atmospheric impression printed on buff-colored laid paper. Signed and dated in the plate. Signed, titled, and annotated 'Final state' and 'Jones Proof'in pencil. Housed in an archival sleeve. Painter and printmaker Lawrence Nelson...
Category

20th Century American Modern Figurative Prints

Materials

Drypoint, Etching

View of Fountain Court, Middle Temple, City of London
Located in Middletown, NY
An 18th century view of the first permanent water fountain in London. London: J.Boydell, 1753. Engraving with hand coloring in watercolor on white laid paper, laid down to a modern...
Category

Mid-18th Century English School Figurative Prints

Materials

Watercolor, Handmade Paper, Laid Paper, Engraving

LIGHT AND SHADE TAXCO - J. T. Arms Mexican Masterpiece with Striking Detail
Located in Santa Monica, CA
JOHN TAYLOR ARMS (1887 – 1953) LIGHT AND SHADE TAXCO, 1946 (F. 394: (#2 from the Mexican series.) Etching and aquatint signed and dated in pencil. Image 10 ½ x 13 5/8, sheet 14 1/...
Category

1940s American Realist Landscape Prints

Materials

Etching

Topiary I - large format photograph of ornamental shaped tree
Located in San Francisco, CA
from a series of photographic observances capturing the antics of urban gardening and striking art of topiaries' green minimalism Topiary I by Frank Schott ...
Category

21st Century and Contemporary Contemporary Color Photography

Materials

Archival Paper, Photographic Paper, Archival Pigment, Giclée

Canaletto
Located in London, GB
A hand painted three dimensional, Reverspective print, inspired by Venice. Produced in 2024. This print comes housed in a bespoke perspex display case. A limited edition of 75. Hand...
Category

2010s Contemporary Landscape Prints

Materials

Lithograph, Offset

Paris : On the Way to Montmartre - Original Lithograph, Handsigned
Located in Paris, IDF
Robert SAVARY Paris : On the Way to Montmartre, 1969 Original lithograph (Mourlot workshop) Handsigned in pencil On Japan paper 37 x 58 cm (c. 16 x 23 in) Excellent condition
Category

1960s Modern Landscape Prints

Materials

Lithograph

Shadows on the Ramp
Located in Storrs, CT
Shadows on the Ramp. 1927. Drypoint and sand ground. McCarron 64. 9 x 10 1/2 (sheet 12 3/8 x 14). Edition 75 recorded impressions. A rich, tonal impression with drypoint burr, printe...
Category

1920s American Modern Landscape Prints

Materials

Drypoint, Etching

Gerona Cathedral urbanscape lithograph
Located in Barcelona, Barcelona
Josep Moscardó (1953) - Girona Cathedral Lithograph - Hand signed Lithograph measures 74x52 cm. Frameless. Numbered 121/150 Barcelona, 1953 Painter, s...
Category

1990s Post-Impressionist Landscape Prints

Materials

Lithograph

'Financial District', New York City — American Modernism
Located in Myrtle Beach, SC
Howard Cook, 'Financial District', lithograph, 1931, edition 75, Duffy 155. A fine, richly-inked impression, on cream wove paper, the full sheet with wide margins (2 3/4 to 5 5/8 inches), in excellent condition. Image size 13 5/16 x 10 3/8 inches (338 x 264 mm); sheet size 23 x 16 inches (584 x 406 mm). Matted to museum standards, unframed. Literature: 'American Master Prints from the Betty and Douglas Duffy Collection', the Trust for Museum Exhibitions, Washington, D.C., 1987. Collections: Crystal Bridges Museum of American Art, Library of Congress, Metropolitan Museum of Art, Philadelphia Museum of Art, Smithsonian American Art Museum. ABOUT THE ARTIST Howard Norton Cook (1901-1980) was one of the best-known of the second generation of artists who moved to Taos. A native of Massachusetts, he studied at the Art Students League in New York City and at the Woodstock Art Colony. Beginning his association with Taos in 1926, he became a resident of the community in the 1930s. During his career, he received two Guggenheim Fellowships and was elected an Academician in the National Academy of Design. He earned a national reputation as a painter, muralist, and printmaker. Cook’s work in the print mediums received acclaim early in his career with one-person exhibitions at the Denver Art Museum (1927) and the Museum of New Mexico (1928). He received numerous honors and awards over the years, including selection in best-of-the-year exhibitions sponsored by the American Institute of Graphics Arts, the Brooklyn Museum, the Society of American Etchers, and the Philadelphia Print Club. His first Guggenheim Fellowship took him to Taxco, Mexico in 1932 and 1933; his second in the following year enabled him to travel through the American South and Southwest. Cook painted murals for the Public Works of Art Project in 1933 and the Treasury Departments Art Program in 1935. The latter project, completed in Pittsburgh, received a Gold Medal from the Architectural League of New York. One of his most acclaimed commissions was a mural in the San Antonio Post Office in 1937. He and Barbara Latham settled in Talpa, south of Taos, in 1938 and remained there for over three decades. Cook volunteered in World War II as an Artist War Correspondent for the US Navy, where he was deployed in the Pacific. In 1943 he was appointed Leader of a War Art Unit...
Category

1930s American Modern Figurative Prints

Materials

Lithograph

Fifth Avenue Bridge.
Located in Storrs, CT
Fifth Avenue Bridge. 1928. Drypoint. McCarron 72. 9 7/8 x 12 (sheet 12 3/4 x 15). Edition of 108 recorded impressions. A rich impression printed on cream laid paper, with full margin...
Category

1920s American Modern Figurative Prints

Materials

Drypoint, Etching

'Grand Central, Night' — 1920s New York City Realism
Located in Myrtle Beach, SC
Walter Tittle, 'Grand Central Night', drypoint, edition not stated, c. 1920s. Signed in pencil. Titled, and annotated '36.00' and with the inventory numb...
Category

1920s American Impressionist Landscape Prints

Materials

Drypoint

Etching Piazza delle Erbe in Verona 1928 by Ettore Fagiuoli
Located in Vicenza, VI
Etching by Ettore Fagiuoli depicting Piazza delle Erbe in Verona. Ettore Fagiuoli, who was born in 1884 and died in Verona in 1961, was an Italian architect, engraver, and stage desi...
Category

1920s Other Art Style Landscape Prints

Materials

Etching, Aquatint

Chicago Skyline
Located in Middletown, NY
A beautiful turn-of-the-century lake view of Chicago by an American artist known for his Texas landscapes. Etching with drypoint on watermarked Umbria laid paper with deckle edges, 7 1/4 x 10 7/8 inches (182 x 275 mm), full margins. Signed and numbered 4/25 in pencil, lower margin. In good condition with adhesive residue at the sheet edges on the verso, does not show through to the recto. A lovely Lake Michigan landscape...
Category

Early 20th Century American Modern Landscape Prints

Materials

Handmade Paper, Etching, Drypoint

Street from the old Paris - Original wooodcut, Handsigned & Numbered
Located in Paris, IDF
Camille BELTRAND (1877-1951) Street from the old Paris, 1921 Original woodcut Handsigned in pencil Numbered /125 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of th...
Category

1920s Modern Landscape Prints

Materials

Woodcut

Rue de Rivoli, Paris, France (Collage, Cityscape, Iconic, ~36% OFF)
Located in Kansas City, MO
Gottfried Salzmann Rue de Rivoli, Paris, France (Collage, Cityscape, Iconic) Screen Print over Photograph Year: Circa 2010 Size: 11.22 × 7.87 inches (28.5 x 20 cm) Edition: 50 Signed...
Category

2010s Contemporary Landscape Prints

Materials

Photographic Paper, Screen

Paris - Eglise Saint Genevieve (Ancien Pantheon), French lithograph, 1861
Located in Melbourne, Victoria
'Eglise St Genevieve', tinted lithograph by Felix Benoist (1818-1896). From a series of lithographs depicting the famous buildings of Paris - 'Paris dans...
Category

Late 19th Century Naturalistic Landscape Prints

Materials

Lithograph

Piazza Navona allagata solito farsi nelle Feste di Agosto
Located in Fairlawn, OH
Piazza Navona allagata solito farsi nelle Feste di Agosto Etching, 1752 Signed in the plate lower right (see photo) From: Della Magnificenze di Roma Antica e Moderna ( The Magnificense of Ancient and Modern Rome) , (1747-1761) Volume II, The Main Squares and Obelisks, columns and other ornaments, 1752, Plate No. 26 Della Magnificenze di Roma Antica e Moderna_ (1747-61), a collection of 238 plates that was published in ten volumes. Vasi recorded all types of architecture and organized these images of contemporary Rome by subject, with each volume representing a different category of architecture. This comprehensive project provides one of the most complete views of eighteenth-century Rome Condition: Excellent Image/Plate size: 8 .25 x 12.63 inches Sheet size: 11 x 15 7/8 inches Vasi was Giovanni Battista Piranesi’s teacher. Piranesi (1720-1778) entered Vasi’s studio as an apprentice at age 20 c. 1740. Piranesi left Vasi’s employment after stabbing Vasi over the perception that Vasi was withholding secrets of the etching process. Giuseppe Vasi was an Italian engraver and painter born and trained in Sicily. He received a classical education in his hometown of Corleone and trained as a printmaker in nearby Palermo, perhaps under the tutelage of the etchers Antonino Bova and Francesco Cichè. He moved to Rome in 1736, already an established printmaker, and spent most of his career documenting the urban landscape of the city in engravings. Through his patron, the politically and culturally influential Cardinal Troiano Acquaviva d’Aragona, Vasi met other artists working in Rome, such as Sebastiano Conca, Ferdinando Fuga, and Luigi Vanvitelli. He was also influenced by his predecessors, including Giovanni Paolo Panini, Giovanni Battista Falda...
Category

1750s Old Masters Landscape Prints

Materials

Etching

Chicago in 1857
Located in Middletown, NY
Chicago: A. Ackermann & Son, Inc., 1930. Aquatint with engraving on heavy wove paper with a deckle edge, 15 1/8 x 12 inches (384 x 304 mm); sheet 24 1/2 x 17 1/2 inches (622 x 445 m...
Category

Mid-20th Century American Modern Landscape Prints

Materials

Lithograph

French Gothic, Modern Lithograph by Lloyd Lozes Goff
Located in Long Island City, NY
Lloyd Lozes Goff, American (1918 - 1982) - French Gothic, Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 250, AP 30, Image Size: 24 x 18 inches, Size: 2...
Category

1970s Modern Landscape Prints

Materials

Lithograph

New York Skyline 1980 Cityscape Signed Limited Edition Lithograph
Located in Rochester Hills, MI
H.N. Han Han Hsiang-Ning (Chinese b.1939) New York Skyline 1980 From the Cityscape Portfolio Pencil signed, dated and marked PP 4/25 in the margin Color lithograph on Somerset. Pape...
Category

1980s Photorealist Landscape Prints

Materials

Lithograph

Buffet, La route du village, Lithographs 1952-1966 (after)
Located in Fairfield, CT
Medium: Lithograph on vélin Acropole Papeteries de Renage paper. Year: 1967 Paper Size: 12.25 x 9.5 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the ...
Category

1960s Expressionist Landscape Prints

Materials

Lithograph

Plymouth Street ( a twilight scene is set in the Brooklyn section of DUMBO)
Located in New Orleans, LA
This view of the Brooklyn and Manhattan Bridges is looking down "Plymouth Street" to the intersection of Jay Street. It is #35 in the catalogue raisonne by Retif & Salzer and is in the permanent collection of the Museum of City of New York...
Category

1990s Contemporary Landscape Prints

Materials

Mezzotint, Aquatint

A Fabulous 1950s Serigraph of Chicago's Wrigley Building by Mark Coomer
Located in Chicago, IL
You really need to bring home this wonderful serigraph for your collection! A fabulous Mid-Century, ca. 1959 serigraph of Chicago's Wrigley Building in its original (and kitchy!) fr...
Category

1950s American Modern Landscape Prints

Materials

Paper, Screen

Parisian Morning, Folk Art Lithograph by Ari Gradus
Located in Long Island City, NY
Ari Gradus, Israeli (1943 - ) - Parisian Morning, Year: 1980, Medium: Lithograph, Signed and Numbered in Pencil, Edition: AP, Size: 30 in. x 22 in. (76...
Category

1980s Folk Art Landscape Prints

Materials

Lithograph

Prospectuum Aedium Viarumque Insignorum Ubis Venetiarum -by G.B. Brustolon- 1763
By Giovanni Battista Brustolon
Located in Roma, IT
Complete series of 20 original black and white etchings on oblong folio and laid paper, in first state before numeration. On frontispiece with date “1763”, dedication to Prince Marco Foscareno and name and address of Ludovico Furlanetto. Each plate is titled and signed on plate "Jo. Bap. Brustoloni sculp." on the lower right margin. Complete title of the series: Prospectuum aedium, viarumque insigniorum Urbis venetiarum nautico certamine, ac nundinis adiectis. Tomus Primus, tabulas XII complectens, quas Antonius Canale coloribus expressit – Joannes Baptista Brustolon aere incidit. Serenissimo Principi D.D. Marco Foscareno Egregio, emerito, sapientissimo Augustae Republicae Duci D.D.D. Anno AE C. 1763 ab V.C. 1341. This series is considered the most important one by Brustolon after Canaletto (from the engravings of Visentini), and was edited in a first version of 12 tables and in a second version of 22 tables. However, Succi affirms that the I state series includes just 20 tables, and the missing two vary from suite to suite so that this series can be considered complete. Very fresh and bright sheets in wide margins, with restored little tear on 4 sheets and a very light vertical fold on center. Papers show the following watermarks: Big cartouche with half-moon Big cartouche with letters “FO” and “AS” Bound and ripples on paper. In detail: Prospectuum Aedium Viarumque Insignorum Ubis Venetiarum is one of the finest of Venetian topographical print suites, equal in relevance to the publications of Carlevarijs, Canaletto-Visentini, and Marieschi, preciously rare, especially in the first edition (of four) with all plates in first state and in excellent state of preservation. Ten of its twenty vedute of the Serenessima derive from the paintings of Canaletto, drawn and engraved by Antonio Visentini, adapted to a larger size by Brustolon. The Bellunese artist extended the views and enriched the landscapes with new objects and figures that animate the scenes. Other four views are deeply inspired by Michele...
Category

1760s Old Masters Figurative Prints

Materials

Etching

Dark House
Located in New Orleans, LA
Dark House is a soft-ground etching with aquatint signed in pencil by the artist. This image is in the collection of the Detroit Institute of the Arts Printmaker Earl Horter, born in 1881 in Germantown, Pennsylvania, was known for his realistic etchings and aquatints of urban scenes, though he was also an illustrator and painter. As a teenager, he engraved stock certificates. He was essentially self-taught, though he did take an etching class when he moved to New York City in 1903 to work for an advertising agency. Horter had a one-man show in 1916 in New York City at the Frederick Keppel and Company gallery. He was given the exhibition by Carl Zigrosser, later the first Curator of Prints and Drawings at the Museum of Modern Art. Horter was back in Philadelphia in 1917, where he would remain until his death in 1940. He worked there as art director for the N. W. Ayer advertising firm from 1917-1923. Horter was a member of the Society of Illustrators. He exhibited at the Pan American Exposition in 1915 in San Francisco, California; the Art Institute of Chicago, Illinois; and the Philadelphia Print Club's National Exhibition of Prints; as well as Corcoran Gallery biennials from 1935 to 1939, in Washington, D.C. Horter is listed in "Mantle Fielding's Dictionary of American Artists"; "Who Was Who in American Art"; and Mallett's "Index of Artists". Though not a man of extraordinary means, Horter was a lover of modernist art, which he gradually purchased, creating an important collection, well ahead of its time in America, of Cubist and Precisionist works, as well as African sculpture and Native American artifacts. Artists Horter collected include Europeans Picasso, Braque, Duchamp and Brancusi, and Americans Charles Sheeler and Arthur B. Carles. He was a friend of Carles, as well as other artists and collectors such as Leopold Stokowski, conductor of the Philadelphia Orchestra; Franklin Watkins; S. S. White; and Carroll Tyson...
Category

1930s American Modern Landscape Prints

Materials

Etching

Dark House
Dark House
$217 Sale Price
56% Off
A 1930s Etching & Aquatint of Palmolive Building Chicago by S. Chester Danforth
Located in Chicago, IL
A 1930s, Art Deco etching & aquatint of the Palmolive Building in Chicago by notable print maker S. Chester Danforth. Image size: 14 1/4" x 8". Archivally matted to 20" x 14". S....
Category

1930s Art Deco Landscape Prints

Materials

Paper, Etching, Aquatint

Ascension (Traffic in front of St. Bartholomew / Park Ave bet 50th and 51s
Located in New Orleans, LA
An overflow of traffic in front of St. Bartholomew's Episcopal Cathedral on Park Avenue between 50th and 51st
Category

1990s Contemporary Landscape Prints

Materials

Mezzotint

Central Park Zoo, New York City, Limited Edition Hand Colored Etching
Located in Los Angeles, CA
This is a very hard to find hand colored etching of Central Park Zoo, New York City, well conserved in this excellent condition. It’s beautiful both for the skill: intricate details,...
Category

1970s Modern Landscape Prints

Materials

Etching, Ink, Watercolor

The South West Prospect of London – English School 18th century
Located in Middletown, NY
A stunning 18th century optical view of London from the Thames. London: 1760. Copper plate engraving with hand coloring in watercolor on cream laid paper with a large circular wate...
Category

Mid-18th Century English School Landscape Prints

Materials

Watercolor, Handmade Paper, Engraving

Original Las Vegas Nevada American Airlines travel poster (at night)
Located in Spokane, WA
Original Las Vegas, Nevada American Airlines travel poster. Archival linen backed in very good Condition Grade A-. The post...
Category

1970s American Modern Landscape Prints

Materials

Offset

Original French Modernist E.A. Proof Lithograph Signed Bernard Buffet New York
Located in Portland, OR
Very rare original Signed E.A. Artist's Proof, color lithograph, "New York", by Bernard Buffet (1928-1999). Circa 1980. A Landscape image by the celebrated French Modernist figurative artist Bernard Buffet, titled "New York". The color litho shows buildings and skyline in New York City, this is a rare image from a series of New York views produced by Buffet. The artwork is signed in pencil lower left "E.A", Artist's Proof in French, from the limited edition numbered prints (which was limited to 150) , it is also boldly signed "Bernard Buffet" lower right. Condition is excellent, we at Bloomsbury Fine...
Category

1980s Modern Landscape Prints

Materials

Lithograph

Fishing in the Clouds, fantastical jungle inspired cityscape by Guillaume Cornet
Located in Dallas, TX
GUILLAUME CORNET (b. 1987, Paris, France) Guillaume Cornet is an artist working with illustration and painting, exploring notions of abstract geometry, influenced by surreal perspec...
Category

2010s Pop Art Landscape Prints

Materials

Watercolor, Permanent Marker, Screen, Mixed Media

Rainy Day, Providence
Located in Middletown, NY
Etching with drypoint on Japan paper, 9 3/4 x 12 3/4 inches (245 x 322 mm), full margins, from an edition of approximately 50. Signed by the artist in pencil, lower center margin, t...
Category

Early 20th Century American Modern Landscape Prints

Materials

Handmade Paper, Drypoint, Etching

Street in Marblehead, Massachussets
Located in Middletown, NY
Drypoint etching on white, buff laid paper with deckle edges, 8 13/16 x 12 inches (224 x 305 mm), full margins. One of only 25 proof impressions. In superb condition with excellent i...
Category

1930s American Modern Landscape Prints

Materials

Archival Paper, Drypoint, Etching

Notre Dame de Paris
Located in Middletown, NY
A superb, dark impression of a well known scene by Arms. Etching with aquatint on watermarked handmade F.J. Head & Co. laid paper, 12 3/8 x 13 15/16 inches (315 x 354 mm), full marg...
Category

1920s American Modern Landscape Prints

Materials

Handmade Paper, Laid Paper, Etching, Aquatint

Cherry Street
Located in Middletown, NY
A view of lower Manhattan's Cherry Street as it appeared at the turn of the 20th century. One of only 5 proof impressions. New York: 1904. Drypoint with aquatint on watermarked, cr...
Category

Early 20th Century American Modern Landscape Prints

Materials

Handmade Paper, Drypoint, Etching

Market Square, Rothenburg, Germany
Located in Middletown, NY
Etching and drypoint on cream wove paper, 10 3/4 x 7 1/2 inches (270 x 190 mm), full margins. Signed, inscribed and titled in pencil, lower margin. In good condition with minor mat t...
Category

Early 20th Century Modern Landscape Prints

Materials

Handmade Paper, Drypoint, Etching

“Paris, Place du Tertre”
Located in Southampton, NY
Original hand colored lithograph by the French artist, Maurice Jacque of the Place du Tertre in Montmartre Paris, France. Signed in lower right margin. Titled in lower left margin. ...
Category

Early 1900s Academic Landscape Prints

Materials

Archival Paper, Lithograph

Wes Anderson's Dog - Battersea Power Station, London Cityscape Art, Animal Art
Located in Deddington, GB
Wes Anderson's Dogs - Battersea Power Station by Artist Mychael Barratt is a limited edition print. This humorous scene depicts three dogs looking over the edge of the picture, with a floating pig flying in between the pipes of the power station. Buy Mychael Barratt printmaker works with Wychwood Art...
Category

2010s Contemporary Animal Prints

Materials

Paper, Screen

Late Night (Where Berkeley Place meets Seventh Avenue in Brooklyn's Park Slope)
Located in New Orleans, LA
In "Late Night", Frederick Mershimer created a winter scene where Berkeley Place meets Seventh Avenue in Brooklyn's Park Slope. This image, the seventh in t...
Category

1990s Contemporary Landscape Prints

Materials

Mezzotint, Aquatint

Fantastic Mid-Century Mark Coomer Serigraph of Chicago River & Wrigley Building
Located in Chicago, IL
You need this fantastic Mid-Century serigraph of Chicago's iconic Wrigley Building & Tribune Tower by artist Mark Coomer, in its original off-white panel f...
Category

1950s American Modern Landscape Prints

Materials

Masonite, Screen

French Road, Modern Lithograph by Lloyd Lozes Goff
Located in Long Island City, NY
Lloyd Lozes Goff, American (1918 - 1982) - French Road, Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 250, AP 30, Image Size: 24 x 16.5 inches, Size: 2...
Category

1970s Modern Landscape Prints

Materials

Lithograph

View of Trinità dé Monti (Rome, Italy) - Original Etching by G. Malandrino
Located in Roma, IT
Edition of 199 prints, numbered and hand signed. Very good conditions.
Category

1970s Landscape Prints

Materials

Etching

Une rue de Rouen
Located in Middletown, NY
Copper plate etching with drypoint on cream laid paper with a partial heraldic watermark, 11 x 8 inches (280 x 204 mm), full margins. Toning and some discoloration along the left mar...
Category

Late 19th Century French School Landscape Prints

Materials

Laid Paper, Etching, Drypoint

Hand Signed in Pencil Etching Cafe de Paris Visage de Maisons Maurice Vlaminck
Located in Surfside, FL
Maurice Vlaminck Le Cafe de Paris, Pl. X, from Visage des Maisons, c. 1927 (Walterskirchen 132) Etching on Van Gelder laid paper, signed in pencil, trial proof with the blindstamp o...
Category

1920s Modern Landscape Prints

Materials

Etching

Acropolis Americana - Lincoln Center, New York 1975
Located in Middletown, NY
Zinc lithograph on cream wove paper, 12 3/4 x 10 inches (272 x 253 mm), full margins. Signed and titled in pencil, lower margin. One work from the series titled "Salute to New York,"...
Category

20th Century American Modern Landscape Prints

Materials

Handmade Paper, Lithograph

A Pictorial View of Broadway, 1899 - 74 Chromolithograph plates
Located in Middletown, NY
What did Broadway look like at the turn of the 20th Century? Here is a scarce and important block-by-block view published in 1899 by The Mail and Express New York: The Mail and Expr...
Category

Late 19th Century American Realist Figurative Prints

Materials

Lithograph

Nocturnal, by Art Werger
Located in Palm Springs, CA
Medium: mezzotin Year: 2022 Edition: 50 Image Size: 17.75 x 23.5 inches Signed, titled and numbered in pencil by the artist Dramatic image of the streets of New York from the air. ....
Category

2010s Contemporary Landscape Prints

Materials

Mezzotint

Column of Antoninus Pius, Rome Italy. Jacobs Lauro 17th century engraving
Located in Melbourne, Victoria
Lauro produced a series of engravings of the ancient monuments of Classical Rome with detailed descriptions in Latin below. 180mm by 240mm (plate mark)...
Category

Early 17th Century Old Masters Landscape Prints

Materials

Engraving, Etching

MANHATTAN
Located in Santa Monica, CA
ANTON SCHUTZ MANHATTAN c 1940 Etching, signed in pencil, edition 100, no. 15/100. On thin simili-japan paper. Very slight toning around plate mark. Remnants of old tape on verso, s...
Category

1940s American Realist Landscape Prints

Materials

Etching

Utrillo, Composition, Éloge de Maurice Utrillo (after)
Located in Southampton, NY
Lithograph on vélin du Marais paper. Inscription: unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the volume, Éloge de Maurice Utrillo, 1956. Published by Editions d'Art Manuel Bruker, Paris; printed by Mourlot Frères, Paris. Excerpted from the volume (translated from French), This book was completed and printed on June 5, 1956 on the presses of madame Jean-Gabriel Daragnès for typography and by the Mourlot Frères for lithographs. It was shot on Vidalon blanc. Two hundred numbered copies from 1 to 200, including the first twenty with a suite on vélin paper of the Marais. It has been attached to each copy a simulated fac of the Sonnet d'Utrillo: "Lyric art...
Category

1950s Post-Impressionist Landscape Prints

Materials

Lithograph

1920s Deco etching & aquatint Lake Shore Drive, Chicago by S. Chester Danforth
Located in Chicago, IL
A 1920s, Art Deco etching & aquatint of Lake Shore Drive -- Chicago, by notable print maker S. Chester Danforth. Image size: 8 1/4" x 10 1/4". Archivally matted to 14" x 16". Mandel Brothers...
Category

1920s Art Deco Landscape Prints

Materials

Paper, Etching, Aquatint

Palazzo Ruspoli sul Corso - Etching by G. Vasi - Late 18th century
Located in Roma, IT
Palazzo Ruspoli sul Corso is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions except for worn margi...
Category

Late 18th Century Old Masters Landscape Prints

Materials

Etching

Fantastic Mid-Century Serigraph of the Executive House Chicago by Mark Coomer
Located in Chicago, IL
You definitely need this fantastic Mid-Century serigraph of Chicago's Executive House hotel and the Chicago River by artist Mark Coomer, in its original of...
Category

1950s American Modern Landscape Prints

Materials

Masonite, Screen

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