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Art Subject: City
View of Fountain Court, Middle Temple, City of London
Located in Middletown, NY
An 18th century view of the first permanent water fountain in London.
London: J.Boydell, 1753.
Engraving with hand coloring in watercolor on white laid paper, laid down to a modern...
Category
Mid-18th Century English School Figurative Prints
Materials
Watercolor, Handmade Paper, Laid Paper, Engraving
'Coenties Slip' — Lower Manhattan, Financial District
Located in Myrtle Beach, SC
Luigi Kasimir, 'Coenties Slip', color etching with aquatint, 1927, edition 100. Signed in pencil. Dated in the plate, lower right. Annotated 'NEW YORK HANOVER SQUARE (COENTIES SLIP)'...
Category
1920s American Modern Landscape Prints
Materials
Etching, Aquatint
South Of France 1994 Signed Limited Edition Lithograph
By Tony Bennett
Located in Rochester Hills, MI
Tony Bennett
Title: South of France
Lithograph
Signed and Marked ATL 5/5 ( Printers Proof )
Paper Size: 31" x 24" inches
Image Size : 26" x 20" inches
Published By : Atelier E. Ettinger Gallery
Anthony Dominick Benedetto, known professionally as Tony Bennett, is an American singer of traditional pop standards, big band, show tunes, and jazz. He is also a painter, having created works under his birth name that are on permanent public display in several institutions.
Whether he is performing as Tony Bennett or painting as Anthony Benedetto...
Category
1990s American Impressionist Landscape Prints
Materials
Lithograph
$1,760 Sale Price
49% Off
Topiary I - x large format photograph of ornamental shaped tree
By Frank Schott
Located in San Francisco, CA
from a series of photographic observances capturing the antics of urban gardening and striking art of topiaries' green minimalism
Topiary I by Frank Schott
59.5 x 59.5 inches (1...
Category
21st Century and Contemporary Contemporary Color Photography
Materials
Archival Paper, Photographic Paper, Giclée, Archival Pigment
'Manhattan Old and New' — Vintage New York Cityscape
Located in Myrtle Beach, SC
Samuel Chamberlain, 'Manhattan Old and New', drypoint, 1929, edition 100, Chamberlain and Kingsland 81. Signed, titled, and numbered '81/100' in pencil. Titled and annotated '30.00' in pencil, in the artist's hand, bottom margin. Matted to museum standards, unframed.
A superb, finely-detailed impression, with selectively wiped plate tone, on heavy Rives cream wove paper; full margins (1 1/2 to 2 1/4 inches), in excellent condition.
The subject of the print is the lower Manhattan cityscape just before the Depression.
Image size 8 3/4 x 6 13/16 inches (222 x 173 mm); sheet size 12 3/4 x 10 inches (324 x 254 mm).
Impressions of this work are held in the collections of the National Gallery of Art and the Zimmerli Art Museum.
ABOUT THE ARTIST
'There is something about the atmospheric vibrancy of an etching which imparts a peculiar and irresistible life to architectural drawing...A copper plate offers receptive ground to the meticulously detailed drawing which so often appeals to the architect'. —Samuel Chamberlain, from the Catalogue Raisonné of his prints.
Samuel V. Chamberlain (1896 - 1975), printmaker, photographer, author, and teacher, was born in Iowa. His family moved to Aberdeen, Washington in 1901, and in 1913, Chamberlain enrolled in the University of Washington in Seattle, where he studied architecture under Carl Gould. By 1915, he was enrolled in the School of Architecture of the Massachusetts Institute of Technology in Boston. With the United States' involvement in the First World War, Chamberlain sailed to France, where he volunteered in the American Field Service. In 1918, he was transferred to the United States Army to complete his tour of duty. After the war, he returned to Boston and resumed his architectural studies, which he eventually discontinued, working for a few years as a commercial artist.
Chamberlain received the American Field Service Scholarship in 1923, which he used to travel to Spain, North Africa, and Italy. In 1924 he was living in Paris, where he studied lithography with Gaston Dorfinant and etching and drypoint with Edouard Léon, publishing his first etching the following year. In 1927, he studied drypoint with Malcolm Osborne...
Category
1920s American Modern Landscape Prints
Materials
Drypoint
Topiary I - large format photograph of ornamental shaped tree
By Frank Schott
Located in San Francisco, CA
from a series of photographic observances capturing the antics of urban gardening and striking art of topiaries' green minimalism
Topiary I by Frank Schott ...
Category
21st Century and Contemporary Contemporary Color Photography
Materials
Archival Paper, Photographic Paper, Archival Pigment, Giclée
'Grand Central, Night' — 1920s New York City Realism
Located in Myrtle Beach, SC
Walter Tittle, 'Grand Central Night', drypoint, edition not stated, c. 1920s. Signed in pencil. Titled, and annotated '36.00' and with the inventory numb...
Category
1920s American Impressionist Landscape Prints
Materials
Drypoint
Manhattan Mountains
Located in Storrs, CT
Manhattan Mountains. 1938. Etching and drypoint. 14 3/4 x 12 3/8 (sheet 17 1/4 x 14 3/4). Artist proof, previous to the edition of 40. An atmospheric impression printed on buff-colored laid paper. Signed and dated in the plate. Signed, titled, and annotated 'Final state' and 'Jones Proof'in pencil. Housed in an archival sleeve.
Painter and printmaker Lawrence Nelson...
Category
20th Century American Modern Figurative Prints
Materials
Drypoint, Etching
Chicago Skyline
Located in Middletown, NY
A beautiful turn-of-the-century lake view of Chicago by an American artist known for his Texas landscapes.
Etching with drypoint on watermarked Umbria laid paper with deckle edges, 7 1/4 x 10 7/8 inches (182 x 275 mm), full margins. Signed and numbered 4/25 in pencil, lower margin. In good condition with adhesive residue at the sheet edges on the verso, does not show through to the recto. A lovely Lake Michigan landscape...
Category
Early 20th Century American Modern Landscape Prints
Materials
Handmade Paper, Etching, Drypoint
Buffet, La route du village, Lithographs 1952-1966 (after)
Located in Fairfield, CT
Medium: Lithograph on vélin Acropole Papeteries de Renage paper.
Year: 1967
Paper Size: 12.25 x 9.5 inches
Inscription: Signed in the plate and unnumbered, as issued
Notes: From the ...
Category
1960s Expressionist Landscape Prints
Materials
Lithograph
$716 Sale Price
20% Off
LIGHT AND SHADE TAXCO - J. T. Arms Mexican Masterpiece with Striking Detail
Located in Santa Monica, CA
JOHN TAYLOR ARMS (1887 – 1953)
LIGHT AND SHADE TAXCO, 1946 (F. 394: (#2 from the Mexican series.)
Etching and aquatint signed and dated in pencil. Image 10 ½ x 13 5/8, sheet 14 1/...
Category
1940s American Realist Landscape Prints
Materials
Etching
Mabel Oliver Rae, etching of Tom Tower, Oxford
Located in London, GB
To see our other views and maps of England - including London, Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send...
Category
Early 20th Century Modern Landscape Prints
Materials
Etching
Canaletto
Located in London, GB
A hand painted three dimensional, Reverspective print, inspired by Venice. Produced in 2024. This print comes housed in a bespoke perspex display case. A limited edition of 75.
Hand...
Category
2010s Contemporary Landscape Prints
Materials
Lithograph, Offset
1920s Deco etching & aquatint Lake Shore Drive, Chicago by S. Chester Danforth
Located in Chicago, IL
A 1920s, Art Deco etching & aquatint of Lake Shore Drive -- Chicago, by notable print maker S. Chester Danforth. Image size: 8 1/4" x 10 1/4". Archivally matted to 14" x 16".
Mandel Brothers...
Category
1920s Art Deco Landscape Prints
Materials
Paper, Etching, Aquatint
Painting of New York Storm Rain on 42nd Street by Leading British Urban Artist
Located in Preston, GB
A high quality hand-signed limited edition print entitled 'New York Storm' on 42nd Street with the Chrysler Building by Leading British Urban Landscape Artist, Angela Wakefield. Part of her New York Series.
The character of New York’s skyline and large residential districts is often defined by the skyscrapers, street scenes and elegant brownstone row houses, town houses, and shabby tenements that were built during a period of rapid expansion at the end of the 19th century. Angela has now produced over 100 paintings of New York City in her New York Series. “New York City’s five boroughs are home to some of the world’s most recognisable, cherished landmarks and attractions. Angela’s painting style perfectly encapsulates the mood of New York.”
Angela Wakefield (Born 1978) has twice been on the front cover of ‘Art of England’ and featured in ARTnews – the most widely read art magazine in the world. Angela has attracted international attention with her urban landscape paintings of New York, London & the North of England.
The style of painting has been described as ‘contemporary realism’, and she is often favourably compared with Edward Hopper by collectors and art critics. Her work is held in private collections in Europe and the USA, and has been exhibited in London and across the United Kingdom. Angela's admirers include leading figures in international business, filmmaking and the media.
Angela studied at UCLan in the UK, gaining a BA(Hons) in Fine Art. Working with acrylic paint on canvas or board, she is mainly associated with cityscapes and city street scenes, incorporating figurative elements of the landscape, architecture, transportation and the human figure.
Angela Wakefield has undertaken several high-profile commissions:
She was commissioned by the University of York to paint the high profile £800,000 renovation project 'Greg's Place', kindly funded by Greg Dyke, the former Chancellor of the University, FA Boss & Director General of the BBC.
Angela was also commissioned by Stonyhurst College to paint the world-famous Grade 1 listed building. (Former Alumni inching JRR Tolkien...
Category
2010s Realist Landscape Prints
Materials
Paper, Color, Digital, Archival Paper, Giclée
Buildings in New York - Original lithograph - Mourlot 1967
Located in Paris, IDF
Bernard BUFFET
Buildings in New York, 1967
Original stone lithograph
Printed signature in the plate
Printed in Mourlot workshop
71 x 52 cm (c. 28 x 21 in)
REFRENCES : Catalog raiso...
Category
1960s Realist Landscape Prints
Materials
Lithograph
'Financial District', New York City — American Modernism
Located in Myrtle Beach, SC
Howard Cook, 'Financial District', lithograph, 1931, edition 75, Duffy 155. A fine, richly-inked impression, on cream wove paper, the full sheet with wide margins (2 3/4 to 5 5/8 inches), in excellent condition. Image size 13 5/16 x 10 3/8 inches (338 x 264 mm); sheet size 23 x 16 inches (584 x 406 mm). Matted to museum standards, unframed.
Literature: 'American Master Prints from the Betty and Douglas Duffy Collection', the Trust for Museum Exhibitions, Washington, D.C., 1987.
Collections: Crystal Bridges Museum of American Art, Library of Congress, Metropolitan Museum of Art, Philadelphia Museum of Art, Smithsonian American Art Museum.
ABOUT THE ARTIST
Howard Norton Cook (1901-1980) was one of the best-known of the second generation of artists who moved to Taos. A native of Massachusetts, he studied at the Art Students League in New York City and at the Woodstock Art Colony. Beginning his association with Taos in 1926, he became a resident of the community in the 1930s. During his career, he received two Guggenheim Fellowships and was elected an Academician in the National Academy of Design. He earned a national reputation as a painter, muralist, and printmaker.
Cook’s work in the print mediums received acclaim early in his career with one-person exhibitions at the Denver Art Museum (1927) and the Museum of New Mexico (1928). He received numerous honors and awards over the years, including selection in best-of-the-year exhibitions sponsored by the American Institute of Graphics Arts, the Brooklyn Museum, the Society of American Etchers, and the Philadelphia Print Club. His first Guggenheim Fellowship took him to Taxco, Mexico in 1932 and 1933; his second in the following year enabled him to travel through the American South and Southwest.
Cook painted murals for the Public Works of Art Project in 1933 and the Treasury Departments Art Program in 1935. The latter project, completed in Pittsburgh, received a Gold Medal from the Architectural League of New York. One of his most acclaimed commissions was a mural in the San Antonio Post Office in 1937.
He and Barbara Latham settled in Talpa, south of Taos, in 1938 and remained there for over three decades. Cook volunteered in World War II as an Artist War Correspondent for the US Navy, where he was deployed in the Pacific. In 1943 he was appointed Leader of a War Art Unit...
Category
1930s American Modern Figurative Prints
Materials
Lithograph
Street in Marblehead, Massachussets
Located in Middletown, NY
Drypoint etching on white, buff laid paper with deckle edges, 8 13/16 x 12 inches (224 x 305 mm), full margins. One of only 25 proof impressions. In superb condition with excellent i...
Category
1930s American Modern Landscape Prints
Materials
Archival Paper, Drypoint, Etching
Klimt, Malcesine am Gardasee, Gustav Klimt, Eine Nachlese (after)
By Gustav Klimt
Located in Auburn Hills, MI
Héliogravure, collotype, metallic inks on vélin paper. Paper Size: 18.86 x 17.91 inches; image size: 11.89 x 12.01 inches. Inscription: Signed in the plate and unnumbered, as issued....
Category
1930s Symbolist Figurative Prints
Materials
Lithograph
$19,996 Sale Price
20% Off
Prospectuum Aedium Viarumque Insignorum Ubis Venetiarum -by G.B. Brustolon- 1763
By Giovanni Battista Brustolon
Located in Roma, IT
Complete series of 20 original black and white etchings on oblong folio and laid paper, in first state before numeration.
On frontispiece with date “1763”, dedication to Prince Marco Foscareno and name and address of Ludovico Furlanetto. Each plate is titled and signed on plate "Jo. Bap. Brustoloni sculp." on the lower right margin.
Complete title of the series: Prospectuum aedium, viarumque insigniorum Urbis venetiarum nautico certamine, ac nundinis adiectis. Tomus Primus, tabulas XII complectens, quas Antonius Canale coloribus expressit – Joannes Baptista Brustolon aere incidit. Serenissimo Principi D.D. Marco Foscareno Egregio, emerito, sapientissimo Augustae Republicae Duci D.D.D. Anno AE C. 1763 ab V.C. 1341.
This series is considered the most important one by Brustolon after Canaletto (from the engravings of Visentini), and was edited in a first version of 12 tables and in a second version of 22 tables. However, Succi affirms that the I state series includes just 20 tables, and the missing two vary from suite to suite so that this series can be considered complete.
Very fresh and bright sheets in wide margins, with restored little tear on 4 sheets and a very light vertical fold on center. Papers show the following watermarks:
Big cartouche with half-moon
Big cartouche with letters “FO” and “AS”
Bound and ripples on paper.
In detail: Prospectuum Aedium Viarumque Insignorum Ubis Venetiarum is one of the finest of Venetian topographical print suites, equal in relevance to the publications of Carlevarijs, Canaletto-Visentini, and Marieschi, preciously rare, especially in the first edition (of four) with all plates in first state and in excellent state of preservation.
Ten of its twenty vedute of the Serenessima derive from the paintings of Canaletto, drawn and engraved by Antonio Visentini, adapted to a larger size by Brustolon. The Bellunese artist extended the views and enriched the landscapes with new objects and figures that animate the scenes.
Other four views are deeply inspired by Michele...
Category
1760s Old Masters Figurative Prints
Materials
Etching
Cherry Street
Located in Middletown, NY
A view of lower Manhattan's Cherry Street as it appeared at the turn of the 20th century. One of only 5 proof impressions.
New York: 1904.
Drypoint with aquatint on watermarked, cr...
Category
Early 20th Century American Modern Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
Rare 1960s Musee D'Art Moderne de la ville de Paris Limited Edition offset print
Located in New York, NY
Robert Rauschenberg
Rare 1960s Musee D'Art Moderne de la ville de Paris poster, 1968
Offset Lithograph
Edition of 500
27 1/2 × 21 inches
Unframed, not sig...
Category
1960s Pop Art Figurative Prints
Materials
Lithograph, Offset
Late Night (Where Berkeley Place meets Seventh Avenue in Brooklyn's Park Slope)
Located in New Orleans, LA
In "Late Night", Frederick Mershimer created a winter scene where Berkeley Place meets Seventh Avenue in Brooklyn's Park Slope. This image, the seventh in t...
Category
1990s Contemporary Landscape Prints
Materials
Mezzotint, Aquatint
A 1930s Etching & Aquatint of Palmolive Building Chicago by S. Chester Danforth
Located in Chicago, IL
A 1930s, Art Deco etching & aquatint of the Palmolive Building in Chicago by notable print maker S. Chester Danforth. Image size: 14 1/4" x 8". Archivally matted to 20" x 14".
S....
Category
1930s Art Deco Landscape Prints
Materials
Paper, Etching, Aquatint
'New York, View of the East River', Paris, Metropolitan Museum, Smithsonian
By Max Pollak
Located in Santa Cruz, CA
Signed lower right, 'Max Pollak' (American, 1886-1970) with number and limitation, lower center, '21/150' and titled, lower left, 'New York: East River'. Published by Rudolph Lesch and with copyright stamp 'Corp. Rud. Lesch NY' in lower left corner. (Reference: Triton cat. 51). Paper dimensions: 13.25 x 18.5 inches.
Max Pollak achieved a reputation for the skill of his etchings as a young man living in Vienna, Austria. He is perhaps best known for his singular and penetrating portrait of Sigmund Freud (1913), which is widely reproduced. Pollak created many portraits of famous figures in Europe, and later in the United States, along with genre scenes and landscapes.
Born in Prague, Czechoslovakia, Max Pollak grew up in Vienna and attended the Vienna Academy of Art, where he studied with the portraitist, Ferdinand Schmutzer...
Category
1920s Modern Landscape Prints
Materials
Paper, Etching
Parisian Morning, Folk Art Lithograph by Ari Gradus
By Ari Gradus
Located in Long Island City, NY
Ari Gradus, Israeli (1943 - ) - Parisian Morning, Year: 1980, Medium: Lithograph, Signed and Numbered in Pencil, Edition: AP, Size: 30 in. x 22 in. (76...
Category
1980s Folk Art Landscape Prints
Materials
Lithograph
Chicago in 1857
By Raoul Varin
Located in Middletown, NY
Chicago: A. Ackermann & Son, Inc., 1930.
Aquatint with engraving on heavy wove paper with a deckle edge, 15 1/8 x 12 inches (384 x 304 mm); sheet 24 1/2 x 17 1/2 inches (622 x 445 m...
Category
Mid-20th Century American Modern Landscape Prints
Materials
Lithograph
Dark House
By Earl Horter
Located in New Orleans, LA
Dark House is a soft-ground etching with aquatint signed in pencil by the artist. This image is in the collection of the Detroit Institute of the Arts
Printmaker Earl Horter, born in 1881 in Germantown, Pennsylvania, was known for his realistic etchings and aquatints of urban scenes, though he was also an illustrator and painter. As a teenager, he engraved stock certificates. He was essentially self-taught, though he did take an etching class when he moved to New York City in 1903 to work for an advertising agency. Horter had a one-man show in 1916 in New York City at the Frederick Keppel and Company gallery. He was given the exhibition by Carl Zigrosser, later the first Curator of Prints and Drawings at the Museum of Modern Art. Horter was back in Philadelphia in 1917, where he would remain until his death in 1940. He worked there as art director for the N. W. Ayer advertising firm from 1917-1923.
Horter was a member of the Society of Illustrators. He exhibited at the Pan American Exposition in 1915 in San Francisco, California; the Art Institute of Chicago, Illinois; and the Philadelphia Print Club's National Exhibition of Prints; as well as Corcoran Gallery biennials from 1935 to 1939, in Washington, D.C. Horter is listed in "Mantle Fielding's Dictionary of American Artists"; "Who Was Who in American Art"; and Mallett's "Index of Artists".
Though not a man of extraordinary means, Horter was a lover of modernist art, which he gradually purchased, creating an important collection, well ahead of its time in America, of Cubist and Precisionist works, as well as African sculpture and Native American artifacts. Artists Horter collected include Europeans Picasso, Braque, Duchamp and Brancusi, and Americans Charles Sheeler and Arthur B. Carles. He was a friend of Carles, as well as other artists and collectors such as Leopold Stokowski, conductor of the Philadelphia Orchestra; Franklin Watkins; S. S. White; and Carroll Tyson...
Category
1930s American Modern Landscape Prints
Materials
Etching
$217 Sale Price
56% Off
la Tour Eiffel, Paris Capitale, Maurice Utrillo
Located in Auburn Hills, MI
Lithograph on vélin Johannot paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Paris Capitale, 1955; published by Joseph Foret, Editeur d'Art, Paris...
Category
1950s Modern Landscape Prints
Materials
Lithograph, Stencil
$1,436 Sale Price
20% Off
5th Avenue
Located in New York, NY
THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information.
ABOUT THIS PIECE: Based in New York, Caitlin McGauley is an artist and illustrator with...
Category
2010s Landscape Prints
Materials
Plexiglass
Original French Modernist E.A. Proof Lithograph Signed Bernard Buffet New York
Located in Portland, OR
Very rare original Signed E.A. Artist's Proof, color lithograph, "New York", by Bernard Buffet (1928-1999). Circa 1980.
A Landscape image by the celebrated French Modernist figurative artist Bernard Buffet, titled "New York". The color litho shows buildings and skyline in New York City, this is a rare image from a series of New York views produced by Buffet.
The artwork is signed in pencil lower left "E.A", Artist's Proof in French, from the limited edition numbered prints (which was limited to 150) , it is also boldly signed "Bernard Buffet" lower right.
Condition is excellent, we at Bloomsbury Fine...
Category
1980s Modern Landscape Prints
Materials
Lithograph
New York (Golden Hour) [Hand Embellished]
Located in New Orleans, LA
Giclee print on archival cold press cotton rag. Every print is uniquely hand embellished by the artist with gold acrylic paint. Edition 5 of 10 with 5 APs.
In this new series of pai...
Category
21st Century and Contemporary Contemporary Landscape Prints
Materials
Rag Paper, Giclée
![New York (Golden Hour) [Hand Embellished]](https://a.1stdibscdn.com/kristin-moore-prints-works-on-paper-new-york-golden-hour-hand-embellished-for-sale/a_1052/a_131621721696012596890/New_York_Golden_Hour_Print_Kristin_Moore_Jonathan_Ferrara_Gallery_New_Orleans_master.jpg?width=240 "marfa kurakina")
Convertible
Located in Berkeley, CA
Color spitbite aquatint and aquatint with drypoint.
Edition of 35
Category
2010s Contemporary Landscape Prints
Materials
Etching, Intaglio
Nocturnal, by Art Werger
By Art Werger
Located in Palm Springs, CA
Medium: mezzotin
Year: 2022
Edition: 50
Image Size: 17.75 x 23.5 inches
Signed, titled and numbered in pencil by the artist
Dramatic image of the streets of New York from the air. ....
Category
2010s Contemporary Landscape Prints
Materials
Mezzotint
Gerona Cathedral urbanscape lithograph
Located in Barcelona, Barcelona
Josep Moscardó (1953) - Girona Cathedral
Lithograph - Hand signed
Lithograph measures 74x52 cm.
Frameless.
Numbered 121/150
Barcelona, 1953
Painter, s...
Category
1990s Post-Impressionist Landscape Prints
Materials
Lithograph
$223 Sale Price
36% Off
Berkshire Diner - 1980 Signed Limited Edition Screenprint
By John Baeder
Located in Rochester Hills, MI
John Baeder
Berkshire Diner - 1980
Print - Serigraph on Somerset paper
Paper Size - 30'' x 22'' in.
Edition: Signed in pencil and marked from the edition of 250
John Baeder's calcula...
Category
1980s Photorealist Landscape Prints
Materials
Screen
Vienna, Austria; Wienn in Osterreich
Located in New York, NY
Published by Probst, Johann Friedrich, 1721-1781 Augsburg.
Copper etching print; hand-colored; - condition: Printed on 2 sheets joined together; size (in cm) 38 x 104; Large and very decorative view of Vienna with numbering of the important houses and buildings.
The Werner / Probst views are distinguished by the their large size that allows considerable architectural and landscape detail, extending to the delineation of farm buildings, boats and individual trees. Each includes a numbered key identifying important sites and buildings.
Friedrich Bernhard Werner was a German printmaker, draftsman and writer of chronicles; Bénézit states he was born in Reichenau, other sources indicate Silesia. As a young man he lived an itinerant and rather bohemian existence as a writer, translator and working in theater. Eventually he settled in Augsburg, where he drew views for the publishing houses of a Martin Engelbrecht...
Category
18th Century Landscape Prints
Materials
Etching
Braunschweig - Lithograph Mid 19° Century
Located in Roma, IT
Braunschweig is a beautiful color lithograph on paper, printed by von Led Kempner and published by von Schaffstein and C. Koln, Rhein.
This modern artwork represents a urban and historical view of the German city of Braunschweig,in Lower Saxony, Germany, was a powerful and influential center of commerce in medieval Germany...
Category
Mid-19th Century Modern Figurative Prints
Materials
Lithograph
$211 Sale Price
25% Off
Wes Anderson's Dog - Battersea Power Station, London Cityscape Art, Animal Art
Located in Deddington, GB
Wes Anderson's Dogs - Battersea Power Station by Artist Mychael Barratt is a limited edition print. This humorous scene depicts three dogs looking over the edge of the picture, with a floating pig flying in between the pipes of the power station.
Buy Mychael Barratt printmaker works with Wychwood Art...
Category
2010s Contemporary Animal Prints
Materials
Paper, Screen
Narrow Street in Rouen (Petite Rue Nationale, a Rouen)
Located in New York, NY
Camille Pissarro (1830-1903), Narrow Street in Rouen (Petite Rue Nationale, a Rouen), etching, drypoint, maniere grise, aquatint, 1896, signed in pencil lower right, numbered (No 6) ...
Category
1890s Impressionist Landscape Prints
Materials
Drypoint, Etching, Aquatint
'Mural Study: Lower Manhattan' — WPA Era Precisionism
Located in Myrtle Beach, SC
Louis Lozowick, 'Mural Study: Lower Manhattan', lithograph, edition 10 or fewer, 1936. Flint 135. Signed and dated in pencil. Signed in the stone, lower right.
A fine, richly-inked...
Category
1930s American Modern Landscape Prints
Materials
Lithograph
San Francisco Basketball Court
By Ludwig Favre
Located in New York, NY
ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California. His pictures of California's iconic architecture and beaches carry the same romantic feel of a...
Category
2010s Landscape Prints
Materials
Photographic Paper
Une rue de Rouen
Located in Middletown, NY
Copper plate etching with drypoint on cream laid paper with a partial heraldic watermark, 11 x 8 inches (280 x 204 mm), full margins. Toning and some discoloration along the left mar...
Category
Late 19th Century French School Landscape Prints
Materials
Laid Paper, Etching, Drypoint
Piazza Navona allagata solito farsi nelle Feste di Agosto
Located in Fairlawn, OH
Piazza Navona allagata solito farsi nelle Feste di Agosto
Etching, 1752
Signed in the plate lower right (see photo)
From: Della Magnificenze di Roma Antica e Moderna ( The Magnificen...
Category
1750s Old Masters Landscape Prints
Materials
Etching
Fishing in the Clouds, fantastical jungle inspired cityscape by Guillaume Cornet
Located in Dallas, TX
GUILLAUME CORNET (b. 1987, Paris, France)
Guillaume Cornet is an artist working with illustration and painting, exploring notions of abstract geometry, influenced by surreal perspec...
Category
2010s Pop Art Landscape Prints
Materials
Watercolor, Permanent Marker, Screen, Mixed Media
View of Trinità dé Monti (Rome, Italy) - Original Etching by G. Malandrino
Located in Roma, IT
Edition of 199 prints, numbered and hand signed.
Very good conditions.
Category
1970s Landscape Prints
Materials
Etching
'Downtown, New York' — 1920s Modernism
Located in Myrtle Beach, SC
John Taylor Arms, 'Downtown, New York', etching with aquatint, 1921, edition 75, Fletcher 108. Signed, dated, and numbered 14/75 in pencil.
A superb, finely nuanced impression, in d...
Category
Early 20th Century American Modern Landscape Prints
Materials
Etching
Original Las Vegas Nevada American Airlines travel poster (at night)
Located in Spokane, WA
Original Las Vegas, Nevada American Airlines travel poster. Archival linen backed in very good Condition Grade A-. The post...
Category
1970s American Modern Landscape Prints
Materials
Offset
Shadows on the Ramp
By Martin Lewis
Located in Storrs, CT
Shadows on the Ramp. 1927. Drypoint and sand ground. McCarron 64. 9 x 10 1/2 (sheet 12 3/8 x 14). Edition 75 recorded impressions. A rich, tonal impression with drypoint burr, printe...
Category
1920s American Modern Landscape Prints
Materials
Drypoint, Etching
Market Square, Rothenburg, Germany
Located in Middletown, NY
Etching and drypoint on cream wove paper, 10 3/4 x 7 1/2 inches (270 x 190 mm), full margins. Signed, inscribed and titled in pencil, lower margin. In good condition with minor mat t...
Category
Early 20th Century Modern Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
Plymouth Street ( a twilight scene is set in the Brooklyn section of DUMBO)
Located in New Orleans, LA
This view of the Brooklyn and Manhattan Bridges is looking down "Plymouth Street" to the intersection of Jay Street. It is #35 in the catalogue raisonne by Retif & Salzer and is in the permanent collection of the Museum of City of New York...
Category
1990s Contemporary Landscape Prints
Materials
Mezzotint, Aquatint
The Moon. Paris. Limited edition print Surreal Established Polish artist
Located in Warsaw, PL
Contemporary colorful figurative surrealistic print on paper by Polish artist Rafal Olbinski. This print shows a woman sitting on chair with her feet on a Moon. There is parisian arc...
Category
2010s Surrealist Figurative Prints
Materials
Paper, Color
Still Night (Brooklyn brownstones on 7th Avenue off Flatbush Avenue)
Located in New Orleans, LA
In "Still Night", Frederick Mershimer depicts a row of brownstone houses on Seventh Avenue near Flatbush Avenue between Park and Stirling Places. Mershimer remembers that as he was ...
Category
1980s American Modern Landscape Prints
Materials
Mezzotint
Monument Jeremy Geddes Babel Screenprint Limited and Numbered
Located in Draper, UT
Jeremy Geddes' "Monument," a stunning archival pigment print, epitomizes his unique blend of hyper-realistic detail and surreal, dream-like compositions. This signed and numbered limited edition print, produced in 2024, measures 28.3 by 24 inches and is printed on 100% cotton, 300gsm Hahnemuhle Matt photo rag fine art paper using Epson SureColor P7070 and P9070 printers. The result is a piece that captivates with its striking imagery and profound depth, making it an essential acquisition for discerning collectors and art enthusiasts.
Jeremy Geddes, born in Wellington, New Zealand, and now residing in Melbourne, Australia, has garnered international acclaim for his meticulously detailed and hauntingly beautiful works. Initially pursuing a career in video game art, Geddes transitioned to painting full-time, honing his technical skills at the Victorian College of the Arts. His work often explores themes of isolation, suspension, and the juxtaposition of the mundane with the extraordinary, making his pieces both thought-provoking and visually stunning.
Geddes' paintings have been exhibited in prestigious galleries around the world, including the Jonathan LeVine Gallery in New York and the Merry Karnowsky Gallery in Los Angeles. His accolades include winning the Spectrum Gold Award for his piece "A Perfect Vacuum," and his work has been featured in numerous publications such as Juxtapoz, Hi-Fructose, and Spectrum. Geddes is particularly renowned for his series of astronaut paintings, which have become iconic in contemporary art circles.
"Monument" exemplifies Geddes' ability to capture the delicate balance between reality and the surreal. The piece features a solitary figure suspended in a moment of stillness, evoking a sense of introspection and otherworldly calm. Every brushstroke showcases Geddes' masterful use of light, shadow, and texture, making this print a striking addition to any art collection.
As a signed and numbered print from a limited edition, "Monument" represents a unique investment opportunity...
Category
2010s Landscape Prints
Materials
Archival Pigment
Rainy Day, Queens
By Martin Lewis
Located in New York, NY
Martin Lewis (1881-1962), Rainy Day, Queens, drypoint, 1931, signed in pencil lower right [also signed in the plate lower right]. Reference: McCarron 94, only state, from the edition...
Category
1930s American Realist Landscape Prints
Materials
Drypoint
Notre Dame de Paris
Located in Middletown, NY
A superb, dark impression of a well known scene by Arms.
Etching with aquatint on watermarked handmade F.J. Head & Co. laid paper, 12 3/8 x 13 15/16 inches (315 x 354 mm), full marg...
Category
1920s American Modern Landscape Prints
Materials
Handmade Paper, Laid Paper, Etching, Aquatint
Ascension (Traffic in front of St. Bartholomew / Park Ave bet 50th and 51s
Located in New Orleans, LA
An overflow of traffic in front of St. Bartholomew's Episcopal Cathedral on Park Avenue between 50th and 51st
Category
1990s Contemporary Landscape Prints
Materials
Mezzotint
James Priddey: Durham Cathedral lithograph University City
Located in London, GB
James Priddey (1916-1980) FRSA RBSA
Durham Cathedral
Lithograph
37 x 36cm
A Birmingham-based artist, educated at the Birmingham College of Art and a ...
Category
Mid-20th Century Realist Landscape Prints
Materials
Board, Lithograph
From My Window, by Art Werger
By Art Werger
Located in Palm Springs, CA
Medium: mezzotint
Year: 2018
Edition: 30
Image Size: 19 x 19 inches
Signed, titled and numbered in pencil by the artist
Montage of scenes of the street below as seen from the artist...
Category
2010s Contemporary Landscape Prints
Materials
Mezzotint
Fifth Avenue Bridge.
By Martin Lewis
Located in Storrs, CT
Fifth Avenue Bridge. 1928. Drypoint. McCarron 72. 9 7/8 x 12 (sheet 12 3/4 x 15). Edition of 108 recorded impressions. A rich impression printed on cream laid paper, with full margin...
Category
1920s American Modern Figurative Prints
Materials
Drypoint, Etching
