Head Landscape Prints

"Venise en Fleurs" is an original color lithograph by Andre Masson. This piece is from the "Je Reve" (I Dream) portfolio of 1975. The edition number, written lower left, is H.C. XXV/...

Carriages is an original drawing in pencil and watercolor, realized by an anonymous artist of the XIX century. Monogrammed "FB". Sheet Dimension: 21.5 x 26 cm Passepartout includ...

Full Moon is a Contemporary Artwork realized by the Italian Artist Guelfo Bianchini (Ancona, 1937) in 1978. Original colored Etching on paper. Hand-signed in pencil on the lower...

Landscape is an etching realized in the Early 20th Century by Albert Decaris. Good condition. The artwork is strong through soft strokes with perfect hatchings in a well-balanced ...

A contemporary of David Hockney and Peter Blake, Colin Self is an important British printmaker whose innovative etching techniques and novel use of found materials have defined his diverse oeuvre. Yet unlike most artists associated with Pop Art, Self eschewed glossy, colorful bombast for nuanced drawings in a limited palette. Self's imagery has ranged from the geopolitical -- nuclear bombers, fallout shelters; to American icons -- hot dogs, Coca Cola cans; to the everyday -- intimate scenes of animals and plants, and whimsical figure drawings as seen here. The title of this print, Microwave Oven...

Artists proof printed on 100% cotton rag monochromatic Panoramic

Salome Tanzt is a colored cliché from watercolor on cream-colored cardboard realized by Choisy Le Conin, as is remembered Franz Von Bayros (Agram, 1866 – Vienna, 1924). From Mappe, ...

Artist: Peter Max (1937) Title: On a Distant Planet Year: 1978 Edition: H.C. 9; aside from the edition of 165 Medium: Silkscreen on Somerset paper Size: 26.5 x 20.75 inches Conditio...

Letter of the Alphabet Q, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century. Good conditions. The etching belon...

Artist: MGM Studios Title: Pink Panther, Supporting Characters Year: 1993-1995 Medium: Original, hand-painted production animation cel with laser color background, plus pencil drawin...

Image dimensions: 15x20 cm. Nude Lying Down is an original etching realized by an Anonymous artist in ca. 1945. Sheet dimension: 28 x 38 cm Very good con...

"La Danse Sous Les Arbes (The Country Dance)" is an etching by Claude Gellee (Le Lorrain). This etching is in the collections of the Metropolitan Museum and the Louvre. Publisher: Ma...

Roman Temples and Ruins is a vintage offset print artwork on paper, realized after G. Engelmann (1788-1839), in the late 20th century. The artwork is signed on the plate. In very go...

Ex Libris Pokomskij is an original Contemporary Artwork realized in the 1940s Original woodcut print on ivory-colored paper. Sigled in pencil on the lower margin. The work is g...

Etching on a large sheet of light cream wove paper, Baron Dominique Vivant Denon (after Jean-Honoré Fragonard); Paris: c 1900; 4 3/4 x 3 1/2 inc...

Image dimensions: 11,7 x 15,3 cm. Hand signed in pencil. Note lower left "2em état". Artist's proof, II state. Original etching. Catalogue Salomon n. 116.

Braun G., Hogenberg F., Buda, from the collection Civitates Orbis Terrarum, Cologne, T. Graminaeus, 1572-1617. Very fine B/W aquatint showing a view of Buda, an actual part of Budap...

"The Persecuted" is an original drawing in etching, realized by an Anonymous Artist of the early XX Century . The state of preservation of the artwork is very good; only small tear...

Landscape is an original etching and aquatint on paper realized by Claudio di Lorena. Signed on the plate, on the lower left. plate no. 183, lower on the right, edition "L. Caraccio...

Artist: John Matos (1961) Title: Cyclops from the X-Men Suite Year: 2000 Edition: 162/250, plus proofs Medium: Silkscreen on archival two-ply museum board Size: 24 x 18 inches Condit...

Beautiful proof of state on vélin, 2nd essai. Full margins. Ref. Cat. Salomon 98. Prov. Collection Henri Petiet, Paris.

The Infant Christ and St. John Playing with the Lamb, after Peter Paul Rubens (1577-1640) Woodcut, trimmed and tipped to support Initialed in the block bottom ...

Artist: John Matos (1961) Title: Magento from the X-Men Suite Year: 2000 Edition: 162/250, plus proofs Medium: Silkscreen on archival two-ply museum board Size: 24 x 18 inches Condit...

This archival illustrative photography pigment print on cotton rag by Andrew Pinkham measures 20in x 16in and is signed and numbered. This piece is part of a small edition of 10.

Artist: John Matos (1961) Title: Wolverine from the X-Men Suite Year: 2000 Edition: 162/250, plus proofs Medium: Silkscreen on archival two-ply museum board Size: 24 x 18 inches Cond...

Lee Wells Miracle at the Midday Soirée (EOW L19) End of the World Party Series 2023 Archival pigment print Edition of 5 Signed, dated and numbered by the artist Caption: Miracle at ...

Le Jardin de la Musique II Hailan Gong, Chinese Date: circa 1990 Screenprint, signed and numbered in pencil Edition of 100 Size: 30 in. x 24 in. (76.2 cm x 60.96 cm)

This is from the original first edition 1923 printing. there was a much later edition done after these originals. These are individually hand signed in pencil by artist as issued. This listing is for the one print. the other documentation is included here for provenance and is not included in this listing. The various images inspired by the Jewish Mysticism and rabbis and mystics of jerusalem and Kabbalah is holy, dramatic and optimistic Rubin succeeded to evoke the spirit of life in Israel in those early days. They are done in a modern art style influenced by German Expressionism, particularly, Ernst Barlach, Ernst Ludwig Kirchner, and Franz Marc, as introduced to Israel by Jakob Steinhardt, Hermann Struck and Joseph Budko. Reuven Rubin 1893 -1974 was a Romanian-born Israeli painter and Israel's first ambassador to Romania. Rubin Zelicovich (later Reuven Rubin) was born in Galati to a poor Romanian Jewish Hasidic family. He was the eighth of 13 children. In 1912, he left for Ottoman-ruled Palestine to study art at Bezalel Academy of Art and Design in Jerusalem. Finding himself at odds with the artistic views of the Academy's teachers, he left for Paris, France, in 1913 to pursue his studies at the École Nationale Supérieure des Beaux-Arts. He was of the well known Jewish artists in Paris along with Marc Chagall and Chaim Soutine, At the outbreak of World War I, he was returned to Romania, where he spent the war years. In 1921, he traveled to the United States with his friend and fellow artist, Arthur Kolnik. In New York City, the two met artist Alfred Stieglitz, who was instrumental in organizing their first American show at the Anderson Gallery. Following the exhibition, in 1922, they both returned to Europe. In 1923, Rubin emigrated to Mandate Palestine. Rubin met his wife, Esther, in 1928, aboard a passenger ship to Palestine on his return from a show in New York. She was a Bronx girl who had won a trip to Palestine in a Young Judaea competition. He died in 1974. Part of the early generation of artists in Israel, Joseph Zaritsky, Arieh Lubin, Reuven Rubin, Sionah Tagger, Pinchas Litvinovsky, Mordecai Ardon, Yitzhak Katz, and Baruch Agadati; These painters depicted the country’s landscapes in the 1920s rebelled against the Bezalel school of Boris Schatz. They sought current styles in Europe that would help portray their own country’s landscape, in keeping with the spirit of the time. Rubin’s Cezannesque landscapes from the 1920s were defined by both a modern and a naive style, portraying the landscape and inhabitants of Israel in a sensitive fashion. His landscape paintings in particular paid special detail to a spiritual, translucent light. His early work bore the influences of Futurism, Vorticism, Cubism and Surrealism. In Palestine, he became one of the founders of the new Eretz-Yisrael style. Recurring themes in his work were the bible, the prophet, the biblical landscape, folklore and folk art, people, including Yemenite, Hasidic Jews and Arabs. Many of his paintings are sun-bathed depictions of Jerusalem and the Galilee. Rubin might have been influenced by the work of Henri Rousseau whose naice style combined with Eastern nuances, as well as with the neo-Byzantine art to which Rubin had been exposed in his native Romania. In accordance with his integrative style, he signed his works with his first name in Hebrew and his surname in Roman letters. In 1924, he was the first artist to hold a solo exhibition at the Tower of David, in Jerusalem (later exhibited in Tel Aviv at Gymnasia Herzliya). That year he was elected chairman of the Association of Painters and Sculptors of Palestine. From the 1930s onwards, Rubin designed backdrops for Habima Theater, the Ohel Theater and other theaters. His biography, published in 1969, is titled My Life - My Art. He died in Tel Aviv in October 1974, after having bequeathed his home on 14 Bialik Street and a core collection of his paintings to the city of Tel Aviv. The Rubin Museum opened in 1983. The director and curator of the museum is his daughter-in-law, Carmela Rubin. Rubin's paintings are now increasingly sought after. At a Sotheby's auction in New York in 2007, his work accounted for six of the ten top lots. Along with Yaacov Agam and Menashe Kadishman he is among Israel's best known artists internationally. Education 1912 Bezalel Academy of Arts and Design, Jerusalem 1913-14 École des Beaux Arts, Paris and Académie Colarossi, Paris Select Group Exhibitions Eged - Palestine Painters Group Eged - Palestine Painters Group, Allenby Street, Tel Aviv 1929 Artists: Chana Orloff, Abraham Melnikoff, Rubin, Reuven Nahum Gutman, Sionah Tagger,Arieh Allweil, Jewish Artists Association, Levant Fair, Tel Aviv, 1929 Artists: Ludwig Blum,Eliyahu Sigad, Shmuel Ovadyahu, Itzhak Frenel Frenkel,Ozer Shabat, Menahem Shemi...

Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...

Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...

Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...

Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...

Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...

Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...

Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...

Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...

Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...

Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...

Composition Homage to Laurin-Lam is a Digital Print and hand-retouched realized by Martine Goyens in 2023. Hand-signed on the lower right. With the certification on the rear. Good...

Frank Sinatra IV by David Studwell. Hand pulled screen print of music icon Frank Sinatra. 58x36cm Edition of 30 Signed by the artist

Summer. 1914. Drypoint. Appleby 46. 6 7/8 x 4 7/8 (sheet 11 5/8 x 9 3/16). Edition 77. A fine impression printed on cream wove paper on the full sheet with deckle edges. Signed in pe...

Lithograph in colors on paper. Hand signed and numbered by the artist. From the edition of 165. Frame size approx 28 x 33 inches. Artwork is in excellent condition. Certificate ...

Lithograph on vélin bouffant des Papeteries de Hauteville paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Fernand Léger mes voyages avec un poème d'...

Lithograph on vélin bouffant des Papeteries de Hauteville paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Fernand Léger mes voyages avec un poème d'...

Lithograph on vélin Lafuma paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Dessins de Henri-Matisse, 1925. Published by Édi...

Lithograph on vélin Lafuma paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Dessins de Henri-Matisse, 1925. Published by Édi...

Lithograph on vélin Lafuma paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Dessins de Henri-Matisse, 1925. Published by Édi...

Lithograph on vélin Lafuma paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Dessins de Henri-Matisse, 1925. Published by Édi...

Lithograph on vélin Lafuma paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Dessins de Henri-Matisse, 1925. Published by Édi...

Lithograph on vélin Lafuma paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Dessins de Henri-Matisse, 1925. Published by Édi...

Lithograph on vélin Lafuma paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Dessins de Henri-Matisse, 1925. Published by Édi...

Lithograph on vélin Lafuma paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Dessins de Henri-Matisse, 1925. Published by Édi...

An etching is an intaglio printmaking process in which lines or areas are incised using acid into a metal plate in order to hold the ink. In etching, the plate can be made of iron, copper, or zinc. Once etched, the plate is then printed onto paper. David Becker Light Rail...

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. II, N° 8, 19...

Uses and Customs - Jainite temple in Gwalior is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " Histo...

Uses and Customs is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the government, of the...

Uses and Customs - Robes of Priests is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the...

Ex Libris Fanderlik  is a Contemporary Artwork realized in the mid-20th Century.  B/W woodcut print on ivory-colored paper.   The work is glued on cardboard.  Total dimensions: 21...