Horse Landscape Prints

Roman Fresco With Animals is an Etching realized by Giuseppe Aloja (1783-1837). The etching belongs to the print suite “Antiquities of Herculaneum Exp...

Chiesa e Monastero di S. Maria dei Sette is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good c...

African Hunter is an original lithograph realized by Jules Renard in 19th century. It is part of the collection "Soldiers of the Republic". Hand-signed...

Chasseur à Cheval is an original lithograph realized by Jules Renard in 19th century. It is part of the collection "Soldiers of the Republic". Hand-signed. Good condition. Draner...

Port Fanaraki is an original modern artwork realized in the first half of the 19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower margin in Capital Lett...

Tyningame House, Haddington is an original modern artwork realized in the Mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower central margin in Capit...

Ghuznee is an original modern artwork realized in Germany in the Mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower central margin: Ghuznee. Engrav...

Roman Landscape is an original etching artwork realized by the Italian artist Giuseppe Malandrino. hand-signed by the artist on the lower right in pencil. Numbered in Roman numeral...

"Birthplace of Henry Clay, Hanover County, Virginia" is an original hand-colored lithograph by Kelloggs & Thayer. The piece features a homestead and farm anima...

David Loggan (1634-1692) St Peter's College Oxford - New Inn Hall, Aula Novi Hospitii Engraving 1675 25x36cm Baptised in Danzig in 1634 Loggan's parents were English and Scottish. Studying engraving in Danzig with Willem Hondius (1598-1652 or 1658) he moved to London in the late 1650s producing the engraved title-page for the folio 1662 Book of Common Prayer. Marrying in 1663 he moved to Nuffield, Oxfordshire in 1665 to avoid the Plague and was in 1668/9 appointed Public Sculptor to the nearby University of Oxford having been commissioned to produce bird’s-eye views of all the Oxford Colleges. He lived in Holywell Street as he did this. Oxonia illustrata was published in 1675, with the help of Robert White (1645-1704). Following its completion he commenced work on his equivalent work for Cambridge, Cantabrigia Illustrata which was finally published in 1690 when he was made engraver to Cambridge University. Oxonia illustrata also includes an engraving of Winchester College (sharing its founder – William of Wykeham – with New College) whilst Cantabrigia illustrata includes one of Eton College (which shares its founder – Henry VIII – with King’s College). Bird’s-eye views required a particular talent as an architectural perspectivist of that era as it was not until 1783 that the first living thing (a sheep, named Montauciel ‘climb to the sky’) was sent aloft by the Mongolfier brothers in a balloon. Loggan thus had to rely on his imagination in conceiving the views. Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition (on thicker paper and with a plate number in the bottom right-hand corner), those of Cambridge were printed in smaller numbers and no second edition was produced. The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK Les Delices de la Grande Bretagne c. 1708. Edmund Hort New (1871-1931) produced a series of pen-and-ink drawings of views of Oxford that paid homage to Loggan showing the development of the city in the following two hundred years. They were turned into photoengravings by Emery...

Etching in colours, 2000-2001, on Hahnemühle etching paper, signed and numbered from the edition of 46 (there were also 6 artist’s proofs), published by Paragon Press, London, sheet:...

Classic polo scene drawn on stone featuring six ponies on the field drawn on stone & signed by Edward King (LL) Print Sz: 10 3/4"H x 18 1/2"W Frame Sz: 18"H x 25 3/8"W

Hand-colour sporting plate by James Pollard (1792-1867) Title: Epsom, The Betting Post Published 1836 by Ackermann & Co Print Sz: 14"H x 19 1/2"W Frame Sz: 20"H x 26"W w/ birds...

Classic colour plate pencil signed by Sir Alfred J Munnings 'The Pytchley Huntsman- "Frank Freeman on Pilot" published 1930 by Frost & Reed London with a blind stamp (LL) Image Sz:...

"Western Art Shoe Store", Western Horse Photography, Black and White “As I walked out of my hotel room early in the morning, I was greeted by the sound of hooves hitting the ground ...

Black and White Photography, Horse Photography, Western Art-Shoe Store 0217 “As I walked out of my hotel room early in the morning, I was greeted by the so...

Billy Schenck (American, b. 1947) Hurry Sundown, 1985 Edition 19/60 Serigraph 21 x 38 inches Signed, Titled, Dated, and Numbered Lower Margin Billy Schenck is a contemporary artist ...

Alexis Fidetzis How to Brutally Construct an Absurd Sense of Pride digital print on paper 30 x 150 cm (7 pieces)