Water Landscape Prints

C-Print on Argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additional fees will be requested for this type of frame + shipping Hugo Pondz...

Image dimensions: 15 x 22 cm. This splendid lithograph Interieur de Geneve. Porte Neuve is part of the series of 20 prints dedicated to views of the city of Geneva, engraved by the ...

Artist's Proof, hand signed.

C-Print on Argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additio...

C-Print on Argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additio...

C-Print on Argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additio...

Untitled (Nr. 0006) Photography 18" x 24" Edition of 20 by Ben Cope Signed and numbered by the artist. Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off...

C-Print on Argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additio...

Signed, titled and numbered aquatint print, Printed on Arches Cover Paper. Fishing boats docked in Squalicum Harbor on a foggy October morning. This is a great example of McMillan's...

Signed, titled and numbered from the edition of 10. This image was created by cutting the copper plates of a large trilogy of prints (Memory and Presence, which are also listed here)...

Watercolor monoprint

Villa di Mare from the ‘La Dolce Vita’ suite is a hand-enhanced serigraph on canvas, image size 18.5 x 22 inches, signed ‘Kerry Hallam’ lower left and annotated lower right. From the...

Michael Knigin, American (1942 - 2011) - Waves MKW4, Year: 2010, Medium: Chromogenic Print on Canvas, signed, dated and titled in pen, Size: 24.5 x 39.5 in. (62.23 x 100.33 cm), Fra...

"Chateaux De La Loire" is a signed original lithograph by Robert Abel. It depicts a view of one of the most iconic houses on the Loire River in France. Left ...

ARAQUÉM ALCÂNTARA Fumacinha, Chapada Diamantina, Bahia, Brazil, 2014 71 x 48 inches - Edition of 10 Archival Pigment Print - Wood box frame matt - Regular Plexiglas Also available ...

C-Print on Argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additio...

Rubio Canyon Falls, Mt. Lowe, Cal. shows a waterfall cascading thru a canyon of boulders and trees paralleling a wooden stairway and bridge. This historic image was published by Loui...

ARAQUÉM ALCÂNTARA Iguassu Falls, Brazil, 2002 71 x 48 inches - Edition of 10 Archival Pigment Print - Wood box frame matt - Regular Plexiglas Also ...

A well executed, crisp silkscreen print showing a small boat reflecting on the rippling sea. The artist has signed and numbered (11/300) to the lower edge and the print has been pres...

Archival pigment print Signed and numbered, verso 26.7 x 40 inches (Edition of 10) 40 x 60 inches (Edition of 5) 48 x 72 inches (Edition of 3) This artwork is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Zack Seckler's series, “Botswana,” is comprised of a series of exquisite aerial photographs taken in the Kalahari basin in south central Africa between 2009 and 2010. The body of work offers a quite different and almost magical view of the much-photographed and iconic landscape. In order to be able to capture these breathtaking images, Seckler enlisted the services of an expert pilot who flew a small, ultra-lightweight aircraft at low altitudes under 500 feet. Zack Seckler was born in Boston, and studied psychology at Syracuse University. Then, traveling solo with a point-and-shoot camera in northern India, his mind opened to the visual world. Upon returning to Syracuse, he took coursework in photography at the renowned Newhouse School. With an internship in a Hong Kong photo...

Archival pigment print Signed and numbered, verso 26.7 x 40 inches (Edition of 10) 40 x 60 inches (Edition of 5) 53.3 x 80 inches (Edition of 3) This artwork is offered by Clamp...

Archival pigment print Signed and numbered, verso 26.7 x 40 inches (Edition of 10) 40 x 60 inches (Edition of 5) 48 x 72 inches (Edition of 3) This artwork is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Zack Seckler's series, “Botswana,” is comprised of a series of exquisite aerial photographs taken in the Kalahari basin in south central Africa between 2009 and 2010. The body of work offers a quite different and almost magical view of the much-photographed and iconic landscape. In order to be able to capture these breathtaking images, Seckler enlisted the services of an expert pilot who flew a small, ultra-lightweight aircraft at low altitudes under 500 feet. Zack Seckler was born in Boston, and studied psychology at Syracuse University. Then, traveling solo with a point-and-shoot camera in northern India, his mind opened to the visual world. Upon returning to Syracuse, he took coursework in photography at the renowned Newhouse School. With an internship in a Hong Kong photo...

Sold with wooden frame in black color or others : 90 x 130 x 5 cm - 35,4 x 51,2 x 1,9 in, ed. 2/7 Olivier Attar - Attoli is a French photographer born in 1971 who lives & works in L...

Digital print on canvas with dissolved ink and pigments, edition 1/5, 80 x 120 x 3 cm, 2018 Jane Ward is a British artist born in 1960 who lives & works in Lake District National Pa...

Sold with wooden frame in black color or others : 90 x 130 x 5 cm - 35,4 x 51,2 x 1,9 in, ed. 1/7 Olivier Attar - Attoli is a French photographer born in 1971 who lives & works in L...

Sold with wooden frame in black color or others : 90 x 130 x 5 cm - 35,4 x 51,2 x 1,9 in, ed. 1/7 Olivier Attar - Attoli is a French photographer born in 1971 who lives & works in L...

Sold with wooden frame in black color or others : 90 x 130 x 5 cm - 35,4 x 51,2 x 1,9 in, ed. 3/7 Olivier Attar - Attoli is a French photographer born in 1971 who lives & works in L...

Landscape in Purple, Green, Blue and Red Joseph Grippi, American (1924–2001) Date: circa 1975 Screenprint, signed and numbered in pencil Edition of AP Image Size: 20.5 x 30 inches Si...

Regate En Haute Mer Daniel Gelis, French (1942) Lithograph, signed and numbered in pencil Edition of 11/80 Image Size: 15.25 x 11.5 inches Size: 20.75 x 15 in. (52.71 x 38.1 cm)

Digital print on paper, edition 1/30, 60 x 80 x 0,1 cm, 2017 Jane Ward is a British artist born in 1960 who lives & works in Lake District National Park around Keswick and Grasmere,...

14" x 40" Unframed Limited Edition Silkscreen of 195 Hand Signed by Bruce Herchenrader 1999 “This tranquil setting of water lilies belies the challenges we faced that day that I saw...

Untitled (Nr. 0895) Seascape Photography 18" x 24" in Ed. 1/20 by Ben Cope Signed and numbered by the artist. Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid...

"Bahamas 0113" Landscape Photography 18" x 24" Edition of 20 by Ben Cope Unframed - ships rolled in a tube Ben Cope is a Los Angeles based portrait artist with a BFA in ceramic s...

Awagami Washi bamboo paper in giclée print. Edition of 50 89x59cm (image size) = £650 150x100cm (image size) = £1,200 Contact for more sizes available. Sandy now focuses on distill...

Awagami Washi bamboo paper in giclée print. Edition of 50 89x59cm (image size) = £650 150x100cm (image size) = £1,200 Contact for more sizes available. Sandy now focuses on distill...

Awagami Washi bamboo paper in giclée print. Edition of 50 89x59cm (image size) = £650 150x100cm (image size) = £1,200 Contact for more sizes available. Sandy now focuses on distill...

Untitled (Nr. 2229) Photography 24" x 18" Edition 2/20 by Ben Cope Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmination of a six-...

Sheer Power Uwe Werner, German/American (1942) Date: 1980 Lithograph, signed and numbered in pencil Edition of 300 Size: 19 in. x 28 in. (48.26 cm x 71.12 cm)

11" x 9" Limited Edition Print on Paper of 25 Hand Signed by Esther Merikanskas

CHAREWICZ Gochka (XXe) Michel Butor's Herbarium Signed and numbered 2/29 Dimensions: 42 x 32 cm. Toutes marges.

Untitled (Nr. 0170) Photography 18" x 24" Edition 2/20 by Ben Cope Signed and numbered by the artist. Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off th...

Spring Fever X1 (2016) Oil and watercolor monoprint 12 x 12 Inches Paper Size: 20 x 18 Inches Printed by Sue Oehme at Oehme Graphics

Venezia, Campo de l' Abazia, 1984 plate mm 491 x 243 Original etching, signed and numbered. Limited edition of 90. The etching was exhibited last year in the critical retrospective...

Untitled (Nr. 1009) Photography 18" x 24" Edition 2/20 by Ben Cope Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmination of a six-year photographic journey through Baja, Mexico. Ben Cope and Rowan Daly began their travels in 2014, working their way through the towns of la Salinas, Baja Mar, and Cantamar, down through Ensanada and la Bufadora. This series of photographs depicts the pair’s adventures and explorations. Off the Grid documents the textures, people, and places visited during this incredible journey. Ben Cope is a Los Angeles based portrait artist with a BFA in ceramic sculpture and photography from Columbus State University. He maintains a successful career with a diverse portfolio including fashion, editorial, celebrity portraiture and advertising. He is widely known for his celebrity and fashion portraiture, which has been published internationally in publications such as Harper’s Bazaar, Elle, GQ, The Work Magazine, Fucking Young, and l’Officiel, and has shot international campaigns for such clients as Adidas, L’Oréal, Paul...

limited_edition silkscreen print Edition number 50 Image size: H:30 cm x W:40 cm Complete Size of Unframed Work: H:40 cm x W:50 cm x D:0.1cm Sold Unframed Please note that insitu ima...

"Untitled (Nr. 0457)" Landscape Photography 18" x 24" in Ed. 5/20 by Ben Cope Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culminatio...

Untitled (Nr. 0402) Photography 18" x 24" Edition 2/20 by Ben Cope Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmination of a six-...

Ian Phillips Catching the Light Limited Edition Linocut Print on Paper Edition of 12 Image Size: H 83cm x W 122cm x D 0.01cm Sold Unframed Free Ship...

Reflection by Rob Barnes [2021] limited_edition Linocut Edition number 50 Image size: H:33 cm x W:44 cm Complete Size of Unframed Work: H:49 cm x W:61 cm x D:0.2cm Sold Unframed Ple...

By the Seaside [2019] limited_edition linocut Edition number 1-6 Image size: H:20cm cm x W:20cm cm Complete Size of Unframed Work: H:30cm cm x W:30cm cm x D:3mmcm Sold Unframed ...

Valley of Gold By Chris Keegan [2021] limited edition Screen print Edition of 40 Image size: H:56 cm x W:56 cm Complete Size of Unframed Work: H:54 cm x W:54 cm x D:0.1cm Sold U...

Fowey Sailing [2021] Limited Edition Screen Print on Paper Edition number of 20 Image size: H:25 cm x W:60 cm Complete Size of Unframed Work: H:70 cm x W:40 cm x D:0.1cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Fowey River Racing is a limited edition print by Robyn Forbes...

Deluxe signed limited edition acrylic print Edition of 20 Bright and colourful beach scene with lots of detail, ready to hang on the wall. Nick's artistic process is a captivating...

Katie Hallam Siver Sea Limited Edition Digital Photograph Edition of 75 Image Size: H 103cm x W 50cm x D 1cm Sold Unframed Ready to Hang Please note that in situ images are purely an...

Clifford Singer is an authority on reality. In February of 1977, Singer attended the Whitney Museum Biennial where he met Salvador Dali while viewing a Richard Estes painting. Bot...

ARAQUÉM ALCÂNTARA Dead Tree, Jau, The Amazon, Brazil, 2001 Black and White Photography 71 x 48 inches - Edition of 10 Archival Pigment Print - Black box fra...

Recognized as a pioneer of nature photography in Brazil, Araquém Alcântara (b. 1951) has, for over five decades, built a monumental visual legacy that celebrates and defends the coun...

Recognized as a pioneer of nature photography in Brazil, Araquém Alcântara (b. 1951) has, for over five decades, built a monumental visual legacy that celebrates and defends the coun...

Shere Mill Pond, No. II (large plate). 1860. Etching and drypoint. Schneiderman 37.v/ix. 7 x 13 1/8 (sheet 10 3/4 x 16 3/8). This state is prior to publication in Études à l'Eau-Forte. Illustrated: Keppel The Golden Age of Engraving; Print Collector's Quarterly 1 (1911): 18; : Guichard, British Etchers, 1850-1940. A rich, brilliant proof with drypoint burr printed on white laid paper. Signed in pencil. ------------------------------------------------------------------------------------------- Shere Mill Pond, No. II was one of the most highly praised landscape prints of the etching revival. An impression was exhibited at the Royal Academy in 1861 under Haden’s pseudonym, H. Dean. Francis Seymour Haden used this anagram of his own name early in his career as an artist, in order to retain his anonymity and preserve his professional reputation as a surgeon. Biography: Sir Francis Seymour Haden (16 September 1818 - 1 June 1910), was an English surgeon, best known as an etcher. He was born in London, his father, Charles Thomas Haden, being a well-known doctor and lover of music. He was educated at Derby School, Christ's Hospital, and University College, London, and also studied at the Sorbonne, Paris, where he took his degree in 1840. He was admitted as a member of the College of Surgeons in London in 1842. In 1843-1844, with his friends Duval, Le Cannes and Colonel Guibout, he travelled in Italy and made his first sketches from nature. Haden attended no art school and had no art teachers, but between 1845 and 1848 he studied portfolios of prints belonging to a second-hand dealer named Love, who had a shop in Bunhill Row, the old Quaker quarter of London. Arranging the prints in chronological order, he studied the works of the great original engravers, Albrecht Dürer, Lucas van Leyden and Rembrandt. These studies, besides influencing his original work, led to his important monograph on the etched work of Rembrandt. By lecture and book, and with the aid of the memorable exhibition at the Burlington Fine Arts Club in 1877, he tried to give a true reflection of Rembrandt's work, giving a nobler idea of the master's mind by taking away from the list of his works many dull and unseemly plates that had long been included in the lists. His reasons were founded upon the results of a study of the master's works in chronological order, and are clearly expressed in his monograph, The Etched Work of Rembrandt critically reconsidered, privately printed in 1877, and in The Etched Work of Rembrandt True and False (1895). Haden's printmaking was invigorated by his much younger brother-in-law, James Whistler, at the Haden home in Sloane Street in 1855. A press was installed there and for a while Haden and Whistler collaborated on a series of etchings of the Thames. The relationship and project did not last. Haden followed the art of original etching with such vigour that he became not only the foremost British exponent of that art but brought about its revival in England. His strenuous efforts and perseverance, aided by the secretarial ability of Sir WR Drake, resulted in the foundation of the Royal Society of Painter-Etchers and Engravers. As president he ruled the society with a strong hand from its first beginnings in 1880. Notwithstanding his study of the old masters of his art, Haden's own plates were very individual, and are particularly noticeable for a fine original treatment of landscape subjects, free and open in line, clear and well divided in mass, and full of a noble and dignified style of his own. Even when working from a picture his personality dominates the plate, as for example in the large plate he etched after J.M.W. Turner's "Calais Pier," which is a classical example of what interpretative work can do in black and white. Of his original plates, more than 250 in number, one of the most notable was the large "Breaking up of the Agamemnon." An early plate, rare and most beautiful, is "Thames Fisherman". "Mytton Hall" is broad in treatment, and a fine rendering of a shady avenue of yew trees leading to an old manor-house in sunlight. "Sub Tegmine" was etched in Greenwich Park in 1859; and "Early Morning--Richmond", full of the poetry and freshness of the hour, was done, according to Haden, actually at sunrise. One of the rarest and most beautiful of his plates is "A By-Road in Tipperary"; "Combe Bottom" is another; and "Shere Mill Pond" (both the small study and the larger plate), "Sunset in Ireland," "Penton Hook," "Grim Spain" and "Evening Fishing, Longparish," are also notable examples of his genius. A catalogue of his works was begun by Sir William Drake and completed by Harrington in 1880. During later years Haden began to practise the sister art...

ARAQUÉM ALCÂNTARA The Amazon Forest, Carabinane Tree, Brazil Black and White Photography 71 x 48 inches - Edition of 10 Archival Pigment Print - Black box frame matt - Regular Plex...