Water Landscape Prints

large format photograph of summer beach scene along Cinque Terre coast by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure Manarola (2020) 61.25” x 81.68” / 155.60 cm x 207.46 cm limited edition of 6 + 2AP (signed, titled and dated on certificate of authenticity) original archival photography print with diasec (acrylic glass) face mount in contemporary white lacquered gallery frame Each limited edition original Massimo Vitali photograph is printed in Italy under artist supervision in strictly limited edition (6 + 2AP) , signed/titled/dated upon final inspection and expertly framed at renowned European art framing facility About the artist: Massimo Vitali was born in Como, Italy, in 1944. He studied photography at the London College of Printing, in the 1970s initially working as a photojournalist, but at the beginning of the 80s a growing mistrust in the belief that photography had an absolute capacity to reproduce the subtleties of reality led to a change in his career path. Vitali worked in cinematography for film and television before beginning a fine art practice in 1995. Over the next two decades, he would gain recognition for his highly detailed, epic-scale panoramas — sociopolitical observations of the natural habitat of humankind at leisure. Vitali’s iconic series of beach panoramas, captured from a distance with an elevated large-format camera platform, began in the light of drastic political changes in Italy. Drawing inspiration from Renaissance and Old Flemish masters, in which the central space is fully exploited and the urban or natural landscape becomes the background, Vitali’s photographs grasp the viewer by capturing highly detailed observances of the recreational habitats of modern civilization. Vitali’s work has been collected in six monographs: Beach and Disco, Natural Habitats, Landscapes With Figures, Swimming Pools, Short Stories and Entering A New World. Additionally, his work is represented in the world’s major museums, including the Centro de Arte Reina Sofia in Madrid, the Guggenheim Museum in New York, the Museum of Contemporary Art in Denver, the Fond National Art Contemporaine in Paris, the Centre Pompidou in Paris, the Musée National d’Art Moderne in Paris, the Fondation Cartier in Paris and the Museo Luigi Pecci in Prato. Massimo Vitali lives and works in Lucca (Italy) and in Berlin (Germany). __________________________ SOLO EXHIBITIONS 2021 'PienoVuoto' Forte di Belvedere, Florence 2020 'Human Constellations' Museo Ettore Fico, Turin 2019 Massimo Vitali: Short Stories' Mazzoleni, London 2018 'Coastal Colonies' Spiral, Tokyo 2017 ‘Disturbed Coastal Systems’ Benrubi Gallery (New York, USA) 2016 ‘Landscapes with Figures’ Guido & Schoen Arte Contemponania (Genoa, Italy) 2016 ‘Massimo Vitali’ Crown Gallery (Knokke-Zoute, Belgium) 2016 ‘Massimo Vitali’ Ronchini Gallery (London, UK) 2015 ‘New Prints’ Hilger Next (Vienna, Austria) 2014 ‘Massimo Vitali’ Studio La Citta (Verona, Italy) 2014 ‘Into The White’ Erich Lindenberg Art Foundation (Porza, Switzerland) 2014 ‘Sempre più pallide. Towards Achrome’ Palazzo Tadea (Spilimbergo, Italy) 2013 ‘Between Normalities’ Bonni Benrubi...

Lithograph on grand vélin des Papeteries de Lana paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Au Temps de Paris Seine...

Joseph Grippi, American (1924 -2001) - Golden Sky, Year: 1973, Medium: Screenprint Monoprint, signed and dated in pencil, Size: 29.5 x 40 in. (74.93 x 101.6 cm)

Color mezzotints depicting the landscape of coastal Maine. This is one of eighteen (printed on chine collé) with intimations of the Arts and Crafts Movement from the early twentieth ...

"Pine Tree and Nago Island, Tsuda, Shikoku, Japan" is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna. The print is matted t...

Max Epstein, Canadian (1932 - 2002) - Blue Lagoon, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: AP 99, Image Size: 19 x 28 inches, Size: 23 in. x 35 ...

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cain, Julien, and F...

Kerr Eby 'Hungerford Bridge, London', etching and sandpaper ground, 1929, edition 90, Giardina 144. Signed, titled, and annotated 'Ed 90' in pencil. Signed again in the bottom right sheet corner. A fine, atmospheric impression, with delicate plate tone, on cream wove paper; the full sheet with margins (1 1/2 to 1 5/8 inches), in excellent condition. Matted to museum standards, unframed. Hungerford Foot Bridge spans the River Thames in London, between Westminster Bridge and Waterloo Bridge. Eby visited Great Britain and France during 1924 and 1925. Impressions of this work are in the permanent collection of the following institutions: American Academy and Institute of Arts and Letters, Arizona State University, Boston Public Library, Davison Art Center (Wesleyan University), Herbert F, Johnson Museum of Art, Huntington Museum of Art, Hood Museum of Art (Dartmouth College), Metropolitan Museum of Art, Montgomery Museum of Fine Arts, National Museum of American Art, New York Public Library, Smithsonian Museum of American Art. ABOUT THE ARTIST Kerr Eby was born in 1890 in Tokyo, Japan, the son of Methodist missionaries from Canada. The family returned to Vancouver when Eby was only three, and he grew up studying art encouraged by his parents as his mother was from a family of prominent artists. By age twelve, he had lived in Vancouver, Kingston, Toronto and Bracebridge where he found work as a ‘printer’s devil’ on the local Bracebridge newspaper. After graduating from high school in 1907, Eby moved to New York City to study art, first at the Pratt Institute, and later at the Art Students League. He enrolled in art classes at Pratt Institute while working for a lithographic firm earning $4.00 a week. His pay barely covered his room and drawing supplies. Within a year, starving and feeling defeated, he returned to Canada and was employed by a surveying party in Northern Ontario. Eby gradually regained his dream of becoming an artist, and in his spare time, he began to draw the surrounding wilderness landscapes. By fall he had returned to New York to attend night classes at the Art Students League while working for another lithographic firm. He spent several more summers surveying in Northern Ontario before he was able to make a living as an illustrator. During this period he formed several friendships with influential artists including John Henry Twachtman and Childe Hassam and joined a summer artists' colony founded by them at Cos Cob, Connecticut. He supported himself by working as a magazine illustrator and at the American Lithographic Company. Through diligent study and practice, Eby refined both his drawing and printmaking techniques. In 1917, when the United States entered World War I, Eby joined the U.S. Army. Failing to obtain a commission as an artist, he was assigned first to ambulance duty and later as a sergeant in the 40th Engineers in France. He spent most of WWI on the front line as a camouflager of the field artillery ‘big guns”. On his time off duty, he would sketch everything he witnessed, from the explosive big guns and men in action to the dead soldiers in the field. He sent the drawings home each week, and upon his return from the war, they became the basis for his first successful group of etchings. He continued creating his war-related prints throughout the 1920s and '30s as his work became widely exhibited Frederick Keppel, the renowned print dealer and a relative of Eby, became the exclusive agent for many of his print editions. With another global conflict beginning in the mid-1930s, Eby wanted to show the world the true face of war...

The french Landscape is an original Lithograph realized by Louise de Rohan-Chabot in 1878. Good conditions except for some foxings. Signed and dated lower left, 1878. The artwork ...

ABOUT THIS PIECE: French artist Ludwig Favre traveled to California to shoot the state's most iconic landscape and architecture. “For my first time in Los Angeles I had the chance to...

Cyd Fontaine (Lausanne, 1992) is a contemporary artist renowned for her captivating use of dreamy atmospheric gradients, which has helped her carve a distinctive niche in the world o...

Evening, Port of Genoa. 1915. Drypoint. Dodgson 337.i/v. 7 5/8 x 9 15/16 (sheet 9 1/8 x 14). Edition of 45 in five states. An exceptionally rich impression with drypoint burr, printe...

John McNulty, Irish/American (1949 - ) - Lakeside Trees IV, Year: 1982, Medium: Etching with Aquatint, signed and titled in pencil, Edition: 250, Size: 22 x 30 in. (55.88 x 76.2 cm)

Morris Cox (1903-1998) Poem 5 from 9 Poems from Nature, 1959 Linocut inked with watercolours Image: 19.0 x 27.0 cm Frame: 34.5 x 41.5 cm Provenance: Morris Cox Archive Morris C...

ABOUT THIS ARTIST: Linda Westin, based in Stockholm, left photography and became a Ph.D. in neuroscience specialized in super-resolution fluorescence microscopy. Then she turned bac...

large format photograph of Cote d'Azur beach by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern...

On a bright sunlit day at the coast, I was inspired by a cloud reflection on the wet sand. It was dramatic and completed by seeing a dog walker in the distance. The linocut is all ab...

Letter of the Alphabet V, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century. Good conditions with some folding. ...

limited_edition Screen Print Edition number 50 Image size: H:28 cm x W:19.5 cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look 'Sw...

iconic large format beach photograph by Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites an...

ABOUT THIS PIECE: "My photographs are a personal collection of moments that reveal my most genuine and beautiful depictions in the world around us. Preserving precious moments in ti...

Archangel is an original modern artwork realized in Germany in the first half of the 19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower margin in Capit...

A luminous first state impression, Hamerton's "Portfolio" edition. Etching and drypoint on cream wove paper, 7 3/16 x 9 15/16 inches (135 x 213 mm), wide margins. First state (of 5)...

Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and sunsets Mediterranean...

C-Print on Argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additio...

This artwork titled "Partir Avant la Pleine Mer" 1986 is an original color etching with aquatint on Arches paper by French artist Jean Solombre, 1948-200...

An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing travelers at Fujisawa in Kanagawa Prefecture with a view beyond to Yugyō-ji Temple, circa 1850. Signed in Kanji uppe...

Ancient View of Segovia in Spain is an original lithograph on paper realized by Eigenthum d. Verleger in The 19th Century. Signed on the plate o...

This realistic nautical limited edition print by Michel Brosseau captures a view of a small white dinghy boat tied to a dock. Two ores rest inside the small boat, which is surrounded...

"Reflecting Sticks, Muan-gun, Mokseo-ri, Jeollanam-do, South Korea." is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna. The...

Eve Stockton’s woodcut prints are inspired by close observation of nature and her eclectic interest in science. Her woodcuts depict nature at different scales, often simultaneously. ...

John McNulty, Irish/American (1949 - ) - Horizon I, Year: 1984, Medium: Etching with Aquatint, signed and titled in pencil, Edition: 200, Size: 19 x 22 in. (48.26 x 55.88 cm)

This is one of eighteen color mezzotints (printed on chine collé) depicting the landscape of coastal Maine. Intimations of the Arts and Crafts Movement of the early twentieth century...

Laurent Marcel Salinas, Egyptian/French (1913 - 2010) - Boats at Dock, Year: circa 1980, Medium: Lithograph, signed in pencil, Edition: 125, EA, Image Size: 24 x 16 inches, Size:...

Laurent Marcel Salinas, Egyptian/French (1913 - 2010) - Boats in Harbor with Lighthouse, Year: circa 1980, Medium: Lithograph, Image Size: 13.5 x 19.5 inches, Size: 19.5 x 25.5 ...

Laurent Marcel Salinas, Egyptian/French (1913 - 2010) - Untitled - Harbor, Year: circa 1962, Medium: Lithograph, Image Size: 17.25 x 21 inches, Size: 21 x 29.5 in. (53.34 x 74....

Biagio Civale, Italian/American (1936 - ) - Du Alberi (two masts) Poster, Medium: Poster, Signed in Pen, Size: 17.5 x 23 in. (44.45 x 58.42 cm)

Biagio Civale, Italian/American (1936 - ) - Along the Siene River (30), Medium: Woodcut, Signed and Numbered in Pencil, Edition: 5/35, Size: 14 x 16.5 in. (35.56 x 41.91 cm)

Laurent Marcel Salinas, Egyptian/French (1913 - 2010) - Morning Light on Honfleur, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: AP, Image Size: 1...

Laurent Marcel Salinas, Egyptian/French (1913 - 2010) - Provincetown - The Harbor, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: AP, Image Size: 1...

Hans-Georg Rauch, German (1939 - 1993) - Destroyed Landscape, Year: 1978, Medium: Offset Lithograph, signed and numbered in pencil, Edition: 290, Size: 20 x 28 in. (50.8 x 71.1...

Lloyd Lozes Goff, American (1918 - 1982) - Entrance to Venice, Year: 1979, Medium: Lithograph, Signed and Numbered in Pencil, Edition: 300, AP 30, Image Size: 19 x 25 inches, Siz...

Biagio Civale, Italian/American (1936 - ) - Boats at La Rochelle, Medium: Linocut on thin tissue paper, Signed, numbered, and titled in pencil, Edition: 3/33, Image Size: 12 x 12 ...

Red Rock by Harvey Kidder, American (1918–2001) Date: circa 1985 Etching with Aquatint, signed and numbered in pencil Edition of 150 Image Size: 20 x 29.5 inches Size: 24.5 x 36 in. ...

Serge LASSUS (1933-) Thalasso at Saint Malo, 1983 Original Lithograph Handsigned in pencil Numbered / 250 (the number you can see can be different) On Vellum 76 x 56 cm (c. 30 x 22 ...

ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California. His pictures of California's iconic architecture and beaches carry the same romantic feel of a...

Swimmer, 2019 Archival print on heavy matt stock 30.5 x 38.3 cm Edition of 200 signed and numbered by the artist Billy Childish is a prolific British artist, musician, and writer k...

Ivan Theimer, Czech (1944 - ) - Le Leze I, Year: 1982, Medium: Lithograph, signed and numbered in pencil, Edition: 200, Size: 21 in. x 30 in. (53.34 cm x 76.2 cm)

This realistic limited edition print captures a highly detailed, cropped, close-up view of water lightly rippling over rocks. The water reflects light above it to add dimension and d...

"Watchtower, Study 30, Mangyang Beach, Ooljin, Gyeongsanbukdo, South Korea" is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenn...

C-Print on Argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additio...

A ca. 1800 engraving by Pierre Gabriel Berthault, "Vue intérieure de Paris prise du milieu du Pont Royal regardant le Pont Neuf". Artwork size: 16 3/8" x 26". archivally matted to...

large format photograph of a sea of green sun umbrellas and yellow-green striped sun chairs, a Mediterranean pre-summer season study of Italian beach clubs in the iconic coastal resort town of Forte dei Marmi, Italy FORTE DEI MARMI by Frank Schott 26.5 x 40 inches / 67cm x 102cm signed edition of 25 48 x 72 inches / 122cm x 183cm signed edition of 7 archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity ________________________ Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence. Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels. Influenced by a number of photographic peers and precursors such as Candida Höfer, Andreas Gursky, Thomas Struth, Jeff Wall, Michael Wolf, Gregory Crewdson, Ed Rusha...

Lithograph on Magnani-Pescia paper. Paper size 17,5 cm x 24,5 cm work size 14,5 cm x22cm. Excellent condition, no defects.   Aldo Riso was born in 1927 in Santa Maria di Leuca, in th...

Bassin d'Apollon, Versailles (Fountain of Appollo, Versailles). Drypoint. Menpes 364. 7 1/8 x 9 1/8 (sheet 8 13/16 x 10 7/8). A very rich impression with drypoint burr and plate tone...

The Passing Gondola. c. 1926. Etching. Edition 80, #18. Hardie/Carter 230. 8 1/2 x 10 1/2 (sheet 11 1/4 x 13). Illustrated: Fine Prints of the Year, 1927. Printed on antique wove pap...

"Kotji Beach Island Study 2 Taean Chungcheongnamdo South Korea" is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna. The prin...

Ivan Theimer, Czech (1944 - ) - Le Leze II, Year: 1982, Medium: Lithograph, signed and numbered in pencil, Edition: 200, Size: 21 x 30 in. (53.34 x 76.2 cm)

SIR FRANCIS SEYMOUR HADEN (British 1818 -1910) SUNSET IN IRELAND 1863 (Schneiderman 47 - Appears to be an undescribed state between XI and XII) Etching and drypoint, signed in penci...

Baroque 17th century German fountain design Copper-line engraving, published in 1664 in Nuremberg. From 'Architectura Curiosa Nova' by George Andreas B...