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Marc Chagall
Marc Chagall “A l’Aube de l’amour”

1983

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    (After)Pablo Picasso (Malaga 1881-1973 Mougins) "Femme Assise" (Dora Maar). 1955 Lithograph in colors after the painting "Dora Maar" from 1944. Czwiklitze...
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    Pablo Picasso (1881-1973) (AFTER) Colored Lithograph- Picasso's Daughter Circa 1965 "Maya au tablier". Signed lower right in pencil, edition 40/200. Overall size: 38 1/2 x 29 in. Si...
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    1960s Portrait Prints

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  • Marc Chagall "Couples de paysans"
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    MARC CHAGALL 1887 - 1985 "Couples de paysans" Color lit...
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  • Marc Chagall ”La Femme du Peintre”.
    By Marc Chagall
    Located in Los Angeles, CA
    Marc Chagall (Russia/France 1887‑1985). ”La Femme du Peintre”. Signed and numbered Marc Chagall 35/50. Color lithograph on Arches, Framed 39.25H x 33W x 2D inches Image 63 x ...
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    1970s Modern Prints and Multiples

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  • PIERRE-AUGUSTE RENOIR "Enfants jouant à la balle"
    By Pierre Auguste Renoir
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    PIERRE-AUGUSTE RENOIR (1841-1919) "Enfants jouant à la balle" Lithograph in colors, on Arches Ingres laid paper watermark MBM, 1900, from the edition of 200, published by Ambroise V...
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    Olympic Connections, Olympic Games Beijing 2008 is an original lithography print realized by Pier Augusto Breccia. This artwork is from the portfolio The Unique Collection for the Olympic Fine Arts 2008 presented during the Olympic Games and produced in 260 copies as the only official artistic product of the 2008 Beijing Olympics. Each artwork of this portfolio is recognizable by the official stamp of the Olympic Organising Committee. Hand-signed on the lower right, Numbered on the lower left, edition of 6/260 prints. Excellent conditions. Per Augusto Breccia was born in Trento (Italy), on April 12, 1943, the son of Elsa Faini of Trento and Angelo Breccia of Porano (Orvieto). Since 1948 he has lived in Rome, where he has pursued the full curriculum of studies. The father was a surgeon; his mother, a hospital operating room chief nurse. From a surgical point of view, “the operating theatre was his nursery”. In his adolescence, his surgical “predestination” was in a certain way in contrast to his particular inclination toward the humanistic world. During his 14th and 15th years, fascinated by Dante, he studied with passion, by himself, the Divine Comedy, learning to appreciate the artistic, universal contents beyond the allegoric representations. At 16, upon entering classic high school, he discovered the glamour of the ancient Greek world. On his own initiative, he translated in blank endecasyllabics (published by Signorelli Ed.) Sofocle’s “Antigone” and the “Tied Prometheus” by Aeschilus. He also translated the Plato...
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